Tipping Eek's Editorial: Ti in the Balance RCA
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IS/SONY in High Gear W/Japanese Market on Eve Ur Inch Disks Bow
i sh Box Self Service Tape Guide (Turn The Page) ... IS/SONY In High Gear w/Japanese Market On Eve 2nd Spot In Global Disk Sales . The Split Look August 16, 1969 i Top 40 Radio ,;oldners Form ash.,mpany...EVR: )se To A Consumer Reality ... SSS Buys Ott Cash Box754 d Bird, Blue Cat Catalogs ... Mini Players, ur Inch Disks Bow On European Markets... Peter Sarstedt E WONDER: BIG STEVIE WONDER Intl Section Begins on Pg. 61 www.americanradiohistory.com The inevitable single from the group that brought you "Young Girl" and "WomanYVoman:' EC "This Girl Is Dir Ai STA BII aWoman Now7 hbAn. by Gary Puckett COiN and The Union Gap. DEE On Columbia Records* Di 3 II Lodz,' Tel: 11A fie 1%. i avb .» o www.americanradiohistory.com ///1\\ %b\\ ISM///1\\\ ///=1\\\ Min 111 111\ //Il11f\\ 11111111111111 1/11111 III111 MUSIC -RECORD WEEKLY ii INTERNATIONAL milli 1IUUIII MI/I/ MIII II MU/// MUMi M1111/// U1111D U IULI glia \\\1197 VOL. XXXI - Number 3/August 16, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 / Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Cash Box Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS Self- Service EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA Tape Guide ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood Much of the confusion facing first - 8 -TRACK CARTRIDGES: Using the WOODY HARDING unit tape consumers lies in the area same speed and thickness of tape Art Director of purchaser education. -
JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
The Prospector, September 26, 2017
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 9-26-2017 The rP ospector, September 26, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, September 26, 2017" (2017). The Prospector. 294. http://digitalcommons.utep.edu/prospector/294 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. VOL. 103, NO. 5 THE UNIVERSITY OF TEXAS AT EL PASO SEPTEMBER 26, 2017 BY CHRISTIAN VASQUEZ body wants to represent Chica- The Prospector nos through a cholo.” Daniel’s novel, “Th e Cholo When people ask Kenneth Tree,” is about an artist frequent- Chacón why he still dresses like ly mistaken for a cholo. Victor a cholo—a Chicano with a bald doesn’t think of himself as a head and tattoos—as a tenured cholo, though his mom thinks professor, he tells them, “when otherwise, and eventually fi nds a homeboy or a homegirl walks himself drawn into the culture, into my classroom, I want to say, partly because everyone thinks ‘Ora, cholos welcome.’” he already is one. “No Cholos Allowed: A Read- “‘I’m not a cholo,’ I repeated,” ing and Discussion on Cholos & Daniel writes in his book. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
[E:] 09 a Second Face.Mp3=2129222 ACDC Whole Lotta Rosie (Rare Live
mTad [E:] 09 A Second face.mp3=2129222 ACDC Whole Lotta Rosie (rare live Bon Scott).mp3=4874280 Damnation of Adam Blessing - Second Damnation - 05 - Back to the River.mp3=5113856 Eddie Van Halen - Eruption (live, rare).mp3=2748544 metallica - CreepingDeath (live).mp3=4129152 [E:\1959 - Miles Davis - Kind Of Blue] 01 So What.mp3=13560814 02 Freddie Freeloader.mp3=14138851 03 Blue In Green.mp3=8102685 04 All Blues.mp3=16674264 05 Flamenco Sketches.mp3=13561792 06 Flamenco Sketches (Alternate Take).mp3=13707024 B000002ADT.01.LZZZZZZZ.jpg=19294 Thumbs.db=5632 [E:\1965 - The Yardbirds & Sonny Boy Williamson] 01 - Bye Bye Bird.mp3=2689034 02 - Mister Downchild.mp3=4091914 03 - 23 Hours Too Long.mp3=5113866 04 - Out Of The Water Coast.mp3=3123210 05 - Baby Don't Worry.mp3=4472842 06 - Pontiac Blues.mp3=3864586 07 - Take It Easy Baby (Ver 1).mp3=4153354 08 - I Don't Care No More.mp3=3166218 09 - Do The Weston.mp3=4065290 10 - The River Rhine.mp3=5095434 11 - A Lost Care.mp3=2060298 12 - Western Arizona.mp3=2924554 13 - Take It Easy Baby (Ver 2).mp3=5455882 14 - Slow Walk.mp3=1058826 15 - Highway 69.mp3=3102730 albumart_large.jpg=11186 [E:\1971 Nazareth] 01 - Witchdoctor Woman.mp3=3994574 02 - Dear John.mp3=3659789 03 - Empty Arms, Empty Heart.mp3=3137758 04 - I Had A Dream.mp3=3255194 05 - Red Light Lady.mp3=5769636 06 - Fat Man.mp3=3292392 07 - Country Girl.mp3=3933959 08 - Morning Dew.mp3=6829163 09 - The King Is Dead.mp3=4603112 10 - Friends (B-side).mp3=3289466 11 - Spinning Top (alternate edit).mp3=2700144 12 - Dear John (alternate edit).mp3=2628673 -
AUDITION PACK Auckland Season Saturday 17 April Until Sunday 16 May 2021 Wellington Season Friday 21 May Until Monday 7June 2021
The Story of Frankie Valli & The Four Seasons Book by Marshall Brickman & Rick Elice Music by Bob Gaudio Lyrics by Bob Crewe AUDITION PACK Auckland Season Saturday 17 April until Sunday 16 May 2021 Wellington Season Friday 21 May until Monday 7June 2021 Produced by Jersey Boys 2021 Ltd and G & T Productions Ltd BY ARRANGEMENT WITH ORiGiN™ THEATRICAL ON BEHALF OF THEATRICAL RIGHTS WORLDWIDE, NEW YORK www.origintheatrical.com.au From the mean streets of Jersey to American Bandstand, this is the thrilling story of four young men from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. With phenomenal music, memorable characters, and great storytelling, JERSEY BOYS follows the fascinating evolution of four blue-collar kids who became one of the greatest successes in pop- music history. Winner of Best Musical at both the Tony Awards® and Olivier Awards®, JERSEY BOYS takes you behind the music of Frankie Valli and The Four Seasons to discover the secret of a 40-year friendship as the foursome work their way from the streets of New Jersey to the heights of stardom. Chart-topping hits include “Sherry,” “Big Girls Don’t Cry,” “Can’t Take My Eyes Off You,” “Dawn,” and “My Eyes Adored You,” which brought The Four Seasons the highest honour: induction into the Rock ‘n’ Roll Hall of Fame. Audition and Rehearsal Information Please read all information carefully. All roles are available for Jersey Boys however you must be 18 years old or older to apply. Diversity is encouraged and all ethnic groups and ages are welcome to audition. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
The Jean Thomas Story—Part 3
The Jean Thomas Story—Part 3 Jean Thomas worked with many top producers during the 1960s but the one who cre- ated her best known work and who perhaps brought the best out of her vocal talent was Bob Crewe. Bob Crewe had a special talent himself and was a highly respected producer Jean’s good friend Ellie Greenwich had a good relation- ship with Bob Crewe and commented on his ability and on how they first met in an interview before her untimely passing in 2009….. "I'm not exactly sure when I met Bob Crewe, but we always saw each other around the business from the very beginning. (We) had an affinity for each other (and) still do! He was a joy to work with on all levels . he's a perfectionist, he's open to any outside ideas, he really knows what he wants and gets it, and most of all, he is passionate about what he does. He puts all of himself into eve- rything he touches . I always loved and still do love Bob! I can go on and on about this talented gentleman, and he is just that: A 'gentle man'." Mick Patrick and Malcolm Baumgart captured the best of Bob Crewe’s productions on “The DynoVoice Story….the label that had to happen” Westside CD226 and say of his unique- ness …..“Bob Crewe is not a man to be easily pigeon-holed. Possessed by an overriding creative urge from his earliest years, he has painted , worked as a photographic model, sculpted, acted,run an art gallery and dabbled in interior design alongside those talents for which he is justly renowned – ie singer, songwriter, producer, label owner, music publisher and manager.” The best of his productions of course include those of Jean Tho- mas. -
Post Traumatic Stress Disorder Sourcebook.Pdf
The Post-Traumatic Stress Disorder SOURCEBOOK Second Edition ALSO BY GLENN R. SCHIRALDI World War II Survivors: Lessons in Resilience The Self-Esteem Workbook The Anger Management Sourcebook Conquer Anxiety, Worry and Nervous Fatigue: A Guide to Greater Peace Ten Simple Solutions for Building Self-Esteem Facts to Relax By: A Guide to Relaxation and Stress Reduction Hope and Help for Depression: A Practical Guide Stress Management Strategies The Post-Traumatic Stress Disorder SOURCEBOOK Second Edition @ A GUIDE TO HEALING, RECOVERY, AND GROWTH @ Glenn R. Schiraldi, Ph.D. @ New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney Toronto Copyright © 2009 by Glenn R. Schiraldi. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, with- out the prior written permission of the publisher. ISBN: 978-0-07-161495-5 MHID: 0-07-161495-8 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-161494-8, MHID: 0-07-161494-X. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. -
W"' Ounci^Bwvinter Peace Festival I
lbs Influence Drug Al:^se? pts Replace 'Group' As^^een ounci^BWVinter Peace Festival I ub Januar ist Rockf Top Year Rolf Harris iN BEGINS ON PAGE 57 H U »{. i-' W" ' V. < , - One day Father Flanagan, of Boys’ and soon enough it was a hit. Town, saw one of his little boys carrying a So far, the story has spread to the much bigger boy in his arms, a crippled following towns, and “He Ain’t Heavy, boy. Father Flanagan asked the little boy He’s My Brother” is a hit in all of them: if that wasn’t an awfully heavy load. Houston, Spartanburg, S.C., Columbus, “He ain’t heavy,” the little boy San Diego, Seattle, Denver, Washington, replied. “He’s my brother.” The Hollies’ Minneapolis, San Antonio, Raleigh, song is based on this story. Omaha, San Francisco, Portland, Fresno, Just recently a Jesuit priest, who knew Providence, Des Moines, Mobile, the Boys’ Town story, heard the song on Chicago, Los Angeles, Sacramento, I the radio. He called the D.J. and told him Spokane, New York, Detroit, Atlanta, about it. In turn, the D.J. began to tell the Louisville. story every time he played the record, On Epic Records HlIPIC Special thanks to three heavy brothers—Gary Schaffer, Gary Taylor, Dan Walker. ®''EPIC''. Marea Re|. T.M. PBINIEB IN U.SJ». THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 26/January 24, 1970 Publication Office / 1 780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice Presiden t IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy