Julien Levy Gallery Records 005 Finding Aid Prepared by Christiana Dobrzynski Grippe and Jenna Marrone
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Julien Levy Gallery records 005 Finding aid prepared by Christiana Dobrzynski Grippe and Jenna Marrone. Last updated on October 17, 2011. Marie Difilippantonio completed the initial inventory of this collection, which was used directly to create this electronic guide.... Philadelphia Museum of Art Archives Julien Levy Gallery records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Collection Inventory...................................................................................................................................... 9 Series I. Correspondence......................................................................................................................... 9 Series II. Subject files......................................................................................................................... 139 Series III. Exhibition announcements and other ephemera.................................................................150 Series IV. Financial records................................................................................................................ 165 Series V. Scrapbooks...........................................................................................................................166 Series VI. Diaries and calendars......................................................................................................... 166 Series VII. Audio/Visual materials..................................................................................................... 167 - Page 2 - Julien Levy Gallery records Summary Information Repository Philadelphia Museum of Art Archives Creator Levy, Julien Title Julien Levy Gallery records Call number 005 Date [inclusive] 1857-1982 Extent 19 linear feet (46 containers) Language English Abstract Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood letters and elementary school papers, and ending with Levy’s obituary and memorials. The records follow Levy, fresh from Paris, as he opens his gallery in New York and quickly becomes one of the most well- known and respected art dealers in the United States. This star-studded - Page 3 - Julien Levy Gallery records collection features correspondence with some of the most celebrated artists of the Surrealist and other art movements, including Salvador Dali, Arshile Gorky, Frida Kahlo, Man Ray, and Marcel Duchamp. The bulk of material dates from 1933 to 1949, and the 1970s. Researchers should note that the collection contains few records from the 1950s and early 1960s. Cite as: [Description and date of item], [Box and folder number], Julien Levy Gallery records, 1857-1982, Philadelphia Museum of Art Archives. Biography/History Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, whom he had met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and Joella Haweis, daughter of Dadaist muse Mina Loy, who became his wife. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” which introduced the Surrealist art movement to New York. Levy was born in 1906 in New York. He attended Harvard University, where he studied museum administration as a student of Paul Sachs. He did not complete his course of study, however, deciding instead to travel to France in 1927. There he met and befriended artists Man Ray, Marcel Duchamp and others, and was introduced to the work of French photographer Eugene Atget. It Atget’s photographs, that inspired him to become an art dealer. While in France, he also met his wife, Joella Haweis, and her mother, Mina Loy, who would eventually serve as his gallery representative in Paris. When Levy returned to New York, he worked briefly in the print room of the Weyhe Gallery, as Carl Zigrosser’s assistant. At this time, he also became partial owner of the Atget photograph archive, which had been rescued by photographer Berenice Abbott from Atget’s studio just after his death in 1927. Levy mounted an exhibition of Atget photographs at Weyhe, and it was after this he decided to open his own gallery. Using money he inherited from his mother, Levy open his gallery in 1931. In 1937, he moved the gallery to 15 East 57th Street, and in 1943 he relocated again to 42 East 57th, where the gallery remained until it closed in 1949. In the beginning, Levy exhibited and sold the work of American and European photographers, including Atget, Stieglitz, Nadar and Henri Cartier-Bresson, promoting photography as an art form, as Alfred - Page 4 - Julien Levy Gallery records Stieglitz had done. In 1932, Levy held the first Surrealism show in New York, displaying works from a variety of mediums, including photography, painting, sculpture, collage and books. This show introduced major artists of the Surrealist movement, most notably Salvador Dali, whose painting “The Persistence of Memory” Levy had purchased the previous year. In addition to promoting Dali’s work, Levy was the first New York dealer to exhibit the works of many important Surrealist-influenced artists, including Joseph Cornell, Frida Kahlo and Arshile Gorky. After closing his gallery in 1949, Levy turned to teaching. He held teaching positions at Sarah Lawrence College and SUNY Purchase. He also wrote several books: Surrealism, Eugene Berman, Arshile Gorky, and Memoir of an Art Gallery. Bibliography: Schaffner, Ingrid and Lisa Jacobs, editors. Julien Levy: Portrait of an Art Gallery. Cambridge, Massachusetts: MIT Press, 1998. Parker, Judith. “Art to me is almost religion.” Harvard Magazine, 1979. PACSCL survey record. Scope and Contents This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood letters and elementary school papers, and ending with Levy’s obituary and memorials. The records follow Levy, fresh from Paris, as he opens his gallery in New York and quickly becomes one of the most well- known and respected art dealers in the United States. This star-studded collection features correspondence with some of the most celebrated artists of the Surrealist and other art movements, including Salvador Dali, Arshile Gorky, Frida Kahlo, Man Ray, and Marcel Duchamp. The bulk of material dates from 1933 to 1949, and the 1970s. Researchers should note that the collection contains few records from the 1950s and early 1960s. The collection is divided into seven series: “I. Correspondence,” “II. Subject files,” “III. Exhibition announcements and ephemera,” “IV. Financial records,” “V. Scrapbooks,” “VI. Diaries and calendars,” and “VII. Audio/Visual Materials.” The “I. Correspondence” series contains letters, postcards, and notes that document Julien Levy’s career as gallery owner and art dealer, as well as his relationships with business associates, patrons, artists, family, and friends. The series is further divided into two subseries: “a. General correspondence” and “b. Personal correspondence.” Researchers should note that personal correspondence can also be found interspersed with the general correspondence. Levy’s general and personal correspondence were initially organized by Marie Difilippantonio, Levy’s assistant (check). This order has been maintained, however, it is important for researchers to be aware that the order is not strictly alphabetical. Correspondents who - Page 5 - Julien Levy Gallery records are represented by a single letter are frequently filed under the first two