Some Famous Trade Marks …And the Stories Behind Them
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Consent Decree: Safeway, Inc. (PDF)
1 2 3 UNITED STATES DISTRICT COURT 4 NORTHERN DISTRICT OF CALIFORNIA SAN FRANCISCO DIVISION 5 6 UNITED STATES OF AMERICA, ) 7 ) Plaintiff, ) Case No. 8 ) v. ) 9 ) SAFEWAY INC., ) 10 ) Defendant. ) 11 ) 12 13 14 CONSENT DECREE 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Consent Decree 1 2 TABLE OF CONTENTS 3 I. JURISDICTION, VENUE, AND NOTICE .............................................................2 4 II. APPLICABILITY....................................................................................................2 5 III. OBJECTIVES ..........................................................................................................3 6 IV. DEFINITIONS.........................................................................................................3 7 V. CIVIL PENALTIES.................................................................................................6 8 9 VI. COMPLIANCE REQUIREMENTS ........................................................................6 10 A. Refrigerant Compliance Management System ............................................6 11 B. Corporate-Wide Leak Rate Reduction .........................................................7 12 C. Emissions Reductions at Highest-Emission Stores......................................8 13 VII. PARTICIPATION IN RECOGNITION PROGRAMS .........................................10 14 VIII. REPORTING REQUIREMENTS .........................................................................10 15 IX. STIPULATED PENALTIES .................................................................................12 -
Visual Design & Branding Guidelines
Visual Design & Branding Guidelines For questions about this guide please contact: [email protected] Updated 06.03.15 Logo The Playworks logo is a key element and a valuable asset for our brand. The correct and consistent use of our logo enhances our brand recognition. Our logo consists of the Playworks mark and wordmark only. The goal of this document isn’t to stifle creativity. It’s to provide direction that will help us create materials that our audiences will come to recognize as ours. Minimum size: 1” wide VISUAL BRANDING GUIDELINES | PLAYWORKS | 2 Alternate versions Rounded square/rectangle: The logo can be rendered as a blue rounded square with the logo elements centered inside it in white. Minimum space between the edge of the shape and the wordmark should be at least x x x, where x is the height of the logotype. x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 3 Logo white space x Give the logo room to breath and help it stand out. Never crowd the logo with other visual elements. x x The unit of measure, x, is the height of the wordmark. You must allow space one x wide around an imaginary box that fits around the logo. x x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 4 Logo color I. PREFERRED: Bright Blue† - logomark Gray - wordmark Use this color scheme as the default choice. I. PREFERRED II. MONOTONE II. MONOTONE Bright Blue - all logo elements If you can only use one color, use the Bright Blue only. III. BLACK Black - all logo elements Use this when color option is unavailable or budget is a constraint. -
Docket No. Fda–2011–N–0921
DOCKET NO. FDA–2011–N–0921 BEFORE THE UNITED STATES OF AMERICA DEPARTMENT OF HEALTH AND HUMAN SERVICES FOOD AND DRUG ADMINISTRATION COMMENTS OF THE AMERICAN HERBAL PRODUCTS ASSOCIATION ON PROPOSED RULE for STANDARDS FOR THE GROWING, HARVESTING, PACKING, AND HOLDING OF PRODUCE FOR HUMAN CONSUMPTION November 22, 2013 Docket No. FDA–2011–N–0921 November 22, 2013 Prefatory remarks ................................................................................................................................ 1 1. The broad and deep impact of the new regulations necessitates regulatory restraint ...................... 2 2. The same controls are neither necessary nor appropriate for non‐RTE foods as for RTE foods ......... 3 3. Wherever possible, food processors rather than farmers should ensure the biological safety of food ..................................................................................................................................................... 7 3.1 Wherever possible, FDA should avoid burdening farmers and should rely on food processors rather than farmers to ensure biological safety ................................................................................ 7 3.2 Farmers are generally ill‐equipped to comply with either Part 112 or 117 ................................. 7 3.3 Food processors are the appropriate entity to ensure the biological safety of food wherever possible ........................................................................................................................................... -
Breguet: Art and Innovation in Watchmaking Pdf, Epub, Ebook
BREGUET: ART AND INNOVATION IN WATCHMAKING PDF, EPUB, EBOOK Emmanuel Breguet | 176 pages | 25 Oct 2015 | PRESTEL | 9783791354675 | English | Munich, Germany Breguet: Art and Innovation in Watchmaking PDF Book This thrilling book explores the role of cabarets, clubs, and cafes in modern art. In addition, he invented the first travel clock, sold to Napoleon Bonaparte in , and the first wristwatch, delivered to Caroline Murat, queen of Naples in A replica of perhaps his most famous piece, the Marie Antoinette watch hands-on article here , is also on display as part of the exhibit. See details. For more information, please also refer to our Cookie Notice. A colored button indicates if the cookies are active blue , or inactive grey. For many decades in the early history of watchmaking, both winding and setting were done with a key, which came with risks — inserting a key into the watch movement increased the risk of contamination as well as accidental damage, for instance. From jewelry designers to scientists, graphic artists to naturalists, Engaging essays explore Breguet's personal history, the technologies he perfected, and his vast international reputation--which survives to this day. If the Breguet no. Related Searches. Hayek, honor its th anniversary with a milestone—the largest exhibition of Breguet timepieces ever to be shown in the American continent. The story of modern art begins with a revolution—when the realists started Filled with vibrant examples of painting, photography, sculpture, video, and other media, this book reveals how Iran's leading artists weave the country's past into the fabric of its contemporary art. -
Branding Guidelines
Branding Guidelines Company: POWERHANDZ Contents: 1.0 Introduction 2.0 The Logo Design 2.1 The Logo Usage 3.0 Color Scheme 4.0 Typography 5.0 Contact Details Date: June 2014 1.0 Introduction Overview The purpose of these guidelines is to explain the use of the new brand style and to reinforce consistent application of the visual elements in all communications. This includes publications, presentations, and all other marketing materials both online and offline. Guidelines on the use of the logo are included. 1.0 Introduction Branding Guidelines - June 2014 1. Your new “identity” Your identity is the face and personality presented to the global community. It’s as important as the products and services you provide. Your identity is the total effect of your logos, products, brand names, trademarks, advertising, brochures, and presentations— everything that represents you. Because the brand cannot be compromised, we’ve created this guide to provide all the pertinent specifications you need to maintain its integrity. The guidelines set in this document are not meant to inhibit, but to improve the creative process. By following these guidelines, the materials you create will represent your company cohesively to the outside world. 1.0 Introduction Branding Guidelines - June 2014 2. 2.0 The Logo Design The company logo is an important and valued graphic element and must be used consistently and appropriately, even minor variations will undermine and compromise the image of the branding. 2.0 The Logo Design Branding Guidelines - June 2014 3. Primary vertical logo - light background Primary vertical logo - dark background 2.0 The Logo Design Branding Guidelines - June 2014 4. -
OPERAS-Design-Manual.Pdf
OPERAS | Logo Wordmark and Logo The OPERAS logo consists of a symbol logo with subline and a wordmark, which are used as a unit. The symbol consists of the opened capital letter “O” and is accentuated by a bracket, symbolizing the network/governing body. The letters are based on the font Utopia Std. The “open” letters symbolize the theme of “openness”. The OPERAS logo, depending on the use and size, can be used with or without subline minimal 6pt subline. The subline should not be smaller than 6pt. The logo can furthermore be used separately, e.g. as favicon. symbol OPERAS | Logo Wordmark and Logo The OPERAS logo can be used either with or without subline. There is a version of the logo that is completed by the ending -D (representing Design). The proportions and spacing, as well as the colour values of the logo and wordmark are not to be changed. OPERAS | Colours Red Purple OPERAS Colours The brand colours are red and purple. These colours are complemented by a pure black, which is used for the subline. A grey colour is used in the black-and-white version of the logo. Colour (printing) Colour (printing) CMYK 7/100/70/30 CMYK 50/90/0/40 Colour (web) Colour (web) sRGB 170/10/45 sRGB 105/35/ 100 Black Grey Colour (printing) Colour (printing) CMYK 0/0/0/100 CMYK 0/0/0/60 Colour (web) Colour (web) sRGB 0/0/0 sRGB 135/ 135 /135 OPERAS | Corporate Typeface Utopia Std Corporate Typeface Univers LT Pro The serif font Utopia Std and the sans serif Display font Univers LT Pro are combined for the corporate design. -
110 YEARS of AMERICAN STYLE: BUICK CELEBRATES ITS ANNIVERSARY with a DISPLAY at the AACA MUSEUM by Richard P
110 YEARS OF AMERICAN STYLE: BUICK CELEBRATES ITS ANNIVERSARY WITH A DISPLAY AT THE AACA MUSEUM By Richard P. Sills Buick, one of the oldest surviving brands of American automobiles, celebrated its 110th anniversary on May 19, 2013. It is fitting that this milestone occasion is celebrated by a special display, "Beautiful Buicks: 110 Years of American Style", at the AACA Museum in Hershey, PA. The display coincides with Riviera's 50th anniversary, and the AACA Museum's 10th anniversary. Visitors to the museum are greeted by six Buicks in the lobby, representing the evolution of the marque from horseless carriage to modern high‐performance. On the turntables are a 1910 Buick Model 10 Surrey, owned by the Museum and "adopted" by the Mason‐Dixon Chapter of BCA, and a 1987 GNX loaned by Buick Heritage Alliance board member Guy Bennett of Wayland, New York. The GNX is #470 of just 547 produced, and has less than 600 miles since new. It still has the factory‐installed plastic covers on the seats and carpets. It was sold new by Mr. Bennett's dealership, which has been selling Buicks continuously since 1922. Four other Buicks in the lobby of the Museum represent outstanding examples of the marque as it appeared over the years: 1935 Model 96S Sport Coupe, one of 41 produced and believed to be the only known survivor. Resplendent in Ambassador Maroon with tan leather interior, this elegant coupe is equipped with side mounted tires with steel covers and a luggage rack. It is owned by the Bulgari Collection of Allentown, Pennsylvania, and was restored to participate in Buick's centennial celebration in 2003.' 1964 Rivera, Regal Black with red interior, an elegant example of the first generation of Buick's personal luxury car that was a design triumph of Bill Mitchell and Ned Nickles. -
December 2008 Membership T a N D R E O F L O S a I N T a N E S G E L Dues T H E S
the histle w ’ s S o c i e t y December 2008 Membership t A n d r e o f L o s a i n t A n e S g e l Dues T h e s a message from John Benton, M.D., President Hogmanay here's little of the will celebrate the bard’s 250th A guid New Year to ane an membership dues are Tyear 2008 left. It's anniversary (invitations will be a and mony may ye see! payable by January 31, been a busy one, and mailed soon and I encourage you Dues notices were 2009. there's much yet to do to sign up early to avoid mailed to all members ‘ere the dawn of 2009. disappointment). In February we November 18. If you did not Our new monthly newsletter, had our AGM at Jack and Barbara receive a notice or have The Thistle , has had a very positive Dawsons' home in La Canada. Be mislaid it a copy may be reception from our members and it be noted that AGMs are more downloaded and printed has provided The Society with an like a ceilidhs! from the Saint Andrew’s While New Year’s Eve is effective method to communicate In May, there was our annual Society website: celebrated around the world, with and inform our members. The reception for new members, www.saintandrewsla.org. the Scots have a long rich Thistle is also mailed to an ever hosted by our Membership Chair Membership dues are the heritage associated with this growing list of sister organizations Vickie Pushee at her home in society’s principal form of celebration—and have their own accross the country and overseas, Brentwood. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
Store Formats a Our New Safeway Stores
Store formats A our New Safeway stores B The roll-out of New Safeway continues at an accelerating pace. During the year we refitted 73 stores including opening two new concept stores at Wimbledon and Woking. Our four New Safeway formats have now been launched at: • St Katharine Docks – convenience store • Wimbledon – supermarket • Woking – superstore • Plymstock – megastore In the first week of the current financial year, we opened two additional new stores in Reddish, Greater Manchester, and Carnforth, Lancashire. Added to the work we did in 2000/1, we have now refitted and relaunched 121 stores, equivalent to 26% of our total selling space. We will continue to roll-out the new formats across our store portfolio, incorporating all of the operational lessons we have learnt up to now and adapting them to fit the local market. We have received a lot of very positive feedback from our customers and we have taken 14 Safeway plc Annual Report and Accounts 2002 Store formats now fully refitted all but one of the 18 convenience stores in our portfolio. All of these stores have achieved industry- leading standards of product presentation. “Fresh to Go” supermarkets We launched the first full prototype at Wimbledon in May 2001 and by the end of the year we had reformatted 66 of our 205 supermarkets. We have created the feeling Fernando Garcia-Valencia Jim Maclachlan Property and Stores Director of a larger store with more space in the Development Director fresh areas and have often introduced cross aisles to make it easier for customers to shop. -
Estor-Krasnystaw.Eu ISSN 1898-1801 N4(34) 2015
E S T O R Czasopismo Artystyczne N Rok IX www.nestor-krasnystaw.eu ISSN 1898-1801 N4(34) 2015 fot. Tomasz Tylus Lampy naftowe w zbiorach Muzeum Regionalnego w Krasnymstawie spiętych wiązek roślinnych ujętych w przenikające się wzajemnie wąskie ramy. Przeźroczysty jest również wąski, poziomy pasek powyżej oraz brzeg. Pośrodku Konstruktorem lampy naftowej był polski farmaceuta Ignacy Łukasiewicz. każdego z ornamentów namalowana czerwoną emalią kropka. Motyw powtarza Jej powstanie związane jest z badaniami dążącymi do wytworzenia bardziej się też przy brzegu. Lampa datowana jest na koniec XIX wieku. wydajnego i tańszego paliwa, które zastąpiłoby ówcześnie stosowane oleje czy Ostatnią z trójki jest biała lampa na profilowanej podstawie. Brzeg każ- gaz. Pierwsza tego typu lampa powstała w 1853 roku i stała się, dla całej II dego z profili ozdobiono wąskim paskiem złocenia, zaś górna część podstawy połowy XIX wieku, najczęściej stosowanym rodzajem oświetlenia wnętrz miesz- obwiedziona jest delikatną wicią kwiatowo-liściastą. Korpus w formie wazonu kalnych. zdobią malowane, delikatne, pomarańczowe, różowe oraz białe kwiaty na wą- Pośród niewielkiego zbioru lamp zachowanych w muzeum krasnostaw- skich łodyżkach z liśćmi w odcieniach różu i zieleni. Ponad malunkiem widoczne skim na szczególną uwagę, ze względu przede wszystkim na najlepszy stan jest przewężenie ujęte w mosiężną obręcz w formie półwałka, wyżej korpus ma- zachowania, zasługują trzy lampy naftowe datowane na okres od końca XIX do lowany bladoróżową emalią. Cebulasty, szeroki klosz wykonany został ze szkła początku XX wieku. mlecznego. Lampa datowana jest na przełom XIX i XX wieku. Pierwszą z nich jest lampa w stylu empire, której wazonowata podstawa Wszystkie trzy lampy eksponowane są na stałej wystawie „Rzemiosło arty- ozdobiona została figurkami kariatyd, korpus zaś plakietami i ornamentem akan- styczne XVIII - początku XX wieku”. -
U.K. Blank Tape Firms
.., :.':... See giant pull -output -up centerfold 08120 t30 Z49GRE E N L YM O'JT L+G Mt kbt t4O'NTY GREENLY C T Y NEWSPAPER 374) ELM LING BEACH CA «eb07 A Billboard Publication The Radio Programming, Music /Record International Newsweek ly June 13. 1981 $3 (U.S.) New Life For WEA Adopts NAIRD, Indie U.K. Blank Tape Firms CX- Encoded Distribs Agree Unite, Fight Levy Lobby By LEO SACKS CBS System By PETER JONES PHILADELPHIA -A dramatic turnaround By ALAN PENCHANSKY & in the fortunes of the National Assn. of Inde- LONDON -A newly orchestrated cam- He says: "We just cannot accept that the JIM McCULLAUGH pendent Record Distributors and Manufac- paign to fight record company demands for home -taping problem is as bad as the CHICAGO -The WEA labels' adoption of turers, reflecting the growing economic health a sizable levy on blank tape in the U.K. to record companies say. It's not home-taping CBS' CX- encoded disk program has pushed of specialty indie labels and their wholesalers, compensate for home taping, is under way in isolation that is responsible for slumping that noise reduction system farther toward marked the organization's 1981 convention, here following the formation of the Tape record sales. Also to blame are high prices, large scale consumer reality. which convened here last Sunday (30). Manufacturers Group (TMG). poor technical quality and artistic quality. Product on all WEA labels -Atlantic, NAIRD, whose convention in Kansas City The fiery new organization is headed by "But it is time the record companies real- Elektra /Asylum, Nonesuch and Warner Bros.