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Pastor Rich Harris After God's Heart Part 2—Take the Power Back 6.20
Pastor Rich Harris After God’s Heart Part 2—Take the Power Back 6.20.2021 USING THIS SERMON DISCUSSION GUIDE We have provided all the Scriptures references in the sermon and some discussion questions for you to use to discuss the weekend message. This Sermon Discussion Guide is only a tool to aid you in meeting the needs of your group. For most groups, there are too many questions to answer in one session together. Give priority to the needs and pace of your group members. While the questions are important, remember your group’s goal is to create an atmosphere that will foster true friendships. Use the discussion questions as you see fit but emphasize the relationships. (Review) A heart after God is defined by these three things: 1. Complete trust and dependence on God 2. A heart of worship 3. A heart that always returns to God [1 Samuel 16:13-14, NIV] 13 So Samuel took the horn of oil and anointed him in the presence of his brothers, and from that day on the Spirit of the Lord came powerfully upon David. Samuel then went to Ramah. [1 Samuel 16:14, ESV] Now the Spirit of the Lord departed from Saul, and a harmful spirit from the Lord tormented him. [Acts 23:14, ESV] 14 They went to the chief priests and elders and said, “We have strictly bound ourselves by an oath to taste no food till we have killed Paul.” BIBLICAL DISCLAIMERS (from 1 Samuel 16)— 1) The Holy Spirit will never leave you. -
Easter 2021 Song Lyrics
Gone by Davide Mutendji and Steven Furtick Chorus: Gone, gone Whoa, whoa Now my sin is dead and gone Whoa, whoa And I sing hallelujah Whoa, whoa Done, done Whoa, whoa He is risen, it is done And I sing hallelujah Verse 1: It wasn't for nothing that You shed Your blood Gone, gone So I'm gonna live like my shame is gone Now my sin is dead and gone Won't be shackled to the way I was And I sing hallelujah Oh, I'm gonna live like my chains are Done, done He is risen, it is done Chorus: And I sing hallelujah Gone, gone Now my sin is dead and gone Whoa, whoa And I sing hallelujah Whoa, whoa Done, done Whoa, whoa He is risen, it is done Whoa, whoa And I sing hallelujah (Whoa, whoa) © 2019 Music by Elevation Worship Publishing (Admin. by Essential Music Publishing LLC)CCLI Song # 7129061 -- CCLI License # 1448689 Verse 2: Praise is a weapon that will overcome Oh, I'm gonna shout like the battle's won Fall back devil 'cause your time is up Oh, I'm gonna live like the stone is Chorus: Gone, gone Now my sin is dead and gone And I sing hallelujah Done, done He is risen, it is done And I sing hallelujah Bridge: (x2) How great the power of the blood (Oh, oh) I am the righteousness of God (Oh, oh) How great the power of the blood (Oh, oh) I am the righteousness of God, oh (Oh, oh) Sing oh (Oh, oh) Graves into Gardens by Brandon Lake, Chris Brown, Steven Furtick, and Bridge 1: (x2) Tiffany Hammer You turn mourning to dancing You give beauty for ashes Verse 1: You turn shame into glory I searched the world You're the only one who can But it couldn't fill -
The Carillon Nurture the Newsletter of Trinity United Methodist Church Serve
Celebrate The Carillon Nurture The Newsletter of Trinity United Methodist Church Serve A Message from the Pastor Let’s Cross the River Together I imagine that after 40 years they were all exhausted. They were tired of the almost-there announcement that Moses would make every so often, telling them that the Promised Land was almost within their reach. They were tired of the sun-dried days in the desert. They were Trinity Church is a congregation tired of walking and never arriving. They were tired of putting up their of The United Methodist tents and taking them down. Basically, every day was a reminder that Church and is a Reconciling they were not yet home. Long journeys have a way of exhausting us Congregation. and wearing our souls. I think that is why one of the things that we read in the books of Exodus through Deuteronomy is about their murmuring and WHAT’S INSIDE complaining to Moses: not enough food and water, no meat, where is God? Not the way things used to be, not good enough leadership from Moses, and on and on. I don’t know how many times they complained, Pastor’s Message , Giving Link 1 but to be honest, I don’t blame them. It was a longer journey than they had expected; but I am sure they also had good days when they were Prayers, Thanks, Sympathy, Congratulations 2 immensely grateful to God for God’s presence and provision. A Note From SPRC 3 It reminds me of the many times when I have been through my own Altar Flowers,, Birthdays & Anniversaries 4 deserts. -
Lyrics for 10/11 Sunday Morning 8:30Am Service (CCC Website)
Lyrics for 10/11 Sunday Morning 8:30am Service (CCC Website) Rattle! – Elevation Worship RATTLE! Lyrics © Sony/ATV Music Publishing LLC, Essential Music Publishing Verse 1 Saturday was silent, surely it was through But since when has impossible, ever stopped You Verse 2 Friday’s disappointment is Sunday’s empty tomb Since when has impossible, ever stopped You Chorus 1 This is the sound of dry bones rattling This is the praise make a dead man walk again Open the grave, I’m coming out I’m gonna live, gonna live again This is the sound of dry bones rattling Verse 3 Pentecostal fire stirring something new You're not gonna run out of miracles anytime soon Yeah, resurrection power runs in my veins too I believe there's another miracle here in this room Chorus 1 This is the sound of dry bones rattling This is the praise make a dead man walk again Open the grave, I’m coming out I’m gonna live, gonna live again This is the sound of dry bones rattling Bridge My God is able to save and deliver and heal And restore anything that He wants to Just ask the man who was thrown On the bones of Elisha If there's anything that He can't do Just ask the stone that was rolled At the tomb in the garden What happens when God says to move I feel Him moving it now I feel Him doing it now I feel Him doing it now Do it now, do it now! Chorus 2 This is the sound of dry bones rattling This is the praise make a dead man walk again Open the grave, I’m coming out I’m gonna live, gonna live again Open the grave, I’m coming out I’m gonna live, gonna live again Open the grave, -
2021 Song Index
AUG 7 2021 SONG INDEX 200 COPAS (Girl Power Publishing, ASCAP/ BALL IF I WANT TO (David’s Art LLC, ASCAP/ BY YOUR SIDE (EMI April Music, Inc., ASCAP/ DEJA VU (Sony Tunes LLC, ASCAP/Liv Laf Luv, FRIDAY (BMG Limited, MCPS/BIEM/Concord HEAVENLY SIDE (ILLENIUM Publishing, BMI/ Kobalt Songs Music Publishing LLC, ASCAP/On WC Music Corp., ASCAP/Baby Jesus Publish- EMI Music Publishing Ltd., PRS/John Newman ASCAP/Daniel Leonard Nigro Music, ASCAP/ Music Publihsing, MCPS/BIEM), HL, DES 8 Reservoir 416, BMI/WKMM, ASCAP/Universal The Drums Publishing, ASCAP/Daniel Obar Felix ing, ASCAP/South Coast Music Group, ASCAP/ Publishing Designee, BMI/Concord Publishing, Sony Allegro, ASCAP/Sony Tree Publishing, FULANITO (Rebecca Marshall, ASCAP/Prescrip- Music Corp., ASCAP/Vistaville Music, ASCAP/ Publishing Designee, BMI) LT 28 Universal Music Corp., ASCAP), AMP/HL, H100 BMI/Aldwych, PRS/Sony Songs LLC, BMI/ BMI/Taylor Swift Music, BMI/Sony Songs LLC, tion Songs, ASCAP/Kobalt Songs Music Publish- Steph Jones Who Music, ASCAP/Hipgnosis 2055 (Tegan Chambers Publishing Designee, BMI/ 60 ; RBH 22 ; RS 17 Sony Music Publishing UK Ltd, PRS/Sony Tunes BMI/Ducky Donath Music, BMI/Nail Polish ing LLC, ASCAP/Rafael Rodriguez Publishing Hits, ASCAP/KIDinaKORNER Publishing, ASCAP/ Great John Publishing Designee, BMI/uv killen EL BARCO (Girl Power Publishing, ASCAP/Kobalt LLC, ASCAP/Catherine Songs Limited, PRS), Manifesto, ASCAP/Big Deal Notes, ASCAP), Designee, ASCAP/Sony Discos Music Publishing Have A Nice Jay Music, ASCAP), HL, DES 20 em, ASCAP/The Administration -
Graves Into Gardens Key: a · Tempo: 140 · Time: 6/8 Brandon Lake Page 1 of 2
Graves Into Gardens www.praisecharts.com/75385 Key: A · Tempo: 140 · Time: 6/8 Brandon Lake Page 1 of 2 Verse 1 Chorus (2x) A Asus A I searched the world, but it couldn't fill me Interlude Bm F#m E(4) A / | / D | A / | / D Man's empty praise, and treasures that fade D2 Bridge 1 (2x) Are never e - nough A D You turn mourning to dancing, Verse 2 A D A You give beauty for ashes Then You came a - long and A D/A A You turn shame into glory Put me back to - gether F#m D A Asus F#m E(4) You're the only one who can And every de - sire is now satis - fied D Bridge 2 Here in Your love A D You turn graves into gardens, Chorus A D A You turn bones into armies Oh there's nothing better than You A F#m/A F#m You turn seas into highways, There's nothing better than You F#m D A D You're the only one who can Lord, there's nothing (A) Tag Nothing is better than You F#m D A You're the only one who can Verse 3 A D/A A Chorus (2x) > Bridge 2 (2x) I'm not a - fraid to show You my weakness Bm F#m Tag (2x) My failures and flaws, Lord F#m D A E(4) You're the only one who can You've seen them all D And You still call me friend End (A) D | A D | A Verse 4 © 2019 Maverick City Publishing Worldwide, Bethel Music Publishing A 'Cause the God of the mountain (Admin. -
Graves Into Gardens
Graves Into Gardens Brandon Lake | Chris Brown | Steven Furtick | Tiffany Hammer (based on the recording by Elevation Worship | original key: B) Key - D | Tempo - 46 | Time - 6/8 VERSE 1 G D G D I searched the world but it couldn't fill me Bm7 A(4) G2 A man's empty praise and treasures that fade are never e - nough D G D Then You came a - long and put me back to - gether Bm7 A(4) G2 And every de - sire is now satis - fied here in Your love CHORUS D Oh there's nothing better than You Bm7 There's nothing better than You G2 D Lord there's nothing nothing is better than You TURNAROUND | D | D G | (To Br. 2) | D | D G | VERSE 2 G D G D I'm not a - fraid to show You my weakness Bm7 A(4) G2 My failures and flaws Lord You've seen them all and You still call me friend D Em7 D 'Cause the God of the mountain is the God of the valley Bm7 A(4) G2 And there's not a place Your mercy and grace won't find me a - gain CHORUS D Oh there's nothing better than You Bm7 There's nothing better than You G2 D Lord there's nothing nothing is better than You BRIDGE 1 - 2x D G You turn mourning to dancing D G You give beauty for ashes D You turn shame into glory Bm7 G2 D You're the only one who can CHORUS D Oh there's nothing better than You Bm7 There's nothing better than You G2 D G Lord there's nothing nothing is better than You BRIDGE 2 - 2x D G You turn graves into gardens D G You turn bones into armies D You turn seas into highways Bm7 G2 D You're the only one who can TAG Bm7 G2 D You're the only one who can CHORUS D Oh there's nothing better than You Bm7 There's nothing better than You G2 Lord there's nothing nothing is better than ENDING | D . -
Facts, Memories & Stories of St. Paul
1 Reprinted and digitized with permission of author, Peggy Nerren Grisamore July, 2020 Comments and updates can be sent to [email protected] SALLIE WILLIS ....................................................................................................... 1 INTRODUCTION ..................................................................................................... 2 ST. PAUL’S NAMED FOR FATHER CLUNAN .................................................... 5 THE FIRST MASS .................................................................................................... 7 FATHER ANGELO LENZI ...................................................................................... 9 MEMORIES OF FATHER LENZI .........................................................................15 THE SISTERS OF MERCY ....................................................................................19 THE IRISH TRAVELERS ......................................................................................21 RELIC OF THE TRUE CROSS ..............................................................................23 THE EARLY ALTAR SOCIETY ...........................................................................24 ST. MARK'S GIFT SHOP .......................................................................................26 THE PARISH CLUB ...............................................................................................27 ST. LUKE CIRCLE .................................................................................................28 -
Many Great Plays Have Been Adapted for the Silver Screen
J e f f e r s o n P e r f o r m i n g A r t s S o c i e t y Presents JEFFERSON PERFORMING ARTS SOCIETY 1118 Clearview Parkway Metairie, Louisiana 70001 Phone: 504 885 2000..Fax: 504 885 [email protected] 1 Table of Contents Teacher notes…………….4 Educational Overview……………………..6 History………………………………..7 – 15 Introduction…………………………..16 – 20 More Background…………………......21 - 49 Lesson Plans 1) “1940 - 1960’s: War Years, Rebuilding the World and a Leisure Boom” pg. 50 - 53 2) “Activities, Projects and Drama Exercises” pgs. 54 - 56 3) “A Hard Day’s Night” pgs. 57 - 64 Standards and Benchmarks: English……………….65 – 67 Standards and Benchmarks: Theatre Arts…………68 - 70 5) “The History of Rock and Roll” pgs. 71 - 73 6) “Bang on a Can: The Science of Music” pg. 74 Standards and Benchmarks: Music………………… 75 - 76 Photo gallery pgs. 77-80 2 Web Resource list …………..81 An early incarnation of the Beatles. Michael Ochs Archives, Venice, Calif. IMAGES RETRIEVED FROM: The Beatles, with George Martin of EMI Records, are presented with a silver disc to mark sales of over a quarter million copies of the 1963 British single release of "Please Please Me." Hulton Getty/Liaison Agency Image Retrieved From: http://search.eb.com/britishinvasion/obrinvs048p1.html http://search.eb.com/britishinvasion/obrinvs045p1.html 3 Teacher notes Welcome to the JPAS production of Yeah, Yeah, Yeah! a concert celebration performed by Pre-Fab 4, Featuring the stars of The Buddy Holly Story. Come together as four lads from across the US rekindle the spirit of yesterday through the music of the world’s most popular band. -
Welcome to Kev's On-Line Egroup the E-Glue That Helps with the Glitter
Kev’s guys on-line eGroup study notes Welcome to Kev’s on-line eGroup The e-Glue that helps with the glitter Page 1 Kev’s guys on-line eGroup study notes Here Comes Church: o Interested in serving at Elevation Church: See: www.elevationchurch.cc o Please consider joining an eGroup (small group) so you don’t have to walk this walk alone? – See www.elevationchurch.cc. When you are isolated, you don’t have the benefit of friends to support you. Embrace the power of numbers. o Old Church Basement – Forthcoming album release – quote from Going back to the place where we discovered worship for the first time – not a physical place - accessing our first love (within ourselves) – bringing you back to a pure place – absent of self-consciences.” o Release of “Jireh” from Elevation Church and Maverick City Music – see: https://www.youtube.com/watch?v=mC-zw0zCCtg o Release of “Talk to Jesus – by Elevation Church and Maverick City Music – A testament of family faith – See: https://www.youtube.com/watch?v=OXsxw1fRHMA o Release of “Build Your Church” by by Elevation Church and Maverick City Music - https://www.youtube.com/watch?v=y8PlYwK7ZFo o Recall the testimony of Carolyn from Columbia SC that is an interpreter for the hearing impaired for the Columbia SC campus. o Pastor Furtick will be interviewing Bishop TD Jakes virtually on Wed. April 21, 2021 at 7PM (EST) as Bishop Jakes launches a new book (the Jimi Hendrix of preaching) – Don’t Drop The Mic. This will be broadcasted on the Elevation YouTube channel. -
Exploring the Gospel Fusion Arrangements of the Recording Collective
Belmont University Belmont Digital Repository Composition/Recording Projects School of Music Fall 11-20-2020 Exploring the Gospel Fusion Arrangements of The Recording Collective Tyler Williams [email protected] Follow this and additional works at: https://repository.belmont.edu/music_comp Part of the Composition Commons, and the Musicology Commons Recommended Citation Williams, Tyler, "Exploring the Gospel Fusion Arrangements of The Recording Collective" (2020). Composition/Recording Projects. 2. https://repository.belmont.edu/music_comp/2 This Thesis is brought to you for free and open access by the School of Music at Belmont Digital Repository. It has been accepted for inclusion in Composition/Recording Projects by an authorized administrator of Belmont Digital Repository. For more information, please contact [email protected]. EXPLORING THE GOSPEL FUSION ARRANGEMENTS OF THE RECORDING COLLECTIVE By TYLER WILLIAMS A PRODUCTION PAPER Submitted in partial fulfillment of the requirements for the degree of Master of Music in Commercial Music, Media Composition and Arranging in the School of Music of the College of Music and Performing Arts Belmont University NASHVILLE, TENNESSEE November 2020 Acknowledgements This project would not have been possible without the contributions of numerous individuals. I first want to thank Dr. Tony Moreira for being such an encouraging presence during my time here at Belmont. The fruits of his musical instruction can be seen and heard in the arrangements included in this production. Thank you also to Keith Mason and Dr. Peter Lamothe, whose seminar classes directly impacted the trajectory and execution of this project. I am deeply grateful to the musicians whose incredible talents brought pure magic to the recording process. -
2021 Song Index
JUN 5 2021 SONG INDEX 100.MIL’ (Dreamvillain, BMI/Lucky Three Music AMOR EN COMA (Matuza Publishing, SESAC/ BODY IN MOTION (Give Thanks Publishing, COME BACK HOME (PeteyPan Publishing, FIEL (Yele Publishing, BMI/Sony Latin Music GUNS (Not Listed) DES 37 Publishing, BMI/Industrial Strenght Music, BMI/ Jutuza Publishing, SESAC/Sony Sounds LLC, BMI/BMG Platinum Songs US, BMI/Sony Ballad, ASCAP/Kobalt Songs Music Publishing LLC, Publishing, LLC, BMI/Hyde School Sounds, Six Strings Music, BMI/Warner-Tamerlane Pub- SESAC/La Industria Inc., SESAC/Sony Accorde, BMI/Four Entertainment Music, ASCAP/Wolf ASCAP/Pubalicious, BMI/Centricity Songs, BMI/ ASCAP/A Million Dollar Dream, ASCAP/ -H- lishing Corp., BMI/Reservoir 416, BMI/Fiend Bas ASCAP/KC Music, ASCAP/JCV Music, ASCAP/ Pack Global Music Publishing, ASCAP/Quality Capitol CMG Paragon, BMI), HL, DES 44 WC Music Corp., ASCAP/KOA & LUNA, BMI/ HALF OF MY HOMETOWN (Sony Accent, Music, ASCAP/Songs Of Universal, Inc., BMI), Sony Discos Music Publishing LLC, ASCAP/Sony Control QC Pro, ASCAP/Universal Music Corp., COME THROUGH (Songs Of Universal, Inc., Songs Of Juju, BMI/Universal Music Corp., ASCAP/Tempo Investments-Smack Hits, GMR/ AMP/HL, H100 80 ; RBH 33 Bailar, BMI/11Once Music, BMI/Royalty Sound, ASCAP/Roderick Moore, Jr Publihsing Designee, BMI/I Am H.E.R. Publishing, ASCAP/Heartfelt ASCAP/Sony Discos Music Publishing LLC, Smackstreet Music, GMR/Warner Geo Met Ric 1 STEP FORWARD, 3 STEPS BACK (Sony LLC, ASCAP), HL, LT 24 BMI/Run The Streets Enterprise, BMI/Songs Productions LLC, BMI/Sounds From