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Cindy Mollo, Ace Editor
CINDY MOLLO, ACE EDITOR FEATURES PINK- ALL I KNOW SO FAR Michael Gracey Amazon Studios DEADWOOD (Additional Editor) Daniel Minahan HBO Nominated, Outstanding Single-Camera Picture Editing for a Limited Series or Movie, Emmy Awards (2019) JUANITA Clark Johnson Netflix / Mandalay Entertainment BROKEN CITY Allen Hughes New Regency / Emmett/Furla Films THE BOOK OF ELI Hughes Brothers WB / Alcon Entertainment THE BREAKUP GIRL (Shared Credit) Stacy Sherman Billy Ray / Cambodia Productions TEXAS KILLING FIELDS Ami Canaan Mann Anchor Bay Films Official Selection, Festival de San Sebastian (2011) Official Selection, Venice Film Festival (2011) NEW YORK, I LOVE YOU Allen Hughes Vivendi Entertainment / Plum Pictures THE SENTINEL Clark Johnson Fox / Regency Entertainment PANIC (Shared Credit) Henry Bromell Artisan Entertainment SERIES OZARK (Seasons 1, 2, 3, & 4) Jason Bateman & Various MRC / Netflix Winner, Best Edited Drama Series for Non-Commercial TV, ACE Awards (2021) Nominated, Outstanding Single-Camera Picture Editing for a Drama Series, Emmy Awards (2020) Nominated, Best Edited Drama Series for Non-Commercial TV, ACE Awards (2019) Nominated, Outstanding Single-Camera Picture Editing for a Drama Series, Emmy Awards (2019) SHUT EYE Johan Renck & Various Hulu / Sony HOUSE OF CARDS (Seasons 2, 3 & 4) James Foley & Robin Wright MRC / Netflix Nominated, Outstanding Editing--TV, HPA Award (2015) Nominated, Outstanding Editing--TV, HPA Award (2014) MAD MEN Various AMC / Lionsgate Nominated, Outstanding Single-Camera Picture Editing, Emmy’s (2009) JOHN FROM CINCINNATI Various HBO / David Milch HOMICIDE: LIFE ON THE STREET Various NBC / Levinson / Fontana Company Eddie Nomination, Best Edited One-Hour Series for TV, ACE (1996) OZ (Supervising Editor) Various HBO / Levinson / Fontana Company PILOTS DR. -
The Wire: a Comprehensive List of Resources
The Wire: A comprehensive list of resources Contents Introduction ............................................................................................................................ 2 W: Academic Work on The Wire........................................................................................... 3 G: General Academic Work ................................................................................................... 9 I: Wire Related Internet Sources .......................................................................................... 11 1 Introduction William Julius Wilson has argued that: "The Wire’s exploration of sociological themes is truly exceptional. Indeed I do not hesitate to say that it has done more to enhance our understandings of the challenges of urban life and urban inequality than any other media event or scholarly publication, including studies by social scientists…The Wire develops morally complex characters on each side of the law, and with its scrupulous exploration of the inner workings of various institutions, including drug-dealing gangs, the police, politicians, unions, public schools, and the print media, viewers become aware that individuals’ decisions and behaviour are often shaped by - and indeed limited by - social, political, and economic forces beyond their control". Professor William Julius Wilson, Harvard University Seminar about The Wire, 4th April 2008. We have been running courses which examine this claim by comparing and contrasting this fictional representation of urban America -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
KIMBERLY WILSON Supervising Sound Editor
KIMBERLY WILSON Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS ALL RISE Mike Robin WBTV ELEMENTARY Carl Beverly CBS Television Studios DAVID MAKES MAN Tarell Alvin McCraney Warner Horizon Television LOVE IS Salim Akil OWN DIALOGUE EDITOR | SELECT TELEVISION CREDITS & AWARDS ELEMENTARY Carl Beverly CBS Television Studios BALLERS Stephen Levinson HBO Jon Amiel Lifetime Television DELIVERANCE CREEK (2015) SHAMELESS John Wells Showtime Networks WITCHES OF EAST END Maggie Friedman Fox 21 THE WIRE David Simon HBO AMERICANA Phillip Noyce ABC Studios DIALOGUE EDITOR | SELECT FEATURE CREDITS SONG TO SONG Terrence Malick FilmNation Entertainment Sony Pictures SPARKLE Salim Akil Entertainment HONEY 2 Billy Woodruff Universal Pictures THE LAST SONG Julie Ann Robinson Touchstone Pictures BEVERLY HILLS CHIHUAHUA Raja Gosnell Walt Disney Pictures COLLEGE ROAD TRIP Roger Kumble Walt Disney Pictures BLACK SNAKE MOAN Craig Brewer Paramount Classics INVINCIBLE Ericson Core Walt Disney Pictures YOU, ME AND DUPREE Anthony Russo/Joe Russo Universal Pictures THE LAKE HOUSE Alejandro Agresti Warner Bros. THE HILLS HAVE EYES Alexandre Aja Fox Searchlight Pictures GUESS WHO Kevin Rodney Sullivan Columbia Pictures WHITE CHICKS Keenan Ivory Wayans Columbia Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS GANGS OF NEW YORK Martin Scorsese Miramax SOLARIS Steven Soderbergh Twentieth Century Fox FRIDA Julie Taymor Miramax SIDEWALKS OF NEW YORK Edward Burns Paramount Classics BAMBOOZLED Spike Lee New Line Cinema CHINESE COFFEE Al Pachino Fox Searchlight Pictures SUMMER OF SAM Spike Lee Touchstone Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
1 Dead, 1 Hurt in 2 A.M. Crash Driver Injured, Passenger Killed When Pickup Flips on US 441 Early Saturday
A3 SUNDAY, NOVEMBER 25, 2018 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $2 Lake City Reporter LAKECITYREPORTER.COM SUNDAY + PLUS >> Friday Bustling The odd morning Black story of rollover Deborah Friday Pittman bargains 1C Opinion/4A Big plans for mill 2A See 2A 1 dead, 1 hurt in 2 a.m. crash Driver injured, passenger killed when pickup flips on US 441 early Saturday. From staff reports Renovation site a A Lake City man died treasure trove of Saturday morning after a pick- Lake City history. up truck he was traveling in flipped over on US Highway 441, according to a Florida By CARL MCKINNEY Highway Patrol press release. [email protected] Dead is Andrew Powell III, Glass shards form a sheet on the the release said. ground as Benny Smollack sifts At about 1:57 a.m. Saturday, a through what the crew unearthed 2008 Ford F-350 pickup driven in the past couple weeks. by John Ray Beasley, 29, of Lake A miracle cure purchased at the City, was traveling north on 441, MORE drug store that approaching the intersection INSIDE used to be down the n of County Road 240, when it Blanche street, old soda bot- left roadway onto the shoulder, renovation update, 1D. tles from back when striking multiple objects, includ- Lake City still had a ing a culvert, which caused the Coca-Cola plant — there’s no tell- truck to overturn and land on ing what other secrets lie below the its roof. Blanche Hotel. Beasley suffered serious “What is that?” Smollack says, injuries and is being treated picking up a rectangular piece of at Shands UF Health at the debris. -
Representations of Education in HBO's the Wire, Season 4
Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina. -
Reco Changes
Reco Changes Bruce Baller July 14, 2015 Outline } ClusterFinder/LineCluster_module - update } RecoAlg/ClusterCrawlerAlg - update } TrackFinder/CCTrackMaker_module – major update } RecoAlg/TrackTrajectoryAlg - update } RecoAlg/VertexFitAlg – new } Much of this information is for reference and will not be described in detail } Highlights for this meeting in red 2 LineCluster_module } Calls ClusterCrawlerAlg } Produces ß “New” ß “New” } Interface is unchanged 3 ClusterCrawlerAlg Updates } Vertex finding & fitting } Hammer clusters new } ChkSignal revision } MergeOverlap new – merges overlapping clusters 4 ClusterCrawlerAlg - 2D Vertex Finding } Algorithm (old) } Double loop over cluster pairs that have no Vtx assignment } Calculate (vwire, vtick) of the intersection point } Ensure that there is hit charge on all wires between (vwire, vtick) and the Begin/End (wire, tick) of both clusters (using ChkSignal) } Compare (vwire, vtick) with set of existing vertices and merge them if δWire < 4 and δTick < 25 } Problem } Poor cluster reconstruction near the vertex can result in nearby vertices that fail the cuts particularly for large angle clusters } Solution } Modify FitVtx routine to save the vertex position error } Replace the hard-coded δWire and δTick cuts with chisq cuts } Side note: recob::Vertex has no error on the (x,y,z) position 5 2 GeV CC neutrino interaction w 6 protons 6 Vertex position (small open circle) after making these 6 clusters changes 7 clusters 6 clusters 7 Hammer clusters No circle displayed à no vertex found Zoom in on next slide 8 2 clusters Similar signature to ArgoNeuT back-to- back proton tracks 2 clusters Short clusters not reconstructed 1 cluster 9 ClusterCrawlerAlg New routine - FindHammerClusters } In each plane, look for: } One long (>20 hits) cluster whose End is near a short (< 20 hits) cluster } An (vwire, vtick) intersection point on the short cluster where vwire < End wire of the long cluster } Calculate the X position of the intersection point } Store in a temporary struct } Match in 3D } Create an “incomplete” 3D vertex (i.e. -
Aes 143Rd Convention Program October 18–21, 2017
AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Community Services Report 2009-2010
Community Services Report 2009-2010 Music is a gift that has touched all our lives. When musicians and those who support them share the gift of music, they bring people together in a way nothing else has the power to do. In 1989, The Recording Academy® established MusiCares® to sustain music and its makers. MISSION MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. In 2010, MusiCares experienced a landmark year by serving the largest number of clients to date — more than 2,200 — with $2.5 million in aid. OUR PROGRAMS AND SERVICES Since its inception, MusiCares has developed into a premier support system for music people by “Thank you so much for providing innovative programs and services designed to meet the specific needs of its constituents. supporting our family and remembering the players.” EMERGENCY FINANCIAL ASSISTANCE PROGRAM — MusiCares Client The “heart and soul” of MusiCares is the Emergency Financial Assistance Program. With a commitment to providing help to those in need as quickly as possible, this program provides assistance for basic living expenses including rent, utilities and car payments; medical expenses including doctor, dentist and hospital bills; psychotherapy; and treatment for HIV/ AIDS, Parkinson’s disease, Alzheimer’s disease, hepatitis C and other critical illnesses. -
September 2021
SAC and FOX NEWS Nemîshâtênemo êhthâkîwiyâni Phone: 918-968-3526 • 920963 S. Hwy. 99, Bldg. A • Stroud, OK 74079 • Vol. 43 • No. 9 • September 2021 The Late Major Don Couteau Receives French ‘Legion of Honor’ Award by Mike Brown who helped with the meal and Family members and friends Remembered as “A True Hero of The Greatest Generation” those who helped coordinate the of the late Don Couteau were in In his comments while pre- the fi rst Sac and Fox tribal mem- the Sac and Fox Honor Guard event, including Sac and Fox attendance July 21, 2021 as the senting the Legion of Honor bership enrollment book. and Sac and Fox Business Com- Honor Guard Charter Member late U. S. Army Air Corps Major Award, Consul General Andres Following an exchange of mittee, the master of ceremo- Dennis Jennings, Pamela Patter- was recognized by the French said, “Today, I have the honor to gifts among the Couteau Family, nies expressed appreciation to son of the Sac and Fox Business government for “his personal recognize the courage Don Cou- the visiting French dignitaries, everyone in attendance, those Committee offi ce and others. contribution towards the liber- teau displayed so many years ation of France” during World ago on a land, my land, that was War II. so foreign to him, and yet for Couteau, a Sac and Fox Na- which he was prepared to make tion tribal member, took part in the ultimate sacrifi ce.” the operation “Carpetbaggers,” “I thank Don Couteau for his as a member of special opera- personal contribution towards tions air groups that provided the liberation of France, and aerial support behind enemy I recognize him as a true hero lines throughout Europe.