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Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
IFFAM 2943 – East & West Masterpieces on the Big Screen
SUPPLEMENT THU 07.12.2017 SHOWING INSIDE Crossfire Special Presentation Flying Daggers FAQs II Int’l Film Festival EAST & WEST MASTERPIECES ON THE BIG SCREEN he Crossfire feature of the IFFAM, described by organizers as a “retrospective” element of the festival, will showcase six master films selected by renowned filmmakers. From the black and white motion pictures of the 1940s to Kubrick’s sci-fi masterpiece “2001: Space Odyssey” of the 60s and the psychological thriller “Silence of the Lambs”, the genre films hail from THollywood and Asia, the latter represented with seminal works from Kurosawa, Johnnie To and Derek Yee. International Film Festival & Awards Macao CROSSFIRE: A RETROSPECTIVE OF CINEMA FROM KUBRICK TO KUROSAWA The Crossfire feature of the IFFAM will showcase six master films selected by renowned filmmakers. The pictures will be shown on the big screen at The Cinematheque Passion, from December 8 to 12 ONE NITE IN MONGKOK Mongkok, Hong Kong: a densely populated hot- KIND HEARTS AND CORONETS MAD DETECTIVE bed of criminal activity. Mainland Chinese farm Hotshot Inspector Ho seeks out his former boss Bun boy Lai Fu is a hired killer who enters the neon-lit English actors Dennis Price and Sir Alec Guinness underbelly of this infamous district. When he res- star in this 1949 black comedy. Price plays the for help in cracking a serial murder case. Bun, a gifted criminal profiler, went mad years ago and now lives cues a call girl from gangsters, the two must go lead role of Louis d’Ascoyne Mazzini, ninth in line on the run from policemen and triads alike. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Martin-Jones, David (2014) Remembering the Body: Deleuze's Recollection- Image, and the Spectacle of Physical Memory in Yip Man/Ip Man(2008)
Martin-Jones, David (2014) Remembering the body: Deleuze's recollection- image, and the spectacle of physical memory in Yip Man/Ip Man(2008). Journal of Chinese Cinemas, 8 (2). pp. 111-122. ISSN 1750- 8061. Copyright © 2014 Taylor and Francis A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/94139/ Deposited on: 23 July 2014 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 1 Remembering the Body: Deleuze’s recollection-image, and the spectacle of physical memory in Yip Man/Ip Man (2008). David Martin-Jones KEYWORDS Ip Man, Deleuze, recollection-image, martial arts, physical memory, Chinese diaspora. ABSTRACT This article explores how Gilles Deleuze’s conceptualization of the flashback, as ‘recollection-image’, can assist our understanding of the rendering spectacular of physical memory in contemporary Chinese martial arts movies. The focus is a prominent flashback in the climactic duel in the kung fu movie, Yip Man/Ip Man (Yip, 2008). This recollection-image demonstrates how trained bodies in Chinese martial art movies suggest a slightly different understanding of time and affect from that which Deleuze formulated, based on his observation of US and European films. On textual, cultural and historical levels this article explores the usefulness of martial arts movies for developing our understanding of physicality in cinema, and for reconsidering Deleuze’s ideas in light of the Eurocentrism of some of his conclusions. -
The Douban Online Social Media Barometer and the Chinese Reception of Korean Popular Culture Flows1
. Volume 13, Issue 1 May 2016 The Douban online social media barometer and the Chinese reception of Korean popular culture flows1 Brian Yecies, Jie Yang, Aegyung Shim, Kai Soh & Matthew Berryman, University of Wollongong, Australia Abstract: Since its launch in 2005, the Chinese online social networking site Douban has become a key platform for creating and sharing user-generated content on a rising tide of global popular culture. Such content and its corresponding user data has become so prolific that Western media outlets are now using Douban a key barometer for gauging representative opinions and attitudes towards foreign content in China. However, a full range of tools for harvesting and analyzing Chinese-language datasets has yet to be explored in English. This article attempts to fill this gap by investigating the applicability of an analytical framework that can be used to study Chinese audiences’ response to a range of films through analysing comments on Douban. As a case study, the authors apply this framework to a representative sample of major Korean films made by a group of female writer–directors. Given that Korean cinema is increasingly popular with Chinese movie audiences, this study aims to test a “proof of concept” that can be applied more broadly to Korean and other country’s films. In turn, it is hoped that the framework developed here will be used to investigate much larger datasets across a greater range of popular culture materials originating outside China – materials that are making transnational connections with -
Chinese Transnational Cinema and the Collaborative Tilt Toward South Korea Brian Yecies University of Wollongong, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2016 Chinese transnational cinema and the collaborative tilt toward South Korea Brian Yecies University of Wollongong, [email protected] Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. 2016 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Chinese transnational cinema and the collaborative tilt toward South Korea Abstract To shed light on the important and growing trend in international filmmaking, this chapter investigates the increasing levels of co-operation in co-productions and post-production work between China and Korea since the mid-2000s, following a surge in personnel exchange and technological transfer. It explains how a range of international relationships and industry connections is contributing to a new ecology of expertise, which in turn is boosting the expansion of China’s domestic market and synergistically transforming the shape and style of Chinese cinema. Keywords transnational, cinema, collaborative, tilt, toward, south, korea, chinese Disciplines Arts and Humanities | Law Publication Details Yecies, B. "Chinese transnational cinema and the collaborative tilt toward South Korea." The aH ndbook of Cultural and Creative Industries in China. Ed.M. Keane. United Kingdom: Edward Elgar, 2016, 226-244. -
Anonymous Classics: a List of Uniform Titles for Chinese Works
INTERNATIONAL FEDERATION OF LIBRARY ASSOCIATIONS AND INSTITUTIONS Cataloguing Section Anonymous classics a list of uniform titles for Chinese works 2011 INTRODUCTION As a reply to the International Conference on Cataloguing Principles, held at UNESCO, Paris, 1961, a first list of uniform titles for Anonymous classics was published by IFLA in 1964 1 with the assistance of UNESCO. This list, which represented a first attempt at the standardization of headings for titles at an international level, was regarded as temporary by its compiler Roger Pierrot. The project was to draw a list of the works from countries which had attended the International Conference: on the basis of the answers provided by 15 European and Asian countries, works of literature in 34 languages were listed in this publication. No later edition was issued for this working tool. In 1978, it was partly replaced by an edition limited to European literatures, revised and augmented by the addition of 8 literatures missing in the 1964 edition. It was planned by the International Office for UBC and coordinated by Rosemary C. Hewett 2. In the early 90s, these two documents were out of print and a mere reprint was not conceivable because of their incompleteness. During the 60th IFLA Conference in Havana in 1994, the Section on Cataloguing included in its action plan a new edition of Anonymous Classics, divided in several phases. The first phase was a revision of existing lists of European literatures, complemented by the addition of literatures missing in the 1978 edition. Published on the IFLA website in 2004, the new edition of Anonymous classics : a list of uniform headings for European literatures includes literatures in 28 languages of the European continent and is completed by definitions of the works and a bibliography for each literature. -
Norwegian Wood
PROUDLY ANNOUNCES OUR FOUR FILMS IN OFFICIAL SELECTION@VENICE 2010 ***IN COMPETITION*** NORWEGIAN WOOD BASED ON THE NOVEL BY HARUKI MURAKAMI Directed by Tran Anh Hung Starring Kenichi Matsuyama (DEATH NOTE; L: CHANGE THE WORLD; DETROIT METEL CITY; KAMUI), Rinko Kikuchi (BABEL; MAP OF THE SOUNDS OF TOKYO) and Kiko Mizuhara WORLD PREMIERE: Thursday 2nd September - evening Synopsis: Published in 1987 and subsequently translated into 33 languages in 36 countries, NORWEGIAN WOOD is a story of loss and heartbreak in a time of global instability. Set in Tokyo, during the late 60s, at a time when students throughout the world were united in protest against the establishment, Watanabe is similarly uncertain as to how he should deal with his future and his relationships. At heart, he is deeply devoted to his first love, Naoko, a beautiful and introspective young woman. But their complex bond is forged by the tragic death of their best friend years before… ***OUT OF COMPETITION*** THE NEW JOHN WOO/TERENCE CHANG ACTION FILM REIGN OF ASSASSINS Directed by Su Chao-Pin Co-directed by John Woo Starring Michelle Yeoh (TOMORROW NEVER DIES; CROUCHING TIGER, HIDDEN DRAGON), Jung Woo-sung (THE WARRIOR), Kelly Lin (AFTER THIS OUR EXILE), Barbie Hsu (SILK), Wang Xueqi (BODYGUARDS AND ASSASSINS) and Shawn Yue (INFERNAL AFFAIRS) WORLD PREMIERE: Friday 3rd September - evening Synopsis: Produced by John Woo and Terence Chang, this 12 million dollar martial arts action thriller promises to be FACE/OFF meets MR AND MRS SMITH. Set in 428AD, the film stars Yeoh as a skilled assassin who falls in love with the son of a man who was killed by her gang. -
A We Pictures Production
A We Pictures Production Mr. & Mrs. Incredible – production note (Eng) From the producer of BODYGUARDS AND ASSASSINS and the director who brought you CJ7 comes an action comedy of superhero proportion Produced by Peter Ho-Sun Chan Directed by Vincent Kok World Sales We Distribution Limited Unit F, 17/F, MG Tower, 133 Hoi Bun Road, Kwun Tong, Kowloon, Hong Kong Tel: +852-2366-1622 Fax: +852-2366-0661 Email: [email protected] Mr. & Mrs. Incredible – production note (Eng) ABOUT THE PRODUCTION Producer : Peter Ho-Sun Chan Director : Vincent Kok Scriptwriters : Vincent Kok, Fung Min-hang Production Design Consultant : Yee Chung Man Production Designer : Cyrus Ho Action Choreographer : Jacky Yeung Tak Ngai Director of Photography : Peter Ngor Original Music by : Raymond Wong Editor : Chung Wai Chiu Sandra Ng as Red (The Aroma Woman) Louis Koo as Huan (The Gazer Warrior) Production Budget : US$7.5 Million Production Status : Completed Release Date : February 3, 2011 (Hong Kong) Mr. & Mrs. Incredible – production note (Eng) SYNOPSIS Hong Kong No.1 box office queen Sandra Ng (Echoes of the Rainbow, Golden Chicken – Golden Horse Awards Best Actress) teams up with Johnnie To regular Louis Koo (Election I & II, Triangle, Overheard) in this larger-than-life action comedy about a retired superhero couple caught in the middle of a colossal martial arts tournament. Love is never meant to be an easy matter -- especially for superheroes. Huan aka the Gazer Warrior (Louis Koo) falls in love with Red aka the Aroma Woman (Sandra Ng) during a superhero standoff. But life as a superhero means little time for each other. -
贺敬德 EN-Updated Dec-第二版
WU STAR MEDIA (INTERNATIONAL) LIMITED FOUNDER Jaden He （贺敬德） Wushu World Cup Champion Instructed by Wu Bin (Jet Li’s and Wu Jing’s master) Gender: Male Height: 1.66 meters Weight: 62 kg Languages: Mandarin, English Occupation: Action Director, Stage Director, Actor, Coach Athletic Awards: Hong Kong Chief Executive’s Commendation for Community Service (2011), Bank of China Hong Kong- Hong Kong Sports Stars Award (2010), 16th Asian Games Leader of the Year- Sports Category (2010) Asian Olympic Games- Silver medal for Nanquan, Nangun (2010) Tenth World Wushu Championships- Gold medal for Nangun, Silver for Nanquan, Bronze for Nandao (2010) East Asian Games- Gold medal for Nanquan, Nangun (2009) Jaden (贺敬德) Film Work: “Saturday Fiction (兰心大剧院)” (2018)- Action Choreographer “The Teacher” (2018)- Action Director, Main Actor “Wu Ji” Adidas advertisement (2017)- Martial Arts Director “The One” (2017) “League of Gods” (2015)- Official Head Coach of fight scenes, Actor “Dun Di” Theatre Show: “Kung Fu Panda Spectacular Live show” (2019) - Martial Arts Choreographer The Sunac Dragone Wuxi Project – 太湖秀(2019) - Martial Arts Choreographer & Supervisor, From 1994 to 2001, Jaden trained under Mr. Wu Bin, the head coach of Beijing Wu Shu Team, and teacher of Jet Li and Wu Jing. During his time in the Beijing Wushu Team, Jaden has won gold at the National Wushu Championship multiple times for broadsword, staff, and double broadsword. In 2003, Jaden joined Cirque du Soleil’s KA Show at Las Vegas’ MGM Grand Hotel. There, he led as the main actor, stage martial arts coach, and choreographer. By combining eastern and western cultures onstage, Jaden gained new insights on traditional Wushu, choreographing, and acting. -
That's Beijing
Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 5 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 EYE ON THE SKY China's Massive Telescope and the Global Quest to Find Extraterrestrial Life MAY 2019 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department 付平 Fu Ping 编辑 Editor 朱莉莉 Zhu Lili 发行 Circulation 李若琳 Li Ruolin Editor-in-Chief Valerie Osipov Deputy Editor Edoardo Donati Fogliazza National Arts Editor Sarah Forman Designers Ivy Zhang 张怡然 , Joan Dai 戴吉莹 , Nuo Shen 沈丽丽 Contributors Andrew Braun, Cristina Ng, Curtis Dunn, Dominic Ngai, Ellie Dunnigan, Flynn Murphy, Grigor Grigorian, Gwen Kim, Guo Xun, Karen Toast, Matthew Bossons, Mia Li, Mollie Gower, Naomi Lounsbury, Ryan Gandolfo, Wang Kaiqi, Xue Juetao HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司 上海市静安区江宁路 631 号 6 号楼 407-408 室 邮政编码 : 200041 Room 407-408, Building 6, No. 631 Jiangning Lu, Jing'an District, Shanghai 200041 电话 : 021-6077 0760 传真 : 021-6077 0761 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 : 020-8358 -
Daniel Lee (Film Director)
Daniel Lee (film director) Daniel Lee Nationality Hong Kong Occupation Film director, screenwriter, assistant director and art director Daniel Lee Yan Kong (Chinese. List of film director and actor collaborations ┠Film directors frequently choose to work with the same actor or actress across several projects. Such collaborations may span years or even decades. The following list has been alphabetized by the director s last name. A *Jim Abrahams / Lloyd⦠⦠Wikipedia. List of film director and editor collaborations ┠This list of film director and editor collaborations includes longstanding, notable partnerships of directors and editors. The list s importance is that directors and editors typically work together on the editing of a film, which is the ultima Lee Daniels gave his parents an early Christmas present when he entered the world on December 24, 1959; unfortunately, the Philadelphia native was to have a difficult relationship with his police officer father who later reacted violently to his son's sexuality. Despite the brutality of his childhood, Lee completed high school and attended See full bio ». Born: December 24, 1959 in Philadelphia, Pennsylvania, USA. More at IMDbPro » Contact Info: View agent, publicist, legal on IMDbPro. 144 photos | 6 videos ». Daniel Lee Film Director on WN Network delivers the latest Videos and Editable pages for News & Events, including Entertainment, Music, Sports, Science and more, Sign up and share your playlists. This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Daniel_Lee_(film_director). Daniel Lee. Daniel Lee may refer to Daniel Lee Yan-Kong is a Hong Kong film director, screenwriter, assistant director and art director.