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The Washington Spectator (ISSN Level of Importance We Were Attributing to It
The WA S H I N G T O N washingtonspectator.org SEPTEMBER 2020 vol. 46, no. 9 issn 0887-428x © 2020 The Public Concern Foundation SPECTATOR washingtonspectator.org continued to get traction. On August 10, Pat Robertson’s show Anatomy of Deceit: on the Christian Broadcasting Network carried an interview with Simone Gold and an endorsement of her hydroxychloroquine Team Trump Deploys cure. On August 21, Alex Jones’s NewsWars carried an interview with another member of America’s Frontline Doctors, Mark Doctors With Dubious McDonald. McDonald—a child psychiatrist—maintained, “If all Americans had access to hydroxychloroquine, the pandemic Qualifications to Push would essentially end in about 30 days.” Science has shown otherwise. Despite early hopes last spring, Fake Cure for Covid-19 there is mounting evidence that hydroxychloroquine is a prob- lematic—and even dangerous—treatment for Covid-19. One By Anne Nelson expert with firsthand knowledge is Nick Sawyer, an academic emergency physician in Sacramento, Calif. In July he wrote an n July 27, a dozen physicians posed in front article for Lifeline, the publication of the California chapter of of the Supreme Court in Washington, D.C., dressed the American College of Emergency Physicians, describing his O in white lab coats with “America’s Frontline Doctors” harrowing two weeks of service in the Covid wards of Elmhurst stitched over the pocket. The group’s chief Hospital in Queens. Sawyer was part of a spokesperson was Dr. Simone Gold, an team of California doctors dispatched by emergency physician from Los Angeles. Governor Gavin Newsom to offer emer- They were introduced by Jenny Beth Mar- gency assistance at the epicenter of the tin, the founding CEO of Tea Party Patriots, epidemic, at the height of the New York as participants in the “White Coat Summit.” City outbreak. -
The Washington Spectator Is Being the Fact Is, This Message Has Them Based on the Color of Published Bi-Monthly During Covid Presumably Convinced Some Their Skin
The WA S H I N G T O N washingtonspectator.org JULY/AUGUST 2021 vol. 47, no. 4 issn 0887-428x SPECTATOR © 2021 The Public Concern Foundation washingtonspectator.org delivered the largest and most reliable slice of the Trump elector- What’s Missing From ate. Dozens of featured speakers this year included Mike Pence, Ted Cruz, Marsha Blackburn, Ron DeSantis, Lindsey Graham, Popular Discussions and Madison Cawthorn. I came away from my listening experience in Kissimmee with of Today’s Christian a few surprises—or at least a few takeaways that may challenge some of the narratives that prevail in the center and on the left Nationalism about America’s Christian nationalist movement. The first is By Katherine Stewart that any Democrats who take comfort from the thought that demography is destiny are probably deluding themselves. The received wisdom on the center-left is that America’s homegrown f you want to know where the Republican authoritarian faction is an affair largely concentrated on an older, Party is headed, you need to set aside your assumptions whiter base that is just now exiting the stage of history with loud I and simply listen to grievances in hand. But what its leaders and activ- that’s not how the lead- ists say—especially when ers of the movement see they’re talking amongst things—and the broader themselves. As a reporter picture may indeed be a and author on the reli- bit more complex. gious right beat over the Of the many reli- past dozen years, I’ve gious-right strategy made a point of attending gatherings I’ve attended such meetings, especially over the years, this was those that focus on the among the most ethni- religious right leadership cally and racially diverse. -
The Rhetoric of Fidel Castro Brent C
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 From the mountains to the podium: the rhetoric of Fidel Castro Brent C. Kice Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Kice, Brent C., "From the mountains to the podium: the rhetoric of Fidel Castro" (2008). LSU Doctoral Dissertations. 1766. https://digitalcommons.lsu.edu/gradschool_dissertations/1766 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. FROM THE MOUNTAINS TO THE PODIUM: THE RHETORIC OF FIDEL CASTRO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements of the degree of Doctor of Philosophy in The Department of Communication Studies by Brent C. Kice B.A., Loyola University New Orleans, 2002 M.A., Southeastern Louisiana University, 2004 December 2008 DEDICATION To my wife, Dori, for providing me strength during this arduous journey ii ACKNOWLEDGEMENTS I would like to thank Andy King for all of his guidance, and especially his impeccable impersonations. I also wish to thank Stephanie Grey, Ruth Bowman, Renee Edwards, David Lindenfeld, and Mary Brody for their suggestions during this project. I am so thankful for the care and advice given to me by Loretta Pecchioni. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba. -
Music Industry's Contribution Towards Inclusive And
MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» 1 MUSIC INDUSTRY’S CONTRIBUTION TOWARDS INCLUSIVE AND SUSTAINABLE DEVELOPMENT THE CASE OF CUBA «THE MUSIC ISLAND» Strengthening the competitiveness, organizational perfomance and export capacity of the Cuban music industry SEPTEMBER 2017 PRESENTATION 5 CULTURAL AND CREATIVE INDUSTRIES FOR AN INCLUSIVE AND SUSTAINABLE DEVELOPMENT 7 Cultural and creative industries at global level and in the region of Latin American and the Caribbean 9 The music industry within the creative universe 12 UNIDO´s approach for creative industries 16 Cuba «the Music Island». Opportunities for developing its music industry 18 CURRENT CONTEXT Undertaking of this study counted on the participation of researchers, © ONUDI, MINCULT, All rights reserved. OF THE MUSIC specialists and management officials of the system of institutions of the © On the present edition: Project ONUDI-MINCULT-KOICA (150354) INDUSTRY IN CUBA 37 Ministry of Culture of Cuba (ICM, CIDMUC, CENDA, ACDAM, CUBARTE), its «Strengthening of competiveness, organizational performance and export record labels (EGREM, Bis Music, Abdala, Colibrí), the United Nations In- capacity of the Cuban music industry», 2017. dustrial Development Organization and international consultancy Sound Potentialities of the music Diplomacy. With the information collected, drafting of this document was This document has been produced without formal United Nations edition. industry in Cuba 39 in charge of the following -
Cuba Highlights – Cuban Daily Life; Full of Colours & Rich History
Cuba Highlights – Cuban daily life; full of colours & rich history Join our 13-day tour on the beautiful Caribbean island Cuba where you will go behind the scenes and explore the colourful Cuban life. You will explore every side of Cuba from its culture and traditions to the beautiful scenery and leisure activities. Explore both Havana and Trinidad, colourful cities with their own sparkling characteristics. Cruise around Havana in the Old American cars, discover the Ballet culture in Santiago de Cuba, let the bicycle taxi drive you from one local market to another, swim in the crystal-clear waters in the Bay of Pigs, stroll along the waterfront of Cienfuegos, roll a cigar in the tobacco fields of Vinales and dance to Cuban rhythms in the streets of Trinidad. A trip that shows the rich history, colourful culture and the historic highlights of Cuba. Day 1 – Havana As the welcome briefing is at approximately 6pm this evening, there is plenty time to discover Havana for the early arrivals. Explore the city on your own pace but remember that most activities in Cuba can only be booked through the tourist desk or direct with the venue. Havana offers many good museums that are worth a visit. Check out Museo de la Revolucion and the Museo Nacional de Bellas Artes, definitely worth a visit. Staying a few extra days is recommended to make the most of this vibrant city. Overnight in Hotel Nacional or similar – No meals included Day 2 – Havana Join the tour and explore all the popular suburbs of Havana including the fishing town of Jaimanitas. -
The Attempted Reshaping of the Cuban Education System by the United States Government, 1898-1912 Mario John Minichino University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 5-23-2014 In Our Image: The Attempted Reshaping of the Cuban Education System by the United States Government, 1898-1912 Mario John Minichino University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Bilingual, Multilingual, and Multicultural Education Commons, Other Education Commons, and the Other History Commons Scholar Commons Citation Minichino, Mario John, "In Our Image: The ttA empted Reshaping of the Cuban Education System by the United States Government, 1898-1912" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5275 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. In Our Image: The Attempted Reshaping of the Cuban Education System by the United States Government, 1898-1912 by Mario J. Minichino A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Secondary Education College of Education University of South Florida Major Professor: Bárbara C. Cruz, Ed.D. Stephen J. Thornton, Ph.D. J. Howard Johnston, Ph.D. Madeline Cámara, Ph.D. Date of Approval: May 23, 2014 Keywords: Cuba, education, culture, school law, history of education in the Caribbean Copyright © 2014, Mario Minichino Dedication I dedicate this study a mis dos corazones, my wife and best friend Nona, and my daughter Cate Jane. -
Church and State in Cuba's Revolution
CHURCH AND STATE IN CUBA’S REVOLUTION By SILVIA PEDRAZA University of Michigan Department of Sociology 500 S. State St. 3001 LSA Bldg. Ann Arbor, MI 48109-1382 Telephones: Work, mine: (734) 647-3659 Work, dept: (734) 764-6320 Fax: (734) 763-6887 [email protected] May 2009 Paper prepared for the Cuban Research Institute, Florida International University’s CubaInfo Website. PEDRAZA Church and State 2 CHURCH, REVOLUTION, NATION In a predominantly Catholic country, the changing relationship of the Catholic Church to the revolution was a key part of the process of social change – political, social, economic – that took place in Cuba from the end of the 1950s until today. The data for this research come from the 120 in-depth interviews I conducted with Cubans who lived through various stages of the Cuban revolution and who were representative (in social class, race, gender, family composition) of those who left the island from 1959 to 2005. The interviews resulted from participant observation and in many different cities where the Cuban diaspora settled: Miami, Hialeah, Homestead, and Key West; the Bronx, Brooklyn, and Manhattan in New York city; Union City, Paterson, and Elizabeth; Boston and Amherst; Chicago; Los Angeles; Houston and Huntsville; Phoenix; Ann Arbor, Detroit, Flint, Ypsilanti, and Lansing; St. Louis; and New Orleans; as well as Montreal, Canada; San Juan, Puerto Rico; and Madrid, Spain (Pedraza 2007). To organize the data from the interviews, I chose Nelson Amaro’s (1981) depiction of the process of social change in the beginning years of the revolution (1959-62) as comprising five different stages: democracy, humanism, nationalism, socialism, and Marxism-Leninism. -
Evita 2016.Indd
2016/17 Season Sponsor: Seattle Opera Guild in memory of Marian E. Lackovich and Captain Louis J. Lackovich andCaptainLouisJ. inmemoryofMarian E.Lackovich Opera Guild 2016/17 SeasonSponsor:Seattle CALL MORE&BUYLEARN visit! duringyour Seattle SeasonsHotel 15%atFour save Plus and parkfree! allfive operasintheseason orselect three Choose any per opera! per for lessthan$50 TICKETS SEASON 206.389.7676 or800.426.1619 206.389.7676 seattleopera.org/travel4opera seattleopera.org/travel4opera © PhPhilip NewNeewtontoto EVITA ANDREW LLOYD WEBBER James W. Wright, General Director Table of Contents Jonathan Darlington, Music Director Under the distinguished patronage of Her Honour, The Honourable 5 The Cast Judith Guichon, OBC, Lieutenant Governor of British Columbia 7 VO Orchestra & VO Chorus Vancouver Opera 9 Synopsis Administration and Ticket Centre 13 Director's Notes The Michael and Inna O'Brian Centre for Vancouver Opera 1945 McLean Drive, 15 Program Notes Vancouver, BC, V5N 3J7 Administration: 604-682-2871 17 Production Insights Fax: 604-682-3981 VO Ticket Centre 19 Artists' Profi les (sponsored by Mission Hill Family Estate) 604-683-0222 [email protected] 26 Board of Directors www.vancouveropera.ca 31 Donors and Sponsors The photographing, videotaping or 50 VO Board & Staff, Foundation Board other video or audio recording of this production is strictly prohibited. Coming Next: Cover Art: Edel Rodriguez Editor Selina Rajani A LANDMARK SEASON OF OPERA, ART AND ENTERTAINMENT! Layout Excel Design • Hansel & Gretel Published by Archway Publishers as a special edition • The Inaugural Vancouver Opera Festival: Otello, Dead Man Walking, of Playboard Magazine, Volume 50, Number 11, April The Marriage of Figaro and more under the Festival Tent! 2016. -
The Politics and Commodification of Cuban Music During the Special
NEGOTIATION WITH THE REVOLUTION: THE POLITICS AND COMMODIFICATION OF CUBAN MUSIC DURING THE SPECIAL PERIOD by Eric Jason Oberstein Department of Cultural Anthropology Advisors: Caroline Yezer Paul Berliner Thesis submitted in partial fulfillment of the requirements for graduation with distinction for the degree of Bachelor of Arts in the Department of Cultural Anthropology in the Trinity College of Arts and Sciences of Duke University 2007 Acknowledgements I would like to thank Caroline Yezer and Paul Berliner, my committee members, for their constant support and guidance throughout the writing process. They helped me define my topic, read through my drafts, and gave me direction with my ideas. I would like to thank the Department of Cultural Anthropology at Duke University, especially Orin Starn, who encouraged me to write a senior thesis, and Heather Settle, who was one of my first anthropology instructors and who taught me about the depth of Cuba. In addition, I would like to thank Bradley Simmons, my Afro-Cuban percussion mentor, who taught me how to play and appreciate Cuban music. I would also like to thank my family for fostering my passion for Cuban music and culture. A special thanks goes to Osvaldo Medina, my personal Cuban music encyclopedia, who always managed to find me in the corner at family parties and shared stories of Cuban musicians young and old. Finally, I dedicate this thesis to the musicians of Cuba, both on and off the island. Your work forever inspires and moves me. ii Contents Introduction..............................................................................................................................1 Research Question .............................................................................................................1 Significance of Research.................................................................................................. 14 Methods............................................................................................................................ 18 1. -
Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 ¡Casinando!: Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ¡CASINANDO! IDENTITY, MEANING, AND THE KINESTHETIC LANGUAGE OF CUBAN CASINO DANCING By BRIAN MARTINEZ A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2012 Brian Martinez defended this thesis on March 26, 2012. The members of the supervisory committee were: Frank Gunderson Professor Directing Thesis Michael Bakan Committee Member Charles Brewer Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my father, mother, and brother, for all of your unfailing love and support iii TABLE OF CONTENTS LIST OF TABLES....................................................................................................................... vi LIST OF FIGURES.................................................................................................................... vii ABSTRACT.................................................................................................................................. ix 1. INTRODUCTION TO CASINO ..........................................................................................1 -
Art in a Changing Cuba Natania Remba Despite the Lack of a National Art Market in Cuba, Artistic Talent Is Flourishing
CHAPTER 19 Art in a Changing Cuba Natania Remba Despite the lack of a national art market in Cuba, artistic talent is flourishing. This paper addresses questions that will be explored in a forthcoming exhibi- tion on contemporary Cuban art at the Boston University Art Gallery. The exhibition and accompanying catalogue will include viewpoints gleaned from 2005 interviews with several renowned Cuban artists, art historians from Havana University, art administrators from Casa de Las Américas, and writers from two major art journals, Artecubano and Revolución y Cultura. Although the exhibition will include a broad view on Cuban art, this article focuses primarily on current issues relating to Cuban art production and the art market. The first topic of discussion touches upon the applicability of a transition paradigm to the Cuban art world. The concept—as applied to the economy, society, and culture of Cuba—has been widely debated and has even been rejected by some in the artistic community. For many Cubans, the very notion of the contemporary art scene being “transitional” is an outsider’s construct. Foreigners often discuss “the transition” as if it is eminent, but because of the dynamic nature of Cuba’s art and culture, the applicability of a static transi- tion paradigm is questionable and ultimately unproductive. Clearly, periods of artistic change in Cuba are not clear cut, but rather, are complex processes of ongoing opposition between preservation and transformation of culture and identity. It would be more suitable to forecast the future of the art world, not as fixed, but in flux, or as a complex process of dialectical dichotomies that embody the inherent social contradictions of continuity and change.