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Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
The-Two-Popes-Ampas-Script.Pdf
THE TWO POPES Written by Anthony McCarten Pre-Title: Over a black screen we hear the robotic voice of a modern telephone system. VOICE: Welcome to Skytours. For flight information please press “1”. If you’re calling about an existing booking please press “2”. If you’re calling about a new booking please press “3” ... The beep of someone (Bergoglio) pressing a button. VOICE: (CONT’D) Did you know that you can book any flight on the Skytour website and that our discount prices are internet only ... BERGOGLIO: (V.O.) Oh good evening I ... oh. He’s mistaken this last for a human voice but ... VOICE: (V.O.) ... if you still wish to speak to an operator please press one ... Another beep. VOICE : (V.O.) Good morning welcome to the Skytours sales desk ... BERGOGLIO: (V.O.) Ah. Yes. I’m looking for a flight from Rome to Lampedusa. Yes I know I could book it on the internet. I’ve only just moved here. VOICE: Name? BERGOGLIO: Bergoglio. Jorge Bergoglio. VOICE: Like the Pope. 1 BERGOGLIO: Well ... yes ... in fact. VOICE: Postcode? BERGOGLIO: Vatican city. There’s a long pause. VOICE: Very funny. The line goes dead. Title: The Two Popes. (All the scenes that take place in Argentina are acted in Spanish) EXT. VILLA 21 (2005) - DAY A smartly-dressed boy is walking along the narrow streets of Villa 21 - a poor area that is exploding with music, street vendors, traffic. He struts past the astonishing murals that decorate the walls of the area. The boy is heading for an outdoor mass, celebrated by Archbishop Bergoglio. -
By: Rahmat Hidayat 40300115045 ENGLISH and LITERATURE
The Influence of Writer’s Habitus in Made The Martian Novel. Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of SarjanaHumaniora in English and Literature Department of Adab and Humanities Faculty of Alauddin State Islamic University of Makassar By: Rahmat Hidayat 40300115045 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2019 i PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertandatangan dibawah ini menyatakan bahwa skripsi ini benar-benar adalah hasil karya penulis sendiri, dan jika dikemudian hari terbukti merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dang elar yang diperoleh batal demi hukum. Romang Polong, 7 November 2019 Penulis, Rahmat Hidayat 4030011504 ii iii iv v ACKNOWLEDGEMENT Alhamdulillah RabbilAlamin, all praises and thanks to the Almighty Allah SWT for His uncountable graces, faiths, and helps always stand behind the writer, show writer the right way, and carry the writer out to the final step of this thesis writing. Shalawat and salam are addressed to our prophet Muhammad SAW, the greatest one who has shared inspiration, spirit, and power to the human. The writer realizes that this thesis could not complete without getting assistance, guidance, understanding and encouragement from many people. Therefore the writer would like to express the deepest gratitude to the following: 1. The writer’s beloved parents, Syamsuddin and Nuraeni for their loves, cares, supports and prayers for the writer’s safety and successful. 2. The writer’s beloved big family for their support and sincere prayer for the writer’s success. -
The Analysis of Life Struggle in Andy Weir's
THE ANALYSIS OF LIFE STRUGGLE IN ANDY WEIR‘S NOVEL THE MARTIAN A THESIS BY ALEMINA BR KABAN REG. NO. 140721012 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA THE ANALYSIS OF LIFE STRUGGLE IN ANDY WEIR‘S NOVEL THE MARTIAN A THESIS BY ALEMINA BR KABAN REG. NO. 140721012 SUPERVISOR CO-SUPERVISOR Drs. Parlindungan Purba,M.Hum. Riko Andika Pohan, S.S., M.Hum. NIP.1963021619 89031003001 NIP. 1984060920150410010016026 Submitted to Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfilment of the requirements for the degree of Sarjana Sastra from Department of English DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head, Secretary, Prof. T.Silvana Sinar,Dipl.TEFL,MA.,Ph.D Rahmadsyah Rangkuti, M.A. Ph.D. NIP. 19571117 198303 2 002 NIP. 19750209 200812 1 002 UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from the Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on July 6th, 2018 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. Budi Agustono, M.S. NIP.19600805 198703 1 001 Board of Examiners Rahmadsyah Rangkuti, M.A., Ph.D __________________ Drs. Parlindungan Purba, M.Hum. -
The Revenant Nominations List Achievement in Cinematography 1
The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2. -
An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger Depauw University
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 2015 An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger DePauw University Follow this and additional works at: http://scholarship.depauw.edu/studentresearch Part of the Economics Commons, and the The unS and the Solar System Commons Recommended Citation Knappenberger, Clayton, "An Economic Analysis of Mars Exploration and Colonization" (2015). Student research. Paper 28. This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. An Economic Analysis of Mars Exploration and Colonization Clayton Knappenberger 2015 Sponsored by: Dr. Villinski Committee: Dr. Barreto and Dr. Brown Contents I. Why colonize Mars? ............................................................................................................................ 2 II. Can We Colonize Mars? .................................................................................................................... 11 III. What would it look like? ............................................................................................................... 16 A. National Program ......................................................................................................................... -
Alien : Covenant
TWENTIETH CENTURY FOX présente Une production Scott Free/Brandywine Un film de Ridley Scott ALIEN : COVENANT Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demián Bichir Scénario : John Logan, Dante Harper Histoire : Jack Paglen, Michael Green Image : Dariusz Wolski Décors : Chris Seagers Costumes : Janty Yates Un film produit par Ridley Scott, Mark Huffam, Michael Schaefer, David Giler, Walter Hill Sortie nationale : 10 mai 2017 Durée : 2 h 02 Photos et dossier de presse sont téléchargeables sur : www.foxpresse.fr Site officiel : Distribution Presse film TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241 boulevard Pereire Tél. : 01 58 05 57 90 75017 PARIS [email protected] Tél. : 01 58 05 57 00 Giulia GIE Tél. : 01 58 05 57 79/94 [email protected] 1 L’HISTOIRE Le vaisseau spatial Covenant est en route pour la lointaine planète Origae-6 afin d’y établir une colonie, un nouvel avant-poste pour l’humanité. À bord, tout est calme. L’équipage et les 2000 passagers sont en hypersommeil, et seul Walter, le synthétique, arpente les coursives. Mais lorsqu’une explosion stellaire détruit les capteurs d’énergie du vaisseau, les avaries et les pertes humaines sont énormes… Heureusement, les survivants découvrent à proximité ce qui semble être un paradis vierge, une planète aux immenses montagnes couronnées de nuages et aux magnifiques forêts qui pourrait être tout aussi viable qu’Origae-6. Pourtant, très vite, le paradis va révéler sa réalité infernale. Ce monde regorge de dangers inconnus et mortels. Les survivants vont tout tenter pour échapper à une menace qui dépasse l’entendement… 2 NOTES DE PRODUCTION Dans l’espace, personne ne vous entend crier… Près de quarante ans après, ces mots évoquent toujours avec autant de force l’intensité oppressante d’ALIEN, LE HUITIÈME PASSAGER, le chef-d’œuvre de l’horreur futuriste signé Ridley Scott. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
American Vandal Episode
American Vandal Episode 101: The Crime Vandalism, Vulgarity and Destruction on March 15, 2016 written by Tony Yacenda and Dan Perrault TEASER EXT. THE HOME OF DYLAN MAXWELL - ESTABLISHING - DAY A modest southern California house with a patchy yard and a 2001 Acura parked in front of a one car garage. SUPER: April 2, 2016 INT. THE HOME OF DYLAN MAXWELL - KITCHEN - DAY DYLAN MAXWELL, 17, sits in a chair facing the camera. The framing is awkward; we see a light at the top of the frame as PETER ANDERHOLM, 15, slips a lav mic down Dylan’s Etnies T- shirt. PETER (O.C.) (PRELAP) Tell us your name and who you are. JUMP CUT: INT. KITCHEN - MOMENTS LATER A well composed interview setup. Dylan looks right into the camera. DYLAN My name is Dylan Maxwell. And I’m... I don’t know. I’m Dylan. What do you mean who am I? PETER It’s okay. You can look at me and not the camera. Dylan, why am I here interviewing you? DYLAN Because I didn’t fucking do it. PETER Didn’t do what? DYLAN The dicks. Cue music. Begin montage: 2. LOCAL NEWS REPORT - EXT. STAFF PARKING LOT - DAY The camera pans across the staff parking lot at Hanover High School. We see graffiti on dozens of cars. It’s all blurred. FEMALE REPORTER (V.O.) It was supposed to be a quiet “Administrative Day” at Hanover High - a day off for students as teachers took part in a series of mandatory faculty meetings. But there was one student activity that did, in fact, take place: vandalism. -
IIIHIIII IIIII USOO5506639A United States Patent (19) 11 Patent Number: 5,506,639 Frazen Et Al
IIIHIIII IIIII USOO5506639A United States Patent (19) 11 Patent Number: 5,506,639 Frazen et al. (45) Date of Patent: Apr. 9, 1996 54 METHOD AND APPARATUS FOR EDTING 3,047,675 7/1962 Berryhill ..................................... 360/3 MOTION PICTURE FILMAND 3,378,328 4/1968 Custin .......... ... 352/31 SYNCHRONIZED SOUND 3,824,336 7/1974 Gould et al. ................................ 360/3 3,856,389 12/1974 Gardner ........... ... 352/31 76) Inventors: Nancy E. Frazen, 2020 Rosilla Pl, Los 4,208,108 6/1980 Amikura et al. ............................ 360/3 Angeles, Calif. 90046; Gary Jacobson, FOREIGN PATENT DOCUMENTS 1248 S. Fairfax, Los Angeles, Calif. 90019; Roberto Santucci-Filho, 7027 9300608 1/1993 United Kingdom. Lakewood, #418, Los Angeles, Calif. Primary Examiner-Tommy P. Chin 90028; Rick Sparr, 28047 Renee Dr., Assistant Examiner-Khoi Truong Agoura Hills, Calif. 91301 Attorney, Agent, or Firm-LaRiviere, Grubman & Payne 21) Appl. No.: 57,934 57 ABSTRACT (22) Filed: May 7, 1993 Method and apparatus for applying encoded data on the balance stripe of sound track, the data for providing infor 51 Int. Cl. ... G03B 31/00 mation for editing an associated film without recording the (52) U.S. Cl. ................................... 352/31; 352/5; 352/12; data on the film. The present invention teaches an apparatus 352/15; 352/22; 352/25; 360/3; 360/13 for applying code for synchronizing sound on a single strip 58) Field of Search ..................................... 358/335,341, of the sound track with an associated film. The apparatus 358/311, 903, 345, 244, 214; 360/3, 13, includes a code box for generating the code, which relates 14.1, 14.2, 33.1, 48; 352/5, 12, 31, 16, the position of the film relative to the sound track. -
ALIENCOVENANT PB Ita 2
! Regia di Ridley Scott Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demian Bichir *** Uscita: 11 Maggio 2017 Distribuzione: 20th Century Fox Italia Durata: 121 minuti *** Ufficio stampa 20th Century Fox Giancarlo Sozi : <[email protected]> Cristina Partenza: < [email protected]> Ufficio stampa web Alessandra Giovannetti <[email protected]> *** #AlienCovenant https://www.facebook.com/AlienFilmIt/ http://www.aliencovenant-trovasala.it/ www.20thfox.it Nello spazio nessuno può sentirti urlare. Dopo quasi quattro decadi, queste parole rimangono sinonimo dell'assoluta e incessante tensione di quel capolavoro dell’orrore fantascientifico che è stato Alien di Ridley Scott. Ora, il padre del leggendario franchise, ritorna ancora una volta al mondo che ha creato per esplorarne i suoi recessi più oscuri con ALIEN: COVENANT, una nuova avventura al cardiopalma che spinge in avanti i confini del terrore per i film vietati ai minori. A bordo dell’astronave Covenant tutto è tranquillo; l’equipaggio e le altre 2.000 anime sul vascello d’esplorazione sono profondamente addormentate nell’iper-sonno, lasciando che Walter, l’organismo sintetico a bordo, cammini da solo per i corridoi. La nave è in viaggio verso il lontano pianeta Origae-6, sul fianco estremo della galassia, dove i coloni sperano di stabilire un nuovo avamposto per l’umanità. La pacifica tranquillità del viaggio viene interrotta quando una vicina esplosione stellare distrugge le vele di raccolta di energia della Covenant, provocando decine di vittime e facendo deragliare la missione. Ben presto i membri superstiti dell’equipaggio scoprono quello che sembra essere un paradiso inesplorato, un Eden indisturbato con montagne coperte di nuvole e immensi alberi altissimi, molto più vicino di Origae-6 e potenzialmente altrettanto valido per ospitarli. -
Alien: Covenant
ALIEN: COVENANT In space, no one can hear you scream. After nearly four decades, those words remain synonymous with the sheer, relentless intensity of Ridley Scott’s masterpiece of futuristic horror, Alien. Now, the father of the iconic franchise returns once more to the world he created to explore its darkest corners with ALIEN: COVENANT, a pulse-pounding new adventure that pushes the boundaries of R-rated terror. All is quiet aboard the spaceship Covenant. The crew and the rest of the 2,000 souls aboard the pioneering vessel are deep in hyper-sleep, leaving the synthetic Walter to walk the corridors alone. The ship is en route to the remote planet Origae-6, where, on the far side of the galaxy, the settlers hope to establish a new outpost for humanity. The tranquility is shattered when a nearby stellar ignition shreds Covenant’s energy-collection sails, resulting in dozens of casualties and throwing the mission off course. Soon, the surviving crew members discover what appears to be an uncharted paradise, an undisturbed Eden of cloud-capped mountains and immense, soaring trees far closer than Origae- 6 and potentially just as viable as a home. What they’ve found, however, is actually a dark and deadly world full of unexpected twists and turns. Facing a terrible threat beyond their imagination, the embattled explorers must attempt a harrowing escape. Set ten years after the events depicted in Scott’s 2012 hit Prometheus, ALIEN: COVENANT returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures.