Amended Partial Action Plan 007 Approved by HUD July 11, 2007
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Fire Service Features of Buildings and Fire Protection Systems
Fire Service Features of Buildings and Fire Protection Systems OSHA 3256-09R 2015 Occupational Safety and Health Act of 1970 “To assure safe and healthful working conditions for working men and women; by authorizing enforcement of the standards developed under the Act; by assisting and encouraging the States in their efforts to assure safe and healthful working conditions; by providing for research, information, education, and training in the field of occupational safety and health.” This publication provides a general overview of a particular standards- related topic. This publication does not alter or determine compliance responsibilities which are set forth in OSHA standards and the Occupational Safety and Health Act. Moreover, because interpretations and enforcement policy may change over time, for additional guidance on OSHA compliance requirements the reader should consult current administrative interpretations and decisions by the Occupational Safety and Health Review Commission and the courts. Material contained in this publication is in the public domain and may be reproduced, fully or partially, without permission. Source credit is requested but not required. This information will be made available to sensory-impaired individuals upon request. Voice phone: (202) 693-1999; teletypewriter (TTY) number: 1-877-889-5627. This guidance document is not a standard or regulation, and it creates no new legal obligations. It contains recommendations as well as descriptions of mandatory safety and health standards. The recommendations are advisory in nature, informational in content, and are intended to assist employers in providing a safe and healthful workplace. The Occupational Safety and Health Act requires employers to comply with safety and health standards and regulations promulgated by OSHA or by a state with an OSHA-approved state plan. -
Contents PROOF
PROOF Contents List of Illustrations vii Acknowledgments viii Notes on Contributors x Technologies of Memory in the Arts: An Introduction 1 Liedeke Plate and Anneke Smelik Part I Mediating Memories Introduction: Mediating Memories 15 Liedeke Plate and Anneke Smelik 1 Tourists of History: Souvenirs, Architecture and the Kitschification of Memory 18 Marita Sturken 2 Minimalism, Memory and the Reflection of Absence 36 Wouter Weijers 3 The Virtuality of Time: Memory in Science Fiction Films 52 Anneke Smelik Part II Memory/Counter-memory Introduction: Memory/Counter-memory 71 Liedeke Plate and Anneke Smelik 4 The Astonishing Return of Blake and Mortimer: Francophone Fantasies of Britain as Imperial Power and Retrospective Rewritings 74 Ann Miller 5 Writing Back Together: The Hidden Memories of Rochester and Antoinette in Wide Sargasso Sea 86 Nagihan Haliloglu 6 Liquid Memories: Women’s Rewriting in the Present 100 Liedeke Plate v March 18, 2009 19:28 MAC/TEEM Page-v 9780230_575677_01_prexii PROOF vi Contents Part III Recalling the Past Introduction: Recalling the Past 117 Liedeke Plate and Anneke Smelik 7 The Matter and Meaning of Childhood through Objects 120 Elizabeth Wood 8 The Force of Recalling: Pain in Visual Arts 132 Marta Zarzycka 9 Photographs that Forget: Contemporary Recyclings of the Hitler-Hoffmann Rednerposen 150 Frances Guerin Part IV Unsettling History Introduction: Unsettling History 169 Liedeke Plate and Anneke Smelik 10 Facing Forward with Found Footage: Displacing Colonial Footage in Mother Dao and the Work of Fiona Tan 172 -
Development News Highlights MANHATTAN - MID-2ND QUARTER 2019 PLUS an OUTER BOROUGH SNAPSHOT
Development News Highlights MANHATTAN - MID-2ND QUARTER 2019 PLUS AN OUTER BOROUGH SNAPSHOT Pictured: 315 Meserole Street Looking Ahead U.S. Treasury Releases Additional Opportunity Zones Guidelines On April 17th the U.S. Department of the Treasury issued a highly anticipated second set of proposed regulations related to the new Opportunity Zone (OZ) tax incentive. Created by the 2017 Tax Cuts and Jobs Act, the tax benefi t is designed to drive economic development and create jobs by encouraging long-term investments in economically distressed communities nationwide according to the Treasury department’s press release. The latest 169-page release reportedly delivered guidance in a broader range of areas than many expected, hoping to provide investors who have been on the fence with the clarity needed to begin developing projects in distressed areas nationwide. Some government offi cials anticipate the program could spur $100 billion in new investment into the more than 8,762 zones nationwide, of which 306 are located in New York City; however there exist some concerns among critics that the program will incentivize gentrifi cation, or provide added benefi t to developers for projects they would have been pursued anyway. According to the press release by the Internal Revenue Service (IRS), a key part of the newly released guidance clarifi es the “substantially all” requirements for the holding period and use of the tangible business property: • For use of the property, at least 70% of the property must be used in a qualifi ed OZ. • For the holding period of the property, tangible property must be qualifi ed opportunity zone business property for at least 90% of the Qualifi ed Opportunity Fund’s (QOF) or qualifi ed OZ business’s holding period. -
Libeskind's Jewish Museum Berlin
Encountering empty architecture: Libeskind’s Jewish Museum Berlin Henrik Reeh Preamble In Art Is Not What You Think It Is, Claire Farago and Donald Preziosi observe how the architecture of contemporary museums inspires active relationships between exhibitions and visitors.1 Referring to the 2006 Denver Art Museum by Daniel Libeskind, they show the potentials germinating in a particular building. When artists and curators are invited to dialog with the spaces of this museum, situations of art-in-architecture may occur which go beyond the ordinary confrontation of exhibitions and spectatorship, works and visitors. Libeskind’s museum is no neutral frame in the modernist tradition of the white cube, but a heterogeneous spatiality. These considerations by Farago and Preziosi recall the encounter with earlier museums by Libeskind. Decisive experiences particularly date back to the year 1999 when his Jewish Museum Berlin was complete as a building, long before being inaugurated as an exhibition hall in 2001. Open to the public for guided tours in the meantime, the empty museum was visited by several hundred thousand people who turned a peripheral frame of future exhibitions into the center of their sensory and mental attention. Yet, the Libeskind building was less an object of contemplation than the occasion for an intense exploration of and in space. Confirming modernity’s close connection between exhibition and architecture, Libeskind’s Jewish Museum Berlin unfolds as a strangely dynamic and fragmented process, the moments of which call for elaboration and reflection. I. Architecture/exhibition Throughout modernity, exhibitions and architecture develop in a remarkably close relationship to one another. -
The World Trade Center, Then the World's Tallest Building, Was Built in Lower Manhattan in the Early 1970'S (Figure K – Su
Bedrock Control of a Boulder-Filled Valley Under the World Trade Center Site Cheryl J. Moss, Mueser Rutledge Consulting Engineers, 14 Penn Plaza, New York, NY 10122 ([email protected]), and, Charles Merguerian, Geology Department, 114 Hofstra University, Hempstead, NY 11549 ([email protected]; [email protected]) INTRODUCTION Then the world’s tallest buildings, the former World Trade Center Twin Towers were built in lower Manhattan in the early 1970’s. A new construction technology at the time, a slurry wall socketed into the bedrock was built to enable the Twin Towers construction. A geotechnical investigation undertaken for the project suggested that the site geology would be fairly typical for New York City. During construction of the slurry wall, however, an unexpected feature was discovered. In the southeast corner of the site the wall cut through a ledge of schistose bedrock and entered a curved, roughly E-W-trending valley filled with well- rounded glacial boulders and cobbles (Figure 1). The slurry wall had to be excavated deeper in two places to get through the boulders and socket back into solid bedrock. The trend of the valley is unusual because other known glacial valleys across Manhattan trend NW-SE including a nearby valley we reported on earlier (Moss and Merguerian 2006). When it was time to plan reconstruction of the new World Trade Center development, it was clear that extra attention would have to be focused on the southeast quadrant. The unusual geologic conditions present could pose significant difficulties for new design and construction. A more extensive boring program was undertaken by Mueser Rutledge Consulting Engineers, geotechnical engineers for the WTC Memorial and Towers 1, 2, 3 and 4. -
The Politics of Planning the World's Most Visible Urban Redevelopment Project
The Politics of Planning the World's Most Visible Urban Redevelopment Project Lynne B. Sagalyn THREE YEARS after the terrorist attack of September 11,2001, plans for four key elements in rebuilding the World Trade Center (WC) site had been adopted: restoring the historic streetscape, creating a new public transportation gate- way, building an iconic skyscraper, and fashioning the 9/11 memorial. Despite this progress, however, what ultimately emerges from this heavily argued deci- sionmakmg process will depend on numerous design decisions, financial calls, and technical executions of conceptual plans-or indeed, the rebuilding plan may be redefined without regard to plans adopted through 2004. These imple- mentation decisions will determine whether new cultural attractions revitalize lower Manhattan and whether costly new transportation investments link it more directly with Long Island's commuters. These decisions will determine whether planned open spaces come about, and market forces will determine how many office towers rise on the site. In other words, a vision has been stated, but it will take at least a decade to weave its fabric. It has been a formidable challenge for a city known for its intense and frac- tious development politics to get this far. This chapter reviews the emotionally charged planning for the redevelopment of the WTC site between September 2001 and the end of 2004. Though we do not yet know how these plans will be reahzed, we can nonetheless examine how the initial plans emerged-or were extracted-from competing ambitions, contentious turf battles, intense architectural fights, and seemingly unresolvable design conflicts. World's Most Visible Urban Redevelopment Project 25 24 Contentious City ( rebuilding the site. -
Tree of Life Selects Daniel Libeskind As Its Lead Architect
EXCERPTED FROM THE PAGES OF May 04, 2021 Tree of Life selects Daniel Libeskind as its lead architect The internationally renowned architect designed the World Trade Master Plan in New York City following 9/11. By Toby Tabachnick Daniel Libeskind, the internationally renowned architect who designed the World Trade Master Plan in New York following 9/11, has been chosen as the lead architect to reimagine the site of the Tree of Life building. Libeskind was selected unanimously by Tree of Life’s board of trustees and steering committee. The renovation of the Tree of Life building is part of the congregation’s REMEMBER. REBUILD. RENEW. campaign to commemorate the events of Oct. 27, 2018, when an antisemitic gunman murdered 11 worshippers at the three congregations housed in the building: Tree of Life, Dor Hadash and New Light. It was the most violent antisemitic attack in U.S. history. “It is with a great sense of photo by Tree of Life urgency and meaning that I “When my parents, survivors of our time and affirm the join the Tree of Life to create of the Holocaust, and I came as democratic values of our country.” a new center in Pittsburgh,” immigrants to America, we felt Libeskind’s previous projects said Libeskind in a prepared an air of freedom as Jews in this include the Jewish Museum in statement. “Our team is country,” he continued. “That Berlin and the National Holocaust committed to creating a powerful is why this project is not simply Monument in Ottawa, Canada. He and memorable space that about ‘Never Again.’ It is a project told The New York Times that he addresses the worst antisemitic that must address the persistence would be visiting the site for the first attack in United States history. -
MO Invites Visitors to Discover Animals and Robots
MO invites visitors to discover animals and robots MO is about to open its second major exhibition "Animal – Human – Robot", which hopes to foster a re-examination of the human relationship with other living beings. The purpose of the exhibition is to reveal how art features the change in the behaviour of humans towards animals and predict what kind of creatures will dominate in the future? “This is an exhibition on change. What have animals and other forms of life, including non-human creatures, become in our life, and what have we become for them? Who will survive, who will win, and who will determine the future? Relationship with other life forms and man-made artificial intelligence tells a lot about us, people, so we invite everybody to rediscover themselves and experience it at MO Museum,” says Milda Ivanauskienė, Director at MO. “So far, representation of the relationship between human and other beings in Lithuanian art has not been thoroughly analysed. Rapidly developing bio-based and information technologies have generated particular interest in various life forms. That is why it was very interesting to take a look at the MO collection from this perspective,” says art historian, one of the exhibition curators Erika Grigoravičienė, explaining the motives of the exhibition. "As our own lives are taken over by technologies, the issue of human co-existence with others seems even more interesting to us. It looks like people will have to abandon the idea of their supremacy, recognise biodiversity, and try out hybrid models of the society,” adds the second curator of the exhibition Ugnė Paberžytė. -
APC WTC Thesis V8 090724
A Real Options Case Study: The Valuation of Flexibility in the World Trade Center Redevelopment by Alberto P. Cailao B.S. Civil Engineering, 2001 Wentworth Institute of Technology Submitted to the Center for Real Estate in Partial Fulfillment of the Requirements for the Degree of Master of Science in Real Estate Development at the Massachusetts Institute of Technology September 2009 ©2009 Alberto P. Cailao All rights reserved. The author hereby grants MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author________________________________________________________________________ Center for Real Estate July 24, 2009 Certified by_______________________________________________________________________________ David Geltner Professor of Real Estate Finance, Department of Urban Studies and Planning Thesis Supervisor Accepted by_____________________________________________________________________________ Brian A. Ciochetti Chairman, Interdepartmental Degree Program in Real Estate Development A Real Options Case Study: The Valuation of Flexibility in the World Trade Center Redevelopment by Alberto P. Cailao Submitted to the Center for Real Estate on July 24, 2009 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Real Estate Development Abstract This thesis will apply the past research and methodologies of Real Options to Tower 2 and Tower 3 of the World Trade Center redevelopment project in New York, NY. The qualitative component of the thesis investigates the history behind the stalled development of Towers 2 and 3 and examines a potential contingency that could have mitigated the market risk. The quantitative component builds upon that story and creates a hypothetical Real Options case as a framework for applying and valuing building use flexibility in a large-scale, politically charged, real estate development project. -
'The Disappeared'
‘The disappeared’ Power over the dead in the aftermath of 9/11 Chip Colwell- The issue of disposition of and control over human way by family, these remains point to disappeared individ- Chanthaphonh remains is a sensitive subject in all human societies, usu- uals, left in limbo as the result of a terrorist attack. The fol- Chip Colwell-Chanthaphonh ally marked by taboos and rituals. That the unidentified lowing article by Chip Colwell-Chanthaphonh, advocate is Curator of Anthropology at human remains from the World Trade Center destruction for four 9/11 family advocacy groups, receives a response the Denver Museum of Nature should generate controversy is therefore not surprising. from Alice M. Greenwald, director of the 9/11 Memorial and Science. Since 2009, he has been an adviser to four Without the possibility of burial or cremation in the usual Museum. Editor 9/11 family advocacy groups, which have sought to consult On the morning of 11 September 2001, Scott Kopytko, with the 9/11 Museum on the human-remains issue. His a 32-year-old firefighter, was returning to his station in email is [email protected]. New York’s South Street Seaport just as fire engines were pulling out. Scott had been a firefighter for almost three years. It was the happiest period of his life. Though he was just coming back, no doubt exhausted, from a night shift, Scott soon realized that something big was happening on that bright September morning. He felt a duty to join his fellow firefighters, and as his vehicle was leaving, he told a probationary firefighter, ‘Get off, you’re in my spot’, leaping on in the rookie’s place. -
September 11, Ground Zero As It Is 15 Years Later
September 11, Ground Zero as it is 15 years later - Pictures As it appears today the site affected by the 2001 terrorist attacks on the Twin Towers in New York September 11, 2016 Where for almost 30 years - from 1973 until September 11, 2001 - the Twin Towers have excelled on the southern part of Manhattan, after the two hijacked planes by militants of Al Qaeda will crashed into, for many years there has been Ground Zero, the site of destruction (a term mediated by the cold war designating an area affected by an atomic explosion). The area in the southern part of Manhattan in New York where, before the terrorist attacks on the Twin Towers once stood the World Trade Center became the "Ground Zero" by definition. A political and human tragedy that, in addition to inflicting a blow to the heart of the US, has scarred the face of the city. More than hurt, she appeared as an "amputated" cities, until the Renaissance, in 2013, the One World Trade Center, also known as the Freedom Tower, the fourth tallest building in the world and symbol of the worst for almost 10 years New York terrorist massacre in American history. For the reorganization of the area and the construction of new buildings was a competition, won by the Polish-American architect Daniel Libeskind, which led to the construction of the "Tower of Freedom." At its base are located historical museum area - which extends over seven floors, mostly underground - and an outside area of the Islamist commemorating victims of the attack. -
Kevin Rampe, Interim President for the Lower Manhattan Development Corporation (LMDC) Opened the Meeting by Welcoming the Advisory Council Members in Attendance
LMDC ALL ADVISORY COUNCIL MEETING ON THE STUDIO DANIEL LIBESKIND’S PLAN THURSDAY, MARCH 20, 2003 5:30-8:30PM HELD AT THE OFFICES OF THE PORT AUTHORITY OF NEW YORK AND NEW JERSEY TH 111 EAST 18 STREET, NEW YORK, NY Kevin Rampe, Interim President for the Lower Manhattan Development Corporation (LMDC) opened the meeting by welcoming the Advisory Council members in attendance. He explained that the LMDC and the Port Authority of New York and New Jersey (PANYNJ) are going to jointly retain Daniel Libeskind as the master design architect for the overall rebuilding of the World Trade Center site. Mr. Rampe introduced Alex Garvin, Vice President for Planning, Design and Development for the LMDC. Mr. Garvin went on to say that when the LMDC launched the Innovative Design Study process, New York New Visions supplied the LMDC with a list of names of architects they should contact to participate in the competition, and Daniel Libeskind was one of them. Mr. Garvin called Nina Libeskind, Daniel Libeskind’s wife, and they agreed to submit a proposal. Mr. Garvin was happy to say that Mr. Libeskind became one of the semi-finalists, and he is finally here at the end of the process with a magnificent site plan. Mr. Garvin then introduced Mr. Libeskind. Mr. Libeskind thanked all the attendees for their interest in his plan and for the chance to be involved in this spectacular process, to rebuild Ground Zero. He mentioned that the process is an exemplary democratic process because it involves citizens from all walks of life.