DOCSLIB.ORG

Balinese Traditional Landscape (Ni Made Yudantini)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Balinese Traditional Landscape (Ni Made Yudantini) BALINESE TRADITIONAL LANDSCAPE (NI MADE YUDANTINI) BALINESE TRADITIONAL LANDSCAPE Written by: Ni Made Yudantini Lecturer of Architecture Department, Faculty of Engineering, Udayana University Email: [email protected] ABSTRACT Balinese traditional landscape defend is an important effort to preseve a vernacular traditional landscape, which is can give calamity, beauty, peaceful, comfort feeling, for healthy, happiness as well as to give Balinese identity. It is also supported by the government program of “ Bali to head for Garden Island”. Principally, Balinese traditional landscape is soul by the philosophy of Balinese culture such as Tri Hita Karana concept, Rwa Bhineda concept, Desa Kala Patra concept, Sekala Niskala concept, etc. Structurally, Balinese traditional landscape can divide into five types as follows Regional landscape, Villages landscape, City landscape, highway landscape and Inheritance Garden. Balinese landscape can begin firstly through the landscaping in the house, where we can placed the garden. The most uniqueness of landscape in the traditional housing of Bali, there are including natah as an orientation of buildings, its garden, back yard/teba, lebuh and telajakan. Key word: Balinese Traditional Landscape, Concept. There are various definition of the DEFINITION OF LANDSCAPE landscape according to the scientific disciplines Back to the old English, Thurner (1987) or profession. According to Spirn (1988) found that the word landscape is defined as a landscape architects is a human and natural district or a tract of land. While according to world, in both an empirical and metaphysical Muller (1977) that cited by Wolfgang Haber sense. Landscape ecologist determines landscape (1966) landscape is combination of word “land” as a complex of relationship system that together with an ancient Germanic origin verb “scapjan” forming (also by virtue of physiognomy) a which is closely related to the word “shape” in recognisable part of the earth’s surface and is English. Landscape can be understood as formed and maintained by mutual action of shaping process in or on the land that can be abiotic and biotic forces as well as human action. done either by natural agent or by natural forces. Land painters sought to represent an ideal world This refers change, dynamic, or a succession of on canvas. Geographer developed the meaning phenomena and evolution. Landscape was an of landscape by coining the scientific definition evaluative word used in a sense, which derived as total character of a region of the earth; from the neoplatonic theory of art, to mean “an physically, biologically as well as socially ideal place” (Von Droste, 1995). It was (Zonneveld, 1995). eminently suited to characterising a goal of the planning and design process. However, the THE LANDSCAPE TYPE evaluative connotations of landscape were never The general types of landscape entirely discarded. Recently, the Oxford English morphology are scattered patch landscape, dictionary cites the pre dominant modern network landscape, interdigitated landscape, definition of landscape as a track of land with its checkerboard landscape, mosaic, grid, dot, dot distinguishing characteristic and features, and grid, zonation, alteration and gradual transition considered as a product of shaping processes and cline (figure 1). agent. 65 JURNAL PERMUKIMAN NATAH VOL. 1 NO. 2 JUNI 2003 : 52 - 108 Those natural elements will give us emotional impression such as happiness, comfort, calamity, closely feeling, pleasant, peaceful, shady, etc. (Gunadi, 1988). The important element that can be used to determine the landscaping, there are human, space and the contents of element (Dinas Kebersihan & Pertamanan Prop.Dati I Bali dengan Univertas Udayana, 1989). 1. Human as a part of universe will determine the landscape trough his culture, whether his economic, social, cultural as well. Human will create and arrange the landscape specifically. They culture implies the Figure 1 : Variety of structure and landscape positive respond for the quality of landscape, pattern whether in the past till now. We can see Source : Zonneveld (1995). through garden or landscape in the world that have high value. Two main reasons do underline for the distinguishing and classifying differences in 2. Spaces are created by human and naturally. morphological pattern for the landscape The space which is created by human, divide ecologist study (Zonneveld, 1995): into indoor and outdoor. Indoor content of floor, wall and ceiling, while outdoor only 1. Shape, format and size the most obvious and covered by flooring and walling. natural way distinguish areas at earth’s surface which may differ in their ecological 3. The contents of element including plant, process, behavior and genesis. animal, soil, stone, water, lamp garden, sculpture, pond etc. 2. The nature of the morphological pattern influence to a great extent of material, energy and information flows on the lands, BALINESE PHILOSOPHY OF CULTURAL both inside the area under consideration and DEVELOPMENT between spatial units at the earth’s surface at The concept of Balinese traditional any scale of consideration. space basically based on the philosophy of Cosmo’s religion that sees the human and THE ELEMENT OF LANDSCAPE universe as an unity which contains of the same elements (Panca Maha Bhuta). Thence it is There are two type of landscape clearly described the implementation between elements (Rahman, 1984): soul and universe through the symbols. 1. Major Landscape Element is the bigger Basically, Hindu religion has five natural element which is difficult to change beliefs, that is called Panca Sradha, that is: such as mountain, river, forest, valley, lake and the power of universe (climate, sun, 1. Brahman, belief of the existence of wind, rain, earthquake, moon). God/Sang Hyang Widhi Wasa 2. Atman, belief of the existence of spirit 2. Minor Landscape Element is the smaller 3. Karmaphala, belief of the existence of cause element that can be easy to change. It is and effects including hill, stream, ditch, scrub, livestock, 4. Purnarbhawa, belief of the existence of human, lighting, conditioning, landscape reincarnation tools, building, road, the open space etc. 66 BALINESE TRADITIONAL LANDSCAPE (NI MADE YUDANTINI) 5. Moksa, belief of the existence of redemption 1. Tri Hita Karana Concept (to reach the freedom of spirit or eternal 2. Rwa Bhineda Concept spiritual happiness) 3. Desa Kala Patra Concept 4. Karma Phala Concept Through Panca Srada, the life of 5. Sekala Niskala Concept Balinese people (Hindu) are based on Dharma 6. Tri Masa Concept (the truth) that it has aim Moksartham 7. Catur Parama Artha Concept Jagadhitaya Caiti Dharma (to reach redemption 8. Taksu and Jengah Concept and prosperity of human life in the World). 9. Spatio Balinese Culture Concept Beside that, Hindu religion also has several concepts for Balinese culture development, which has formulated of Local Government of Bali (1994:17-19), such as: (figure 2) AKU Figure2: The Philosophy of Balinese Cultural Development Source : Balinese Traditional Architecture. creator, preservator, and destroyer. So wherever Those concept as a basis for Hindu they go, whatever they do, God always placed. people to preserve their inheritance and their Seemly, they won’t to separate with their God, culture. They belief of religion and culture are thus they become religious. Secondly, Balinese very close relationship, so it is difficult to society realise that they cannot live alone, they separate it. As Galloway denoted “religion is the need each other, then they create communal human faith or belief on the power in outside organisation (desa pakraman, subak, sekaa themselves, where they seeking for satisfy of teruna etc), which are based on religion lead to emotional needs and to get their stability of life, public interest. Togetherness principle of so religious belief emerge from human Balinese society is based on Tatwam Asi consciousness (Galloway, 1960:185) Concept (You are me) and sepi ing pamrih 1. Tri Hita Karana Concept concept (dedication without reward) as an implementation of Hindu belief. Thirdly, place Balinese were seen three causes of or region where they were born and life, it’s play prosperity, wealthy, safety and happiness. important role in the society. The village border, Firstly, Ida Sang Hyang Widhi Wasa/God as a 67 JURNAL PERMUKIMAN NATAH VOL. 1 NO. 2 JUNI 2003 : 52 - 108 banjar border or walls surrounding of houses, its adat (the local community organisation have spiritual and material aspect. Briefly, Tri responsible for religious and cultural matters). Hita Karana concept as one pattern to know why Such spaces need to be maintained by either the Balinese society have safety feeling. In this case Desa Dinas (i.e. the community level arm of Tri Hita Karana are included Parahyangan/God, local and provincial government) or the Pawongan/ activities organisation, and responsibility should be given to desa adat. Palemahan/ areas or region of environment. 2. Rwa Bhineda Concept The philosophy of Tri Hita Karana is recognized as the basis for development This concept has a dualistic that planning within the Province. The three crucial reflected to or life always has two constraints interactions within this philosophy are harmony categories i.e.: good and bad, holy and proven, relation between human being to God and top and down, etc. Rwa Bhineda concept shown human being to other environment life and the relationship between macrocosm and human being to the nature. This concept
Load more

Recommended publications
  • 6D5n Lake Toba – Bohorok Tour
    Warmest Greetings from Universal Tour & Travel has been established since 1966 and is one of the leading Travel Company in Indonesia. Along with our experienced and professional managers and tour- guides in the year 2016, we are ready to serve you for the coming 50 years. We appreciate very much for your trust and cooperation to us in the past and are looking forward to your continued support in the future. We wish 2016 will bring luck and prosperity to all of us. Jakarta, 01 January 2016 The Management of Universal Tour & Travel Table of Contents - Introduction 3 - Company Profile 4 - Our Beautiful Indonesia 5 - Sumatera 6 - Java 16 - Bali 40 - Lombok 48 - Kalimantan 56 - Sulawesi 62 - Irian Jaya 71 3 Company Profile Registered Name : PT. Chandra Universal Travel (Universal Tour & Travel) Established on : August 26, 1966 License No. : 100/D.2/BPU/IV/79 Member of : IATA, ASITA, ASTINDO, EKONID Management - Chairman : Dipl Ing. W.K. Chang - Executive Director : Hanien Chang - Business Development Director : Hadi Saputra Kurniawan - Tour Manager : I Wayan Subrata - Asst. Tour Manager : Ika Setiawaty - Travel Consultant Manager : Nuni - Account Manager : Sandhyana Company Activities - Ticketing (Domestic and International) - Inbound Tours - Travel Documents - Domestic Tours - Car & Bus Rental - Outbound Tours - Travel Insurance - Hotel Reservation Universal Tour & Travel was founded by Mr. Chang Chean Cheng (Chandra Kusuma) on 26 August 1966 and member of IATA in 1968 respectively. In the year between 1966 -1970, there were around 200 travel agents with or without travel agent licence and around 35 IATA agents. Our company started from 8-12 staffs in charged for Ticketing, Inbound Tour and Administration.
    [Show full text]
  • R. Tan the Domestic Architecture of South Bali In: Bijdragen Tot De Taal-, Land- En Volkenkunde 123 (1967), No: 4, Leiden, 442-4
    R. Tan The domestic architecture of South Bali In: Bijdragen tot de Taal-, Land- en Volkenkunde 123 (1967), no: 4, Leiden, 442-475 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/01/2021 05:53:05PM via free access THE DOMESTIC ARCHITECTURE OF SOUTH BALI* outh Bali is the traditional term indicating the region south of of the mountain range which extends East-West across the Sisland. In Balinese this area is called "Bali-tengah", maning centra1 Bali. In a cultural sense, therefore, this area could almost be considered Bali proper. West Lombok, as part of Karangasem, see.ms nearer to this central area than the Eastern section of Jembrana. The narrow strip along the Northern shoreline is called "Den-bukit", over the mountains, similar to what "transmontane" mant tol the Romans. In iwlated pockets in the mwntainous districts dong the borders of North and South Bali live the Bali Aga, indigenous Balinese who are not "wong Majapahit", that is, descendants frcm the great East Javanece empire as a good Balinese claims to be.1 Together with the inhabitants of the island of Nusa Penida, the Bali Aga people constitute an older ethnic group. Aernoudt Lintgensz, rthe first Westemer to write on Bali, made some interesting observations on the dwellings which he visited in 1597. Yet in the abundance of publications that has since followed, domstic achitecture, i.e. the dwellings d Bali, is but slawly gaining the interest of scholars. Perhaps ,this is because domestic architecture is overshadowed by the exquisite ternples.
    [Show full text]
  • GROY Groenewegen, JM (Johannes Martinus / Han)
    Nummer Toegang: GROY Groenewegen, J.M. (Johannes Martinus / Han) / Archief Het Nieuwe Instituut (c) 2000 This finding aid is written in Dutch. 2 Groenewegen, J.M. (Johannes Martinus / Han) / GROY Archief GROY Groenewegen, J.M. (Johannes Martinus / Han) / 3 Archief INHOUDSOPGAVE BESCHRIJVING VAN HET ARCHIEF......................................................................5 Aanwijzingen voor de gebruiker.......................................................................6 Citeerinstructie............................................................................................6 Openbaarheidsbeperkingen.........................................................................6 Archiefvorming.................................................................................................7 Geschiedenis van de archiefvormer.............................................................7 Groenewegen, Johannes Martinus............................................................7 BESCHRIJVING VAN DE SERIES EN ARCHIEFBESTANDDELEN........................................13 GROY.110659917 supplement........................................................................63 BIJLAGEN............................................................................................. 65 GROY Groenewegen, J.M. (Johannes Martinus / Han) / 5 Archief Beschrijving van het archief Beschrijving van het archief Naam archiefblok: Groenewegen, J.M. (Johannes Martinus / Han) / Archief Periode: 1948-1970, (1888-1980) Archiefbloknummer: GROY Omvang: 1,86 meter Archiefbewaarplaats:
    [Show full text]
  • Malang BULAN : Juni
    Model A.8-DPB DAFTAR PERUBAHAN PEMILIH HASIL PEMUTAKHIRAN DAFTAR PEMILIH BERKELANJUTAN TAHUN 2021 PROVINSI : Jawa Timur KABUPATEN/KOTA : Malang BULAN : Juni Nama Nama Tempat Tanggal Status Jenis Alamat Status No No KK NIK Nama Disabilitas Keterangan Kecamatan Kelurahan/Desa Lahir Lahir Perkawinan Kelamin Jalan/Dukuh Rt Rw Perekama 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 KLOJEN GADINGKASRI 3573020905110003 3573020406020006 ANDI JAYA SAPUTRO MALANG ################ BELUM KAWIN LAKI-LAKI JL. GALUNGGUNG VI / 7 1 6 2 KEDUNGKANDANG KOTALAMA 3573032108073191 3573032909010001 MOHAMMAD RIZAL AFFANDI MALANG ################ BELUM KAWIN LAKI-LAKI JL MUHARTO V BLOK C1-1 11 10 3 LOWOKWARU TULUSREJO 3573052509150006 3573056305020006 MAULINDA KHASANAH MALANG ################ BELUM KAWIN PEREMPUAN JL. BANTARAN I-B / 21 1 4 4 KLOJEN ORO ORO DOWO 3573021508072515 3573024310020006 OKTAVIA ADILLAH MASHITO PUTRI MATARAM ################ BELUM KAWIN PEREMPUAN JL. BRIGJEN SLAMET RIADI IV-B /2 10 9 5 KEDUNGKANDANG ARJOWINANGUN 3573031808070119 3573030802860011 DEDY SETIAWAN MALANG ################ BELUM KAWIN LAKI-LAKI JL. BABATAN 3 3 6 KLOJEN SAMAAN 3573021308071380 3573022107030002 YOFIANDA HARWIN DIARA MALANG ################ BELUM KAWIN LAKI-LAKI JL. GILIMANUK IX / 65 5 1 7 LOWOKWARU MERJOSARI 3573051012140004 3577034908030001 MONICA SETYANAWATI MADIUN ################ BELUM KAWIN PEREMPUAN JL JOYO SARI 565 B 5 6 8 LOWOKWARU TUNJUNGSEKAR 3573050205160008 3509200903020003 BALIVIAN PRIYANKA BRYAN ORYZA PRIYANTO JEMBER ################ BELUM KAWIN LAKI-LAKI PIRANHA RESIDENCE C-8 2 3 9 SUKUN SUKUN 3573042006160012 3507132606030002 ATARAXIA NIRWANA MALANG ################ BELUM KAWIN LAKI-LAKI JL. S. SUPRIADI NO. 18 1 1 10 BLIMBING KESATRIAN 3573011608071797 3573011908020006 DEWA ANDHIKA RAMA MANGINTIKU MALANG ################ BELUM KAWIN LAKI-LAKI JL. NAROTAMA BARAT NO.5 7 4 11 BLIMBING POLEHAN 3573011004200004 3573013112500024 MISNAN MALANG ################ BELUM KAWIN LAKI-LAKI JL.
    [Show full text]
  • Dampak Pariwisata Terhadap Pola Pemukiman Penduduk Cipanas Garut, Jawa Barat
    DAMPAK PARIWISATA TERHADAP POLA PEMUKIMAN PENDUDUK CIPANAS GARUT, JAWA BARAT DEPARTEMEN PENDIDIKAN DAN KEBUDAYAAN Milik Depdikbud Tidak diperdagangkan DAMPAK PARIWISATA TERHADAP POLA PEMUKIMAN PENDUDUK CIPANAS GARUT, JAWA BARAT TIM PENELITI: Ora. Sri Saadah S. Ors. F.X.'Tito Adonis H. Ora. M.A. Dewi Indrawati Ors. Frans Hitipeuw EDITOR Ors. Zulyani Hidayat MA DEPARTEMEN PENDIDIKAN DAN KEBUDAYAAN DIREKTORAT JENDERAL KEBUDAYAAN DIREKTORAT SEJARAH DAN NILAI TRADISIONAL PROYEK PENGKAJIAN DAN PEMBINAAN NILAl·NILAI BUDAYA PUSAT 1994/1995 .. PRAKATA Keanekaragaman suku bangsa dengan budayanya di seluruh Indonesia merupakan kekayaan bangsa yang perlu mendapat perhatian khusus. Kekayaan ini mencakup wujud-wujud ke budayaan yang didukung oleh masyarakatnya. Setiap suku bangsa memiliki nilai-nilai budaya yang khas, yang membedakan jati diri mereka daripada suku bangsa lain. Perbedaan ini akan nyata dalam gagasan-gagasan dan hasil-hasil karya yang akhirnya dituangkan lewat interaksi antarindividu, antarkelompok, dengan alam raya di sekitarnya. Berangkat dari kondisi di atas Proyek Pengkajian dan Pembina­ an Nilai-Nilai Budaya menggali nilai-nilai budaya dari setiap suku bangsa/daerah. Penggalian ini mencakup aspek-aspek kebudayaan daerah dengan tujuan memperkuat penghayatan dan pengamalan Pancasila guna tercapainya ketahanan nasional di bidang sosial budaya. Untuk melestarikan nilai-nilai budaya dilakukan penerbitan hasil-hasil penelitian yang kemudian disebarluaskan kepada ma­ syarakat umum. Pencetakan naskah yang berjudul Dampak Pariwi­ sata Terhadap Pola Pemukiman Penduduk Cipanas Garut, Jawa Barat, adalah usaha untuk mencapai tujuan yang dirnaksud. Tersedianya buku ini adalah berkat kerjasama yang baik antara berbagai pihak, baik lembaga maupun perseorangan, seperti Direktorat Sejarah dan Nilai Tradisional, pemerintah Daerah, Kantor Wilayah Departemen Pendidikan dan Kebudayaan, Per­ guruan Tinggi, Pimpinan dan staf Proyek Pengkajian dan Pembina­ an Nilai-nilai Budaya.
    [Show full text]
  • Executive Summary Fuzzy Logic Dalam Penentuan
    EXECUTIVE SUMMARY FUZZY LOGIC DALAM PENENTUAN PRIORITAS HOTEL UNTUK INDUSTRI PARIWISATA HALAL DI KOTA GARUT Oleh Siti Romlah M.Ag Rizky Fajar Ramdhani,S,ST.,M.T Ivan Fanani Qomusuddin, ST, M.T Abstrak Kabupaten Garut merupakan salah satu dari 13 Kabupaten yang telah ditetapkan oleh Pemerintah Propinsi Jawa Barat sebagai destinasi wisata halal, karena beragam wisata yang dimilki oleh Kabupaten Garut seperti wisata alam, budaya, minat khusus, dan buatan sangat mendukung dalam pengembangan wisata halal di Indonesia, khususnya Jawa Barat. Terlebih lagi penduduk Garut merupakan mayoritas beragama Islam (99,77%). Berbagai fasilitas pilihan untuk wisata syariah seperti hotel terus dikembangkan dengan berprinsip muslim friendly. Namun. Penggunaan syariah pada hotel di Garut seperti dipromosikan oleh Dinas Pariwisata Garut merupakan self declaration, sampai saat tidak ada hotel di Garut yang sudah memiliki sertikat halal. Sehingga poin masalah yang ingin dirumuskan dan diketahui dalam penelitian ini adalah sejauhmana hotel-hotel di Garut, khususnya di kawasan wisata Cipanas telah memenuhi konsep syariah berdasarkan Permen Paweka No. 2 Tahun 2014 mengenai “Pedoman Penyelenggaraan Usaha Hotel Syariah”. Pendekatan yang dipakai penulis dalam menganalisa hotel tersebut adalah dengan pendekatan fuzzy logic, yang memiliki kelebihan yakni, dapat digunakan untuk menganalisis data dalam penelitian baik bidang eksakta maupun bidang sosial. Metode tersebut peneliti terapkan untuk menentukan prioritas hotel berdasarkan variabel produk, pelayanan, dan pengelolalaan yang ada dalam kriteria hotel syariah hilal-1 Permen Paweka No. 2 Tahun 2014 mengenai “Pedoman Penyelenggaraan Usaha Hotel Syariah”. Kriteria-kriteria ini akan dimasukan ke dalam variabel-variabel sistem fuzzy, sehingga hotel di Garut dapat ditentukan apakah baik sekali, baik, standar, atau buruk.
    [Show full text]
  • Amed-Amlapuratour
    AMED - AMLAPURA TOUR Salt extraction , Viewpoint, Rice fields and terrace s, Tirta Gangga, Royal Palace, Ujung Water Palace The Amed -Amlapura Tour starts from Alam Anda and leads south -east along the coast. Around Amed you can see beautiful rice fields . Also there a re places where you can discover the Balinese way to extract sea s alt. From the viewpoint in Jemeluk the beautiful bay and Mount Agung can be seen. Now our way leads to the famous area of Tirta Gangga which features some of Bali’s best views of rice terraces. The following three sites were all built by the Kingdom of Karangasem , between 1900 and 1946. First we visit the latest building , the Royal Water Palace , Taman Tirta Gangga. It features beautiful water basins with ornaments from the Rajah period. In Amlapura we visit Pura Agung Palace , built around 1900 . The Palace has a typical traditional Balinese structure, but you can see western and Chinese Influence in the decoration and old furniture. Outside Amlapura is the picturesque Ujung water palace . Start: Our Tour starts from Alam Anda at 9:00 am , return will be around 3:00 pm. Price: Euro 26 .-/person ( minimum 2 persons ) The price is subject to 21 % service charge & government tax Incl. transfer, entrance fees, drinking water , driver Please note: Our guide is not allowed to follow you inside Tirta Gangga. It is not necessary but possible to hire a local guide. To bring: Suitabl e clothes for the temple visit Sambirenteng • Buleleng • Bali • Indonesia www.alamand a.de .
    [Show full text]
  • Indonesia 12
    ©Lonely Planet Publications Pty Ltd Indonesia Sumatra Kalimantan p509 p606 Sulawesi Maluku p659 p420 Papua p464 Java p58 Nusa Tenggara p320 Bali p212 David Eimer, Paul Harding, Ashley Harrell, Trent Holden, Mark Johanson, MaSovaida Morgan, Jenny Walker, Ray Bartlett, Loren Bell, Jade Bremner, Stuart Butler, Sofia Levin, Virginia Maxwell PLAN YOUR TRIP ON THE ROAD Welcome to Indonesia . 6 JAVA . 58 Malang . 184 Indonesia Map . 8 Jakarta . 62 Around Malang . 189 Purwodadi . 190 Indonesia’s Top 20 . 10 Thousand Islands . 85 West Java . 86 Gunung Arjuna-Lalijiwo Need to Know . 20 Reserve . 190 Banten . 86 Gunung Penanggungan . 191 First Time Indonesia . 22 Merak . 88 Batu . 191 What’s New . 24 Carita . 88 South-Coast Beaches . 192 Labuan . 89 If You Like . 25 Blitar . 193 Ujung Kulon Month by Month . 27 National Park . 89 Panataran . 193 Pacitan . 194 Itineraries . 30 Bogor . 91 Around Bogor . 95 Watu Karang . 195 Outdoor Adventures . 36 Cimaja . 96 Probolinggo . 195 Travel with Children . 52 Cibodas . 97 Gunung Bromo & Bromo-Tengger-Semeru Regions at a Glance . 55 Gede Pangrango National Park . 197 National Park . 97 Bondowoso . 201 Cianjur . 98 Ijen Plateau . 201 Bandung . 99 VANY BRANDS/SHUTTERSTOCK © BRANDS/SHUTTERSTOCK VANY Kalibaru . 204 North of Bandung . 105 Jember . 205 Ciwidey & Around . 105 Meru Betiri Bandung to National Park . 205 Pangandaran . 107 Alas Purwo Pangandaran . 108 National Park . 206 Around Pangandaran . 113 Banyuwangi . 209 Central Java . 115 Baluran National Park . 210 Wonosobo . 117 Dieng Plateau . 118 BALI . 212 Borobudur . 120 BARONG DANCE (P275), Kuta & Southwest BALI Yogyakarta . 124 Beaches . 222 South Coast . 142 Kuta & Legian . 222 Kaliurang & Kaliadem . 144 Seminyak .
    [Show full text]
  • Perpaduan Budaya Lokal, Hindu Buddha, Dan Islam Di Indonesia
    Diktat Bernuansa Karakter Mata Kuliah Sejarah Indonesia Masa Islam PERPADUAN BUDAYA LOKAL, HINDU BUDDHA, DAN ISLAM DI INDONESIA Oleh: M. Nur Rokhman, M. Pd PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN SEJARAH FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI YOGYAKARTA 2014 0 KATA PENGANTAR Assalamu’alaikum wr. wb. Alkhamdulillah. Puji syukur kami panjatkan ke hadirat Alloh SWT atas segala rahmat dan hidayahNya, sehingga sekilas modul ini dapat diselesaikan. Modul ini bertemakan Perpaduan Budaya Lokal, Hindu Buddha dan Islam di Indonesia. Tema ini menarik untuk dikembangkan, mengingat perpaduan budaya lokal, Hindu Buddha dan Islam ada dalam kehidupan sehari-hari masyarakat Nusantara. Dengan demikian, tema ini akan sangat menarik untuk pembelajaran. Tema ini pun sangat kontekstual dengan kehidupan sehari-hari, sehingga para mahasiawa dapat menghayati, mengoservasi, bahkan wawancara materi yang dipelajarinya. Dengan tema ini pula para mahasiswa diharapkan dapat mengambil hikmah dan nilai-nilai karakter yang terkandung dalam materi yang dipelajarinya. Kami menyadari sepenuhnya bahwa modul sederhana ini dapat diselesaikan berkat uluran tangan, dorongan, bimbingan dan bantuan serta doa berbagai pihak. Untuk itu dengan setulus hati penulis mengucapkan terima kasih kepada; 1. Rektor Universitas Negeri Yogyakarta (UNY) yang telah memberikan kesempatan terselenggaranya pengembangan modul ini. 2. Ketua LPPMP UNY beserta staf yang telah memberikan pengetahuan dan kesempatan pengembangan modul ini. 3. Dekan beserta staf FIS UNY yang telah memberikan dorongan sehingga modul ini terselesaikan 1 4. Bapak Sardiman AM, M. Pd. Selaku Dosen Pembimbing senior yang telah memberikan arahan, dukungan dan bimbingan serta petunjuk yang sangat bermanfaat bagi penyelesaian modul ini 5. Semua pihak yang tidak dapat disebutkan satu persatu yang telah memberikan uluran tangan demi kelancaran penyusunan modul ini Teriring doa semoga amal dan budi baik mereka mendapat ridho dan berkah dari Alloh SWT.
    [Show full text]
  • Sustainable Environment & Architecture
    The 20th International Conference on DEFENSE DISCOURSE IN BALINESE Sustainable PURA ARCHITECTURE Environment & Architecture Salmon Priaji Martana 1 1 Universitas Komputer Indonesia Urban Retrofitting: Building, Cities and Communities [email protected] in The Disruptive Era Presenter Affiliation: Organized By: Supported By: INTRODUCTION & LITERATURE REVIEW Defense discourse in Balinese Pura Architecture In the year 1478 Majapahit is fallen. Javanese converted to adopt Islamic culture, except for the small group of 2,000 noble, artists, architects lead by the priest Danghyang Nirartha. They fled to nearby Bali to build a new Majapahit. The group was then received by the King of Bali, Waturenggong and later on they were agreed to shoulder to shoulder building Bali as the Neo Majapahit. Having known that the influence of outside culture always comes from nearby the coast, endangered the Majapahit legacy, Nirartha build a new style of worship complex- a temple later known as PURA- in Bali’s main coastal area. He was also builds several similar pura in the southern part of Bali. Scholars believe that Nirartha was not only build a temple. Instead, he was building a FORTRESS. A visual fortress to guard the Hindu-Majapahit culture and beliefs, to save it from outside infiltration. The Design patern of Nirartha’s then becomes typical, know Organized By: Supported By: famous as “The Gianyar Style.” 2 INTRODUCTION & LITERATURE REVIEW 1.1. Fortress in Nusantara 1.2. Fortress in general Balinese Pura Characteristics Section Rectangular to octagonal Plan buildings. Fortress of Majapahit era More than 5,000 m2 area . More than 10 m high walls, Walls with over 1 m of thickness.
    [Show full text]
  • PROCEEDING BOOK in Association with St
    25 April – 02 May 2020 One Week International FDP (Faculty Development Program) Webinar Self, Society, and Personal Development Jointly organized by UNIVERSITAS HINDU INDONESIA GAP – INDIA PROCEEDING BOOK In association with St. Andrew’s Education Foundation, ISBN: 978-623-7963-02-8 Mumbai, Nalanda Nrityaka MahaVidhyalaya, Mumbai, Samarpan Arts and College Gandhinagar, Shree RP arts, KB Commerce and Smt. BCJ Science College, Khambhat Supported by MSI Indonesia, IFSSO, LIPI UNHI PRESS 2020 One Week International FDP (Faculty Development Program) Webinar on Self, Society, and Personal Development ISBN: 978-623-7963-02-8 25 April to 02 May, 2020 One Week International FDP (Faculty Development Program) Webinar on Self, Society, and Personal Development ISBN: 978-623-7963-02-8 Languages: English and Bahasa Indonesia Editors: Prof. Dr. phil. I Ketut Ardhana, M.A. Prof. Dr. I Made Damriyasa, M.S. Dr. Gurudutta Japee Dr. Preeti Oza Made Adi Widyatmika, S.T., M.Si. Committee Chair I Wayan Wahyudi Secretary I Putu Darmawan Keynote sources: Prof. Dr. I Ketut Ardhana, M.A., Prof. Dr. Yekti Maunati, Dr. I Gusti Ayu Ketut Surtiari, M.A. Reviewer: I Ketut Ardhana, Yekti Maunati, Gurudutta P. Japee, Preeti Oza Joinly organized by Universitas Hindu Indonesia, Denpasar, The Grand Academic Portal, India in association with St. Andrew’s Education Foundation, Mumbai, Nalanda Nrityaka MahaVidhyalaya, Mumbai, Samarpan Arts and College Gandhinagar, Shree RP arts, KB Commerce and Smt. BCJ Science College, Khambhat Supported by MSI Provinsi Bali IFSSO LIPI UNHI PRESS 2020 i One Week International FDP (Faculty Development Program) Webinar on Self, Society, and Personal Development ISBN: 978-623-7963-02-8 Messages from the Rector of Universitas Hindu Indonesia Prof.
    [Show full text]
  • Prosiding Samarta 2019 Dapat Diselesaikan Dan Diterbitkan
    Perpustakaan Nasional: Katalog Dalam Terbitan Program Studi Arsitektur Fakultas Teknik Universitas Udayana Prosiding Seminar Nasional Arsitektur dan Tata Ruang Denpasar: Penerbit Udayana University Press, 2019 x, 214 hlm; 2 cm Bibliografi ISBN: 978-602-294-397-6 1. Arsitektur dan Tata Ruang I. Judul Hak Cipta pada Masing-Masing Kontributor Dilarang memperbanyak sebagian danlatau seluruh isi buku ini dalam bentuk apapun, tanpa ijin tertulis dari Kontributor dan Editor Seminar Nasional Arsitektur dan Tata Ruang (SAMARTA) Penerbit: Udayana University Press, 2019 Editor : I Dewa Gede Agung Diasana Putra Kadek Agus Surya Darma Made Wina Satria Ni Made Yudantini Anak Agung Ayu Oka Saraswati Reviewer : Ir. I Gusti Ngurah Anom Rajendra, MSc., Ph.D. Dr. Gusti Ayu Made Suartika, ST., M.Eng.Sc Dr. Ir. Widiastuti, MT. Ni Ketut Agusintadewi, ST., MT., Ph.D Dr. I Nyoman Widya Paramadhyaksa, ST., MT. Dr. Ir. Widiastuti, MT. Desain Sampul: Anak Agung Ngurah Gede Jelantik Penata Isi: Ni Made Swanendri, Nyoman Ratih Prajnyani Salain, I Nyoman Widya Paramadhyaksa, Anak Agung Indira Yufanda Hersalita, Cokorda Istri Krisna Sukma Pradnyasuari, I Wayan Sarasta Gunayasa, I Gusti Agung Krishnan Urbha Ningrum, I Gusti Gede Suma Arisudana, Dewa Gede Marsa Eka Putra, Kadek Dwi Yanti, Putu Ekayanti, Ni Putu Nila Kusuma Sari ii Seminar Nasional Arsitektur dan Tata Ruang (SAMARTA), Bali-2019, ISBN 978-602-294-397-6 P R A K A T A Perkembangan teknologi dan informasi dewasa ini telah menimbulkan perubahan terhadap tata ruang maupun arsitektur. Selain dampak positif, tidak jarang perubahan menimbulkan dampak yang negatif bagi masyarakat itu sendiri. Oleh karena itu, masyarakat diharapkan memiliki pengetahuan, kemampuan, dan kapasitas untuk menyerap gangguan dan mengatur kembali tatanannya saat mengalami perubahan sehingga mampu mempertahankan fungsi, struktur, dan identitas yang sama.
    [Show full text]