Battlefield 2 Sålt Över 1 Miljon Ex

Total Page:16

File Type:pdf, Size:1020Kb

Battlefield 2 Sålt Över 1 Miljon Ex 2005-07-27 09:29 CEST Battlefield 2 sålt över 1 miljon ex I slutet av juni lanserades Digital Illusions spel Battlefield 2 i butiker runt om i världen. Drygt en miljon exemplar såldes till återförsäljare fram till den 30 juni 2005. Spelen i Battlefieldserien, inklusive Battlefield 2, har hittills sålts i cirka sex miljoner exemplar. Digital Illusions affärsmodell bygger på att ta fram starka varumärken som fortsätter att leva och utvecklas under många år. Det stora antalet priser som Battlefield 2 redan har tilldelats bevisar att vi än en gång har lyckats utveckla en högkvalitativ produkt, säger Patrick Söderlund, vd för Digital Illusions. Battlefield 2 visades på världens största spelmässa, E3, i mitten av maj 2005. Produkten belönades med ett flertal priser. Spelet vann bland annat E3:s officiella pris Game Critics Awards: Best of E3 2005 som bästa online multiplayerspel. Förutom det officiella E3- priset har Battlefield 2 även tilldelats ett flertal utmärkelser från inflytelserika spelmedier. Gamespy utsåg det till E3:s bästa PC-spel, bästa multiplayerspel och tredje bästa spel, alla kategorier. Av IGN fick Battlefield 2 pris som bästa PC actionspel på E3, och av Gamespot som E3:s bästa shooterspel. Digital Illusions royaltyintäkter grundar sig på antalet spel som säljs till återförsäljare och betalas ut när utvecklingsbudgeten för spelet har tjänats in. Battlefield 2 förläggs av Electronic Arts. Exakta försäljningssiffror för spelet kommer att redovisas i Digital Illusions delårsrapport den 10 augusti 2005. För ytterligare information kontakta: Jenny Huldschiner, informationschef, 08-658 78 03 E-post: [email protected] eller [email protected] Om Digital Illusions Digital Illusions CE AB är ett spelutvecklingsbolag som utvecklar interaktiv underhållning för de marknadsledande spelplattformarna. Bolaget arbetar på den globala spelarenan, där huvudmarknaderna utgörs av USA och Europa. Bolaget grundades 1992 och har idag cirka 200 anställda vid sina kontor i Stockholm och Toronto (Kanada). Bland utvecklade titlar kan nämnas Battlefield 1942, Battlefield Vietnam och Battlfield 2 för PC och RalliSport Challenge för Xbox. Digital Illusions aktier är sedan 1998 noterade på Nya Marknaden i Stockholm och handlas under tickersymbolen Dice. Ytterligare information om företaget finns tillgänglig på www.dice.se..
Recommended publications
  • Playing with Race: the Ethics of Racialized Representations in E-Games
    IRIE International Review of Information Ethics Vol. 4 (12/2005) Dean Chan Playing with Race: The Ethics of Racialized Representations in E-Games Abstract: Questions about the meanings of racialized representations must be included as part of developing an ethical game design practice. This paper examines the various ways in which race and racial contexts are repre- sented in a selected range of commercially available e-games, namely war, sports and action-adventure games. The analysis focuses on the use of racial slurs and the contingencies of historical re-representation in war games; the limited representation of black masculinity in sports games and the romanticization of ‘ghetto play’ in urban street games; and the pathologization and fetishization of race in ‘crime sim’ action-adventure games such as True Crime: Streets of LA. This paper argues for, firstly, a continuous critical engagement with these dominant representations in all their evolving forms; secondly, the necessary inclusion of reflexive precepts in e-games development contexts; and thirdly, the importance of advocating for more diverse and equitable racialized representations in commercial e-games. Agenda Introduction ........................................................................................................................................ 25 War Games and the Contingencies of Historical ‘Authenticity’................................................................... 26 Sports Games, Urban Spaces and ‘Pixilated Minstrelsy’ ...........................................................................
    [Show full text]
  • Terrain Rendering in Frostbite Using Procedural Shader Splatting
    Chapter 5: Terrain Rendering in Frostbite Using Procedural Shader Splatting Chapter 5 Terrain Rendering in Frostbite Using Procedural Shader Splatting Johan Andersson 7 5.1 Introduction Many modern games take place in outdoor environments. While there has been much research into geometrical LOD solutions, the texturing and shading solutions used in real-time applications is usually quite basic and non-flexible, which often result in lack of detail either up close, in a distance, or at high angles. One of the more common approaches for terrain texturing is to combine low-resolution unique color maps (Figure 1) for low-frequency details with multiple tiled detail maps for high-frequency details that are blended in at certain distance to the camera. This gives artists good control over the lower frequencies as they can paint or generate the color maps however they want. For the detail mapping there are multiple methods that can be used. In Battlefield 2, a 256 m2 patch of the terrain could have up to six different tiling detail maps that were blended together using one or two three-component unique detail mask textures (Figure 4) that controlled the visibility of the individual detail maps. Artists would paint or generate the detail masks just as for the color map. Figure 1. Terrain color map from Battlefield 2 7 email: [email protected] 38 Advanced Real-Time Rendering in 3D Graphics and Games Course – SIGGRAPH 2007 Figure 2. Overhead view of Battlefield: Bad Company landscape Figure 3. Close up view of Battlefield: Bad Company landscape 39 Chapter 5: Terrain Rendering in Frostbite Using Procedural Shader Splatting There are a couple of potential problems with all these traditional terrain texturing and rendering methods going forward, that we wanted to try to solve or improve on when developing our Frostbite engine.
    [Show full text]
  • Video Games and the Mobilization of Anxiety and Desire
    PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games.
    [Show full text]
  • Game Developer Index 2010 Foreword
    SWEDISH GAME INDUSTRY’S REPORTS 2011 Game Developer Index 2010 Foreword It’s hard to imagine an industry where change is so rapid as in the games industry. Just a few years ago massive online games like World of Warcraft dominated, then came the breakthrough for party games like Singstar and Guitar Hero. Three years ago, Nintendo turned the gaming world upside-down with the Wii and motion controls, and shortly thereafter came the Facebook games and Farmville which garnered over 100 million users. Today, apps for both the iPhone and Android dominate the evolution. Technology, business models, game design and marketing changing almost every year, and above all the public seem to quickly embrace and follow all these trends. Where will tomorrow’s earnings come from? How can one make even better games for the new platforms? How will the relationship between creator and audience change? These and many other issues are discussed intensively at conferences, forums and in specialist press. Swedish success isn’t lacking in the new channels, with Minecraft’s unprecedented success or Battlefield Heroes to name two examples. Independent Games Festival in San Francisco has had Swedish winners for four consecutive years and most recently we won eight out of 22 prizes. It has been touted for two decades that digital distribution would outsell traditional box sales and it looks like that shift is finally happening. Although approximately 85% of sales still goes through physical channels, there is now a decline for the first time since one began tracking data. The transformation of games as a product to games as a service seems to be here.
    [Show full text]
  • Battlefield Modern Combat Utökas Med Singelplayer
    2004-07-13 13:54 CEST Battlefield Modern Combat utökas med singelplayer Lanseringen sker hösten 2005 Digital Illusions spelserie Battlefield är under utveckling för Playstation2 (PS2) och Xbox. Spelet, Battlefield: Modern Combat, kommer att utökas med en singelplayerkomponent. Utvecklingen av produkten förlängs därmed med ett år, vilket innebär att bolaget får en utökad utvecklingsbudget av Electronic Arts och att lanseringen sker hösten 2005. Förutom att spelet utökas med en singelplayerkomponent så kommer även nya kartor och ytterligare förbättringar att göras under den extra utvecklingsperioden. Beslutet om att utöka Battlefield: Modern Combat med nya delar togs efter att konsumentundersökningar hade genomförts. - Vi är mycket nöjda med beslutet att inkludera singelplayer i Battlefield: Modern Combat. Det är strategiskt viktigt för Digital Illusions och ger oss bättre möjlighet att etablera varumärket Battlefield på konsolmarknaden innan nästa generation plattformar kommer, säger Patrick Söderlund, vd på Digital Illusions. - Att lanseringen av Battlefield: Modern Combat senareläggs innebär lägre royaltyintäkter under 2004, å andra sidan ökar potentialen för royaltyintäkterna under 2005 markant, säger Patrick Söderlund, vd på Digital Illusions. - Genom att lägga ytterligare tid på utvecklingen av spelet så kommer vi att få en mer gångbar produkt. Vi är övertygade om att detta beslut inte bara leder till ett bättre spel, utan även till en ökad försäljning, säger Greg Richardson, General Manager på EA Partners. Battlefield: Modern Combat kommer att vara både ett singel- och ett multiplayerspel, vilket gör att man antingen kan spela spelet ensam eller att upp till 24 personer kan spela mot varandra samtidigt via internet. Onlinespel kräver PS2, bredbandsuppkoppling, minneskort och en nätverksadapter, alternativt Xboxkonsolen och ett Xbox Live-abonnemang.
    [Show full text]
  • Uncorrected Transcript
    VIETNAM-2011/11/10 1 THE BROOKINGS INSTITUTION VIETNAM’S LONG SHADOW: THE WAR’S IMPACT ON U.S. FOREIGN AND MILITARY POLICY Washington, D.C. Thursday, November 10, 2011 PARTICIPANTS: Introduction: MARTIN INDYK Vice President and Director, Foreign Policy The Brookings Institution Moderator: ROBERT KAGAN Senior Fellow The Brookings Institution Featured Speakers: MARVIN KALB Guest Scholar The Brookings Institution RON NESSEN Journalist in Residence The Brookings Institution * * * * * ANDERSON COURT REPORTING 706 Duke Street, Suite 100 Alexandria, VA 22314 Phone (703) 519-7180 Fax (703) 519-7190 VIETNAM-2011/11/10 2 P R O C E E D I N G S MR. INDYK: Good afternoon, ladies and gentlemen. I’m Martin Indyk, the vice president and director of the Foreign Policy Program at Brookings. Welcome. It’s an honor for me to have the opportunity to introduce two gentlemen who are valued friends and colleagues here at Brookings and have storied legends in their own right as journalists for television and radio. It so happened serendipitously that they’ve both written books that are coming out more or less at the same time so we thought it was a good opportunity to bring them together to discuss those two books. The first, by Ron Nessen, Making the News, Taking the News: From NBC to the Ford White House. I don’t know whether you can all see this. It’s an amazingly handsome picture of Ron. SPEAKER: You mean with hair? (Laughter) MR. INDYK: I didn’t say that but -- The other one, by Marvin Kalb and his daughter Deborah, Haunting Legacy: Vietnam and the American Presidency from Ford to Obama.
    [Show full text]
  • BAB I PENDAHULUAN 1.1 Latar Belakang Secara Singkat, Perang
    BAB I PENDAHULUAN 1.1 Latar Belakang Secara singkat, perang Vietnam adalah perang terpanjang dalam sejarah Amerika Serikat dan paling populer pada abad ke-20. Perang ini mengakibatkan hampir 60.000 pasukan Amerika Serikat yang menjadi korban dan sekitar 2 juta korban di pihak Vietnam. Awal mula Perang Vietnam ini adalah sekitar tahun 1953 hingga 1973 yang diawali oleh perang anti-kolonial melawan Perancis.1 Setelah Jepang menyerah kepada sekutu pada tahun 1945, Ho Chi Minh adalah seorang komunis yang menginginkan Vetnam merdeka dibawah bayang-bayang paham komunis. Akan tetapi Perancis sebagai negara yang telah menjajah Vietnam tidak menginginkan hal itu terjadi. Oleh karena itu pada tahun 1946, tentara Amerika datang untuk membantu Perancis dalam menjadikan Vietnam sebagai negara berpaham nasionalis. Namun, Amerika juga tidak mau Perancis tetap mengambil sepenuhnya dataran Vietnam.2 Oleh karena itulah untuk sementara waktu, Vietnam dibagi dua yaitu Vietnam Selatan yang berpaham Liberalis dan Vietnam Utara yang berpaham Komunis. Dari tahun 1968 hingga 1973, berbagai upaya dilakukan untuk mengakhiri konflik ini melalui diplomasi. Hingga pada akhirnya pada tahun 1973 terdapat sebuah kesepakatan yang dinama Pasukan Amerika Serikat ditarik dari Vietnam dan seluruh tawanan AS di 1The Vietnam War 1954-1975 (Chapter 26), hal. 883 diakses dalam http://www.kingherrud.com/uploads/3/7/5/9/37597419/chapter_26.pdf (28/2/2018, 09:12 WIB) 2Ibid 1 bebaskan. Pada bulan April 1975, Vietnam Selatan menyerah dan terjadilah penyatuan kembali negara Vietnam.3
    [Show full text]
  • The Godfather, Driver Parallel DTP OG WEBSITE Frederik Røssell Lines, Animal Crossing: Wild World Og Outrun 2006: Coast 2 Coast
    GR_marts_DK_cover.qxd 02/03/06 14:33 Side 1 GRATIS MAGASIN Marts 2006 Nummer 68 Game ® rDanmarkes største spilmaagasin ctowww.gamereacrtor.net GODFATHER Bedre end GTA? Læs vores anmeldelse RDeflecRtionsI fjeVrde sEpil eRr på ga4den + GUITAR BENZIN HERO Vi tester spaden og spillet IFraB Out LRunO til GrDan TuErismTo 4 THE ELDER SCROLLS Vi har nordens første anmeld elIseV klar! GHOST RECON3 Et højteknologisk og hæsblæsende brag! ANIMAL CROSSING: WILD WORLD DRAKENGARD 2 24 THE GAME THE BATTLE FOR MIDDLE-EARTHOUTRUN II 2006: COAST 2 COAST PREY ENEMY TERRITORY: QUAKEKEY OF WARS HEAVEN GR_marts_DK_side2_5.qxd 03/03/06 12:56 Side 1 Redaktionen Mere om os! www.gamereactor.net/redaktionen CHEFREDAKTØR Thomas Tanggaard 03-06 ([email protected]) Og de kalder marts for en forårsmåned? ASSISTERENDE REDAKTØR Steen Marquard ([email protected]) Sig mig, sner det nu igen eller hvad...?! ANSVARSHAVENDE Claus Reichel Ja, den er her, købeguiden altså. Hvis du bladrer ned til den bagerste del af magasinet, så finder du med det samme fem tætskrevne sider med spilanbefalinger fra hele holdet. Re-designet, siger du? Øhh... der er GRAFISK FORM Petter Engelin minimale ændringer til den, såsom at vi nu kun anbefaler 15 spil i hver kategori og at Xbox 360 har fået sin SKRIBENTER egen liste, men ellers er det købeguiden, som du kender og forhåbentlig elsker. Købeguiden behøver ikke et Jesper Nielsen re-design, det er hvad vi er kommet frem til. Jannik Tai Mosholt Til gengæld så er der masser af nye og ikke mindst eksklusive ting i selve magasinet. Vi har, som det Thomas Nielsen første spilmagasin i norden, anmeldelsen af det længe ventede The Elder Scrolls IV: Oblivion, og lad mig sige Henrik Bach det med det samme; det har været ventetiden værd.
    [Show full text]
  • Nicholas White: "Computer Games, the Civil War, and Education"
    Computer Games, the Civil War, and Education Nicholas White Education is not an affair of “telling” and being told, but an active and constructive process. —John Dewey Democracy and Education 1916 Almost one hundred years ago, Dewey was critiquing the system that still seems very much in place today. In a conversation with Donald Macedo in 1999, Noam Chomsky echoes what many pro- gressive educators have said before and since Dewey: schools are “institutions for indoctrination and for imposing obedience. Far from creating independent thinkers, schools have always, through- out history, played an institutional role in a system of control and coercion” (16). Formal schooling continues to encourage passive adherence to social norms. Formal schooling is also a place where students can learn complex and academic “truths” about world history, culture, language, and mathematics. More often, in an eco- nomic environment that creates a perpetual crisis in formal educa- tion, schooling gets reduced to mere indoctrination of students. This has contributed to what, in the United States, can be described as a dysfunctional democracy. This can be combated, in part, by educators who encourage the development of civically minded, independent, and contemplative students. How can this type of cit- izen become the norm? The answers are myriad, but there is at least one powerful tool that deserves much more consideration. Computer games are likely to get more and more attention in the coming years as they are studied from a variety of fields. The field of education is only one area in which game scholars emerge. Computer games already have a place within formal education that will probably continue to grow, but the methods in which games educate is a question that needs further study by interested researchers from many fields.
    [Show full text]
  • Playing with Race: the Ethics of Racialized Representations in E-Games
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2005 Playing with Race: The Ethics of Racialized Representations in E-Games Dean Chan University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Chan, Dean, Playing with Race: The Ethics of Racialized Representations in E-Games 2005. https://ro.uow.edu.au/artspapers/1858 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] IRIE International Review of Information Ethics Vol. 4 (12/2005) Dean Chan Playing with Race: The Ethics of Racialized Representations in E-Games Abstract: Questions about the meanings of racialized representations must be included as part of developing an ethical game design practice. This paper examines the various ways in which race and racial contexts are repre- sented in a selected range of commercially available e-games, namely war, sports and action-adventure games. The analysis focuses on the use of racial slurs and the contingencies of historical re-representation in war games; the limited representation of black masculinity in sports games and the romanticization of ‘ghetto play’ in urban street games; and the pathologization and fetishization of race in ‘crime sim’ action-adventure games such as True Crime: Streets of LA. This paper argues for, firstly, a continuous critical engagement with these dominant representations in all their evolving forms; secondly, the necessary inclusion of reflexive precepts in e-games development contexts; and thirdly, the importance of advocating for more diverse and equitable racialized representations in commercial e-games.
    [Show full text]
  • Marc Brassard
    Marc Brassard Senior Game Artist | Vancouver, BC. | Quebec, Qc. | Canada | (778) 229 2563 [email protected] | https://ca.linkedin.com/in/marcbrassard ​ ​ Summary ● 18 years of experience creating games. ● Experience in most positions of the art department. ● Successfully shipped over 23 titles. ● Advanced 3ds max knowledge, 20+ years. ● Strong understanding of Unreal Engine. ● In depth understanding of production pipeline. ● Fast at 3d pre-visualization and blocking. ● Strong knowledge of shaders, material. ● Great skills for anything technical. ● Master with creative problem solving. ● Exceptional at game performance optimization. ● Deep sense of requirements to succeed at tasks. ● Good at delegating task to the right person. ● Strong leadership and team spirit support. ● Enjoy mentoring and sharing knowledge, learning. ● Adapt very easily to new workflow and tools. ● Speak fluent english and french. Work Experience Next Level Games - Vancouver, BC, Canada. (December 2009 – Present) Metroid Prime - Federation Force - (Nintendo 3DS) Technical Artist ● Responsible for supervising the art team. ● Responsible for environment technical art and performance improvements. ● In charge of world layout “proofing” to accommodate streaming and memory management. Luigi Mansion 2 - (Nintendo 3DS) Environment Artist/Designer ● Responsible for 1 of 5 mansions. ● Technical art and performance improvements. ● Crafted gameplay, world and story very closely together. Captain America Super Soldier - (Xbox 360, PS3) Lead Environment Artist ● Lead art team creating levels and content using 3ds max and NLG proprietary engine. ● Optimization. Technical art and performance. ● Post process and lightmapping technical artist. Ubisoft - Vancouver, BC, Canada. (May 2011 – August 2011) Motionsports Adrenaline - (Xbox 360 Kinect) Contractor/Environment Artist ● Created all levels for the downhill mountain bike sport. Threewave Software - Vancouver, BC, Canada.
    [Show full text]
  • Forza Motorsport 3
    Fact Sheet June 2009 Title: “Forza Motorsport 3” Availability: October 2009 Publisher: Microsoft Game Studios Developer: Turn 10 Studios Format: DVD for the Xbox 360 video game and entertainment system; Xbox LIVE- enabled PEGI Rating: 3+ Pricing: $59.99 U.S. (ERP) $79.99 U.S. for Limited Collector’s Edition Product Overview: Whether it’s an exotic sports car like the new Audi R8 V10, a classic American muscle car like the Ford GT or a hot Asian import like the Nissan 370Z, everyone has a dream car. Now you can drive that dream with Turn 10’s latest racing epic. Launching this October exclusively for Xbox 360, “Forza Motorsport 3” unites the racing game genre, making it possible for everyone to experience the thrill of the world’s most exotic and exquisite cars. Live the most realistic racing experience ever as you take the wheel of more than 400 of the most-beloved cars on over 100 renowned real-world tracks and exotic road courses from around the globe. With breathtaking high-definition graphics and the most advanced vehicle performance modeling in a video game, “Forza Motorsport 3” includes a host of driving assists and adjustable skill levels to make the game a gripping pick-up-and- play experience for audiences of all ages and skill levels. Your escape into the world of car culture in “Forza Motorsport 3” doesn’t stop at the track. Turn 10 is a proven leader in user-generated content creation in games. “Forza Motorsport 3” further fuels the imaginations of its already thriving community of painters, tuners and photographers with improved customization tools and brand-new ways to share creations with the world via Xbox LIVE.* Xbox LIVE makes your journey into the “Forza Motorsport” community and the world of user-generated content easy and fun.
    [Show full text]