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My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
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Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 1 of 12 Page ID #:1 1 COHEN MUSIC LAW 2 Evan S. Cohen (SBN 119601) [email protected] 3 1180 South Beverly Drive. Suite 510 4 Los Angeles, CA 90035-1157 (310) 556-9800 5 6 BYRNES HIRSCH P.C. 7 Bridget B. HirsCh (SBN 257015) [email protected] 8 2272 Colorado Blvd., #1152 9 Los Angeles, CA 90041 (323) 387-3413 10 11 Attorneys for Plaintiffs 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 WESTERN DIVISION 17 18 JAMES REID, an individual, and Case No.: 2:21-cv-04806 WILLIAM REID, an individual, both 19 doing business as The Jesus and Mary 20 Chain, COMPLAINT FOR COPYRIGHT INFRINGMENT AND 21 Plaintiffs, DECLARATORY RELIEF 22 v. JURY TRIAL DEMANDED 23 WARNER MUSIC GROUP CORP., a 24 Delaware Corporation; and DOES 1 through 10, inClusive, 25 26 Defendants. 27 28 COMPLAINT FOR COPYRIGHT INFRINGEMENT AND DECLARATORY RELIEF - 1 - Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 2 of 12 Page ID #:2 1 Plaintiffs JAMES REID and WILLIAM REID allege as follows: 2 3 I 4 NATURE OF THE ACTION 5 1. This is an aCtion brought by James Reid and William Reid, two of the 6 founding members of the successful and critically acclaimed alternative musical 7 group The Jesus and Mary Chain (“JAMC”), formed in their native Scotland in 1983, 8 along with Douglas Hart (“Hart”), against Warner Music Group Corp. (“WMG”), the 9 third-largest reCord company conglomerate in the world, for willful copyright 10 infringement and deClaratory relief. -
“All Politicians Are Crooks and Liars”
Blur EXCLUSIVE Alex James on Cameron, Damon & the next album 2 MAY 2015 2 MAY Is protest music dead? Noel Gallagher Enter Shikari Savages “All politicians are Matt Bellamy crooks and liars” The Horrors HAVE THEIR SAY The GEORGE W BUSH W GEORGE Prodigy + Speedy Ortiz STILL STARTING FIRES A$AP Rocky Django Django “They misunderestimated me” David Byrne THE PAST, PRESENT & FUTURE OF MUSIC Palma Violets 2 MAY 2015 | £2.50 US$8.50 | ES€3.90 | CN$6.99 # "% # %$ % & "" " "$ % %"&# " # " %% " "& ### " "& "$# " " % & " " &# ! " % & "% % BAND LIST NEW MUSICAL EXPRESS | 2 MAY 2015 Anna B Savage 23 Matthew E White 51 A$AP Rocky 10 Mogwai 35 Best Coast 43 Muse 33 REGULARS The Big Moon 22 Naked 23 FEATURES Black Rebel Motorcycle Nicky Blitz 24 Club 17 Noel Gallagher 33 4 Blanck Mass 44 Oasis 13 SOUNDING OFF Blur 36 Paddy Hanna 25 6 26 Breeze 25 Palma Violets 34, 42 ON REPEAT The Prodigy Brian Wilson 43 Patrick Watson 43 Braintree’s baddest give us both The Britanys 24 Passion Pit 43 16 IN THE STUDIO Broadbay 23 Pink Teens 24 Radkey barrels on politics, heritage acts and Caribou 33 The Prodigy 26 the terrible state of modern dance Carl Barât & The Jackals 48 Radkey 16 17 ANATOMY music. Oh, and eco light bulbs… Chastity Belt 45 Refused 6, 13 Coneheads 23 Remi Kabaka 15 David Byrne 12 Ride 21 OF AN ALBUM De La Soul 7 Rihanna 6 Black Rebel Motorcycle Club 32 Protest music Django Django 15, 44 Rolo Tomassi 6 – ‘BRMC’ Drenge 33 Rozi Plain 24 On the eve of the general election, we Du Blonde 35 Run The Jewels 6 -
The Jesus and Mary Chain Sometimes Always Mp3, Flac, Wma
The Jesus And Mary Chain Sometimes Always mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sometimes Always Country: Australia Released: 1994 Style: Alternative Rock MP3 version RAR size: 1798 mb FLAC version RAR size: 1507 mb WMA version RAR size: 1284 mb Rating: 4.7 Votes: 372 Other Formats: AHX AIFF VOC DXD MP2 MIDI AC3 Tracklist Hide Credits Sometimes Always 1 2:32 Vocals – Hope Sandoval 2 The Perfect Crime 1:32 3 Little Stars 3:29 4 Drop-Re-Recorded 1:50 Credits Producer – Jim Reid, William Reid Written-By – Jim Reid (tracks: 2), William Reid (tracks: 1, 3, 4) Notes Australian release in cardboard slipcase Barcode and Other Identifiers Barcode: 745099692728 Other versions Category Artist Title (Format) Label Category Country Year The Jesus Sometimes NEG70TE, Blanco Y Negro, NEG70TE, & Mary Always (10", UK 1994 4509-96927-0 Blanco Y Negro 4509-96927-0 Chain* Single, Ltd, Num) The Jesus Sometimes NEG70CD, Blanco Y Negro, NEG70CD, UK & & Mary Always (CD, 1994 4509-96927-2 Blanco Y Negro 4509-96927-2 Europe Chain* Single) Sometimes The Jesus Always (CD, American PRO-CD-6981 And Mary PRO-CD-6981 US 1994 Single, Promo, Recordings Chain Car) The Jesus Sometimes NEG 70 TE & Mary Always (10", Blanco Y Negro NEG 70 TE UK 1994 Chain* Promo) Sometimes The Jesus Blanco Y Negro, NEG70, NEG 70, Always (7", NEG70, NEG 70, & Mary Blanco Y Negro, UK 1994 4509-96926-7 Single, Ltd, Num, 4509-96926-7 Chain* Blanco Y Negro Red) Related Music albums to Sometimes Always by The Jesus And Mary Chain 1. -
The Guardian, July 22, 1992
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 7-22-1992 The Guardian, July 22, 1992 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1992). The Guardian, July 22, 1992. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Guardian ISSUE NO. 2. VOL. 28 WRIGHT STATE UNIVERSITY WEDNESDAY, JULY 22, 1992 O RECYCLED PAP!!* Oops, watch that turn Students to pay more in the fall By THOMAS J. LUCENTE News Editor Wright State University, for the third time in the last four quarters, has raised tuition. Full-time, undergraduate stu- dents will begin paying $979 per quarter this fall. On July 13, the state Con- trolling Board voted to allow universities to raise their tu- ition as much as 9 percent. The previous cap was 7 percent. Am The cap increase came af- ter Gov. George Voinovich, a graduate of Ohio University and The Ohio State Univer- sity. cut $170.2 million from the budget for higher educa- Paige E. Mulhollan The Falrbom fire department had trouble maneuvering their truck earlier this month, tion. damaging the quad and a trash can. Voinovich, who ran for election as the "education gover- education could be facing an- nor," has now cut the higher educa- other 5 percent in cuts at the end tion budget three times since tak- of the calendar year if no im- INSIDE ing office in January 1991. -
The Jesus & Mary Chain in Concerto All’
The Jesus & Mary Chain in concerto all’Alcatraz di Milano: data posticipata a dicembre MILANO, 25 gennaio 2021-‘Darklands’è il secondo episodio targato The Jesus & Mary Chain, seguito di quella pietra miliare che è tutt’oggi l’acclamatissimo Psycocandy. Nuovo album che la band riproporrà nella data milanese del 21 dicembre 2021 all’Alcatraz di Milano. Dieci brani spalmati in 35 minuti che trasudano un’oscura bellezza. E’ il 1987 quando i fratelli Reid danno alle stampe questo gioiello decadente, carico come sempre di riverberi, ma che segna un solco evidente con il loro disco d’esordio. La dipartita di Gillespie, impegnato coi suoi Primal Scream, produce un cambiamento notevole nel suono della band scozzese, che per la prima volta fa uso di una drum machine. Il risultato è un disco in cui le chitarre sferzanti e il furore degli esordi si stemperano lasciando spazio a brani più pop, morbide ballate malinconiche e atmosfere trasognate, senza però perdere quel senso di inquietudine che pervadeva Psychocandy. Il disco raggiunge il quinto posto delle charts inglesi, punto più alto mai raggiunto dai Mary Chain, e viene successivamente inserito nel compendio “1001 dischi da ascoltare prima di morire”. Dal vivo la band suonerà per intero Darklands per la prima volta in assoluto. Un evento unico che celebra un disco immortale ed irripetibile, da ascoltare e riascoltare. Band di culto degli anni Ottanta, i Jesus and Mary Chain, hanno con il loro stile e la loro musica rivoluzionato la scena di un’intera generazione. Il nuovo album di inediti intitolato “Damage & Joy” è uscito lo scorso 24 Marzo 2017 anticipato dal singolo “Amputation” su etichetta Creation Records, la stessa che li lanciò nel lontano 1984. -
Fliers Spark Controversy Verdict, L.A
Playing with power-read more about Pam Blake's tenure decision. Page 9. —^——^_—______,-__-_-_-___-__,._____---________»_________ «__-__—_____________M____M_ ._ Non-Prof it U.S. Postage Paid Waterville, ME 04901 : Permit #39 Campus reacts to King Fliers spark controversy verdict, L.A. rioting By Karen Lipman Hauss, who helped with the forum, presented was wounding," she said. FEATURES EDITOR agreed. "There is a particular rage that one "I didn't react to the poster as sometimes feels when one hears that What originated as a flier much as I reacted to other people free speech is used as a shield. I was promoting the Colby Senior Art reacting," he said. "My response was incensed. Too many men I know Show has prompted President very confused. This is certainly a shed tears over this issue." William Cotter to make an official problem where a kid screwed up big But while Long has offended statement against the flier onbehalf | As Exciting As Police Brutality I of the College. The royal blue and white posters, designed by Greg Long '92, showed a photograph of Rodney King being beaten, with everyday conversation superimposed over the photograph. Theposteralso had headlines on the top and bottom claiming that the art show would be "As exciting as Police Brutality," and that it "will hit you like a blow to the head." Many students who were offended by the flier expressed their feelings to Dean of Students Mark Serdjenian, who later addressed their concerns at-Tuesday's senior staff meeting. In response to the protest and photo by KatherineBordwell swift removal of the fliers from Students placed artwork outside Given Auditorium points around campus, a second last Friday to-protest the King verdict. -
The Stone Roses Music Current Affairs Culture 1980
Chronology: Pre-Stone Roses THE STONE ROSES MUSIC CURRENT AFFAIRS CULTURE 1980 Art created by John 45s: David Bowie, Ashes Cinema: Squire in this year: to Ashes; Joy Division, The Empire Strikes Back; N/K Love Will Tear Us Apart; Raging Bull; Superman II; Michael Jackson, She's Fame; Airplane!; The Out of My Life; Visage, Elephant Man; The Fade to Grey; Bruce Shining; The Blues Springsteen, Hungry Brothers; Dressed to Kill; Heart; AC/DC, You Shook Nine to Five; Flash Me All Night Long; The Gordon; Heaven's Gate; Clash, Bankrobber; The Caddyshack; Friday the Jam, Going Underground; 13th; The Long Good Pink Floyd, Another Brick Friday; Ordinary People. in the Wall (Part II); The d. Alfred Hitchcock (Apr Police, Don't Stand So 29), Peter Sellers (Jul 24), Close To Me; Blondie, Steve McQueen (Nov 7), Atomic & The Tide Is High; Mae West (Nov 22), Madness, Baggy Trousers; George Raft (Nov 24), Kelly Marie, Feels Like I'm Raoul Walsh (Dec 31). In Love; The Specials, Too Much Too Young; Dexy's Fiction: Midnight Runners, Geno; Frederick Forsyth, The The Pretenders, Talk of Devil's Alternative; L. Ron the Town; Bob Marley and Hubbard, Battlefield Earth; the Wailers, Could You Be Umberto Eco, The Name Loved; Tom Petty and the of the Rose; Robert Heartbreakers, Here Ludlum, The Bourne Comes My Girl; Diana Identity. Ross, Upside Down; Pop Musik, M; Roxy Music, Non-fiction: Over You; Paul Carl Sagan, Cosmos. McCartney, Coming Up. d. Jean-Paul Sartre (Apr LPs: Adam and the Ants, 15). Kings of the Wild Frontier; Talking Heads, Remain in TV / Media: Light; Queen, The Game; Millions of viewers tune Genesis, Duke; The into the U.S. -
Organization and Partners Primavera
THE FESTIVAL LINE UP PARC DEL FÒRUM ORGANIZATION AND PARTNERS TICKETS GRAPHIC CAMPAIGN PRESS QUOTES HISTORY CONTACT THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well-established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last twelve years, the festival has had the most diverse range of artists. Some of those who have been on stage are Arcade Fire, Queens of the Stone Age, The National, Nine Inch Nails, Kendrick Lamar, Pixies, Aphex Twin, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enri- que Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol y Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have pro- jected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same quality of organization of past years, without resorting to more commercial bands. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Psychedelic Underground and Dream-pop (These are excerpts from my book "A History of Rock and Dance Music") Paisley Underground 1982-87 The "American Graffiti" phenomenon of the early Seventies, and the subsequent appropriation of the Sixties by the new wave, caused a revival of many of the styles of that happy decade. By far the most pervasive and long-lived was the revival of psychedelia, that kept recurring throughout the Eighties and the Nineties. Los Angeles had its own movement, the "Paisley Underground". Psychedelia became merely a pretext to concoct baroque, oneiric and hypnotic sounds, often with the help of keyboards and strings. Byrds-ian jangling guitars and naive melodies a` la Hollies dominate Emergency Third Rail Power Trip (feb/mar - oct 1983) by Rain Parade (1), with Matt Piucci on vocals and Dave Roback on guitar, as well as the EP Baroque Hoedown (fall 1982 - dec 1982) and the album Sixteen Tambourines (? 1983 - oct 1983) by Mike Quercio's Three O'Clock (1). Needless to say, the Paisley Underground was only the tip of the iceberg. The Dream Syndicate (12), formed by guitarists Steve Wynn and Karl Precoda and bassist Kendra Smith, acted as the natural liaison between Television (and the new wave in general) and the new generation of psychedelic rockers. -
The Jesus and Mary Chain's Pro-Confusion, Politicized '80S Pop and Psychocandy's Demonic Success
Taste The Floor: The Jesus and Mary Chain's Pro-Confusion, Politicized '80s Pop and Psychocandy's Demonic Success by Paula Mejia B.A. in English and Creative Writing, May 2013, The George Washington University A Thesis submitted to The Faculty of Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 31, 2014 Thesis directed by Gayle Wald Professor of English © Copyright 2014 by Paula Mejia All rights reserved ii Table of Contents Chapter 1: You Trip Me Up: Introducing Psychocandy………………………………....1 Chapter 2: Never Understand: Dreaming and Scheming in Suburban Scotland…...........20 Chapter 3: Just Like Honey: Pop's Sticky, Impossible Appeal …..……………………..32 Chapter 4: Some Candy Talking: Tenuous Spaces for Safety and Sex in Pop Music..…44 Chapter 5: Sowing Seeds: Glasgow, Creation Records and Motown Dialectics………..51 Chapter 6: The Living End: Conclusions and Delusions………………………..………65 Works Cited…………………………………………………………..………………….68 iii Chapter One You Trip Me Up: Introducing Psychocandy From Mars confections to Cadbury's signature crème eggs, the candy business doesn't sell sweetness, but rather the experience of sweetness. These fruity extracts, glycerin, Red 40s and outside agents provide you -- for a fleeting moment -- the taste of something that isn't actually there. Still, you can feel it melting on your tongue. It tastes real. A significant subsection of our contemporary pop music sphere is fittingly known affectionately as "bubblegum," mimicking the illusion of artificial taste made into a distinct, gummy sound. Candy is a staple in pop music, from The Strangeloves' 1965 hit "I Want Candy" to the unforgettable chorus "I'm craving for you / I'm missing you like candy" of Mandy Moore's 1999 smash hit "Candy." Glistening hooks and earworm choruses about the perils of love are infectious, even toxic. -
Artist's Statement
Artist’s Statement Eloise Coveny A practice-led researcher of critical theory, Eloise’s artistic practice combines the uses of documentary mediums that record image and sound to explore ontologies and poetics of time. These temporal nuances emerge from uncanny forces that she seeks to activate as she produces, collects and curates artefacts – in the form of objects, images and sounds – to compose spatial allegories. These installations work to speak across tensions at play to kindle personal narratives that in turn deconstruct “official” narratives of history. Here Eloise draws on technology and the literary/art works of Walter Benjamin, Martin Heidegger, Mariana Castillo Deball and Patrick Keiller. The theme ‘Rise and Fall’ reflects those transitional spaces throughout Glasgow city that are sites of construction, destruction, decay or stasis. These artworks aim to privilege voices that have been lost through official histories and the oppressive course of history for the working class. Walter Benjamin’s text Destructive Character presents us with a series of traits belonging to the essential destroyer of things, and thus a restorer of open space allowing new paths to form that lead us through the rubble. The destructive character sees nothing permanent. But for this very reason he/she sees ways everywhere. Where others encounter walls or mountains, there, too, he/she sees a way. (Benjamin) The Kelvingrove Review 16: Rise and Fall Editorial Board: Kevin Gallagher Rachel Fletcher, Saskia McCracken, Pernille Ravn June 2017 Published June 2017 ISSN 1757-2649 http://www.gla.ac.uk/research/az/esharp/thekelvingrovereview Cover artwork by Eloise Coveny Copyright © in all contributions resides with the contributors Rise and Fall Contents Introduction .....................................................................................................................