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Spirited Away Study Guide
Spirited Away Directed by Hayao Miyazki This study guide suggests cross-curricular activities based on the film Spirited Away by Hanoko Miyazaki. The activities seek to complement and extend the enjoyment of watching the film, while at the same time meeting some of the requirements of the National Curriculum and Scottish Guidelines. The subject area the study guide covers includes Art and Design, Music, English, Citizenship, People in Society, Geography and People and Places. The table below specifies the areas of the curriculum that the activities cover National Curriculum Scottish Guidelines Subject Level Subject Level Animation Art +Design KS2 2 C Art + Investigating Visually and 3 A+B Design Reading 5 A-D Using Media – Level B-E Communicating Level A Evaluating/Appreciating Level D Sound Music KS2 3 A Music Investigating: exploring 4A-D sound Level A-C Evaluating/Appreciating Level A,C,D Setting & English KS2 Reading English Reading Characters 2 A-D Awareness of genre 4 C-I Level B-D Knowledge about language level C-D Setting & Citizenship KS2 1 A-C People People & Needs in Characters 4 A+B In Society Society Level A Japan Geography KS2 2 E-F People & Human Environment 3 A-G Places Level A-B 5 A-B Human Physical 7 C Interaction Level A-D Synopsis When we first meet ten year-old Chihiro she is unhappy about moving to a new town with her parents and leaving her old life behind. She is moody, whiney and miserable. On the way to their new house, the family get lost and find themselves in a deserted amusement park, which is actually a mythical world. -
Modern Life Is Rubbish: Miyazaki Hayao Returns to Old- Fashioned Filmmaking
Volume 7 | Issue 19 | Number 4 | Article ID 3139 | May 09, 2009 The Asia-Pacific Journal | Japan Focus Modern Life is Rubbish: Miyazaki Hayao Returns to Old- Fashioned Filmmaking David McNeill Modern Life is Rubbish: Miyazaki for major Disney releases. Spirited Away, his Hayao Returns to Old-Fashioned Oscar-winning 2001 masterpiece, grossed more in Japan than Titanic and elevated his name Filmmaking into the pantheon of global cinema greats. David McNeill Genius recluse, über-perfectionist, lapsed Marxist, Luddite; like the legendary directors of Hollywood's Golden Age, Miyazaki Hayao’s intimidating reputation is almost as famous as his movies. Mostly, though, Japan's undisputed animation king is known for shunning interviews. So it is remarkable to find him sitting opposite us in Studio Ghibli, the Tokyo animation house he co-founded in 1985, reluctantly bracing himself for the media onslaught that now accompanies each of his new projects. Spirited Away Time magazine has since voted him "one of the most influential Asians of the last six decades". Anticipation then is high for his latest, Ponyo on the Cliff by the Sea, which has taken $160m in ticket sales and been seen by 12 million people in Japan alone, and is now set for release in the United States and Europe. Miyazaki Hayao Once a well-kept secret, Miyazaki's films are increasingly greeted with the hoopla reserved 1 7 | 19 | 4 APJ | JF A stiff, avuncular presence in his tweed suit and math teacher's glasses, Miyazaki is clearly uneasy dealing with the media circus. It's unlikely the 68-year-old has heard of British pop group Blur, but he would undoubtedly agree that Modern Life is Rubbish. -
Joe Hisaishi's Musical Contributions to Hayao Miyazaki's Animated Worlds
Joe Hisaishi’s musical contributions to Hayao Miyazaki’s Animated Worlds A Division III Project By James Scaramuzzino "1 Hayao Miyazaki, a Japanese film director, producer, writer, and animator, has quickly become known for some of the most iconic animated films of the late twentieth to early twenty first century. His imaginative movies are known for fusing modern elements with traditional Japanese folklore in order to explore questions of change, growth, love, and home. His movies however, would, not be what they are today without the partnership he formed early in his career with Mamoru Fujisawa a music composer who goes by the professional name of Joe Hisaishi. Their partnership formed while Hayao Miyazaki was searching for a composer to score his second animated feature film Nausicaä of the Valley of the Wind (1984). Hi- saishi had an impressive resume having graduated from Kunitachi College of Music, in addition to studying directly under the famous film composer Masaru Sato who is known for the music in Seven Samurai and early Godzilla films. Hisaishi’s second album, titled Information caught the attention of Miyazaki, and Hisaishi was hired to score Nausicaä of the Valley of the Wind (1984). With its huge success consequently every other prom- inent movie of Miyazaki’s since. (Koizumi, Kyoko. 2010) Hisaishi’s minimalistic yet evocative melodies paired with Miyazaki’s creative im- agery and stories proved to be an incredible partnership and many films of theirs have been critically acclaimed, such as Princess Mononoke (1997), which was the first ani- mated film to win Picture of the Year at the Japanese Academy Awards; or Spirited Away (2001), which was the first anime film to win an American Academy Award. -
Yoshioka, Shiro. "Princess Mononoke: a Game Changer." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
Yoshioka, Shiro. "Princess Mononoke: A Game Changer." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison. London: Bloomsbury Academic, 2017. 25–40. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781501329753.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 01:01 UTC. Copyright © Rayna Denison 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 25 Chapter 1 P RINCESS MONONOKE : A GAME CHANGER Shiro Yoshioka If we were to do an overview of the life and works of Hayao Miyazaki, there would be several decisive moments where his agenda for fi lmmaking changed signifi cantly, along with how his fi lms and himself have been treated by the general public and critics in Japan. Among these, Mononokehime ( Princess Mononoke , 1997) and the period leading up to it from the early 1990s, as I argue in this chapter, had a great impact on the rest of Miyazaki’s career. In the fi rst section of this chapter, I discuss how Miyazaki grew sceptical about the style of his fi lmmaking as a result of cataclysmic changes in the political and social situation both in and outside Japan; in essence, he questioned his production of entertainment fi lms featuring adventures with (pseudo- )European settings, and began to look for something more ‘substantial’. Th e result was a grave and complex story about civilization set in medieval Japan, which was based on aca- demic discourses on Japanese history, culture and identity. -
Spirited Away Study Guide.Pdf
ISSUE 29 AUSTRALIAN SCREEN EDUCATION 1 STUDY GUIDE VYVYAN STRANIERI AND CHRISTINE EVELY CHRISTINE AND STRANIERI VYVYAN A Film by Hayao Miyazaki Spirited Away his study guide to accompany the Japanese anime Spirited Away, has been written for stu- Spirited Away has a of viewers, their previous experiences, especially with anima and manga, and their beliefs and values. BEFORE VIEWING THE FILM ABOUT THE FILM Chihiro is a wilful, headstrong girl who thinks everyone should fi t in with her ideas and meet her needs. When her parents Akio and Yugo tell her they are moving house, Chihiro is furious. As they leave, she clings to the traces of her old life. Arriving at the end of a mysterious cul-de-sac, the family is confronted by a large red building with an endless gaping tunnel that looks very much like a gigantic mouth. Reluctantly Chihiro follows her parents into the tunnel. The family discover a ghostly town and come across a sumptuous banquet. Akio and Yugo begin eating more and more greedily. Before Chihiro’s eyes her parents are transformed into pigs! Unknowingly they have strayed into a world inhabited by ancient gods and magical beings, ruled over by Yubaba, a AUSTRALIAN SCREEN EDUCATION ISSUE 29 2 music posters books Film Title television trailers toys CONCEPT MAP demonic sorceress. Yubaba tells Chihiro map) showing how people came to that newcomers are turned into animals know about the fi lm. before being killed and eaten. Luckily • How did you fi nd out about Spirited for Chihiro she mets Haku who tells her Away? Make a list of things you had that she can escape this fate by mak- heard about Spirited Away before ing herself useful. -
Elements of Realism in Japanese Animation Thesis Presented In
Elements of Realism in Japanese Animation Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate School of The Ohio State University By George Andrew Stey Graduate Program in East Asian Studies The Ohio State University 2009 Thesis Committee: Professor Richard Edgar Torrance, Advisor Professor Maureen Hildegarde Donovan Professor Philip C. Brown Copyright by George Andrew Stey 2009 Abstract Certain works of Japanese animation appear to strive to approach reality, showing elements of realism in the visuals as well as the narrative, yet theories of film realism have not often been applied to animation. The goal of this thesis is to systematically isolate the various elements of realism in Japanese animation. This is pursued by focusing on the effect that film produces on the viewer and employing Roland Barthes‟ theory of the reality effect, which gives the viewer the sense of mimicking the surface appearance of the world, and Michel Foucault‟s theory of the truth effect, which is produced when filmic representations agree with the viewer‟s conception of the real world. Three directors‟ works are analyzed using this methodology: Kon Satoshi, Oshii Mamoru, and Miyazaki Hayao. It is argued based on the analysis of these directors‟ works in this study that reality effects arise in the visuals of films, and truth effects emerge from the narratives. Furthermore, the results show detailed settings to be a reality effect common to all the directors, and the portrayal of real-world problems and issues to be a truth effect shared among all. As such, the results suggest that these are common elements of realism found in the art of Japanese animation. -
Wu Xia 720P English Subtitles
1 / 4 Wu Xia 720p English Subtitles 70191 English subtitle movie erotic chinese FREE videos found on XVIDEOS for this search.. I hope you will love the movie. Thank You. Press Question: For director Peter Chan. It was great to see a classical martial arts film. I thought it .... Official theatrical movie poster of for dragon aka wu xia directed by peter chan. Subtitles shadowless sword subtitles english 2cd srt eng a wuxia. Swordsmen .... Various formats from 240p to 720p HD (or even 1080p). ... Wuxia Chinese Drama 2019 : The Untamed playlist eng sub episode 1,2. ly/34Px70E Starring: Joe as .... How to add Dragon YIFY Subtitles to your movie. Before you can add any subtitle file to any movie, you must make sure the exact SRT file for the particular .... Watch Dragon Ball Heroes Episode 5 Eng Sub: In May a promotional anime for ... Watch anime online free in high quality 720p, 1080p english subbed and .... Wu xia full movie with english subtitles, donnie yen wu xia full movie, wu xia full movie free, dragon swordsmen aka wu xia full movie, wu xia full .... Grandmaster of Demonic Cultivation 720p Eng Sub. ... episodes of Bleach, Naruto, Dragon Ball Super, Attack on Titan, Hunter x Hunter, Fairy Tail, and more.. yen swordsmen aka dragon wu xia ( ) bluray 480p 720p mp4 english subtitle ... like a television or projector,. in some translated works of wuxia, the pugilist is .. The Forbidden Kingdom (Full Movie) 24 subtitles Amara Bot edited English ... The J & J Project) is a 2008 wuxia film written by John Fusco, and directed by Rob .. -
Spirited Away (Miyazaki, Japan, 2001)
GCSE Film Studies - Focus Film Factsheet Spirited Away (Miyazaki, Japan, 2001) Component 2: Global Film; Narrative, • The initial dress codes are gender neutral Representation & Film Style and western in nature, contrasting with the Focus Area: Representation traditional Japanese clothes worn in the spirit world by Chihiro, Haku and others. Once Chihiro leaves the Bathhouse (for the train PART 1: Key Sequence(s) and ride was Miyazaki’s original ending; the timings and/or links remaining aiding the film’s coda) she removes Sequence 1 - ‘Opening Sequence’ 0:00 – 00:06:10 her Bathhouse uniform and returns to her original, androgynous and Western clothing. Sequence 2 – Chihiro meets Haku/ enters the spirit world 00:10:48-00:15:11 • The buildings were designed to evoke nostalgia in the viewers and seems like a Sequence 3 – Chihiro meets Kamaji / enters parody of the past (linking to her father’s the Boiler Room 00:21:55 – 00:24:30 comments about it being a ‘theme park’). Sequence 4 – Chihiro at Zeniba’s house • Red lighting throughout the newly emerged spirit with No Face 01:45:52 – 01:48:08 world in sequence 2, signifying the danger. Editing PART 2: STARTING POINTS - Key Elements • Slow pace to establish characters, of Film Form (Micro Features) narrative and setting. Cinematography (including Lighting) • Continuity editing used to support the • High angle mid shot (MS) of Chihiro in audience’s understanding narrative and the the back of the car denoting her place strange world that the spirits inhabit. within the family as a child/female. • In contrast to the more familiar low-budget • Camera movement changes as they enter anime Miyazaki kept a higher frame rate (30fps) the forest reflecting the importance of the as opposed to the more commonly used 24fps. -
Online Writer Now a Favorite of TV Producers Paragliding Takes Off At
CHINA DAILY | HONG KONG EDITION Wednesday, December 12, 2018 | 19 YOUTH Yang Liuqing, a Racing into the future popular female skater in China, sees a bright prospect for the sport among An increasing number of young women are taking to skateboarding, Li Yingxue reports. the country’s girls. hen Chinese street called on every audience member skater Yang Liuqing to cheer for Yang. encountered US park “He said I needed more encour skater Lizzie Armanto agement, and led the audience to at W the Vans Park Series Pro Tour call my name loudly and applaud for finals of 2018, the world’s top men’s me. And they did! and women’s park terrain skate “I was so encouraged and finally boarding competition held in Suz did that trick.” hou, Jiangsu province, over Oct 26 As the competition was held in 27, Yang says she felt a connection her hometown, Yang thought there with Armanto. might be some of her friends or Speaking about the meeting, classmates that were cheering for Yang, 28, says: “That’s the beauty of her, but when she finished the jump skateboarding — we don’t need to ing, she found that there was talk — we skaters have this kind of nobody she knew. understanding.” “I might not have been the best on Yang, one of the most popular the field, but the audience cheered female skaters in China, was in Suz for me. And that was when I realize hou as she was invited to watch the the charm of the sport.” final showcase of the world tour, Over the past few years, Yang has which pitted the topranking 2018 practiced skateboarding in her Pro Tour athletes against select VPS spare time after work. -
China Mengniu Dairy Company Limited 中國蒙牛乳業有限公司
Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. CHINA MENGNIU DAIRY COMPANY LIMITED 中國蒙牛乳業有限公司* (Incorporated in the Cayman Islands with limited liability) (Stock Code: 2319) ANNOUNCEMENT OF THE INTERIM RESULTS FOR THE SIX MONTHS ENDED 30 JUNE 2018 HIGHLIGHTS • Mengniu, for the tenth consecutive year, made it on the “Global Dairy Top 20” list published by Rabobank, continuing to place itself among the top 10 of dairy industry. It was named one of the top 20 in the BrandZTM list of the most valuable Chinese brands for the fourth consecutive year and ranked first on the brand contribution list. • Mengniu, as an Official 2018 FIFA World CupTM Sponsor, was able to push forward with its international brand building and promote four categories comprising a total of 161 products under 27 brands through its large scale all-channel integrated marketing activity. The “FIFA World Cup Fun, Scan the code for Red Packet 100%” (“Scan the Code for Red Packet”) activity received overwhelming responses with accumulatively more than 230 million times of code scanning. • Mengniu’s room temperature and chilled products further strengthened their market leadership. Room temperature products continued to push for high-end brand upgrades. Room temperature yogurt achieved satisfactory growth in sales driven by launch of new products. -
Anonymous Classics: a List of Uniform Titles for Chinese Works
INTERNATIONAL FEDERATION OF LIBRARY ASSOCIATIONS AND INSTITUTIONS Cataloguing Section Anonymous classics a list of uniform titles for Chinese works 2011 INTRODUCTION As a reply to the International Conference on Cataloguing Principles, held at UNESCO, Paris, 1961, a first list of uniform titles for Anonymous classics was published by IFLA in 1964 1 with the assistance of UNESCO. This list, which represented a first attempt at the standardization of headings for titles at an international level, was regarded as temporary by its compiler Roger Pierrot. The project was to draw a list of the works from countries which had attended the International Conference: on the basis of the answers provided by 15 European and Asian countries, works of literature in 34 languages were listed in this publication. No later edition was issued for this working tool. In 1978, it was partly replaced by an edition limited to European literatures, revised and augmented by the addition of 8 literatures missing in the 1964 edition. It was planned by the International Office for UBC and coordinated by Rosemary C. Hewett 2. In the early 90s, these two documents were out of print and a mere reprint was not conceivable because of their incompleteness. During the 60th IFLA Conference in Havana in 1994, the Section on Cataloguing included in its action plan a new edition of Anonymous Classics, divided in several phases. The first phase was a revision of existing lists of European literatures, complemented by the addition of literatures missing in the 1978 edition. Published on the IFLA website in 2004, the new edition of Anonymous classics : a list of uniform headings for European literatures includes literatures in 28 languages of the European continent and is completed by definitions of the works and a bibliography for each literature. -
Online Literature in China
CREATe Working Paper 2019-02 (March 2019) Online Literature in China Authors Shen, X Williams, R Zheng, S Li, Y Liu, Y Gerst, M CREATe Working Paper Series 10.5281/zenodo.2590572. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. !1 Convergence or differentiation in IP protection? A case study of new models for digital film, music and e-fiction production and distribution in China An Introductory Note These CREATe working papers comprise three reports, Online Music in China, Online Literature in China and Online Film in China. They are part of the deliverables from the most exciting research project I have conducted in the last nearly thirty years, “Convergence or differentiation in IP protection? A case study of new models for digital film, music and e- fiction production and distribution in China”.1 I was very fortunate to have a strong team of passionate colleagues in China and in the UK to work with me. There were two AHRC research grants - (1) the AHRC China Digital Copyright Centre and Newton Fund (RGS 116357) and (2) the RCUK Research Centre for Copyright and New Business Models in the Creative Economy (CREATe) (AH/K000179/1) that enabled us to conduct the field investigation in China during the period from December 2015 to April 2017. To describe the research as “the most exciting project” is not, to whichever extent, an overstatement. While testing the interests of local players to the research topic for preparing the research proposal, we had already had some understandings for interview with potential respondents from Internet intermediaries and IP professionals in China.