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Himeji Castle, Hyōgo
Himeji Castle, Hyōgo Location: Hyōgo Prefecture Date: Original construction dates from 1333, but the current structure was built between 1580-1610 Patron: Toyotomi Hideyoshi and enlarged c 1610 by Ikeda Terumasa. Scale: 140m (east-west axis) x 125m (north-south axis). 91m above sea level. Stone wall of the main keep 15m high; the main keep is 31.5m high. There are 27 towers, 11 wells and 21 gates. Scope of work: WAR; Architecture beyond the European tradition. Materials: primarily wood and stone Style/Period: Renritsu/Azuchi–Momoyama Art History in Schools CIO | Registered Charity No. 1164651 | www.arthistoryinschools.org.uk Himeji Castle, Hyōgo Introduction Japan’s most magnificent castle, a Unesco World Heritage Site and one of only a handful of original castles remaining. Nicknamed the ‘White Egret Castle’ for its spectacular white exterior and striking shape emerging from the plain. Himeji is a hill castle, that takes advantage of the surrounding geography to enhance its defensive qualities. There are three moats to obstruct the enemy and 15m sloping stone walls make approaching the base of the castle very difficult. Formal elements Viewed externally, there is a five-storey main tenshu (keep) and three smaller keeps, all surrounded by moats and defensive walls. These walls are punctuated with rectangular openings (‘sama’) for firing arrows and circular and triangular openings for guns. These ‘sama’ are at different heights to allow for the warrior to be standing, kneeling or lying down. The main keep’s walls also feature narrow openings that allowed defenders to pour boiling water or oil on to anyone trying to scale the walls. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956. -
The British Commonwealth and Allied Naval Forces' Operation with the Anti
THE BRITISH COMMONWEALTH AND ALLIED NAVAL FORCES’ OPERATION WITH THE ANTI-COMMUNIST GUERRILLAS IN THE KOREAN WAR: WITH SPECIAL REFERENCE TO THE OPERATION ON THE WEST COAST By INSEUNG KIM A dissertation submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law The University of Birmingham May 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines the British Commonwealth and Allied Naval forces operation on the west coast during the final two and a half years of the Korean War, particularly focused on their co- operation with the anti-Communist guerrillas. The purpose of this study is to present a more realistic picture of the United Nations (UN) naval forces operation in the west, which has been largely neglected, by analysing their activities in relation to the large number of irregular forces. This thesis shows that, even though it was often difficult and frustrating, working with the irregular groups was both strategically and operationally essential to the conduct of the war, and this naval-guerrilla relationship was of major importance during the latter part of the naval campaign. -
Viking River Cruises 2018
VIKING RIVER CRUISES 2018 River Cruise Atlas Brochure 2018.indd 1 28/02/2017 08:44 2 River Cruise Atlas Brochure 2018.indd 2 28/02/2017 08:44 explore in Viking comfort In Norway they call it koselig. In Denmark, hygge. At Viking we simply call it comfort. And we believe it’s the only way to explore the world. Comfort is knowing that you are completely cared for in every way. It’s a glass of wine under a starlit sky. Good food in the company of good friends. Sinking in to a delicious king-sized bed and surrendering to the deepest of sleeps. It’s a feeling of contentment and wellbeing. Comfort is togetherness, a generosity of spirit and a very real sense of belonging. We hope that you enjoy browsing this brochure and find all the inspiration you need to explore the world in comfort with Viking during 2018. Call us on 0800 810 8220 3 River Cruise Atlas Brochure 2018.indd 3 28/02/2017 08:44 why Viking The world is an amazing place and we believe you deserve to see, hear, taste and touch it all. As an independently owned company, we are able to do things differently, to create journeys where you can immerse yourself in each destination, and explore its culture, history and cuisine. Our decades of experience give us an unrivalled level of expertise. And, with the largest, most innovative fleet of ships in the world, we are consistently voted best river cruise line by all the major players, including the British Travel Awards, Cruise International Awards and Times Travel Awards. -
11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
Player's Guide
Player’s Guide Player’s Guide Design: James Jacobs n the Savage Tide Adventure Path, your Additional Design: Jason Bulmahn characters are destined to face a wide range of Developer: James Jacobs Idangerous monsters, hostile terrain, murderous Editors: James Jacobs, Erik Mona, James Sutter organizations, and sinister magic. Yet before you Art Director: Sean Glenn set off , you’ll need to know where your character is Graphic Designer: Drew Pocza from. This campaign begins in the exotic port city of Cover Artist: Todd Lockwood Sasserine, and it is here that the foundations of your Illustrations: Ben Wootten character will be laid. The City of Sasserine is perched Cartographer: Robert Lazzaretti on the edge of the known world, the last stop before Prepress Manager: Kelly O’Brien the endless expanse of the Amedio Jungle. It is a hub of Production Manager: Jeff Alvarez trade, and home to more than fi � een thousand souls, Publisher: Erik Mona a bastion of civilization in a realm haunted by piracy, Paizo CEO: Lisa Stevens disease, violent weather, and monsters. Based on the original Dungeons & Dragons rules Further details on Sasserine are provided for the created by Gary Gygax and Dave Arneson and the new DM in Dungeon #139, which also kicks off the new Dungeons & Dragons game designed by Jonathan Savage Tide Adventure Path. This campaign assumes Tweet, Monte Cook, Skip Williams, Richard Baker, and your starting character is a Sasserine native, and as Peter Adkison. such you can expect to know a fair amount in advance about the city. This booklet presents everything you’ll This game product contains no Open Game Content. -
Blight on Bright Sands Sourcebook Page 2
BLIGHT ON BRIGHT SANDS SOURCEBOOK Version 1.0 April 2005 Campaign Arc Direction: Creighton Broadhurst and Stephen Radney-MacFarland Arc Design and Review: Creighton Broadhurst, Chris Chesher, Sampo Haarlaa, Mike Hinds, Tom Kee, Stuart Kerrigan, Paul Looby, Greg Marks, Theron Martin and Bruce Paris, Stephen Radney-MacFarland, Pierre van Rooden. Cartography: Craig Zipse, modified by Stephen Radney-MacFarland Special Thanks: Erik Mona. Resources: Sandstorm: Mastering the Perils of Fire and Sand by Bruce R. Cordell, Jennifer Clarke Wilkes, and JD Wiker; Living Greyhawk Gazetter by Gary Holian, Erik Mona, Sean K Reynolds, and Fredrick Weining; Rary the Traitor by Anthony Pryor; “Into the Bright Desert” from Dungeon issue 98 and “Denizens of the Bright Desert” from Dungeon issue 103; and “City of the Scorned” from Dungeon issue 109 by Paul Looby. ® Based on the original DUNGEONS & DRAGONS rules created by E. Gary Gygax and Dave Arneson and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This game product contains no Open Game Content. No portion of this work may be reproduced in any form without permission of Wizards of the Coast. To learn more about the Open Gaming License and the d20 SYSTEM license, please visit www.wizards.com/d20 This is an official RPGA® play document. To find out more about the RPGA and to learn more on how you can sanction and run DUNGEONS & DRAGONS game events of all sizes, visit our website at www.rpga.com. DUNGEONS & DRAGONS, D&D, GREYHAWK, LIVING GREYHAWK, D&D REWARDS, RPGA, Player’s Handbook, Dungeon Master’s Guide, and Monster Manual are trademarks of Wizards of the Coast, Inc, in the US and other countries. -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
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This document consists of two (2) parts: Part A: Thesis (Creative Work) Part B: Portfolio PART A CROSSING SHADES Submitted in partial fulfilment of the requirements for the degree of Master of Arts in Creative Writing Rhodes University by Shareen Singh November 2019 Abstract This collection of stories draw on culture, history, memory, musings and imagination. The stories are set primarily in South Africa but includes travels to other countries. I explore journeys to different worlds and minds. I challenge the reader to see how place and time influence our ways of seeing, living and evolving. I use different forms and tones that resonate with the subjective nature of each creative piece. My writing includes formal prose as well as works that experiment with fragments, vignettes and flash fiction. Contents Rain Goat…………………………………………………………………………………….1 Stanger in Colour…………………………………………………………………………….2 DNA………………………………………………………………………………………….6 The Stranger………………………………………………………………………………….7 Island of Rum………………………………………………………………………………...9 Of the Cuff…………………………………………………………………………………..10 Santeria………………………………………………………………………………………12 Swings and Roundabouts…………………………………………………………………….14 Nirvana……………………………………………………………………………………….15 The Hole………………………………………………………………………………….......16 Empathy Amiss………………………………………………………………………............19 Wailing Whales………………………………………………………………………………20 Flow…………………………………………………………………………………………..23 The Silence of Shame………………………………………………………………………...24 Beginnings……………………………………………………………………………………26 Excluded……………………………………………………………………………………...28 -
The Impact of the Roman Army (200 BC – AD 476)
Impact of Empire 6 IMEM-6-deBlois_CS2.indd i 5-4-2007 8:35:52 Impact of Empire Editorial Board of the series Impact of Empire (= Management Team of the Network Impact of Empire) Lukas de Blois, Angelos Chaniotis Ségolène Demougin, Olivier Hekster, Gerda de Kleijn Luuk de Ligt, Elio Lo Cascio, Michael Peachin John Rich, and Christian Witschel Executive Secretariat of the Series and the Network Lukas de Blois, Olivier Hekster Gerda de Kleijn and John Rich Radboud University of Nijmegen, Erasmusplein 1, P.O. Box 9103, 6500 HD Nijmegen, The Netherlands E-mail addresses: [email protected] and [email protected] Academic Board of the International Network Impact of Empire geza alföldy – stéphane benoist – anthony birley christer bruun – john drinkwater – werner eck – peter funke andrea giardina – johannes hahn – fik meijer – onno van nijf marie-thérèse raepsaet-charlier – john richardson bert van der spek – richard talbert – willem zwalve VOLUME 6 IMEM-6-deBlois_CS2.indd ii 5-4-2007 8:35:52 The Impact of the Roman Army (200 BC – AD 476) Economic, Social, Political, Religious and Cultural Aspects Proceedings of the Sixth Workshop of the International Network Impact of Empire (Roman Empire, 200 B.C. – A.D. 476) Capri, March 29 – April 2, 2005 Edited by Lukas de Blois & Elio Lo Cascio With the Aid of Olivier Hekster & Gerda de Kleijn LEIDEN • BOSTON 2007 This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. -
XIV-Congreso-Asociacion-Historia
Asociación de Historia Contemporánea. Congreso (14.º. 2018. Alicante) Del siglo XIX al XXI. Tendencias y debates: XIV Congreso de la Asociación de Historia Contemporánea, Universidad de Alicante 20-22 de septiembre de 2018 / Mónica Moreno Seco (coord.) & Rafael Fernández Sirvent y Rosa Ana Gutiérrez Lloret (eds.) Alicante, Biblioteca Virtual Miguel de Cervantes. 2019. 2019 pp. ISBN: 978-84-17422-62-2 Alicante, Biblioteca Virtual Miguel de Cervantes, 2019. Este libro está sujeto a una licencia de “Atribución-NoComercial 4.0 Internacional (CC BY-NC 4.0)” de Creative Commons. © 2019, Asociación de Historia Contemporánea. Congreso Algunos derechos reservados ISBN: 978-84-17422-62-2 Portada: At School, Jean-Marc Côté, h. 1900. PLAYING THE GREAT WAR Giaime Alonge & Riccardo Fassone985 (University of Turin, Italy) World War One during analog wargame’s golden age Game scholar Stewart Woods divides board games in three main categories. 1) Classical games, such as Chess or Checkers -very old games, so old that they have no author, and therefore are not copyrighted. 2) Mass-market games such as Monopoly (1933) or Scrabble (1935). 3) Hobby games- niche games such as Dungeons & Dragons (1974) or Magic: The Gathering (1993), that are enjoyed by relatively small, but highly devoted groups of players986. Wargame is one of the thinnest niches in the universe of hobby games. A wargame is a «realistic» simulation of warfare. We will shortly address the question of what we mean by «realistic», but before that, we must make another premise. In this paper, by «wargame» we will only mean recreational simulations. We will not consider the professional simulations that staff officers of many armies and navies around the globe regularly hold in order to study possible scenarios of war.987 It is a practice that was introduced in the early nineteenth century, in Prussia, where generals started to prepare their future campaigns with a «game» called Kriegsspiel988.