Executive Producer) – Since the Early 90S, Joel S

Total Page:16

File Type:pdf, Size:1020Kb

Executive Producer) – Since the Early 90S, Joel S ‘CHRISTMAS WITH TUCKER’ PRODUCTION BIOS JOEL S. RICE (Executive Producer) – Since the early 90s, Joel S. Rice has been producing films for television that do more than just tell a story – they make a difference. After receiving his Bachelor’s degree in Psychology and Theater from Wesleyan University in Connecticut in the late 80s, Rice moved to Los Angeles and began acting in a variety of films before returning to school. He earned his Master’s degree in Social Work from UCLA and worked as a Licensed Clinical Social Worker from 1988 to 1992. In the early 90s, Rice decided to return to entertainment, forming a production company, WildRice Productions, which immediately began producing films for television which focused on social or personal issues that affect families, relationships or the public as a whole. His 1993 film for CBS, “Bonds of Love,” starred Treat Williams and Kelly McGillis in a love story between a man who is mentally ill and a woman who is not. WildRice’s “Cries From the Heart” (1994) starred Patty Duke and Melissa Gilbert in a courtroom drama about a mother whose seven- year-old autistic son reveals he’s been abused by a guardian at his school, though it’s unclear if he’s telling the truth. 1998’s “About Sarah” for CBS starred Mary Steenburgen as a mentally ill mother of a teenage girl (Kellie Martin), which tackled the issues of role reversal between children and adult parents with physical or emotional handicaps. The film received a Christopher Award, as well as “Best of the Fest” at the Breckenridge Festival of Film and Steenburgen received a Screen Actors Guild Award nomination for her performance. In 2000, Rice exec-produced Showtime’s “One Kill,” starring Anne Heche, Sam Shepard and Eric Stoltz. Heche appeared as a female soldier who kills an officer in self defense, and then is brought up on charges of murder, dealing with both gun ethics and the treatment of women in a male world. Rice was also the executive producer for the 2007 Nickelodeon comedy “Shredderman Rules.” Rice has worked on numerous Hallmark Channel Original Movies including the “The Note” and “The Note II: Taking a Chance On Love” starring Genie Francis and Ted McGinley as well as “Old Fashioned Thanksgiving” and “An Old Fashioned Christmas” starring Jacqueline Bisset. Rice is married to his wife of 19 years, Ronni. The couple live in Los Angeles with their two daughters, ages six and nine. ### MICHAEL PRUPAS (Executive Producer) – Michael Prupas, President and CEO of Muse Entertainment Enterprises, is a 28-year veteran of the film and television industries. He practiced entertainment law for 20 years, including 15 years as a senior partner at the law firm Heenan Blaikie. Prupas was the head of the firm’s entertainment law practice, which is the largest in Canada. (more) HALLMARK MOVIE CHANNEL/‘CHRISTMAS WITH TUCKER’– Production Bios – Page 2 With his extensive experience in international production financing as well as legal and business affairs, Prupas launched Muse Entertainment Enterprises in June 1998, which has quickly become one of the major independent production companies in Canada. In 2000, he set up Muse Distribution International, which represents Muse Entertainment and other independent Canadian producers at major markets and brings Canadian programs to audiences worldwide. In 2005, Prupas executive produced two award-winning television mini-series: “Human Trafficking,” about the global reach of sex slavery directed by Christian Duguay and starring Donald Sutherland, Mira Sorvino, Robert Carlyle and Rémy Girard, as well as “Answered by Fire,” about the violent creation of East Timor. Prupas also executive produced three seasons worth of episodes of the award-winning dramatic series “This is Wonderland,” which has been sold for broadcast in over 100 territories. In 2007, he produced the feature film “The Deal,” starring William H. Macy and Meg Ryan, which premiered at the Sundance Film Festival. Other TV movies he has produced or executive produced include “Too Young to Marry,” “I Me Wed,” “Dr. Jekyll & Mr. Hyde,” “Girl’s Best Friend,” “Swamp Devil” and “Infected.” He has worked with a myriad of successful actors, including Tom Skeritt, Erica Durance, Bruce Dern, Isabella Rossellini, Bill Pullman, Linda Hamilton and Bob Hoskins. Prupas established the first entertainment law course at McGill University, which he taught from 1997-2002. He coached a minor league baseball team for five years, served on the Board of Trustees of the Banff Television Festival and sits on the Board of Advisors of the Just for Laughs comedy festival and on the finance committee of the Association des producteurs de film et de télévision du Québec. ### JONAS PRUPAS (Executive Producer) – Jonas Prupas is General Manager of Muse Entertainment’s Toronto office overseeing Muse’s TV movies, documentaries and unscripted character-based series developed or filmed in Ontario. His most recent executive producer credits include the television movies: “Home Again” (ABC Family) and “The Night Before The Night Before Christmas” (Hallmark Channel). He is also responsible for helping Ann Harbron, Managing Director of the company’s Factual Division, to identify, develop and manage Muse Entertainment’s unscripted programming slate. Jonas has worked at Muse since 2008. He has a BA in Economics from McGill University and an MBA in Arts and Media Management from the Schulich School of Business, York University. ### (more) HALLMARK MOVIE CHANNEL/‘CHRISTMAS WITH TUCKER’– Production Bios – Page 3 DAVE ALAN JOHNSON (Executive Producer/Writer)- In the two plus decades Dave Alan Johnson has worked in Hollywood. Johnson has created, produced, written, or directed nearly a half billion dollars worth of entertainment. He has collaborated with some of Hollywood’s top names (including teaming up with Steven Spielberg to Co-Create and Executive Produce DreamWorks’ premier television production - the ABC hit drama, “High Incident”). He has created product (in both television and movies) for virtually every major entertainment company including Disney, Paramount, Sony, Warner Brothers, DreamWorks, MGM, FOX, ABC, NBC, CBS, and others. Last summer Johnson was Executive Producer of October Baby,” one of the most successful independent theatrical releases of 2012. Currently, “Christmas With Tucker,” a movie he scripted for Hallmark Movie Channel, is in production serving as Executive Producer. He is alsoin pre-production on three more movies for other distributors that will shoot in 2013 – for which he’ll serve in varying capacities (Writer, Producer and /or Director). ### LARRY McLEAN (Director)- Larry Mclean is a diverse and passionate director with a dynamic vision. Starting his career as an actor, McLean’s experience offers a unique perspective on the other side of the camera, adding vital onset cohesiveness to his projects. From the subtle comedy “Republic of Doyle” to the prime time drama “XIII,” McLean has a wide range of experience to suit almost every production. Previously, McLean directed two episodes of “Alien Mysteries,” a one hour sci-fi scripted drama produced for Discovery Network. The series is a big hit having premiered spring 2013 immediately gaining a huge audience. McLean’s episode aired opening night and got great reviews. Last year, McLean immersed himself in Disney Boot Camp. He saw that mulit-camera was becoming more and more popular and he wanted to be ready for the onslaught of production. He has since directed the sitcom, “Pair of Kings” for the network and will be returning this season to do more shows. McLean has a great deal of experience directing children’s programming. He worked on 12 episodes of Aaron Stone before being brought on mid-season as a creative consultant. McLean has work on several episodes of Cookie Jar Entertainment’s Mudpit, a much-anticipated live action/CGI hybrid due to be released September 2011. Larry has done a substantial amount of dramatic and comedic television for prime time audience. He directed the pilot episode of “Love You to Death,’ a show about spousal murders hosted by John waters. After creating the initial visual style for this niche series, he was brought back to direct multiple episodes. McLean has also worked on episodes of the Canadian classic “Due South,’ the Gemini award-winning series “Blue Murder” and the action-adventure hit “Relic Hunter.” (more) HALLMARK MOVIE CHANNEL/‘CHRISTMAS WITH TUCKER’– Production Bios – Page 4 He directed the pilot episode of “Sue Thomas F.B.Eye,” extending his contract to direct and co- produce almost every second episode. Impressed with his work, the prodcuers hired McLean to direct and co-produce more than 20 episodes of “Doc,” work with Billy Ray Cyrus again in the television movie of the week, “Some Gave All.” McLean has been nominated for two DGC Team awards for his work on “XIII: The Conspiracy” and the movie “Jett Jackson.” Being able to skillfully adapt to any genre or production, McLean is always looking for his next project. --HALLMARK MOVIE CHANNEL-- .
Recommended publications
  • Open Cho YS Thesis.Pdf
    The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition.
    [Show full text]
  • CNMI's Sumption of the Covenant Sec­ Ing Seriously Considered by the Immigration and Wage Policies, Tion 902 Talks
    UNlVi;RSITY._Of_!:iAWAII Llt,RAR'( arianas %riety;:~~s Micronesia's Leading Newspaper Since 1972 ~ • " . Vol. 25· No.',1°0o· .· \ ·.. · ; .·· ' . T. h. · d. ·A· · · I : · ... · Saipari', MP.969.50 ·. .:·,-\,::ilw.,,-,i~~ .·. ©1997 ·Marianas Variety . ·: . · .. · . .. ~rs ay • UgUS 7 , ·199 . 7 Serving CN.MI for 25 Y.ears· · ·ii. :{:;;l I 1• s' • • • '• ' ' •"' ............. ,/ AGANA, Guam (AP)-A Ko­ just before the crash," said Rudy smell of burned fuel and flesh was rean Air jet carrying 254 people Delos-Santos, reporter at radio unbearable, he said. The survi­ crashed and burned in a rain­ station KOKU who lives near the vors came from the front of the storm early Wednesday, and crash· site on Nimitz Hill, three plane, which was largely intact. rescuers who trudged through miles (five kilometers) from the The back was in ruins. the jungle with flashlights found airport on this U.S. island posses­ A White House official, speak­ at least 35 survivors. U.S. Navy sion. "The plane plowed through ing on condition of anonymity, crews were trying to crack open the jungle for a minute or so be­ · said authorities have concluded the fuselage to see if anyone fore it came to a rest." there was no fire and no distress (!]se could be saved. He said he ran to the area call from the pilot prior to the Flight 801, aBoeing747from through the darkness and got crash, as was previously believed. Seoul, South Korea, was carry­ within about 80 or90 yards (73 to The official said earlier accounts ing mostly Korean tourists, in­ 82 meters) before law enforce­ contained information that proved cluding several couples on their ment officials stopped him.
    [Show full text]
  • UC San Diego UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title In situ Analytical Characterization of Interfacial Phenomena in All-Solid-State Lithium Ion Thin Film Batteries Permalink https://escholarship.org/uc/item/77q6k19z Author Wang, Ziying Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO In situ Analytical Characterization of Interfacial Phenomena in All-Solid-State Lithium Ion Thin Film Batteries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chemical Engineering by Ziying Wang Copyright Ziying Wang, 2016 All rights reserved. The Dissertation of Ziying Wang is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2016 iii DEDICATION To Boqian Wang and Guangqi Cheng iv TABLE OF CONTENTS Signature Page.............................................................................................................iii Dedication.....................................................................................................................iv
    [Show full text]
  • Dreamworks SKG:Traumfabrik Im Digitalen Zeitalter
    Medien Filipp Goldscheider Dreamworks SKG:Traumfabrik im digitalen Zeitalter Analyse des Aufbaus eines Medienunternehmens Diplomarbeit Bibliografische Information der Deutschen Nationalbibliothek: Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de/ abrufbar. Dieses Werk sowie alle darin enthaltenen einzelnen Beiträge und Abbildungen sind urheberrechtlich geschützt. Jede Verwertung, die nicht ausdrücklich vom Urheberrechtsschutz zugelassen ist, bedarf der vorherigen Zustimmung des Verla- ges. Das gilt insbesondere für Vervielfältigungen, Bearbeitungen, Übersetzungen, Mikroverfilmungen, Auswertungen durch Datenbanken und für die Einspeicherung und Verarbeitung in elektronische Systeme. Alle Rechte, auch die des auszugsweisen Nachdrucks, der fotomechanischen Wiedergabe (einschließlich Mikrokopie) sowie der Auswertung durch Datenbanken oder ähnliche Einrichtungen, vorbehalten. Copyright © 1997 Diplomica Verlag GmbH ISBN: 9783832461270 http://www.diplom.de/e-book/221587/dreamworks-skg-traumfabrik-im-digitalen- zeitalter Filipp Goldscheider Dreamworks SKG: Traumfabrik im digitalen Zeitalter Analyse des Aufbaus eines Medienunternehmens Diplom.de Filipp Goldscheider Dreamworks SKG: Traumfabrik im digitalen Zeitalter Analyse des Aufbaus eines Medienunternehmens Diplomarbeit an der Johann Wolfgang Goethe-Universität Frankfurt am Main Fachbereich Gesellschaftswissenschaften
    [Show full text]
  • PB Before I Disappear Eng Ita9190820141536120.Pdf
    The movie takes place over the course of one sweltering night in New York City. SYNOPSIS The journey begins with Richie (Shawn Christensen), a seemingly hopeless introvert, who has decided he has had enough with life. But as he is attempting to end it all, he gets a phone call from his estranged sister, Maggie (Emmy Rossum). Though they haven’t spoken in years, Maggie has found herself in a sticky situation and needs Richie to pick up her daughter from school. Richie reluctantly cancels his dark plans and goes to pick up his precocious niece, Sophia (Fatima Ptacek), and escorts her home. But when Maggie doesn’t return as scheduled, Richie is forced to take care of Sophia for the night. As the night progresses, Richie finds himself caught in a battle between his two bosses Bill (Ron Perlman) and Gideon (Paul Wesley) and soon figures out that baby-sitting is the least of his problems. ABOUT THE PRODUCTION The idea for Before I Disappear was born a few years ago, when director Shawn A number of wildly different directions were discussed before the final story was Christensen met a prodigal young girl who lived next door to his best friend. He was settled upon. Ultimately, Shawn decided to focus on the core of the story about a immediately blown away by her youthful vigor and intelligence, a seemingly stark family, Richie, Maggie & Sophia, who’ve been splintered by time and circumstances contrast to his own shortcomings and he decided he’d like to explore this dynamic in and are forced to reunite when Maggie finds herself in a bind.
    [Show full text]
  • DREAMWORKS SKG Presenta
    DREAMWORKS SKG presenta Diretto da JOHN STEVENSON e MARK OSBORNE Musiche di HANS ZIMMER e JOHN POWELL Soggetto di ETHAN REIFF e CYRUS VORIS Sceneggiatura di JONATHAN AIBEL e GLENN BERGER Coprodotto da JONATHAN AIBEL e GLENN BERGER Produttore Esecutivo BILL DAMASCHKE Prodotto da MELISSA COBB Uscita 29 Agosto 2008 Durata: 92 minuti www.kungfupanda-ilfilm.it “Kung Fu Panda” Note di Produzione 2 Sinossi Grande, vivace e un po’ maldestro, Po (Jack Black, nominato al Golden Globe) è il fan di kung fu più sfegatato che si sia mai visto…e la cosa potrebbe non essere molto adatta a chi deve lavorare tutti i giorni nel negozio di spaghetti della sua famiglia. Improvvisamente chiamato ad esaudire un’antica profezia, i sogni di Po si avverano e il piccolo panda entra a far parte del mondo del kung fu per allenarsi al fianco dei suoi idoli, i leggendari Cinque Cicloni: Tigre (l’attrice premio Oscar® Angelina Jolie); Gru (attore vincitore di un Emmy Award, David Cross); Mantide (Seth Rogen, nominato all’Emmy); Vipera (Lucy Liu, nominata all’Emmy e al SAG Award); e Scimmia (superstar internazionale Jackie Chan), e il loro guru, il Maestro Shifu (Dustin Hoffman, due volte premio Oscar®). Ma prima che possano rendersene conto, il vendicativo e traditore leopardo delle nevi Tai Lung (Ian McShane, premiato con l’Emmy e il Golden Globe) ne fiuta le tracce, e toccherà a Po difendere tutti dall’incombente minaccia. Riuscirà il piccolo panda a diventare un vero maestro di kung fu? Po ci metterà il cuore, e l’improbabile eroe alla fine scoprirà che le sue maggiori debolezze possono diventare un grande punto di forza.
    [Show full text]
  • The BG News April 3, 1997
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-3-1997 The BG News April 3, 1997 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 3, 1997" (1997). BG News (Student Newspaper). 6156. https://scholarworks.bgsu.edu/bg-news/6156 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. TODAY Directory SPORTS OPINION Switchboard 372-2601 Baseball Aaron comments on the harsh Classified Ads 372-6977 Display Ads 372-2605 realities of sensational journalism Editorial 372-6966 csu 8 CSU 2 Sports 372-2602 i^ishowers Entertainment 372-2603 BG.. 1 BG.. 3 STATE ■■■■■■■■■■■ and mild Story Idea? Give us a call Falcons split double header against Cleveland State in Columbus man accused of illegally weekdays frpm I pm. to 5 pm.. or e-mail: "[email protected]" home baseball action attaining bubonic plague germs High: 65 Low:41 THURSDAY April 3,1997 Volume 83, Issue 126 The BG News Bowling Green, Ohio "Serving the Bowling Green community for over 75years" # Student hit by Spring Sun car in recovery Q University student According to Mrs. Herndon, while her son was in surgery involved in recent car complications occurred, and he accident fights for his was put on a respirator.
    [Show full text]
  • 1995-96 and 1996-97 Academic Years, the Center Interviewed Students for the Position of Project Monitor
    PART I. INTRODUCTION A. Overview The past 12 months have been the most momentous period in the history of the television violence issue. A year ago there were no V-chips, television content ratings, minimum air time requirements for educational television or public discussions about the context in which television violence occurs. Now these developments frame the television violence issue. In September 1995 the UCLA Center for Communication Policy released its first report on the state of television violence. Rather than examining a one- or two-week sample that might contain unusually light or heavy concentrations of violence, the Center thoroughly examined every series, television movie, theatrical film and Saturday morning children’s program on broadcast network television. In addition, we monitored every on-air promotion and advertisement aired during this programming. Our report found that while there were positive signs in the areas of network television series and television movies, there were significant problems in the areas of theatrical films shown on television, on-air promotions and children’s television. Last year’s report concluded with an analysis of the 1994-95 television season, a series of recommendations that we felt would significantly address television violence and an invitation to the broadcast networks to work with us over the next year on this issue. Upon its release, the four networks promised to carefully study the report and its recommendations and accepted the offer to work together on this very difficult and contentious problem. While much work remains to be done over the third and subsequent years of this process, we are happy to report that the broadcast networks were serious in their desire to work with us to improve the ways in which they deal with television violence.
    [Show full text]
  • Sunday Iournal
    PULL OUT SECTION INSIDE: TV LISTINGS FOR THE WEEK AUGUST 24-30, 1997 THE DETROIT VOL. 2 NO. 41 75 CENTS S u n d a y Io u r n a l CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ Between the lines Page 24 Dead wrong Classifieds Page 25 Crossword Page 27 Editorials Page 10 Slain woman’s mother determined to block Entertainment Page 12 accused murderer from family assets Horoscope Page 21 By Norman Sinclair Detroit firefighter Adra Young. Hefound inconsistencies in Young’s alibi Susan Watson Page 3 Journal Staff Writer claimed he was out of town when hisand charged him in the deaths. Young Just before midnight on a coldwife and his only son were apparentlyconfessed that he killed his family to Sunday in February, the bodiesabducted, of taken to the park and fatal­start a new life with another woman. Terri Young, 36, and her 15-year-oldly wounded. Terri Young was slumpedNow Young is attempting to cash in son, Michael, were found in her carover the wheel with a gunshot woundassets, pension benefits, insurance parked in Rouge Park on Detroit’sin the back of her head. Michael, stillpolicies, a home, furniture and cars he Teamsters west side. clinging to life, was in the back seat.and his wife acquired during 16 years For two days, the city rallied aroundHe too had been shot in the head.of marriage to pay the lawyer defend- president her grieving husband, 35-year-oldDetroit homicide detectives quickly See SUIT, Page 7 election is nullified By Martha Hindes Fighting to save Journal Staff Writer the American Just four days after one of his biggest victories, Teamsters chief , Bream iSsJM t Ron Carey faced a challenge that could cost him the presidency of the nation’s biggest labor union.
    [Show full text]
  • Television Violence. That Report Found Some Problems Across the Board, Especially in Theatrical Films Shown on Television and in On-Air Promotions
    PART I. INTRODUCTION A. Overview On October 15, 1996 the UCLA Center for Communication Policy released the second of three annual reports on television violence. Looking at all television sources, but especially broadcast network television, the report found that there had been improvement in the areas of television series, theatrical films shown on television and on-air promotions. The report also found that a new problem regarding reality specials, especially those featuring real footage of animals attacking and in some cases killing people, had emerged. However, despite some new problems, the report found some improvement overall and looked to the third year to see if those improvements represented an aberration or the beginning of a trend. As the second report was released in the middle of a presidential election campaign, the Center offered to brief both candidates, President Bill Clinton and Senator Robert Dole, on the report’s findings. President Clinton held a joint press conference with the director of the Center and praised the findings of the second report. Senator Dole read the report and called it “a study in courage.” In the introduction to last year’s study referring to political developments in the television content area in 1996, the report concluded that “there had never been a year like the last one.” The report went on to predict that 1997 “promises to be just as momentous and contentious.” That prediction proved to be an enormous understatement. At times it has seemed as if a war had broken out between television programmers on one side and advocates, as well as some members of the government, on the other.
    [Show full text]
  • SUSTAINABILITY REPORT 2015 2 GENTING SINGAPORE Table of Content Message from Our President GENTING SINGAPORE 3
    SUSTAINABILITY REPORT 2015 2 GENTING SINGAPORE table of content message from our president GENTING SINGAPORE 3 TABLE OF CONTENT MESSAGE FROM OUR PRESIDENT 03 MESSAGE FROM OUR PRESIDENT 47 COMMUNITY We are committed to deliver high quality products and 48 CSR PROGRAMMES services to all our guests. Most of the guest satisfaction ratings at our attractions continued to score above the 04 ABOUT THIS REPORT industry average measured by Customer Satisfaction Index 04 REPORTING STANDARDS 50 ENVIRONMENT of Singapore (CSISG). 04 REPORTING SCOPE AND PERIOD 51 BIODIVERSITY ASSURANCE 55 ENERGY We recognize the vital contributions of our team members 04 ACCESSIBILITY OF THE REPORT 57 EMISSIONS to our business. To that end, we ensure that all our team AND FEEDBACK 58 WATER members have a safe, dynamic and inclusive workplace 59 WASTE which nurtures growth. We continued to provide ample 60 HAZARDOUS WASTE opportunities for our team members to develop their 05 ABOUT GENTING SINGAPORE PLC potential through tailored human capital development 05 ABOUT RESORTS WORLD SENTOSA programmes and the Further Education Scholarship. 06 PRINCIPAL BUSINESSES 61 GRI CONTENT INDEX 06 AWARDS AND ACCOLADES Being socially responsible is a philosophy which is ingrained within our business. Throughout the year, we have touched more than 9,000 lives with approximately 07 OUR SUSTAINABILITY APPROACH S$3.6 million cash and in-kind donations. Over 1,200 of 08 SUSTAINABILITY21 STRATEGY our team members clocked in more than 14,700 volunteer 09 STAKEHOLDERS ENGAGEMENT hours, more than 90% increase as compared to 2014. 10 MATERIALITY ASSESSMENT Part of our commitment towards sustainability is the reduction of our ecological footprint.
    [Show full text]
  • Part I. Introduction
    PART I. INTRODUCTION A. Overview The past 12 months have been the most momentous period in the history of the television violence issue. A year ago there were no V-chips, television content ratings, minimum air time requirements for educational television or public discussions about the context in which television violence occurs. Now these developments frame the television violence issue. In September 1995 the UCLA Center for Communication Policy released its first report on the state of television violence. Rather than examining a one- or two-week sample that might contain unusually light or heavy concentrations of violence, the Center thoroughly examined every series, television movie, theatrical film and Saturday morning children’s program on broadcast network television. In addition, we monitored every on-air promotion and advertisement aired during this programming. Our report found that while there were positive signs in the areas of network television series and television movies, there were significant problems in the areas of theatrical films shown on television, on-air promotions and children’s television. Last year’s report concluded with an analysis of the 1994-95 television season, a series of recommendations that we felt would significantly address television violence and an invitation to the broadcast networks to work with us over the next year on this issue. Upon its release, the four networks promised to carefully study the report and its recommendations and accepted the offer to work together on this very difficult and contentious problem. While much work remains to be done over the third and subsequent years of this process, we are happy to report that the broadcast networks were serious in their desire to work with us to improve the ways in which they deal with television violence.
    [Show full text]