Edition 4 | 2019-2020
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
The New Yorker
Kindle Edition, 2015 © The New Yorker COMMENT SEARCH AND RESCUE BY PHILIP GOUREVITCH On the evening of May 22, 1988, a hundred and ten Vietnamese men, women, and children huddled aboard a leaky forty-five-foot junk bound for Malaysia. For the price of an ounce of gold each—the traffickers’ fee for orchestrating the escape—they became boat people, joining the million or so others who had taken their chances on the South China Sea to flee Vietnam after the Communist takeover. No one knows how many of them died, but estimates rose as high as one in three. The group on the junk were told that their voyage would take four or five days, but on the third day the engine quit working. For the next two weeks, they drifted, while dozens of ships passed them by. They ran out of food and potable water, and some of them died. Then an American warship appeared, the U.S.S. Dubuque, under the command of Captain Alexander Balian, who stopped to inspect the boat and to give its occupants tinned meat, water, and a map. The rations didn’t last long. The nearest land was the Philippines, more than two hundred miles away, and it took eighteen days to get there. By then, only fifty-two of the boat people were left alive to tell how they had made it—by eating their dead shipmates. It was an extraordinary story, and it had an extraordinary consequence: Captain Balian, a much decorated Vietnam War veteran, was relieved of his command and court- martialled, for failing to offer adequate assistance to the passengers. -
Here Are Ladies
Here are Ladies By James Stephens THREE HEAVY HUSBANDS I He had a high nose. He looked at one over the collar, so to speak. His regard was very assured, and his speech was that short bundle of monosyllables which the subaltern throws at the orderly. He had never been questioned, and, the precedent being absent, he had never questioned himself. Why should he? We live by question and answer, but we do not know the reply to anything until a puzzled comrade bothers us and initiates that divine curiosity which both humbles and uplifts us. He wanted all things for himself. What he owned he wished to own completely. He would give anything away with the largest generosity, but he would share with no one— "Whatever is mine," said he, "must be entirely mine. If it is alive I claim its duty to the last respiration of its breath, and if it is dead I cannot permit a mortgage on it. Have you a claim on anything belonging to me? then you may have it entirely, I must have all of it or none." He was a stockbroker, and, by the methods peculiar to that mysterious profession, he had captured a sufficiency of money to enable him to regard the future with calmness and his fellow-creatures with condescension— perhaps the happiest state to which a certain humanity can attain. So far matters were in order. There remained nothing to round his life into the complete, harmonious circle except a wife; but as a stated income has the choice of a large supply, he shortly discovered a lady whose qualifications were such as would ornament any, however exalted, position—She was sound in wind and limb. -
Facultad De Filosofía Y Letras Título Del
CURSO 2018-2019 Facultad de Filosofía y Letras Grado en Periodismo Título del TFG LA PERSONALIDAD DEL PETER PAN ORIGINAL EN LA LITERATURA Y LA CONCEPCIÓN SIMPLIFICADA DEL PERSONAJE EN EL IMAGINARIO COLECTIVO Alumno: Juan Eguren Paredes Tutora: Nereida López Vidales 1 2 RESUMEN Arrastrados por la cultura multimedia, generaciones enteras han disfrutado y mitificado iconos de la gran pantalla sin conocer las verdaderas intenciones de su autor original. Peter Pan es un ejemplo de ello y su personalidad fue fruto de su época, en el Londres de principios del siglo XX. Sus rasgos influenciados por personajes mitológicos y experiencias de su creador, James M. Barrie, se perdieron con la adaptación que lo hizo mundialmente famoso. Disney le dio el éxito y blanqueó aspectos de Pan que, aun así, han trascendido al imaginario colectivo llegando a considerar a “Peter Pan” como un adulto que no quiere afrontar responsabilidades. Este estudio pretende analizar la personalidad escogida por Barrie así como sus diferentes obras con él como protagonista y el poso cultural restante a día de hoy pasando por el “síndrome” tan frecuentemente mencionado. Esto supondrá no sólo el análisis de las tres obras escritas por el escocés que le mencionan explícitamente, sino también la contextualización de Neverland o El País de Nunca Jamás, la descripción de un “Peter Pan” hoy en día, tal y como lo presentan estudios en psicología, y un resumen final como comparativa de las diferentes cualidades atribuidas al personaje. Además, se incluirán algunas referencias a alguna adaptación cinematográfica y la historia que llevó a Barrie al diseño del personaje tal y como se puede disfrutar en su literatura. -
AUDITION PACK Auckland Season Saturday 17 April Until Sunday 16 May 2021 Wellington Season Friday 21 May Until Monday 7June 2021
The Story of Frankie Valli & The Four Seasons Book by Marshall Brickman & Rick Elice Music by Bob Gaudio Lyrics by Bob Crewe AUDITION PACK Auckland Season Saturday 17 April until Sunday 16 May 2021 Wellington Season Friday 21 May until Monday 7June 2021 Produced by Jersey Boys 2021 Ltd and G & T Productions Ltd BY ARRANGEMENT WITH ORiGiN™ THEATRICAL ON BEHALF OF THEATRICAL RIGHTS WORLDWIDE, NEW YORK www.origintheatrical.com.au From the mean streets of Jersey to American Bandstand, this is the thrilling story of four young men from the wrong side of the tracks became the biggest doo-wop sensation of all time: The Four Seasons. With phenomenal music, memorable characters, and great storytelling, JERSEY BOYS follows the fascinating evolution of four blue-collar kids who became one of the greatest successes in pop- music history. Winner of Best Musical at both the Tony Awards® and Olivier Awards®, JERSEY BOYS takes you behind the music of Frankie Valli and The Four Seasons to discover the secret of a 40-year friendship as the foursome work their way from the streets of New Jersey to the heights of stardom. Chart-topping hits include “Sherry,” “Big Girls Don’t Cry,” “Can’t Take My Eyes Off You,” “Dawn,” and “My Eyes Adored You,” which brought The Four Seasons the highest honour: induction into the Rock ‘n’ Roll Hall of Fame. Audition and Rehearsal Information Please read all information carefully. All roles are available for Jersey Boys however you must be 18 years old or older to apply. Diversity is encouraged and all ethnic groups and ages are welcome to audition. -
The Millionaire
FESTIVAL INTERNAZIONALE DEL CINEMA DI TORONTO 2008 PREMIO DEL PUBBLICO LUCKY RED Presenta THE MILLIONAIRE (SLUMDOG MILLIONAIRE) un film di DANNY BOYLE durata 120 minuti uscita 5 dicembre 2008 Ufficio Stampa LUCKY RED CAST TECNICO Regia Danny Boyle Sceneggiatura Simon Beaufoy Fotografia Anthony Dod Mantle Montaggio Christopher Dickens Scenografia Mark Digby Costumi Suttirat Anne Larlarb Casting India Loveleen Tandan Casting UK Gail Stevens Musiche A R Rahman CAST ARTISTICO Dev Patel Jamal Anil Kapoor Prem Freida Pinto Latika Madhur Mittal Salim Irrfan Khan Ispettore SINOSSI E’ il momento della verità negli studi dello show televisivo in India ‘‘Chi vuol esser milionario?”. Davanti ad un pubblico sbalordito, e sotto le abbaglianti luci dello studio, il giovane Jamal Malik, che viene dagli slum di Mumbai (Bombay), affronta l’ultima domanda, quella che potrebbe fargli vincere la somma di 20 milioni di rupie. Il conduttore dello show, Prem Kumar, non ha molta simpatia per questo concorrente venuto dal nulla. Avendo faticosamente risalito la scala sociale, provenendo lui stesso dalla strada, Prem non ama l’idea di dover dividere la ribalta del Milionario con qualcuno come lui, e rifiuta di credere che un ragazzo dei quartieri poveri possa sapere tutte le risposte. Arrestato perché sospettato di imbrogliare, Jamal viene interrogato dalla polizia. Mentre ripassa le domande una per una, inizia ad emergere la storia straordinaria della sua vita vissuta per le strade, e della ragazza che ama e che ha perduto. LA PRODUZIONE Sviluppare la sceneggiatura dal libro La genesi de The Millionaire ha origine in una telefonata ricevuta dalla direttrice del settore cinema di Channel 4, Tessa Ross, fatta dalla book scout di Film4, Kate Sinclair, che le diceva di aver letto la bozza di una storia molto interessante. -
The Jean Thomas Story—Part 3
The Jean Thomas Story—Part 3 Jean Thomas worked with many top producers during the 1960s but the one who cre- ated her best known work and who perhaps brought the best out of her vocal talent was Bob Crewe. Bob Crewe had a special talent himself and was a highly respected producer Jean’s good friend Ellie Greenwich had a good relation- ship with Bob Crewe and commented on his ability and on how they first met in an interview before her untimely passing in 2009….. "I'm not exactly sure when I met Bob Crewe, but we always saw each other around the business from the very beginning. (We) had an affinity for each other (and) still do! He was a joy to work with on all levels . he's a perfectionist, he's open to any outside ideas, he really knows what he wants and gets it, and most of all, he is passionate about what he does. He puts all of himself into eve- rything he touches . I always loved and still do love Bob! I can go on and on about this talented gentleman, and he is just that: A 'gentle man'." Mick Patrick and Malcolm Baumgart captured the best of Bob Crewe’s productions on “The DynoVoice Story….the label that had to happen” Westside CD226 and say of his unique- ness …..“Bob Crewe is not a man to be easily pigeon-holed. Possessed by an overriding creative urge from his earliest years, he has painted , worked as a photographic model, sculpted, acted,run an art gallery and dabbled in interior design alongside those talents for which he is justly renowned – ie singer, songwriter, producer, label owner, music publisher and manager.” The best of his productions of course include those of Jean Tho- mas. -
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer
SUTTIRAT ANNE LARLARB Costume Designer/Production Designer Selected Credits as Costume Designer: UNTITLED OBI-WAN KENOBI SERIES – Disney+ / Lucas Films – Deborah Chow, director BOND 25: NO TIME TO DIE (feature) – MGM - Cary Joji Fukunaga, director GEMINI MAN (feature) – Skydance / Paramount Pictures - Ang Lee, director AMERICAN GODS (season 1) – Fremantle Media / Starz – various directors STEVE JOBS (feature) – Universal Pictures - Danny Boyle, director THE WALK (feature) – Sony Pictures Entertainment - Robert Zemeckis, director TEN THOUSAND SAINTS (feature) – Archer Gray - Shari Springer & Robert Pulcini, directors THE GOOD LIE (feature) – Imagine Entertainment - Philippe Falardeau, director 2012 SUMMER OLYMPICS – OPENING CEREMONY, LONDON - Danny Boyle, director TRANCE (feature) – Fox Searchlight Pictures / Pathé – Danny Boyle, director CINEMA VERITE (mow) – HBO - Shari Springer& Robert Pulcini, directors Nominee – Outstanding Costumdes for a Miniseries, Movie, or Special – Emmy Awards 2011 127 HOURS (feature) – Fox Searchlight Pictures - Danny Boyle, director Nominee – Best Picture – 2011 Academy Awards Nominee – Best Film – 2011 BAFTA Awards THE AMERICAN (feature) – Focus Features - Anton Corbijn, director BEASTLY (feature) – CBS Films - Daniel Barnz, director THE EXTRA MAN (feature) – Magnolia Pictures - Shari Springer & Robert Pulcini, directors Sundance Film Festival, World Premiere 2010 PEACOCK (feature) – Mandate Pictures - Michael Lander, director SLUMDOG MILLIONAIRE (feature) – Fox Searchlight Pictures – Danny Boyle, director -
Finding Neverland
BARRIE AND THE BOYS 0. BARRIE AND THE BOYS - Story Preface 1. J.M. BARRIE - EARLY LIFE 2. MARY ANSELL BARRIE 3. SYLVIA LLEWELYN DAVIES 4. PETER PAN IS BORN 5. OPENING NIGHT 6. TRAGEDY STRIKES 7. BARRIE AND THE BOYS 8. CHARLES FROHMAN 9. SCENES FROM LIFE 10. THE REST OF THE STORY Barrie and the Llewelyn-Davies boys visited Scourie Lodge, Sutherland—in northwestern Scotland—during August of 1911. In this group image we see Barrie with four of the boys together with their hostess. In the back row: George Llewelyn Davies (age 18), the Duchess of Sutherland and Peter Llewelyn Davies (age 14). In the front row: Nico Llewelyn Davies (age 7), J. M. Barrie (age 51) and Michael Llewelyn Davies (age 11). Online via Andrew Birkin and his J.M. Barrie website. After their mother's death, the five Llewelyn-Davies boys were alone. Who would take them in? Be a parent to them? Provide for their financial needs? Neither side of the family was really able to help. In 1976, Nico recalled the relief with which his uncles and aunts greeted Barrie's offer of assistance: ...none of them [the children's uncles and aunts] could really do anything approaching the amount that this little Scots wizard could do round the corner. He'd got more money than any of us and he's an awfully nice little man. He's a kind man. They all liked him a good deal. And he quite clearly had adored both my father and mother and was very fond of us boys. -
Tracy Wells Big Dog Publishing
Tracy Wells Adapted from the 1911 novel by J.M. Barrie Illustration by Alice B. Woodward Big Dog Publishing Peter Pan and Wendy 2 Copyright © 2013, Tracy Wells ALL RIGHTS RESERVED Peter Pan and Wendy is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play and must also contain the following notice: “Produced by special arrangement with Big Dog/Norman Maine Publishing LLC, Rapid City, SD.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog/Norman Maine Publishing LLC, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1401 Rapid City, SD 57709 Peter Pan and Wendy 3 For my children. -
Jersey-Boys-Book1.Pdf
Page 3 Jersey Boys Jersey Boys Contents Chapter 1 Frankie Valli Chapter 1 3 Frankie Valli, a sixteen year old hairdresser from Belleville, New Jersey. He was Chapter 2 4 renowned for his exceptional singing ability and was very well known in the Chapter 3 5 neighbourhood. One man Frankie had real admiration from was gangster Gyp DeCarlo, who took a personal interest in him. He treated Frankie like a son and looked out for him, keeping him out of trouble. He was also very supportive of Frankie’s desire to be a singer, always pushing him to practice. Frankie was friends with a gang of boys, all known for being mischievous trouble makers. Tommy DeVito, Frankie’s closest friend was the leader of the gan, along with his brother Nicky, and Nick Massi. The three were in a group called the Variety Trio, where they giged at their local bar. As Frankie was the youngest in the group he was seen as a follower, tagging along to make him seem grown up. One night the gang attempt a robbery of a safe, but it goes horribly wrong, crashing the getaway car into a shop window. The boys pause and stare, stunned by whats happened, then turn and run for their lives. Page 4 Jersey Boys Page 5 Jersey Boys Chapter 2 The Group Weeks later, following the robbery, the gang are caught and end up going to court. Tommy tells the judge that he made Frankie do it and that he was only the look out. Frankie ends up getting let off where as Tommy is given six months in prison after taking the whole blame.