Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-3268 MOREHEAD, Ann Edmondson, 1940- a CRITICAL EDITION of ROGER ASCHAM's TGKOPHILUS

Total Page:16

File Type:pdf, Size:1020Kb

Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-3268 MOREHEAD, Ann Edmondson, 1940- a CRITICAL EDITION of ROGER ASCHAM's TGKOPHILUS INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. Silver prints of "photographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish reproduced. 5. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-3268 MOREHEAD, Ann Edmondson, 1940- A CRITICAL EDITION OF ROGER ASCHAM'S TGKOPHILUS. [Portions of Text in Middle EnglishJ. The Ohio State University, Ph.D., 1973 Language and Literature, general University Microfilms, A XEROX,Company , Ann Arbor, Michigan -T-iM .r. m n n e n - r A - T I J I M UAC QCCM AAir>DnC ■ i MCH CYAP.TI V AR RECEIVED A CRITICAL EDITION OF ROGER ASCHAM'S TOXOFHILUS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ann Edmondson Morehead, B. A., B. S., A.M. 30C 5§6 jjC The Ohio State University 1973 Reading Committee: Approved By Professor John B. Gabel Professor Ruth W. Hughey Professor Edwin Robbins ^dviser Department of English VITA February 29, 1940 , . Born - Columbus, Ohio 1961 .............................., . B.A., B, S. , The Ohio State University, Columbus, Ohio 196 2............................................... A.M., The University of Michigan, Ann Arbor, Michigan 1962-1967................................. Teaching Assistant, Department of English, The Ohio State University, Columbus, Ohio 1968-1973 ................................. Instructor, Department of English, City College, San Francisco, California FIELDS OF STUDY Major Field: English Literature of the Renaissance Studies in the Renaissance. Professor Ruth Hughey Studies in Bibliography and Textual Criticism. Professor Hughey and Professor John B. Gabel TABLE CF CONTENTS Page VITA......................................................... ii GENERAL INTRODUCTION............................................................................................ 1 TEXTUAL INTRODUCTION............................................................................................ 55 BIBLIOGRAPHICAL DESCRIPTIONS OF 1571 AND 1589 EDITIONS.............................................................................................................................. 64 TEXT: TO XO PHIL US, THE SC HOLE OF SHOOTINGE CONTEYNED IN TWO BOOKES........................................................... 66 TEXTUAL NOTES..................................................................................................................... 283 HISTORICAL COLLATION OF 1571 AND 1589 EDITIONS .... 287 EXPLANATORY NOTES................................................................................................. 296 LIST OF WORKS CITED ................................................................................................. 372 lit GENERAL INTRODUCTION The Occasion and Reception of Toxophilus Sometime during the first half of 1544, Roger Ascham wrote to 'vSir^William Paget, secretary of state and currently favored councilor of Henry VIII: "I have . written and dedicated to the king's majesty a book, which is now in the press, On the art of shooting, and in which I have shown how well it is fitted for Englishmen, both at home and abroad, and how certain rules of art may be laid down to ensure its being learnt thoroughly by all our fellow-countrymen. This book, I hope, will be published before the king's departure, and will be no doubtful sign of my love to my country, or mean memorial of my numble learning."* This description of the then unfinished Toxophilus, the schole of shootinge conteyned in two bookes, concludes a list of qualifications which Ascham hoped would persuade Paget to recom­ mend him for the Regius Professorship of Greek, left vacant by Sir 2 John Cheke's departure from Cambridge. However, Ascham's hopes were disappointed: on 14 July, before Toxophilus could be printed, * Latin letter: Ascham to Paget in The Whole Works of Roger Ascham, ed. J. A. Giles (London, 1865), I, 52; translated on p. xl. 2 Giles, I, xxxi-xxxiii; Lawrence V. Ryan, Roger Ascham (Stanford, 1963), p. 41. 1 2 3 Henry sailed for France to undertake the siege of Boulogne, and 4 Cheke was allowed to retain his chair until 1547. Although Ascham's original plan for Toxophilus miscarried, the work brought him later success. He recalled the manuscript from the printer's and on 13 February 15 45 wrote to his friend, William 5 Grindal, that he was totally occupied with working on it. Later in 1545 the treatise was published by Edward Whytchurch. Hoping to acquire a patron to replace Archbishop Lee, who had died in September 1544,^ Ascham sent copies of Toxophilus to Queen Catherine; the Queen's brother, William Farr, the Earl of Essex; the Lord Chancel­ lor, Thomas Wriothesley; and other important members of Henry's 7 court. Even more ambitiously, Ascham dedicated Toxophilus to the King; the council received the work enthusiastically and Henry, in turn, summoned Ascham to Greenwich, where he granted him an Giles, I, xxxii. 4 Thompson Cooper, "Sir John Cheke." Dictionary of National Biography, ed. Leslie Stephen and Sidney Lee (London, 1921-22), IV, 179. 5 Latin letter: Ascham to Grindal in Giles, I, 75. £ Latin letters: Ascham to Cheke; Ascham to a Friend at York in Giles, I, 56-57, 58. 7 Latin letters: Ascham to the Earl of Essex; Ascham to Wriothesley; Ascham to Gardiner; Ascham to the Bishop of Wor- chester; Ascham to Fitzpatrick in Giles, I, 77-78, 78-79, 79-81, 81-82, 84-85. annual pension of. ^ 10. Toxophilus won for Ascham the high regard of the learned as well as the influential. The treatise became the authoritative work on both the use of the longbow and the importance of physical exercise, and for over a century was both imitated and plagiarized. More im­ portant perhaps than the many sixteenth- and seventeenth-century borrowings from and harkenings back to Toxophilus was the direct praise which the treatise received during the period from writers of other works which also extolled the humanistic ideal of proper physical training and exercise as an important part of the education of the 9 nobleman and the magistrate. Archery: "An Englishe Matter" Archery was a subject especially suited to Ascham1 s talents and purposes. He himself was a skilled archer, well-qualified to g Latin letters: Ascham to Gardiner; Ascham to Denney in Giles, I, 79, 82-83. 9 Ryan, pp. 5 6-59 gives a complete list of the imitations and plagiarisms of Toxophilus as well as a full account of the more direct praise which Ascham received from contemporary writers such as Richard Mulcaster, James Cleland, and Henry Peacham. On this point also see Lawrence V. Ryan, "Roger Ascham's Toxophilus in Heroic Verse," HLQ, 23 (1959), 119-24. write on the use of the longbow.*® Moreover, during his years at Cambridge, some of his fellows had judged that he spent so much time practicing with his bow that he neglected his books.** Thus, by de­ fending his favorite pastime in a treatise grounded in classical learn­ ing, Ascham was also defending himself and disproving the claims of his detractors. Finally, Ascham knew that a treatise on archery would be well received by the King. An expert archer himself, Henry was currently attempting to revive the national enthusiasm for the 12 long d o w . In 1512 he had renewed a statute of his father's prohibiting the use of crossbows without licences and encouraging the use of the In Toxophilus Ascham tells how he was brought up in shoot­ ing by Sir Humphrey Wingfield, a justice of the peace in whose house Ascham spent his boyhood. ^Letter: Ascham to Cecil in Giles, II, 351-52. 12 That Ascham1 s references in Toxophilus to Henry as an enthusiastic and expert shooter are true, we have contemporary testi­ mony to support. Hall's Chronicle includes this information in a description of May Day festivities in 1510: "And
Recommended publications
  • On the Mechanics of the Bow and Arrow 1
    On the Mechanics of the Bow and Arrow 1 B.W. Kooi Groningen, The Netherlands 1983 1B.W. Kooi, On the Mechanics of the Bow and Arrow PhD-thesis, Mathematisch Instituut, Rijksuniversiteit Groningen, The Netherlands (1983), Supported by ”Netherlands organization for the advancement of pure research” (Z.W.O.), project (63-57) 2 Contents 1 Introduction 5 1.1 Prefaceandsummary.............................. 5 1.2 Definitionsandclassifications . .. 7 1.3 Constructionofbowsandarrows . .. 11 1.4 Mathematicalmodelling . 14 1.5 Formermathematicalmodels . 17 1.6 Ourmathematicalmodel. 20 1.7 Unitsofmeasurement.............................. 22 1.8 Varietyinarchery................................ 23 1.9 Qualitycoefficients ............................... 25 1.10 Comparison of different mathematical models . ...... 26 1.11 Comparison of the mechanical performance . ....... 28 2 Static deformation of the bow 33 2.1 Summary .................................... 33 2.2 Introduction................................... 33 2.3 Formulationoftheproblem . 34 2.4 Numerical solution of the equation of equilibrium . ......... 37 2.5 Somenumericalresults . 40 2.6 A model of a bow with 100% shooting efficiency . .. 50 2.7 Acknowledgement................................ 52 3 Mechanics of the bow and arrow 55 3.1 Summary .................................... 55 3.2 Introduction................................... 55 3.3 Equationsofmotion .............................. 57 3.4 Finitedifferenceequations . .. 62 3.5 Somenumericalresults . 68 3.6 On the behaviour of the normal force
    [Show full text]
  • 4 Ottobre: SAN FRANCESCO D'assisi
    Ottobre-Dicembre.qxp_Layout 1 07/12/18 11:29 Pagina 1 Santini e Santità Notiziario A.I.C.I.S. n. 4/2018, Ottobre-Dicembre 4 Ottobre: SAN FRANCESCO D’ASSISI Ottobre-Dicembre.qxp_Layout 1 07/12/18 11:29 Pagina 2 Notiziario A.I.C.I.S. n. 4-2018, Ottobre - Dicembre dell’Associazione Italiana Cultori Immaginette Sacre, fondata da Gennaro Angiolino il 6 luglio 1983 Sommario 3 Vita Associativa Renzo Manfè 4 Maria Madre della Chiesa Attilio Gardini 6 La magia dall’impronta del Cristo Veronica Piraccini 7 Mostre di santini Renzo Manfè 11 Santi, Beati e Servi di Dio in immagini Vittorio Casale 12 5.7.2018: Prom.ne Decreti della Congr. Cause dei Santi Renzo Manfè 13 Prolusione in occasione dell’Apertura dello Studium 2018 Card. Angelo Amato 16 Mostra Aicis sul santino natalizio 2018 Renzo Manfè 17 Cerimonie di Beatificazione e canonizzazione nel mondo Renzo Manfè 18 Notizie dal mondo Renzo Manfè 19 I Santini Orientali Maria Grazia Reami O. 28 Lungo i sentieri del Fondatore dell’Aicis: Gennaro Angiolino Attilio Gardini 29 Ss.Patroni di Regioni e Province italiane 7ª Regione: Lombardia, 1ª parte Giancarlo Gualtieri 32 Manifesto Mostra sociale Aicis “In dulci Jubilo” Daniele Pennisi Ufficio di Redazione: Via Merulana 137 - 00185 Roma In copertina: San Francesco d’Assisi DIRETTORE RESPONSABILE: Mario Giunco (4 ottobre) REDAZIONE: R. Manfè, G. Gualtieri, A. Mennonna, G. Zucco, A. Cottone Incisione della prima metà del COLLABORATORI di questo numero: Amato Card. Angelo, V. Casale, A. Gardini, 1800 di area praghese con ac- G. Gualtieri, R.Manfè, D.
    [Show full text]
  • Ulivo 2007-1.Indd
    l’Ulivo Nuova serie • Anno XXXVII Gennaio-Giugno 2007 - N. 1 3 Editoriale Texte francais, p. 5 – English text, p. 7 – Texto español, p. 9 Articoli 11 PAOLO MARIA GIONTA La mistica cristiana 54 MICHELE FONTANA La Parola efficace nella mediazione della Chiesa 81 RÉGINALD GRÉGOIRE Le congregazioni di fine medioevo e la nascita del monachesimo moderno con il Concilio di Trento (1545-1562) 100 CHRISTIAN A. ALMADA, Anselmo d’Aosta nella “storia-monastico-effettiva”. Il suo posto nella storia del pensiero sulla scia di H. U. von Balthasar, R.W. Southern e J. Leclercq 121 DONATO GIORDANO, Le prospettive dell’ecumenismo e del dialogo in Italia 134 ENRICO MARIANI Il “Ristretto compendio” delle Costituzioni olivetane 169 BERNARDO FRANCESCO GIANNI, «La città dagli ardenti desideri». Mario Luzi custode e cantore della civitas 221 HANS HONNACKER, «Siamo qui per questo ...». Mario Luzi a San Miniato al Monte Vita della famiglia monastica di Monte Oliveto 231 ILDEBRANDO WEHBÉ D. Miniato Tognetti, un profilo biografico Indicazioni bibliografiche 244 Recensioni e segnalazioni 254 Bibliografia olivetana 2 EDITORIALE In coerenza col nostro umile ma appassionato servizio alla memoria e alla traditio del patrimonio umano e spirituale della famiglia mona- stica di Monte Oliveto, inauguriamo in questo numero dell’Ulivo una nuova sezione della rivista interamente dedicata alla pubblicazione di immagini fotografiche, quale espressione documentaria e non di rado anche artistica in grado di custodire e veicolare aspetti, protagonisti e momenti della nostra storia monastica. Un sorta di album si incariche- rà infatti di raccogliere, principalmente col contributo degli archivi di tutti i monasteri della nostra Congregazione, un’antologia di immagi- ni che, organizzata tematicamente, contribuirà non solo ad arricchire le nostre conoscenze, ma anche ad incentivare nelle singole comunità la valorizzazione, mediante un’adeguata raccolta e catalogazione, del patrimonio fotografico posseduto.
    [Show full text]
  • Department of Political Science Chair of Gender Politics Wonder Woman
    Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J.
    [Show full text]
  • In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
    ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations).
    [Show full text]
  • DNA Test Report: DNA - PLL
    Health - DNA Test Report: DNA - PLL Terrier - Bull Terrier (Miniature) Dog Name Reg No DOB Sex Sire Dam Test Date Test Result ABRACADABRA AMERICAN ROSE AS03258304 07/09/2014 Bitch ARAMIS VON DER ALTEN VESTE BADH CATHA OF TRIGON (IMP CZE) 17/07/2016 Clear ADDERSWOOD CATT OF JOLIHEM AH04774907 08/10/2007 Bitch BADLESMERE BETE NOIRE BADLESMERE BUTTERNUT TART 29/11/2010 Carrier ADDERSWOOD VYVYAN FOR ARCAZY AH04774905 08/10/2007 Bitch BADLESMERE BETE NOIRE BADLESMERE BUTTERNUT TART 22/10/2009 Carrier ALBERMARBULL JUST A TOUCH AJ03847203 23/07/2008 Dog JUSTEPH FRISCO ALBERMARBULL'S SILVER TOUCH 12/11/2009 Clear ALBERMARBULL LITTLE MISS AK04981602 31/10/2009 Bitch ALBERMARBULL TED THE GREAT JUSTEPH MISS GLORY BE 15/01/2010 Clear ALBERMARBULL LOOKING GLASS OF AK03453605 27/07/2009 Dog ALBERMARBULL TED THE GREAT ALBERMARBULL'S SILVER TOUCH 15/03/2012 Clear GIFFENBULL ALBERMARBULL MISS MEGGY AK04981601 31/10/2009 Bitch ALBERMARBULL TED THE GREAT JUSTEPH MISS GLORY BE 15/01/2010 Clear ALBERMARBULL MISTER ED AK04981604 31/10/2009 Dog ALBERMARBULL TED THE GREAT JUSTEPH MISS GLORY BE 15/01/2010 Clear ALBERMARBULL TEDS BOY AK04981603 31/10/2009 Dog ALBERMARBULL TED THE GREAT JUSTEPH MISS GLORY BE 15/01/2010 Clear ALBERMARBULL TIME TO TOUCH AK03453202 19/07/2009 Dog ALBERMARBULL JUST A TOUCH JUSTEPH PRINCESS VENUS 15/01/2010 Carrier ALBERMARBULL'S STAR TOUCH AK03453201 19/07/2009 Bitch ALBERMARBULL JUST A TOUCH JUSTEPH PRINCESS VENUS 08/06/2010 Carrier ALBIONS DUKE AC01062301 29/11/2001 Dog ERENDEN HUMPTY DUMPTY THE RETURN OF SASHA WITH 17/11/2009 Carrier
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Bows, Arrows, Vanes and Arrow Components • Finish: Realtree • Peak Drawweight: 50,60,70Lbs
    BOWS AVAILABLE BY PRO SHOP SHOWROOM SALES ONLY The following bows are available at our Pro Shop location. By Manufacturer’s Agreement, these bows are not available for mail order or wholesale distribution. Complete Lancaster Archery Compound Bow Accessory Packages Add to any Bow Purchase for $119 (A $179.59 Value!) Package Includes: • TruGlo 3 Pin Sight with Light • TruGlo 4-Arrow Loc Down Quiver • 5 Complete Stock Carbon Arrows (Includes Nocks, Points, and Fletching) • Trophy Ridge Quick Shot Whisker Biscuit Rest • CR Braided Bow Sling • Outer Limit Buzz Kill Stabilizer • Rubber String Silencers • Tru Glo Accessory Kit (Red) Silencers, D-loop Material, Peep, Kisser 2770010 2015 COMPOUND BOWS + Bear® Arena 30 + Bear® Color Kits + Bear® Bounty RTH Package + Bear® Cruzer RTH Package • Axle to Axle: 30 1/2” • Colors to Customize your Bear® Bow! • Axle to Axle: 29 3/4” • Axle to Axle: 32” • IBO Speed: 345 fps • Designed for: Motive, Empire, Agenda, Venue, • IBO Speed: 295 fps • IBO Speed: 310 fps • Brace Height: 6.5” Anarchy HC Rumor and Arena • Brace Height: 7” • Brace Height: 6.5” • Let Off: 75% • Kit Includes: Overmold Grip Panel Grips • Let Off: 80% • Let Off: 70% • Mass Weight: 3.8 lbs. (4) Arena Riser Inserts • Mass Weight: 3.2 lbs. • Mass Weight: 3.6 lbs. • Draw Length: 25 1/2-30” (2) Agenda and Venue Riser Inserts • Draw Length: 23 1/2-27” • Draw Length: 12-30” • Peak Draw Weight: 50, 60, 70 lbs. • Peak Draw Weight: 50 lbs. • Peak Draw Weight: 5-70 lbs. (2) String Dampeners Bows, Arrows, Vanes and Arrow Components Bows, Arrows, Vanes • Available RH and LH • Available Colors: Green Orange Red Yellow • Available RH and LH • Available RH and LH • Finish: Realtree Xtra® Green Camo • Finish: Realtree MAX-1® Camo • Finish: Realtree Xtra® Camo 1360213 $24.99 ea.
    [Show full text]
  • DIE RPG Beta Manual V1.Pdf
    DIE: A ROLE-PLAYING GAME KIERON GILLEN ©2019 ART BY STEPHANIE HANS COVER DESIGN BY RIAN HUGHES Copyright © 2019 Kieron Gillen Ltd & Stéphanie Hans. All rights reserved. DIE, the Die logos, and the likenesses of all characters herein or hereon are trademarks of Kieron Gillen Ltd & Stéphanie Hans. No part of this publication may be reproduced or transmitted in any form or by any means (except for short excerpts for journalistic or review purposes) without the express written permission of Kieron Gillen Ltd or Stéphanie Hans. All names, characters, events, and places herein are entirely fictional. Any resemblance to actual persons (living or dead), events, or places is coincidental. Representation: Law Offices of Harris M. Miller II, P.C. ([email protected]) CONTENTS 1) INTRODUCTION 2) THE WORLD OF DIE 3) PREPARATION 4) THE FIRST SESSION 5) PREPARING THE SECOND SESSION 6) THE SECOND SESSION 7) THE RULES 8) RUNNING THE ARCHETYPES 9) ADVICE FOR GAMESMASTERS 10) OTHER RESOURCES WELCOME I have a habit of being a little extra around my comics. I fear this is the most extra thing I’ve ever done. Alongside creating the comic DIE with Stephanie Hans, I developed the role-playing game you hold in your hands. Er… figure of speech. “PDF on your hard drive” doesn’t quite have the same ring. This RPG creates, in a miniaturized form, your own version of the first arc of DIE. As such, there’s some possible structural spoilers for the comic. I say “possible” because it really is your own version of the comic.
    [Show full text]
  • Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
    Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.
    [Show full text]
  • And Humanist Learning in Tudor England a Thesis
    ROGER ASCHAM AND HUMANIST LEARNING IN TUDOR ENGLAND by HARRAL E. LANDRY,, A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the Graduate School of the University of Alabama UNIVERSITY, ALABAMA 1958 PREFACE Roger Ascham was probably the greatest teacher in Elizabethan England. The period is graced with the name of his most famous and most spectacular pupil - Elizabeth Tu.dor. His life was dedicated, if indeed to anything, to the Greek ideal of "a sound mind in a sound body •." In addition, he reached a zenith as probably the greatest Latin letter writer in England. This achievement is all the more remarkable since his era was one of scholarship in the language of ancient Latium and of Rome. Yet, he is without a biographer, except in short sketches prefacing the editions of his writings. The purpose of this thesis is to collect some of the thoroughly scattered material and look a little more close­ ly at Ascham as a student, scholar, and particularly as a teacher. Every effort has been made to work with source material. Old English spellings have been modernized to provide continuity, uniformity, and smoothness of reading. Exceptions will be found in original book titles. Making a study of ideas is like steering a tricky passage between the perils of Scylla and Charybdis. In narrow straits the channel is often both,deep and indeter­ minate. The navigation of such a passage, even on my unlearned and far from comprehensive level, would have been impossible were it not for the generous assistance of a number of people.
    [Show full text]
  • An Introduction to Archery Arrows
    Beginners guide to archery (Archery 101) BY MARK DUERDEN Welcome to Phoenix’s beginners guide to archery. This archery 101. In this guide you will learn: 1. How to find if you’re left or right-handed 2. About the various types of archery bows and styles. And you’ll find out which type is best for your style, level, and 3. How to choose the right arrow type to match your bow Pt1: How to find your dominant eye shooting eye Figure 1 - Click the above image and watch our Youtube video on this subject Before you start shooting any bow you need to find your dominant shooting eye. For instructions on how to find your dominant eye, you can either watch the short video above. Or do the following: 1. First, make a little triangle with your hands like this (see the Youtube video cover) and look at something. 2. Next, put your hand away from you whilst keeping them in a triangle shape. 3. Last, bring it slowly back to the eye you want to look through. Your hand will naturally be attracted to your dominant eye. As you can see in the video, when I did it, my hand ends up on my right eye. So that means I’m right-handed. I’ll hold the bow in my left hand. And I’ll pull the string back with my right hand (with the arrow under the dominant eye). That’s how you find your shooting eye and how you aim. You need to do this before you decide what bow you want to shoot.
    [Show full text]