Luis Contreras and Patricia Urquiola
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Il Sereno Fact Sheet
FACT SHEET ADDRESS: Via Torrazza, 10 22020 Torno, Como, Italy (Village of Torno, Province of Como, Region of Lombardy, Italy) www.ilsereno.com TELEPHONE: +39 031 5477800 OPENED: August 1, 2016 OWNERSHIP: Contreras Family MANAGING DIRECTOR: Samy Ghachem ARCHITECTURE AND INTERIOR DESIGN: Patricia Urquiola SUITE RATES: Starting at €750 - €800 OVERVIEW: Il Sereno Lago di Como is a small and intimate ultra-luxury hotel on the iconic shores of Lake Como, Italy. Respecting its natural and historical surroundings, Il Sereno Lago di Como joins a select group of illustrious lake hotels in this exclusive destination. Building on the success of Le Sereno St Barth’s, the owners joined forces with Milan-based designer Patricia Urquiola to introduce a contemporary and more relaxed interpretation of luxury, design and personalized service to Lake Como. Il Sereno Lago di Como is positioned as the most stylish and private sanctuary among the lake’s prestigious collection of hotels. Il Sereno and nearby Villa Pliniana are members of Leading Hotels of the World and Virtuoso. LOCATION: Since time immemorial, Lake Como has seduced visitors with its natural beauty and dramatic vistas of the southern Italian Alps. Long a destination of choice for European aristocrats and today’s glitterati; Lake Como remains the epitome of a glamorous vacation destination. Situated on a sunny promontory next to the village of Torno and surrounded by peaceful views of Lake Como’s natural beauty, lush gardens and idyllic small towns, Il Sereno”s lakefront location stretches approximately 140 meters (450 feet) along the eastern shore of Lake Como. The hotel is less than 6km (4 miles) from the center of Como, just a short 8-minute drive; and approximately 50 minutes from both Milano- Malpensa airport or from the center of Milan. -
Select Letters of Percy Bysshe Shelley
ENGLISH CLÀSSICS The vignette, representing Shelleÿs house at Great Mar lou) before the late alterations, is /ro m a water- colour drawing by Dina Williams, daughter of Shelleÿs friend Edward Williams, given to the E ditor by / . Bertrand Payne, Esq., and probably made about 1840. SELECT LETTERS OF PERCY BYSSHE SHELLEY EDITED WITH AN INTRODUCTION BY RICHARD GARNETT NEW YORK D.APPLETON AND COMPANY X, 3, AND 5 BOND STREET MDCCCLXXXIII INTRODUCTION T he publication of a book in the series of which this little volume forms part, implies a claim on its behalf to a perfe&ion of form, as well as an attradiveness of subjeâ:, entitling it to the rank of a recognised English classic. This pretensión can rarely be advanced in favour of familiar letters, written in haste for the information or entertain ment of private friends. Such letters are frequently among the most delightful of literary compositions, but the stamp of absolute literary perfe&ion is rarely impressed upon them. The exceptions to this rule, in English literature at least, occur principally in the epistolary litera ture of the eighteenth century. Pope and Gray, artificial in their poetry, were not less artificial in genius to Cowper and Gray ; but would their un- their correspondence ; but while in the former premeditated utterances, from a literary point of department of composition they strove to display view, compare with the artifice of their prede their art, in the latter their no less successful cessors? The answer is not doubtful. Byron, endeavour was to conceal it. Together with Scott, and Kcats are excellent letter-writers, but Cowper and Walpole, they achieved the feat of their letters are far from possessing the classical imparting a literary value to ordinary topics by impress which they communicated to their poetry. -
From Brunate to Monte Piatto Easy Trail Along the Mountain Side , East from Como
1 From Brunate to Monte Piatto Easy trail along the mountain side , east from Como. From Torno it is possible to get back to Como by boat all year round. ITINERARY: Brunate - Monte Piatto - Torno WALKING TIME: 2hrs 30min ASCENT: almost none DESCENT: 400m DIFFICULTY: Easy. The path is mainly flat. The last section is a stepped mule track downhill, but the first section of the path is rather rugged. Not recommended in bad weather. TRAIL SIGNS: Signs to “Montepiatto” all along the trail CONNECTIONS: To Brunate Funicular from Como, Piazza De Gasperi every 30 minutes From Torno to Como boats and buses no. C30/31/32 ROUTE: From the lakeside road Lungo Lario Trieste in Como you can reach Brunate by funicular. The tram-like vehicle shuffles between the lake and the mountain village in 8 minutes. At the top station walk down the steps to turn right along via Roma. Here you can see lots of charming buildings dating back to the early 20th century, the golden era for Brunate’s tourism, like Villa Pirotta (Federico Frigerio, 1902) or the fountain called “Tre Fontane” with a Campari advertising bas-relief of the 30es. Turn left to follow via Nidrino, and pass by the Chalet Sonzogno (1902). Do not follow via Monte Rosa but instead walk down to the sportscentre. At the end of the football pitch follow the track on the right marked as “Strada Regia.” The trail slowly works its way down to the Monti di Blevio . Ignore the “Strada Regia” which leads to Capovico but continue straight along the flat path until you reach Monti di Sorto . -
Making Doing Looking
WINTER/SPRING 2019 MAKING DOING LOOKING 2145 W. Brown Deer Rd. | Milwaukee, WI 53217 lyndensculpturegarden.org YOUNG PEOPLE For complete details and to register, visit lyndensculpturegarden.org/education The Lynden Sculpture Garden offers a unique experience of art in nature through its collection of more than 50 monumental sculptures and temporary installations sited across 40 acres of park, pond, and woodland. GARDEN & GALLERY HOURS The Lynden Sculpture Garden offers programs for young people Daily 10 am–5 pm (closed Thursdays) that integrate our collection of monumental outdoor sculpture and The sculpture garden will be closed January 1 and April 21. temporary installations with the natural ecology of park, pond, and woodland. Led by artists, naturalists, and art educators, these programs ADMISSION explore the intersection of art and nature through collaborative Adults: $9 discovery and hands-on artmaking, using all of Lynden’s 40 acres Children, students (with ID) & seniors (62+): $7 as well as its art studio to create a joyful experience. DOCENT-LED TOURS TUESDAYS IN THE GARDEN FOR For group and school tours, contact Jeremy Stepien at: [email protected] PARENTS & SMALL CHILDREN Join naturalist Naomi Cobb for outdoor play and exploration. MEMBERSHIP Tuesdays, 10:30-11:30 am January 8: Winter Patterns Members enjoy free unlimited admission to the Lynden Sculpture $10 / $8 members for one February 12: Exploring Shapes Garden as well as discounts on camps, workshops, and classes; adult and one child 4 or under. March 12: Signs of Spring $5 guest passes; and invitations to special events. Members Additional children are $4, April 30: Gardening provide critical support for our educational and public programs, extra adults pay daily admission. -
Global Digital Cultures: Perspectives from South Asia
Revised Pages Global Digital Cultures Revised Pages Revised Pages Global Digital Cultures Perspectives from South Asia ASWIN PUNATHAMBEKAR AND SRIRAM MOHAN, EDITORS UNIVERSITY OF MICHIGAN PRESS • ANN ARBOR Revised Pages Copyright © 2019 by Aswin Punathambekar and Sriram Mohan All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published June 2019 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. ISBN: 978- 0- 472- 13140- 2 (Hardcover : alk paper) ISBN: 978- 0- 472- 12531- 9 (ebook) Revised Pages Acknowledgments The idea for this book emerged from conversations that took place among some of the authors at a conference on “Digital South Asia” at the Univer- sity of Michigan’s Center for South Asian Studies. At the conference, there was a collective recognition of the unfolding impact of digitalization on various aspects of social, cultural, and political life in South Asia. We had a keen sense of how much things had changed in the South Asian mediascape since the introduction of cable and satellite television in the late 1980s and early 1990s. We were also aware of the growing interest in media studies within South Asian studies, and hoped that the conference would resonate with scholars from various disciplines across the humanities and social sci- ences. -
Simonetta Cattaneo Vespucci: Beauty. Politics, Literature and Art in Early Renaissance Florence
! ! ! ! ! ! ! SIMONETTA CATTANEO VESPUCCI: BEAUTY, POLITICS, LITERATURE AND ART IN EARLY RENAISSANCE FLORENCE ! by ! JUDITH RACHEL ALLAN ! ! ! ! ! ! ! A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Department of Modern Languages School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT ! My thesis offers the first full exploration of the literature and art associated with the Genoese noblewoman Simonetta Cattaneo Vespucci (1453-1476). Simonetta has gone down in legend as a model of Sandro Botticelli, and most scholarly discussions of her significance are principally concerned with either proving or disproving this theory. My point of departure, rather, is the series of vernacular poems that were written about Simonetta just before and shortly after her early death. I use them to tell a new story, that of the transformation of the historical monna Simonetta into a cultural icon, a literary and visual construct who served the political, aesthetic and pecuniary agendas of her poets and artists. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Grand Tour Sul Lago Di Como
Sulle orme di Mary Shelley Il Grand Tour del Lago di Como A zonzo sul lago di Como “ Il lago di Como è lungo e in proporzione stretto. Circa a metà strada fra Colico e la città di Como, nel suo punto più largo, è diviso in due laghi, uno punta a Est verso Lecco, l’altro verso Como. Nello stretto e roccioso promontorio che divide questi due rami è situata Bellagio, che punta verso Nord“. M. SHELLEY, A zonzo per la Germania e per l’Italia, 1844 “… supera in bellezza qualsiasi luogo io abbia mai visto, fatta eccezione per le isole di corbezzoli di Killarney”. P.B. SHELLEY, lettera all’amico Peacock, Milano, 20 Aprile 1818 Con l’itinerario ‘Mary Shelley’ avrete la possibilità di scoprire i luoghi del territorio lariano visitati e descritti dalla famosa autrice britannica nella sua ultima opera “A zonzo per la Germania e per l’Italia”, e dal coniuge Percy Bysshe Shelley in alcune lettere. Il viaggio sarà un percorso ricco di storia e bellezze paesaggistiche, che si snoderà sulle sponde del ramo occidentale del lago di Como. Con questo itinerario sarà possibile conoscere affascinanti cittadine quali Blevio, Torno, Tremezzo, Menaggio, Bellagio, e visitare meravigliose ville storiche come quelle della celebre cantante lirica Giuditta Pasta o quella di Villa Carlotta con il suo famoso giardino. Le tappe del Tour Mary Shelley rimase sul lago di Como per otto settimane, nell’estate del 1840. L’autrice lo percorse dalle Alpi al Lario utilizzando diligenze, barche e battelli. Qui proponiamo lo stesso percorso ma a ritroso. -
Carriages & Coaches
Carriages & Coaches By Ralph Straus Carriages & Coaches Chapter the First THE PRIMITIVE VEHICLE “This is a traveller, sir, knows men and Manners, and has plough’d up sea so far, Till both the poles have knock’d; has seen the sun Take coach, and can distinguish the colour Of his horses, and their kinds.” Beaumont and Fletcher. IT has been suggested that although in a generality of cases nature has forestalled the ingenious mechanician, man for his wheel has had to evolve an apparatus which has no counterpart in his primitive environment—in other words, that there is nothing in nature which corresponds to the wheel. Yet even the most superficial inquiry into the nature of the earliest vehicles must do much to refute such a suggestion. Primitive wheels were simply thick logs cut from a tree-trunk, probably for firewood. At some time or another these logs must have rolled of their own accord from a higher to a lower piece of ground, and from man’s observation of this simple phenomenon must have come the first idea of a wheel. If a round object could roll of its own accord, it could also be made to roll. Yet it is to be noticed that the earliest methods of locomotion, other than those purely muscular, such as walking and riding, knew nothing of wheels. Such methods depended primarily upon the enormously significant discovery that a man could drag a heavier weight than he could carry, and what applied to a man also applied to a beast. Possibly such discovery followed on the mere observation of objects being carried down the stream of some river, and perhaps a rudely constructed raft should be considered to be the earliest form of vehicle. -
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 the OXFORDIAN Volume 21 2019
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 The OXFORDIAN Volume 21 2019 The Oxfordian is the peer-reviewed journal of the Shakespeare Oxford Fellowship, a non-profit educational organization that conducts research and publication on the Early Modern period, William Shakespeare and the authorship of Shakespeare’s works. Founded in 1998, the journal offers research articles, essays and book reviews by academicians and independent scholars, and is published annually during the autumn. Writers interested in being published in The Oxfordian should review our publication guidelines at the Shakespeare Oxford Fellowship website: https://shakespeareoxfordfellowship.org/the-oxfordian/ Our postal mailing address is: The Shakespeare Oxford Fellowship PO Box 66083 Auburndale, MA 02466 USA Queries may be directed to the editor, Gary Goldstein, at [email protected] Back issues of The Oxfordian may be obtained by writing to: [email protected] 2 The OXFORDIAN Volume 21 2019 The OXFORDIAN Volume 21 2019 Acknowledgements Editorial Board Justin Borrow Ramon Jiménez Don Rubin James Boyd Vanessa Lops Richard Waugaman Charles Boynton Robert Meyers Bryan Wildenthal Lucinda S. Foulke Christopher Pannell Wally Hurst Tom Regnier Editor: Gary Goldstein Proofreading: James Boyd, Charles Boynton, Vanessa Lops, Alex McNeil and Tom Regnier. Graphics Design & Image Production: Lucinda S. Foulke Permission Acknowledgements Illustrations used in this issue are in the public domain, unless otherwise noted. The article by Gary Goldstein was first published by the online journal Critical Stages (critical-stages.org) as part of a special issue on the Shakespeare authorship question in Winter 2018 (CS 18), edited by Don Rubin. It is reprinted in The Oxfordian with the permission of Critical Stages Journal. -
United Nations Environmental Program Archive of E-Articles 2013
United Nations Environmental Program Archive of E-Articles 2013 January 2013 Sacred Sites Research Newsletter (SSIREN) To read the SSIREN Newsletter, visit: http://fore.research.yale.edu/files/SSIREN_January_2013.pdf January 2, 2013 Playing offense It’s time to divest from the oil industry By Bill McKibben The Christian Century The pipeline blockaders in the piney woods of East Texas that Kyle Childress describes ("Protesters in the pews," Christian Century, January 9, 2013) are American exemplars—the latest incarnation of John Muir, Rachel Carson, John Lewis or Fannie Lou Hamer. They’re playing defense with verve and creativity—blocking ugly and destructive projects that wreck landscapes and lives. And defense is crucial. As generations of sports coaches have delighted in pointing out, defense wins games. But we’re very far behind in the global warming game, so we need some offense too. And here’s what offense looks like: going directly after the fossil fuel industry and holding it accountable for the rapid warming of the planet. It’s the richest and most arrogant industry the world has ever seen. Call it Powersandprincipalities, Inc. And where once it served a real social need—energy— it now stands squarely in the way of getting that energy from safe, renewable sources. Its business plan—sell more coal, gas and oil—is at odds with what every climate scientist now says is needed for planetary survival. If that sounds shocking, sorry: a lifetime of Exxon ads haven’t prepared us for the reality that Exxon is a first-class villain, any more than a lifetime of looking at the Marlboro Man prepared us to understand lung cancer. -
Percy Bysshe Shelley
PERCY BYSSHE SHELLEY 1792 August 4, Saturday: Percy Bysshe Shelley was born at Field Place, Warnham, near Horsham, West Sussex, the eldest child of Elizabeth Pilfold Shelley and a Member of Parliament for New Shoreham, Sir Timothy Shelley,1 and the eldest grandchild of a man with extensive holdings in land, (Percy) Bysshe Shelley. This firstborn son of privilege would be educated at Eton and Oxford University and it would be presumed during his growth years that when he would reach the age of maturity, 21, he would inherit his father’s seat in Parliament. As a stripling he would be taken to the House of Commons and would meet Sir Francis Burdett, the Radical M.P. for Westminster. At Eton he would develop a consuming distaste for tyranny, and in the midst of all this adolescent rebelliousness would be greatly influenced by Burdett — in 1810 he would dedicate one of his earliest poems to him. While at Oxford, Shelley would be consuming the thoughts of radical political writers such as Tom Paine and William Godwin. He would author articles in defense of Daniel Isaac Eaton, a bookseller who was being condemned because he offered for sale works by Tom Paine and Richard Carlile. 1. Sir Timothy Shelley had sat for a seat under the control of the Duke of Norfolk, and always endorsed his patron’s policies of electoral reform and Catholic Emancipation. HDT WHAT? INDEX PERCY BYSSHE SHELLEY PERCY BYSSHE SHELLEY 1797 June: A treaty with the Bey of Tripoli that had been negotiated by the administration of President George Washington was finally signed and ratified by the federal senate at this point during the administration of President John Adams.