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Rak on the Road Rstart
MIRROR, FEBRUARY r, d REFORD & POPSWOP Suzi's first headline tour Lindisfarne bow out stood to have made h LINDISFARNEat plans, which leaves ARE splitting up three others, R J RAK ON THE ROAD the end of their son, Charlie Hareq UK Tommy Duffy m SUM Quatro The tour dates are: current forming a new sets out feel bar on Apollo. Glasgow (Febru- because they Alan her first head ary 23); City Hall, they Hull's soloNa lining Inn that musically based mi the theme tour of Britain Newcastle (24); Hard the later In have reached BBC -2 play, ill February Rock. Manchester (25): released In and Guildhall, Preston (26); of the road with April a will be sup- end t. single taken from ported Stadium, Liverpool current sjrortly. The by Cozy (March 3); City Hall, the new byes Powell's Hammer Alan Hull be formed, hope to Sheffield (4): Town Hall, a solo an album and Arrows. Birmingham (6); Gate out ao records followed by a most. Ipswich (6); and album Squire which UK lot The tour, known London's Rainbow be the the spring. is likely to It is the second as the Rak Road - Theatre (8). a solo show, Suzi's new single. Your basis for final split of Undid will have all i drum- the first split while ev tickets priced at Mama Won't Like It goes career, - on sale this Friday, and mer Paul Nichols Is Jack the Lad _ sad £1.50, and they will the Arrow's latest My be climaxed by a fare reported to gig in their go on sale at box Last Night With You, is Aerial Bend- natl. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Donovan 2012.Pdf
PERFORMERS PARKE PUTERBAUGH NOT DUST POP LYRICS BUT MODERN POETRY The view o f the sixties is so generalized it’s good to open up the of the Witch”), and the Allman Brothers Band (whose spirituality o f it and what the music was trying to represent. “Mountain Jam” was based on Donovan’s “There Is a It was certainly not just getting stoned and hanging out, man. Mountain”). Beyond all that, he was a gentle spirit who There was meaning and direction; there was substance to it. sang unforgettably of peace, love, enlightenment, wild —Donovan scenes, and magical visions. Born Donovan Leitch in Glasgow, Scotland, in onovan was the Pied Piper of the counterculture. 1946, he moved at age 10 with his family to Hatfield, A sensitive Celtic folk-poet with an adventurous Hertfordshire, England. After turning 1 6, he pursued a musical mind, he was a key figure on the British romantic wanderlust, running off to roam alongside Beat Dscene during its creative explosion in the mid-sixties. He and bohemian circles. He also studiously applied himself wrote and recorded some of the decade’s most memorable to the guitar, learning a sizable repertoire of folk and blues songs, including “Catch the Wind,” “Sunshine Superman,” songs, with the requisite fingerings. A single appearance “Hurdy Gurdy Man,” and “Atlantis.” He charted a dozen during a performance by some friends’ R & B band resulted Top Forty hits in the U.S. and a nearly equal number in the in an offer for Donovan to cut demos in London, which led U.K. -
Newsletter 44
Newsletter Hartlepool & District U3A New Year Edition, Issue 44, January 2021 Happy New Year! Happy New Year! Happy New Year! Happy New Year! Comments from the Chair First of all, greetings to you all and I hope you enjoy the festive period Things are definitely looking more optimistic for the new year with more vaccines becoming ready for distribution. I know that some of our members have already had their first jab, so things are definitely going in the right direction. It is important not to get too far ahead of ourselves as it will be a huge undertaking to get everyone vaccinated before we can return to something approaching normal life. With this in mind, the Committee has decided that we need to hold the AGM that has been held over since June. Obviously, we cannot have a face-to-face meeting so we will be holding a 'virtual' AGM on Friday February 5th 2021 at 2 pm. We will be sending out all the relevant documentation required in mid-January by email and by post to give you all plenty of time to scrutinise them. The virtual meeting will be held via Zoom and every member is invited to join. We want to encourage as many members as possible to join and we can offer help if you need it. Phil has kindly offered to help members who are new to Zoom the week before the AGM. Further details will follow. By the time you read this, the latest TAT newsletter will have been sent out and you can also book Introduction to Zoom sessions via a link in this latest edition. -
Read Ebook {PDF EPUB} Guiness British Hit Singles by Karen O'brien Karen Boddington and Mark Williams
Read Ebook {PDF EPUB} Guiness British Hit Singles by Karen O'Brien Karen Boddington and Mark Williams. Karen Boddington and Mark Williams formed the Australian vocal duet that sang the original theme tune for the TV soap Home and Away. Mark Williams has performed with several other groups. Charts. The theme tune is entitled "Home and Away", and it was released on the First Night label. It entered the UK Singles Chart on 2 September 1989, and remained in the charts for only one week, reaching position 79. [1] Issue. It was used as the theme tune to the show from 1988 until 1995. There have been 7 different full versions of the theme song used, including 2 by The Robertson Brothers. References. Rice, Tim; Jonathan Rice & Paul Gambaccini (1990), Guinness Book of British Hit Singles & Albums , Enfield, Middlesex: Guinness World Records and Guinness Publishing, ISBN 0-85112-398-8 ( Note: misprinted as "Baddington") Dieser Artikel basiert auf dem Artikel Karen Boddington and Mark Williams aus der freien Enzyklopädie Wikipedia und steht unter der GNU- Lizenz für freie Dokumentation. In der Wikipedia ist eine Liste der Autoren verfügbar. Johnny and Mary. "Johnny and Mary" is a song written by Robert Palmer and was recorded in 1980 at Compass Point Studios, New Providence, in the Bahamas. The song was featured on Palmer's album Clues (1980). "Johnny and Mary" only went to #44 on the UK Singles Chart [1] , but did reach #18 on Billboard's Club Play Singles chart.[1] "Johnny and Mary" was used as the signature tune in advertisements promoting Renault cars throughout the 1980s and 1990s. -
Annual Review | 2018/2019 WELCOME from the VICE-CHANCELLOR Dr John Cater CBE
Annual Review | 2018/2019 WELCOME FROM THE VICE-CHANCELLOR Dr John Cater CBE Despite continued uncertainty in the Higher Education The University has also enhanced links with external sector, it has, once again, been a good year for Edge Hill organisations this year, ensuring Edge Hill’s facilities and University. expertise are key resources for a range of communities. A new Productivity and Innovation Centre is boosting the While applications have remained stable this year, we have regional economy by providing local companies with seen a marked rise in conversions – one in three people training, support and advice to address challenges and who apply to Edge Hill now go on to take up a place – develop business skills. Our new Medical School focuses on demonstrating that Edge Hill is increasingly being seen as providing training and support for the North West NHS and the place to study in the region. is developing partnerships with major health providers in the The fact that Edge Hill is rising up the league tables is also a region. We have also recently won a £1m contract to deliver factor in our success this year. We moved into the Top 50 an MSc for Physician Associates to help meet regional demand for this emerging role. of The Guardian University Guide 2020 and are now in the Top 1000 global universities, according to the Times Higher It’s been another year of campus improvements aimed at Education World University Rankings 2019. The WhatUni enhancing the student experience. Catalyst, our new flagship Student Choice Awards shortlisted Edge Hill for University building, was officially opened this year by HRH The Princess of the Year and also placed us in the top 10 in five categories Royal, bringing together all student services under one this year – accommodation, job prospects, facilities, student copper-plated roof. -
Műhely Dalok Az Angolórán
Műhely HEGEDŰS KATALIN nyelvtanár Jankó János Általános Iskola és Gimnázium Tótkomlós Dalok az angolórán ENGLISH WITH SONGS 1) Class profile: The lesson plan is made for students of the year 11 of a secondary school (gimnázium) in Tótkomlós. The group consists of 17 students. Level of English: Pre-intermediate. Coursebook used: Hotline / Pre-intermediate / 2) The song: (pop) Yesterday by The Beatles 3) The background of the song: Some data about the Beatles boys' lives in the form of homework 4) The language planned to teach: Everyday English used in communication 5) Pre-listening tasks: Choose a song by The Beatles What is it about? Important topics: emotions esp. love Make up a love-story using the clues 6) Listening task: What is the song about? Try to sing it together with the group. 7) Post-listening task: a) Have a look at the transcript of the song. / Hand out the copies of the song. A copy enclosed / b) Sing it together with the group. c) The Beatles on the Internet: Compare the "modern version" of this song with the original song. / Hand out the two copies of the song / d) Make an entry into your diary: Write about an event when you were successful or frustrated, happy or unhappy 215 8 ) The lesson plan: YESTERDAY BY THE BEATLES and Yesterday by Gordon Foreman Aims: to use background knowledge to generate creative ideas to encourage speaking about personal experience, emotions to encourage using Internet • THE LESSON step by step Pre-Iistening tasks: Warm-up activity: Fill in the chart and solve the riddle. -
BREAKFAST W April 5Th 2015
1 BREAKFAST W/ THE BEATLES PLAYLIST APRIL 5TH 2015 2 Special Guest RINGO! Start with some religious references from hero’s JPG&R on this Holy weekend right here on BWTB… 3 OPEN Paul McCartney – Heaven On A Sunday – Flaming Pie ‘97 Written in August 1996 while in the US, it featured Linda and son, James McCartney who contributed the lead guitar. George Harrison – My Sweet Lord - All Things Must Pass ‘70 This was the major smash hit of the album by Christmas 1970. It was originally intended for the Edwin Hawkins Singers (who had record, “Oh Happy Day,” which greatly influenced “My Sweet Lord.” George had also let Billy Preston release his own version before George’s – but it was George’s version that was the huge hit and remains the biggest single song success of his entire solo career. 4 Ringo – Oh My Lord – Choose Love John Lennon – God - Plastic Ono Band ‘70 This was the definitive track on the LP. This song was “stuck together” from three different, unfinished compositions. This included a laundry list of John’s opinions on his lost beliefs (namely people and philosophies). This was the song that confirmed the Beatles were over – John revealed he didn’t believe in the band, nor was Paul the walrus. John finally reveals that he was indeed the walrus. Some religious thoughts from solo artists JPG&R…in this reverent time of year 9.22 BREAK Up next it’s time for yer Easter Egg and Egg related candy set for the kids. 5 UPCOMING BWTB SHOWS April 12, 2015 on KLOS: Broadcasting live from Cal Poly Pomona, 9a-12p April 19, 2015 on KLOS: Broadcasting live from the Kobe Steakhouse, 9a-12p April 26, 2015 on KLOS: Broadcasting live from the Commerce Casino, 9a-12p The Beatles - I Am The Walrus - Magical Mystery Tour Recorded 5th September 1967 flip of “Hello Goodbye“ John said the first line came from an acid trip one weekend; the second line came from an acid trip the following weekend. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s. -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Andy Roberts Urban Cowboy 01
ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him.