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Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA
DOCUMENT RESUME ED 464 750 PS 030 374 AUTHOR Parker, McCrae A.; Miller, Patti; Espejo, Eileen; Grossman-Swenson, Sarah TITLE Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA. SPONS AGENCY Mott (C.S.) Foundation, Flint, MI. PUB DATE 2002-04-00 NOTE 49p.; For Fall Colors II, see ED 444 707. Also supported by The Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, 5th Floor, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]. For full text: http://www.childrennow.org/media/fc2002/fc-2002-report.pdf. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Comparative Analysis; Content Analysis; *Cultural Pluralism; *Diversity (Institutional); Ethnicity; Mass Media Effects; *Programming (Broadcast); Racial Distribution; Television Research IDENTIFIERS Diversity (Groups) ABSTRACT Television is an integral part of American culture, and has the ability to play a major role in shaping belief systems, particularly for the youngest and most impressionable viewers. This study is the third annual study of diversity of characters in prime time television programming. The study examined the first two episodes of each prime time entertainment series airing on the six broadcast networks. The findings indicate that despite ongoing emphasis, encouragement, and pressure on the part of media advocates, civil rights groups, government officials, and even some entertainment industry leaders, the networks have yet to produce a prime time -
Rice & Vanderbilt
P E N N B O W L 1 1 Boni by Rice & Vanderbilt 12 1 Name these 19th century American poets from works, 10 points each. [10] “The Last Leaf,” “The Living Temple,” “The Chambered Nautilus” ANSWER: Oliver Wendell Holmes, Sr. [10] “Do not weep, maiden, for war is kind” ANSWER: Stephen Crane [10] “The Problem,” “Give All to Love,” “Brahma” ANSWER: Ralph Waldo Emerson 2 30-20-10. Name the artist from works. [30] The Wayfarer and The Extraction of the Stone of Madness [20] The Ship of Fools and The Temptation of Saint Anthony [10] The Garden of Earthly Delights ANSWER: Hieronymus Bosch or Jerome van Aken (or Aquen) or Jeroen Anthoniszoon 3 Name these female science fiction writers, 10 points each. [10] This author of A Swiftly Tilting Planet is best known for A Wrinkle in Time. ANSWER: Madeline L’Engle Camp [10] Reprints of her early novels include Time Traders and Star Soldiers, the Witch World series. She recently co- authored To the King a Daughter with Mercedes Lackey. ANSWER: Andre Alice Norton or Alice Mary Norton [10] She has won three Best Novel Hugos—since 1990. The author of the Vorkosigan series of science fiction novels, her most recent novel is The Curse of Chalion. ANSWER: Lois McMaster Bujold © 2002 PADT. Questions may not be distributed without express written permission. Penn Bowl 11. Boni by Rice and Vanderbilt. Page 2 of 7 12 4 It recounts the adventures of Prince Arthur. 10 points each. [10] Name this long epic poem by Edmund Spenser. ANSWER: The Faerie Queene [10] This is the title queen. -
Bridging the Gap Between the Rules of Evidence Andjustice for Victims of Domestic Violencet Lisa Marie De Sanctistt
Bridging the Gap Between the Rules of Evidence andJustice for Victims of Domestic Violencet Lisa Marie De Sanctistt PROLOGUE ............................................. 361 INTRODUCTION ................................... 363 I. INTRODUCTION TO DOMESTIC VIOLENCE AND ADMISSIBILITY ..... 367 A. The Difficulties with ProsecutingDomestic Violence ........ 367 B. The Current Scheme of Admissibility for Uncharged Acts Under California Evidence Code Section 1101(b) ....... 374 1. Intent ...................................... 376 2. Plan ....................................... 377 3. Identity .................................... 378 C. The Barrier of Evidence Code Section 352 ............... 378 D. Problems with the Current Scheme ................... 379 II. THE APPROACH OF FEDERAL RULES OF EVIDENCE 4 13-4 14 ... ... .... ...... ..... .. ...... ..... ... 381 A . Introduction ................................ 381 B. The Proponents' Arguments in Favor of Federal Rules of Evidence 413-414 ............................ 383 C. The Critics' Arguments Against FederalRules of Evidence 413-414 ............................ 385 III. APPLYING THE APPROACH OF FEDERAL RULES OF EVIDENCE 413-414 TO DOMESTIC VIOLENCE PROSECUTIONS ........... 387 A . Propensity ................................. 388 B. The Anti-Coincidence Argument .................... 390 C. Time and Efficiency Concerns ..................... 392 D. Survey Results Confirm Problems with Current Rules ....... 394 E. Necessity as a Policy Matter ...................... 397 F. Addressing Some Final -
Between Static and Slime in Poltergeist
Page 3 The Fall of the House of Meaning: Between Static and Slime in Poltergeist Murray Leeder A good portion of the writing on Poltergeist (1982) has been devoted to trying to untangle the issues of its authorship. Though the film bears a directorial credit from Tobe Hooper, there has been a persistent claim that Steven Spielberg (credited as writer and producer) informally dismissed Hooper early in the process and directed the film himself. Dennis Giles says plainly, “Tobe Hooper is the director of record, but Poltergeist is clearly controlled by Steven Spielberg,” (1) though his only evidence is the motif of white light. The most concerted analysis of the film’s authorship has been by Warren Buckland, who does a staggeringly precise formal analysis of the film against two other Spielberg films and two other Hooper films, ultimately concluding that the official story bears out: Hooper directed the film, and Spielberg took over in postproduction. (2) Andrew M. Gordon, however, argues that Poltergeist deserves a place within Spielberg’s canon because so many of his trademarks are present, and because Spielberg himself has talked about it as a complementary piece for E .T.: The ExtraTerrestrial (1982). (3) A similar argument can be made on behalf of Hooper, however, with respect to certain narrative devices and even visual motifs like the perverse clown from The Funhouse (1981). Other scholars have envisioned the film as more of a contested space, caught between different authorial impulses. Tony Williams, for examples, speaks of Spielberg “oppressing any of the differences Tobe Hooper intended,” (4) which is pure speculation, though perhaps one could be forgiven to expect a different view of family life from the director of The Texas Chain Saw Massacre (1974) than that of E.T. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
John Mellencamp
JOHN MELLENCAMP Born October 7, 1951 in Seymour, Indiana, John Mellencamp fell in love with music at an early age and was gigging in local bars and fronting a soul band by the time he was 14. His professional music career began in earnest in 1976 when MCA Records released his first album, The Chestnut Street Incident. His manager dubbed him Johnny Cougar out of his belief that nobody would buy a record by anybody named Mellencamp. John protested but was overruled and eventually, of course, reclaimed his birth name as his public name. After releasing a few albums, he broke out in 1979 with his first hit, "I Need A Lover" In 1982 his fifth album American Fool was the year's best-selling album on the strength of two huge hits, "Hurts So Good," and the number 1 single "Jack & Diane,"!! The albums that followed in the 80's, Uh-Huh, Scarecrow, Lonesome Jubilee, and Big Daddy, were released under the name John Cougar Mellencamp. Hit singles during this period included "Crumblin Down," "The Authority Song," "Small Town," "Rain On The Scarecrow," "Lonely Ol Night," ""R.O.C.K. In The U.S.A.," "Paper In Fire," "Check It Out," "Cherry Bomb," "Pop Singer," and "Jackie Brown." Mellencamp took the music on the road with a band that many considered the best in the business, playing approximately 1,000 shows around the globe during the decade. In 1985, John's concern for the plight of the American farmer, which had been voiced in the Scarecrow album, brought him together with Willie Nelson and Neil Young in launching Farm Aid. -
Broncos' Emmanuel Sanders Sheds Walking Boot After Achilles Surgery
LOOK: Broncos’ Emmanuel Sanders sheds walking boot after Achilles surgery By Kyle Fredrickson Denver Post Feb. 6, 2019 If Emmanuel Sanders’ dance moves are any indication, he’s reached an important milestone in his injury rehabilitation this offseason. Sanders, a ninth-year Broncos’ wide receiver who tore his Achilles during practice in December, posted a video Monday to Instagram of himself hopping out of a black Mercedes-Benz SUV — without a walking boot — before a quick celebratory jig. His caption read: “Slight limp but I’m finally out of the boot.” Two months have passed between Sanders’ injury and the post, but a long journey remains for him to be able to play. Former NFL team doctor David Chao told The Denver Post in December: “Recovery is not like a light switch, more of a slow sunrise. Some have returned as early as six months but may not have been 100 percent. Nine months is a good target but to really be explosive (it) could be longer and closer to a year. This is why I expect (Sanders) likely will not be ready or 100 percent for start of (the 2019) season.” However, Sanders expressed little doubt in December he’ll return to being the same playmaker he showcased in 12 games last season with a team-leading 71 receptions for 868 yards. He also accounted for six total touchdowns (four receiving, one rushing and one passing). “I’ll definitely for sure be ready for Week 1,” Sanders said in December. “This is a six-month injury. I heal fast.” Never-before-told stories about Pat Bowlen from those who know him best — his children By Mike Klis 9 News Feb. -
2011 Memphis Ggrizzlies Pplayoff Guide
22001111 MMEEMMPPHHIISS GGRRIIZZZZLLIIEESS PPLLAAYYOOFFFF GGUUIIDDEE Table of Contents Media Information and Contacts ……………………………………………………………………………………………………………………………………………….. Pages 2‐3 Roster and Transactions …………………………………………………………………………………………………………………………………………………………….. Pages 4‐5 Player Bios …………………………………………………………………………………………………………………………………………………………………………………. Pages 6‐41 Front Office Bios ………..………………………………………………………………………………………………………………………………………………………………. Pages 42‐55 2010‐11 Season Notes ..……………………………………………………………………………………………………………………………………………………………… Pages 56‐61 Grizzlies Playoff History ……………………………………………………………………………………………………………………………………………………………… Pages 62‐68 Western Conference Opponents ……………………………………………………………………………………………………………………………………………….. Pages 69‐96 2010‐11 Grizzlies Regular Season Statistics ……….……………………………………………………………………………………………………………………..… Pages 97‐103 2010‐11 NBA Regular Season Statistics …..…………………………………………………...………………………………….……………………………………….. Pages 104‐110 2010‐11 Grizzlies Season‐in‐Review Game Recaps…………………………………………………...………………………………….…………………………………………………………… Pages 111‐123 Box Scores …..…………………………….…………………………………………………………………...……………………………………………….. Pages 124‐144 Credits Editors …………………………………………………………………………………………………………………………………………………… Matt Tumbleson, Ross Wooden Associate Editor …………………………………………………………………………………………………………………………………….. Brett Winkler Graphics/Production ………………………………….………………………………………………………………..………………………… Brad Dillard, Mercury Printing Special Thanks ……………………………………………………………………………………………………………………………………….. Joe Murphy/NBAE, -
UNIVERSAL MUSIC • Jimmy Rankin – Back Road Paradise • Enrique
Jimmy Rankin – Back Road Paradise Enrique Iglesias – Sex And Love Avicii – True: Avicii By Avicii New Releases From Classics And Jazz Inside!!! And more… UNI14-11 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Stompin’ Tom Connors / Unreleased: Songs From The Vault Collection Volume 1 Cat. #: 0253777712 Price Code: SP Order Due: March 6, 2014 Release Date: April 1, 2014 File: Country Genre Code: 16 Box Lot: 25 Tracks / not final sequence 6 02537 77712 9 Tom and Guitar: 12 songs 10. I'll Sail My Ship Alone 1. Blue Ranger 11. When My Blue Moon Turns to Gold 2. Rattlin' Cannonball 12. I Overlooked an Orchid 3. Turkey in The straw ( Instrumental ) 4. John B. Sails Tom Originals with Band: 5. Truck Drivin' Man 1. Cross Canada, aka C.A.N.A.D.A 6. Wild Side of Life 2. My Stompin' Grounds 7. Pawn Shop in Pittsburgh, aka, Pittsburgh 3. Movin' In From Montreal By Train Pennsylvania 4. Flyin' C.P.R. 8. Nobody's Child 5. Ode for the Road 9. Darktown Strutter's Ball This is the Premier Release in an upcoming series of Unreleased Material by Stompin' Tom Connors! In 2011, Tom decided after what ended up being his final Concert Tour, that he would record another 10 album set with a lot of old songs that he sang when he first started out performing in the 50's and 60's.This was back when he could sing, from memory, over 2500 songs in his repertoire and long before he wrote many of his own hits we all know today. -
The Avatars of Masculinity in Robocop (1987) and Its Remake (2014)
Représentations dans le monde anglophone – Janvier 2017 Man Made and Remade: the Avatars of Masculinity in Robocop (1987) and its Remake (2014) Cyril Besson, Univ. Grenoble Alpes, ILCEA4 Keywords: Robocop, Verhoeven, Padilha, remake, gender, genre, point of view in film. Mots-clés: Robocop, Verhoeven, Padilha, remake, genre, sexes, point de vue au cinéma. It is tempting to begin with a truism: nothing comes from nothing. This is a belief articulated by many in the twentieth century, among whom George Steiner in After Babel, where he presents culture as a long chain of translations and transformations of verbal, thematic or formal constants. The problem raised by the notion of a syntax of culture, however, is the same as with language, as exemplified by de Saussure’s distinction between langue and parole: if all one ever does is move around “building blocks” following the constraints imposed by a system, what of individual creativity? If the question is, generally speaking, of little import to most speakers of a given language, things are different when it comes to art and culture: finding one’s voice, embodying a sort of progress for one’s chosen form of expression and leaving one’s mark on the latter, is what being an artist is about. The question of whether there is such a thing as true artistic singularity might be insoluble (no artist exists, who has not been influenced in some way, no matter how unpleasant the idea might be to him)1; however, one could say that in the field of popular culture, the twenty-first century inverts the proposition, especially in the collaborative form of art that is the cinema. -
History Trivia Questions Xxvi
HISTORY TRIVIA QUESTIONS XXVI ( www.TriviaChamp.com ) 1> Before joining the cast of "Scrubs", Sarah Chalke briefly replaced Lecy Goranson as what character on Roseanne? a. Becky b. Jackie c. Darlene d. DJ 2> What historical figure has been portrayed on film by Bette Davis, Glenda Jackson and, in the same year, by Judi Dench and Cate Blanchett? a. Queen Elizabeth I b. The Virgin Mary c. Cleopatra d. Amelia Earhart 3> Attica! Attica! Attica! What movie was based on the true story of John Wojtowicz, who tried to rob a bank to pay for a friend's sex change operation? a. The Getaway b. Kelly's Heroes c. Dog Day Afternoon d. O Brother, Where Art Thou? 4> William Bernbach used the slogan "Think Small" to what car into a counterculture icon ... even though it was originally built on Hitler's orders? a. Porsche b. BMW c. Volkswagen d. Audi 5> What caper movie starring Michael Caine became famous for a chase sequence in which the anti-heroes drive British Mini Coopers through the streets of Turin? a. Get Carter b. The Italian Job c. The Thomas Crown Affair d. Bullitt 6> Before playing a DA on "Law and Order", what observant Jew lost his role as Impossible Mission Force leader Dan Briggs because he wouldn't work on the Sabbath? a. Michael Moriarty b. Dann Florek c. Steven Hill d. Fred Thompson 7> On the UK Celebrity Big Brother, the only contestant to have read Orwell's "1984" was what Australian feminist? a. Susan Sontag b. Gloria Steinhem c. -
Action Chicks: New Images of Tough Women in Popular Culture' Ione T
University of Dayton eCommons Roesch Library Faculty Publications Roesch Library Summer 2006 Review: 'Action Chicks: New Images of Tough Women in Popular Culture' Ione T. Damasco University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/roesch_fac Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Library and Information Science Commons eCommons Citation Ione T. Damasco (0000-0002-4702-6131) (2006). Review: 'Action Chicks: New Images of Tough Women in Popular Culture'. ImageTexT: Interdisciplinary Comics Studies. , https://ecommons.udayton.edu/roesch_fac/2 This Book Review is brought to you for free and open access by the Roesch Library at eCommons. It has been accepted for inclusion in Roesch Library Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. ImageTexT: Interdisciplinary Comics Studies ISSN: 1549-6732 Volume 3, Issue 1 (2006). http://www.engl...iews/damasco.shtml Review of Action Chicks: New Images of Tough Women in Popular Culture ed. Sherrie A. Inness By Ione Damasco Inness, Sherrie A. Ed. Action Chicks: New Images of Tough Women in Popular Culture. New York: Palgrave Macmillan, 2004. 1 The recent emergence of the tough female heroine as a popular media icon is simultaneously celebrated and deconstructed in Action Chicks: New Images of Tough Women in Popular Culture, a thought-provoking collection of essays edited by Sherrie