388 Jessie Elizabeth Randolph Moore by Muriel H
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Thesis-1973D-A431h.Pdf (8.798Mb)
HEALTH AND MEDICAL CARE OF THE SOUTHERN PLAINS INDIANS, 1868-1892 By VIRGINIA RUTH ALLEN ll Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1952 Master of Teaching Central State University Edmond, Oklahoma 1968 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY July, 1973 OKLAHOMA STATE UNIVERSITY LIBRARY FEB I;; 1974 HEALTH AND MEDICAL CARE OF THE SOUTHERN PLAINS INDIANS, 1868-1892 Thesis Approved: Dea/] ~ ~Iege 87321~ ii PREFACE During the years from 1868 to 1892, the Southern Plains Indians were defeated in war, their population decreased by battle and disease, and their economic system destroyed. They were relocated on reservations where they were subjected to cultural shock by their white conquerors. They endured hunger, disease, and despair. Many studies have been made of the warfare and the ultimate defeat of the Indians. None have explored the vital topic of the health of these people. No other factor is so vital to the success or failure of human endeavor. This study focuses on the government medical care provided the Plains Indians on the Cheyenne-Arapahoe and Kiowa Comanche reservations. It also expl6res the cultural con flict between the white man's medicine and the native medicine men, and what effect that conflict and other contacts with white men had on Indian health. I wish to acknowledge the generous and kind assis tance I received from numerous people during the research and writing of this dissertation. First, I would like to thank Doctor Homer L. -
Strangers in a Strange Land: a Historical Perspective of the Columbian Quincentenary
Journal of Civil Rights and Economic Development Volume 7 Issue 2 Volume 7, Spring 1993, Issue 2 Article 4 Strangers in a Strange Land: A Historical Perspective of the Columbian Quincentenary Rennard Strickland Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Symposium is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. STRANGERS IN A STRANGE LAND: A HISTORICAL PERSPECTIVE OF THE COLUMBIAN QUINCENTENARY* RENNARD STRICKLAND** The title Strangers in a Strange Land comes from a letter which John Rollin Ridge, the first Native American to practice law in California, wrote from the gold fields back to his Uncle Stand Wa- tie in the Indian Territory. "I was a stranger in a strange land," he began. "I knew no one, and looking at the multitude that thronged the streets, and passed each other without a friendly sign, or look of recognition even, I began to think I was in a new world, where all were strangers and none cared to know."' The last five hundred years-the Columbian Quincentenary-is captured for the Native American in the phrase-"a new world, where all were strangers," with Native Americans as the "stran- gers in a strange land [which] none cared to know." I believe from my historical studies that the so-called "Columbian Ex- change" symbolizes the triumph of technology over axe- ology-the ascendancy of industry over humanity. -
Trailword.Pdf
NPS Form 10-900-b OMB No. 1024-0018 (March 1992) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. _X___ New Submission ____ Amended Submission ======================================================================================================= A. Name of Multiple Property Listing ======================================================================================================= Historic and Historical Archaeological Resources of the Cherokee Trail of Tears ======================================================================================================= B. Associated Historic Contexts ======================================================================================================= (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) See Continuation Sheet ======================================================================================================= C. Form Prepared by ======================================================================================================= -
THE ARIZONA ROUGH RIDERS by Harlan C. Herner a Thesis
The Arizona rough riders Item Type text; Thesis-Reproduction (electronic) Authors Herner, Charles Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 02:07:43 Link to Item http://hdl.handle.net/10150/551769 THE ARIZONA ROUGH RIDERS b y Harlan C. Herner A Thesis Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1965 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of require ments for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under the rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the dean of the Graduate College when in his judgment the proposed use of this material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: MsA* J'73^, APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: G > Harwood P. -
The New Mexican Review, 06-30-1910
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 6-30-1910 The ewN Mexican Review, 06-30-1910 New Mexican Printing Co. Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Co.. "The eN w Mexican Review, 06-30-1910." (1910). https://digitalrepository.unm.edu/sfnm_news/7985 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. THE NEW MEXICAN REVIEW, FORTY-SEVE- N YEAR SANTA EE. N. M., THURSDAYS JUJSE 30 1910. NO 14 ed in Bplendid health until today. mountains at Red River, Taos county, L Divorce Suit. CAUGHT BY THE OF New Mexico. - Suit for divorce was filed in San I "The gold band encircling the pen, Juan county by Mrs, O. Grimes, vs. was made from bullion taken from Roscue Grimes, whom she charges the mines of Taos county. SANDS Made B. MEET T with desertion and abandonment. The InFHOIET QUICK and presented by George couple were married In March. 1907. Paxton, a resident ot Red River, New Sullivan and' Ervlen Back. Mexico." There was rather a sad story In con Will Territorial Engineer Sullivan' and President and His Prede- Two Youths Die Horrible President Taft Does Not Well Known Trader'Murder-e- d Apportion Delegates nection with the quill pen, with Land Commissioner Ervlen have re- Hands in Grande Want which the President state- at Pueblo Bonito for Constitutional turned fro man extensive on land cessor Will Shake Death Rio at Bryan to Write signed the trip hood bill. -
Congressional Record-Senate. January 29
1074 CONGRESSIONAL RECORD-SENATE. JANUARY 29, CONFffiMATIONS. Roger M. Bridgman, to be postmaster at Ridgewood, in the Executive norninattons confirmed by the Senate Janum-y 28, 1902. county of Bergen and State of New Jersey. Charles J. McGill, to be postmaster at Dawson, in the county of CONSUL. Fayette and State of Pennsylvania. Alphonse J. Lespinasse, of New York, to be consul of the Edwin Price, to be postmaster at Grand Junction, in the county United States at Tuxpan, Mexico. of Mesa and State of Colorado. UNITED STATES ATTORNEYS. James Harris, to be postmaster at Englewood, in the county of Abram 1\I. Tillman, of Tennessee, to be United States attorney Bergen and State of New Jersey. • for the middle district of Tennessee. Robert D. Peck, to be postmaster at Lock Haven1 in the county William Warner, of Missouri, to be United States attorney for of Clinton and State of Pennsylvania. the western district of Missouri. W. Day Wllson, to be postmaster at Clarion, in the county of Robert V. Cozier, of Idaho, to be United States attorney for the Clarion and State of Pennsylvania. district of Idaho. Benjamin B. Heywood, o~~ be United States marshal SENATE. for the district of Utah. WEDNESDAY, January 29, 1902. Littleton S. Crum, of Kansas, to be United States marshal for Prayer by Rev. HENRY N. CoUDEN, Chaplain of the House of the district of Kansas. Representatives. John W. Overall, of Tennessee, to be United States marshal for The Secretaryproceede·d to read the Journal of yesterday's pro- the middle district of Tennessee. -
Rough Riders by Theodore Roosevelt</H1>
Rough Riders by Theodore Roosevelt Rough Riders by Theodore Roosevelt Produced by Dagny Wilson THE ROUGH RIDERS BY THEODORE ROOSEVELT 1899 ON BEHALF OF THE ROUGH RIDERS I DEDICATE THIS BOOK TO THE OFFICERS AND MEN OF THE FIVE REGULAR REGIMENTS WHICH TOGETHER WITH MINE MADE UP THE CAVALRY DIVISION AT SANTIAGO I page 1 / 223 RAISING THE REGIMENT During the year preceding the outbreak of the Spanish War I was Assistant Secretary of the Navy. While my party was in opposition, I had preached, with all the fervor and zeal I possessed, our duty to intervene in Cuba, and to take this opportunity of driving the Spaniard from the Western World. Now that my party had come to power, I felt it incumbent on me, by word and deed, to do all I could to secure the carrying out of the policy in which I so heartily believed; and from the beginning I had determined that, if a war came, somehow or other, I was going to the front. Meanwhile, there was any amount of work at hand in getting ready the navy, and to this I devoted myself. Naturally, when one is intensely interested in a certain cause, the tendency is to associate particularly with those who take the same view. A large number of my friends felt very differently from the way I felt, and looked upon the possibility of war with sincere horror. But I found plenty of sympathizers, especially in the navy, the army, and the Senate Committee on Foreign Affairs. Commodore Dewey, Captain Evans, Captain Brownson, Captain Davis--with these and the various other naval officers on duty at Washington I used to hold long consultations, during which we went over and over, not only every question of naval administration, but specifically everything necessary to do in order to put the navy in trim to strike quick and page 2 / 223 hard if, as we believed would be the case, we went to war with Spain. -
Tennis in Colorado
Year 32, Issue 5 The Official Publication OfT ennis Lovers Est. 1976 WINTER 08/09 FALL 2008 From what we get, we can make a living; what we give, however, makes a life. Arthur Ashe Celebrating the true heroes of tennis USTA COLORADO Gates Tennis Center 3300 E Bayaud Ave, Suite 201 Denver, CO 80209 303.695.4116 PAG E 2 COLORADO TENNIS WINTER 2008/2009 VOTED THE #3 BEST TENNIS RESORT IN AMERICA BY TENNIS MAGAZINE TENNIS CAMPS AT THE BROA DMOOR The Broadmoor Staff has been rated as the #1 teaching staff in the country by Tennis Magazine for eight years running. Join us for one of our award-winning camps this winter or spring on our newly renovated courts! If weather is inclement, camps are held in our indoor heated bubble through April. Fall & Winter Camp Dates: Date: Camp Level: Dec 28-30 Professional Staff Camp for 3.0-4.0’s Mixed Doubles “New Year’s Weekend” Feb 13-15 3.5 – 4.0 Mixed Doubles “Valentine’s Weekend” Feb 20-22 3.5 – 4.0 Women’s w/ “Mental Toughness” Clinic Mar 13-15 3.5 – 4.0 Coed Mar 27-29 3.0 – 4.0 Coed “Broadmoor’s Weekend of Jazz” May 22-24 3.5 – 4.0 Coed “Dennis Ralston Premier” Camp May 29 – 31 All Levels “Dennis Ralston Premier” Camp Tennis Camps Include: • 4:1 student/pro (players are grouped with others of their level) • Camp tennis bag, notebook and gift • Intensive instruction and supervised match play • Complimentary court time and match arranging • Special package rates with luxurious Broadmoor room included or commuter rate available SPRING TEAM CAMPS Plan your tennis team getaway to The Broadmoor now! These three-day, two-night weekends are still available for a private team camp: January 9 – 11, April 10 – 12, May 1 – 3. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
Native American Painters and Sculptors in the Twentieth Century, 1991
BILLIE JANE BAGULEY LIBRARY AND ARCHIVES HEARD MUSEUM 2301 N. Central Avenue ▪ Phoenix AZ 85004 ▪ 602-252-8840 www.heard.org Shared Visions: Native American Painters and Sculptors in the Twentieth Century, 1991 RC 10 Shared Visions: Native American Painters and Sculptors in the Twentieth Century 2 Call Number: RC 10 Extent: Approximately 3 linear feet; copy photography, exhibition and publication records. Processed by: Richard Pearce-Moses, 1994-1995; revised by LaRee Bates, 2002. Revised, descriptions added and summary of contents added by Craig Swick, November 2009. Revised, descriptions added by Dwight Lanmon, November 2018. Provenance: Collection was assembled by the curatorial department of the Heard Museum. Arrangement: Arrangement imposed by archivist and curators. Copyright and Permissions: Copyright to the works of art is held by the artist, their heirs, assignees, or legatees. Copyright to the copy photography and records created by Heard Museum staff is held by the Heard Museum. Requests to reproduce, publish, or exhibit a photograph of an art works requires permissions of the artist and the museum. In all cases, the patron agrees to hold the Heard Museum harmless and indemnify the museum for any and all claims arising from use of the reproductions. Restrictions: Patrons must obtain written permission to reproduce or publish photographs of the Heard Museum’s holdings. Images must be reproduced in their entirety; they may not be cropped, overprinted, printed on colored stock, or bleed off the page. The Heard Museum reserves the right to examine proofs and captions for accuracy and sensitivity prior to publication with the right to revise, if necessary. -
University of Oklahoma Libraries Western History Collections Works
University of Oklahoma Libraries Western History Collections Works Progress Administration Historic Sites and Federal Writers’ Projects Collection Compiled 1969 - Revised 2002 Works Progress Administration (WPA) Historic Sites and Federal Writers’ Project Collection. Records, 1937–1941. 23 feet. Federal project. Book-length manuscripts, research and project reports (1937–1941) and administrative records (1937–1941) generated by the WPA Historic Sites and Federal Writers’ projects for Oklahoma during the 1930s. Arranged by county and by subject, these project files reflect the WPA research and findings regarding birthplaces and homes of prominent Oklahomans, cemeteries and burial sites, churches, missions and schools, cities, towns, and post offices, ghost towns, roads and trails, stagecoaches and stage lines, and Indians of North America in Oklahoma, including agencies and reservations, treaties, tribal government centers, councils and meetings, chiefs and leaders, judicial centers, jails and prisons, stomp grounds, ceremonial rites and dances, and settlements and villages. Also included are reports regarding geographical features and regions of Oklahoma, arranged by name, including caverns, mountains, rivers, springs and prairies, ranches, ruins and antiquities, bridges, crossings and ferries, battlefields, soil and mineral conservation, state parks, and land runs. In addition, there are reports regarding biographies of prominent Oklahomans, business enterprises and industries, judicial centers, Masonic (freemason) orders, banks and banking, trading posts and stores, military posts and camps, and transcripts of interviews conducted with oil field workers regarding the petroleum industry in Oklahoma. ____________________ Oklahoma Box 1 County sites – copy of historical sites in the counties Adair through Cherokee Folder 1. Adair 2. Alfalfa 3. Atoka 4. Beaver 5. Beckham 6.