Epitaph for a Spy Free

Total Page:16

File Type:pdf, Size:1020Kb

Epitaph for a Spy Free FREE EPITAPH FOR A SPY PDF Eric Ambler | 272 pages | 05 Feb 2002 | Vintage Crime/Black Lizard | 9780375713248 | English | New York, NY, United States Epitaph for a Spy by Eric Ambler: | : Books When his camera is swapped with one whose film contains sensitive photos of secret naval installations in Toulon, Vadassy comes under suspicion of being a Gestapo agent. At the beginning of the Second World War, British engineer Howard Epitaph for a Spy has been involved in high-level talks with the Turkish government regarding arms manufacturing, an alliance which displeases German spies. After surviving an assassination attempt in his hotel room in Istanbul, Graham changes his route home to England and boards a passenger steamer across the Mediterranean to Genoa. However, although Graham initially believes he is safe, it quickly transpires that the other passengers on board are not all as they seem. Neither Vadassy or Graham are professional spies and nor do they readily embrace their new positions as amateur sleuths. Filed under Books. Like Like. Like Liked by 1 person. Glad to see that you enjoyed these novels by Ambler — they sound excellent. Hi there! Thank you for some awsome tips! Well, there are now 14 in all, the first is called The Night Soldier and this has become the generic title of the whole series. If starting from the beginning is not your bag, then I would strongly recommend these three — The World at Night, which is set in Paris and is similar territory to the film The Last Metro though they are not remotely relatedKingdom of Shadows which is set in Paris inbut covers other places including Vienna. The last one in this recommendation is The Polish Spy. However, I am loth to pick these out, since I have been a committed reader since the very first one. They are clever, ambitious, frightening and compulsive. Let me know what you think. I forgot to mention that some characters appear in more than one book. Jean Casson makes his first reluctant entry into the world of espionage in The World at Night, and Epitaph for a Spy adventures continue in Red Gold. There are other examples. I just finished Journey Into Fear. I Epitaph for a Spy word today that I have an Amazon gift card due to the settlement of a class action lawsuit over the pricing of books. Think I will use it on some more Eric Ambler! You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new Epitaph for a Spy via Epitaph for a Spy. Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Email Address:. Excerpts and links may be used, provided that full and clear credit is given to A Little Blog of Books with appropriate and specific direction to the original content. A Little Blog of Books. Skip to content. Like this: Like Loading June 5, at pm. Yes, and good to see that his books are still in print today! They sound exciting reads. Thanks for reviewing. I love Eric Ambler — have you read Light of Day? June 7, at pm. June 6, at am. Great — thanks for the recommendations! June 6, Epitaph for a Spy pm. Bookabye Baby. June 8, at am. June 12, at pm. Thanks, I hope you enjoy them! Lilyn G. June 11, at pm. This looks really good! June 21, at pm. June 23, at pm. Good choice! Leave a Reply Cancel reply Enter your comment here Please log in using one of these methods to post your comment:. Email required Address never made public. Name required. Follow Blog via Epitaph for a Spy Enter your email address to follow this blog and receive notifications of new posts by email. Join 9, other followers. Search for:. The Rise of eBooks: evil or essential? Does My Blog Harm Literature? My Most Anticipated Books of The Man Booker Prize Longlist Create a website or blog at WordPress. Post to Cancel. Post was not sent - check your email addresses! Sorry, your blog cannot share posts by email. Dangerous games | Books | The Guardian Looking back now, I marvel at my stupidity; I was pathetically ineffectual. Maybe the Epitaph for a Spy feature of the six thriller novels Eric Ambler published in the late s is that they are all set in Epitaph for a Spy under the shadow of war: the fictional Balkan country Ixania in The Dark FrontierAustria and Czechoslovakia in Uncommon Dangerand the Epitaph for a Spy of France here in Epitaph. This non-English setting gives them a particularly brooding, stifling, paranoid atmosphere; everyone is scheming against everyone else, the police are menacing, strangers whisper in foreign languages, and over everything a vast catastrophe is looming. Here Liesp. The story is told by Vadassy in the first person which gives greater access to his engulfing sensations of amazement, fear and panic as the situation unfolds, and also to his serio- comic attempts to play-act the tough guy and fathom his fellow guests. The narrative is kicked off quite simply: Vadassy is on a three-week holiday in the south of France from his language school in Paris. Turns out the roll of film on his camera contains incriminating photos of the naval defences at Toulon!! Somehow, at the hotel, his camera has been swapped for that of a spy. Or so he says!!! Grudgingly, the police release him on orders from a Naval Intelligence man, on condition that Vadassy return to the hotel and find out who the real spy is…. Almost all the novel is set in this sleepy French hotel in which there are ten or so guests, from different nationalities, different ages etc, all with different quirks and oddities, Epitaph for a Spy any one of them could be the suspect!! This is more like a chamber piece. Ambler was consciously revolting against the hard-eyed he-men which featured in the now-forgotten spy fiction of the s, the epigones of John Buchan and Bulldog Drummond and E. His protagonists are very ordinary men and they react with very ordinary fear to the situations they find themselves in. I think that if anyone had suggested to me at that moment that I should not be able to leave on the Sunday, I should have laughed disbelievingly. But there would have been hysteria in that laugh for, as I sat on the floor beside my open suitcase, fear was clutching at the mechanism inside my chest, making my heart thud and my breathing short and sharp as though I had been running. I kept swallowing saliva, feeling for some curious reason that by doing so I would stop my heart beating so. It made me terribly thirsty and after a while I got up, went to the wash-basin and drank some water out of the tooth glass. I was so engrossed with these significant discoveries that I did not hear the footsteps until they were practically outside the door. Even if I had have heard them I doubt whether I should have been able to do anything more. As it was, I just had time to cram the Epitaph for a Spy back into the pocket and bundle the suit into the cupboard behind me before the handle of the door turned. In the Epitaph for a Spy split seconds that followed, my brain and body seemed to go numb. I stood and gazed stupidly at the handle. I wanted to shout, hide in the cupboard, jump out of the window, scramble under the bed. But I did none of those things. I just gaped. I went downstairs feeling several kinds of fool. Instead of doing the pumping I had been pumped. Far from extracting valuable information I had been forced into a defensive position and answered questions as meekly as if I had been in the witness box… As usual, I began to think of the crushing things I ought to have said. The trouble was that my brain moved far too slowly. I was a dullard, a half-wit. Ambler repeats his war-of-all-against-all worldview, the epidemic of spying and industrial espionage in the feverish atmosphere of the late s. All over Europe, all over the world, men were spying. The world was getting ready to go to war. For the cannon-makers and for the spies, business was good. Miss Marple Mislays A Camera might be closer in tone. The novel was made into a movie titled Hotel Reservestarring James Mason. It was in production at Denham Studios at the same time as the Epitaph for a Spy morale-booster which Ambler scripted, The Way Ahead. Ambler has some harsh words for it. Though I later became a friend and neighbour of James Mason, he could never speak of Hotel Reserve without a shudder. In his autobiography and in a book about all his Epitaph for a Spy he tried, almost successfully, not to speak about it at all. I shared Epitaph for a Spy aversion to it. The film had a rubbishy script, bad sets and an unsuitable director. Here Lies, p. You are commenting using your WordPress. You are commenting using your Google account. Epitaph for a Spy are commenting using your Twitter account. You Epitaph for a Spy commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email.
Recommended publications
  • From Dimitrios with Love Ian Fleming’S Cold War Revision of Eric Ambler’S a Coffn for Ififrr Fos
    From Dimitrios with Love Ian Fleming’s Cold War Revision of Eric Ambler’s A Coffn for ififrr fos LUCAS TOWNSEND One of the most recognisable titles of Cold War popular fction is certainly Ian Fleming’s 1957 no el From Russia With Love! Listed among American $resident %ohn F! &ennedy’s top ten fa ourite no els in Life magazine and later mar(ing Sean Connery’s second flm appearance as %ames *ond+ Russia occupies a cross, roads of multilateral Cold War culture, becoming a -uintessential mar(er of the deadlocked political tensions bet.een /ast and West! Russia .as a noticeable de, parture from the successful formula Fleming de eloped in the four *ond no els that preceded it0 Casino Royale+ Live and Let Die+ Moonraker+ and Diamonds Are For- ever! In Russia+ *ond’s chief 1 orders him to Istanbul on a mission to 2pimp for England3 4Fleming 5615b, 1177 and seduce the beautiful So iet cipher cler( 8a, tiana 9omano a. In e:change, 8atiana ofers a cutting-edge So iet encryption machine, the )pe(tor! As the reader learns from the opening section of the no el+ this is an elaborate ploy+ a 2honey trap3 laid by the So iet <nion’s )1/9)=1 intelligence branch to cripple the reputation of the *ritish Secret Ser, ice in a murder-suicide se: scandal in ol ing their best agent! Russia’s uni-ue 1 #s Fleming defnes it+ 2)1/9)= is a contraction of >)miert )pionam ?Смерть Шпионам@+’ .hich means >Aeath to )pies’3 45615b+ 577! )1/9)= 4СМЕРШ 7 .as a real col, laborati e department of se eral )oviet counterintelligence agencies! Lucas Townsend is .n /A 0.n*i*.)e in Englis1 .) 2lori*.
    [Show full text]
  • Journey Into Fear Free
    FREE JOURNEY INTO FEAR PDF Eric Ambler,Norman Stone | 224 pages | 01 Jul 2009 | Penguin Books Ltd | 9780141190303 | English | London, United Kingdom Journey Into Fear by Eric Ambler AllMovie relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Action Comedy Drama Comedy. Horror Thriller Drama. Science Fiction Romance Adventure. Western Mystery All Genres. Comedy on the Edge Eyepoppers Fantastic Reality. Tough Guys Trashy All Moods. Kidnapping Prostitutes Sexual Awakening. Witches Zombies All Themes. Features Reviews Lists. Watch Online News All Posts. Facebook Twitter RSS. Flags Suitable for Children. Orson Welles had planned to produce, direct and star Journey into Fear RKO's Journey Into Fearbut prior commitments compelled him to vacate the director's chair in favor of Norman Foster. Joseph Cottenwho starred as an American gunnery engineer up to his armpits in international intrigue, adapted the screenplay from the Journey into Fear by Eric Ambler. Targeted for extermination by the Gestapo, Cotten secretly books passage on a steamer bound from Turkey to Batumi. His fellow passengers include dancer Dolores Del Rio and her gigolo partner Jack Durant ; talkative Frenchwoman Agnes Moorehead and her browbeaten husband Frank Readick ; German archaeologist Journey into Fear Wyatt ; and a secretive, obese, thick-spectacled Journey into Fear, played by Orson Welles ' business partner Jack Moss. From the outset, it is no secret that Moss is a Nazi assassin. The question: who are his contacts, and how long will it be before Cotten is forced into a showdown? The very complex storyline was made even more Journey into Fear by RKO's decision to pare the film down to 69 minutes; several resultant plot gaps had to be bridged by an ongoing offscreen narration, presented in the form of a letter written by Cotten to his worried wife Ruth Warrick.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • JOURNEY INTO FEAR a Lost Eric Ambler Story © Glenn Mosley, 2005
    JOURNEY INTO FEAR A lost Eric Ambler story © Glenn Mosley, 2005 By Glenn A. Mosley Director of Broadcasting School of Journalism and Mass Media University of Idaho A reviewer of the work of suspense author Eric Ambler once wrote that one of the keys to Ambler’s popularity with the public was his unique ability to use regular, everyday people in unusual situations. “The amateur as protagonist,” Ronald Ambrosetti wrote in “Dimensions of Detective Fiction,” “succeeds for Ambler by reducing all of the angst of international intrigue to a very personal level…Ambler gets the edge on suspense by making his spy- detective an average person—the reader identifies easily.” It was this very technique that Ambler was to employ in a largely forgotten story of his, though the title of the story may sound familiar. It was called “Journey Into Fear.” It is not, however, the famous thriller written by Ambler in the early 1940s and adapted by Orson Welles into a memorable film (another film version was also subsequently produced in 1974). This “Journey Into Fear” was a pilot for a proposed television series developed by Ambler and producer William Dozier in 1965, targeted for the 1966-67 season on NBC. However, the proposed series, to star film actor Jeffrey Hunter, did not sell, and has collected dust in film vaults ever since. Of course, Eric Ambler was a renowned novelist when he and Dozier began to develop the program in the summer of 1965, but he was well- acquainted with film and television, as well. Many of Ambler’s most famous novels had already been written by this time, including “Journey Into Fear,” “The Dark Frontier,” “Background to Danger,” and “Epitaph for a Spy.” All of these had been written prior to the outbreak of World War II.
    [Show full text]
  • LONDON 2019 Estates and Backlist
    LONDON 2019 Estates and Backlist CONTENTS NEW TO PFD p. 3 - Beryl Gilroy - William Harrington - Samantha Howe - Irene Northan NEW RELEASES AND INTERNATIONAL PHENOMENA p. 11 - Sabina Brennan - Virginia Cowles - Graham Masterton - Rebecca West ANNIVERSARIES p. 20 - Ivy Compton-Burnett - Edmund Crispin - Desiree Meyler - Bernice Rubens - Georges Simenon MOVIE AND TV ADAPTATION p. 30 - CS Forester - Mervyn Peake - Nicolas Freeling - John Timpson SPIES, KILLERS AND INVESTIGATORS p. 38 - Margery Allingham - Eric Ambler - George Bellairs - Nicholas Blake - Richard Hull SAGAS AND ROMANCES p. 49 - Beryl Kingstone - Anne Melville - Jean Saunders Please refer to our previous rights guides for the following contents: FBF18: Female Pioneer Writers, Horror, Royal History, Brain Health NEW TO PFD NEW TO PFD BERYL GILROY Beryl Agatha Gilroy (1924—2001) was a pioneering teacher and novelist, and one of Britain's most significant post-war Caribbean migrants, part of the so-called "Windrush generation". Born in what was then British Guiana, she moved to the United Kingdom in the 1950s . Although Gilroy was a qualified teacher, racism prevented her getting a post for some time, and she had to work as a washer, a factory clerk and maid. Eventually she was employed and became the first Black headteacher in London. Her experiences of those years are told in her unconventional autobiography Black Teacher. Gilroy's creative writing began much earlier, in childhood, as a teacher for children and then in the 1960s when she began writing what was later published In Praise of Love and Children, a rare account of a woman’s experience of migration from the Caribbean.
    [Show full text]
  • IN Ronald J. Ambrosetti a Dissertation Submitted to the Graduate School
    A STUDY OP THE SPY GENRE IN RECENT POPULAR LITERATURE Ronald J. Ambrosetti A Dissertation Submitted to the Graduate School of Bowling Green State University In partial fulfillment of the requirements for the degree of DOCTOR OP PHILOSOPHY August 1973 11 ABSTRACT The literature of espionage has roots which can be traced as far back as tales in the Old Test­ ament. However, the secret agent and the spy genre remained waiting in the wings of the popular stage until well into the twentieth century before finally attracting a wide audience. This dissertation analyzed the spy genre as it reflected the era of the Cold War. The Damoclean Sword of the mid-twentieth century was truly the bleak vision of a world devastated by nuclear pro­ liferation. Both Western and Communist "blocs" strove lustily in the pursuit of the ultimate push-button weapons. What passed as a balance of power, which allegedly forged a détente in the hostilities, was in effect a reign of a balance of terror. For every technological advance on one side, the other side countered. And into this complex arena of transis­ tors and rocket fuels strode the secret agent. Just as the detective was able to calculate the design of a clock-work universe, the spy, armed with the modern gadgetry of espionage and clothed in the accoutrements of the organization man as hero, challenged a world of conflicting organizations, ideologies and technologies. On a microcosmic scale of literary criticism, this study traced the spy genre’s accurate reflection of the macrocosmic pattern of Northrop Frye’s continuum of fictional modes: the initial force of verisimili­ tude was generated by Eric Ambler’s early realism; the movement toward myth in the technological romance of Ian Fleming; the tragic high-mimesis of John Le Carre' and the subsequent devolution to low-mimesis in the spoof; and the final return to myth in religious affir­ mation and symbolism.
    [Show full text]
  • A Sheffield Hallam University Thesis
    Reluctant Heroes, Ambivalent Patriots : Eric Ambler, Graham Greene and Middlebrow Leftist Thrillers 1932-1945 DOYLE, Christopher Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/25601/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/25601/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reluctant Heroes, Ambivalent Patriots : Eric Ambler, Graham Greene and Middlebrow Leftist Thrillers 1932-1945 Christopher Doyle A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy April 2018 1 Table of Contents Introduction....................................................................................................................5 The Evolution of Popular Genres..........................................................................8 Defining the Espionage Novel.............................................................................14 The Pre-History of the Ambler-Greene Story.......................................................21 Chapter 1: ‘a little mild mental recreation from the stern realities
    [Show full text]
  • 1 Hp0103 Roy Ward Baker
    HP0103 ROY WARD BAKER – Transcript. COPYRIGHT ACTT HISTORY PROJECT 1989 DATE 5th, 12th, 19th, 26th, October and 6th November 1989. A further recording dated 16th October 1996 is also included towards the end of this transcript. Roy Fowler suggests this was as a result of his regular lunches with Roy Ward Baker, at which they decided that some matters covered needed further detail. [DS 2017] Interviewer Roy Fowler [RF]. This transcript is not verbatim. SIDE 1 TAPE 1 RF: When and where were you born? RWB: London in 1916 in Hornsey. RF: Did your family have any connection with the business you ultimately entered? RWB: None whatsoever, no history of it in the family. RF: Was it an ambition on your part or was it an accidental entry eventually into films? How did you come into the business? RWB: I was fairly lucky in that I knew exactly what I wanted to do or at least I thought I did. At the age of something like fourteen I’d had rather a chequered upbringing in an educa- tional sense and lived in a lot of different places. I had been taken to see silent movies when I was a child It was obviously premature because usually I was carried out in scream- ing hysterics. There was one famous one called The Chess Player which was very dramatic and German and all that. I had no feeling for films. I had seen one or two Charlie Chaplin films which people showed at children's parties in those days on a 16mm projector.
    [Show full text]
  • Orson Welles 100 at the Film Forum
    DECEMBER 25-31 ♦ One Week JANUARY 1-FEBRUARY 3 Five Weeks Celebrating his Centennial Year RSON ELLES OProgrammed by BRUCE GOLDSTEIN W Series Consultant: JOSEPH MCBRIDE Mr. McBride’s book What Ever Happened to Orson Welles?: A Portrait of an Independent Career 100 (University Press of Kentucky) will be on sale at our concession during the series. Presented with support from JANUARY 1 8 Special thanks to NICOLE WOODS, KRISTIE NAKAMURA (WARNER BROS.), BRIAN BELOVARAC, LAURA COXSON (JANUS FILMS), PAUL GINSBURG, - Eight Days JANICE SIMPSON (UNIVERSAL PICTURES), GROVER CRISP, CHRIS LANE, MICHAEL HORNE (SONY PICTURES), JULIE PEARCE, CHARLIE BLIGH (BFI), CRISTINA BERNALDEZ (FILMOTECA ESPAÑOLA, MADRID), ANDREA KALAS, JUDY NICAUD (PARAMOUNT PICTURES), CAITLIN ROBERTSON, JOE REID (20TH CENTURY FOX), ERIC DIBERNARDO, ADRIENNE HALPERN (RIALTO PICTURES), CHRIS CHOUINARD (PARK CIRCUS FILMS), MAY HADUONG, CASSIE BLAKE (ACADEMY FILM ARCHIVE), CALANTHA MANSFIELD (CARLOTTA FILMS U.S.), TODD WIENER, STEVEN HILL (UCLA FILM ARCHIVE), ERNST LUBITSCH’S RON SIMON (PALEY CENTER), LYNANNE SCHWEIGHOFER (LIBRARY OF CONGRESS), PAOLO CHERCHI USAI, DANIEL BISH (GEORGE EASTMAN HOUSE), JAKE PERLIN 4K (MAYSLES FILMS), SHARON LESTER KOHN (RAINbow RELEASING), EMILIANA PIEDRA, LOLA PIEDRA, EMMA PIEDRA, SOLEDAD FOX, AND JOSEPH MCBRIDE. ORSON WELLES ON TELEVISION at Paley Center for Media RESTORATION Over two consecutive weekends (February 7-8 and February 14-15), The Paley Center for Media (215 W. 52nd St.), will present Welles television rarities, including his landmark TV pilot Fountain of Youth; starring roles in The Man Who Came to Dinner and King Lear; a compilation of classic interviews; and even an episode of I Love Lucy. For complete schedule, go to paleycenter.org.
    [Show full text]
  • Introduction 1
    INTRODUCTION 1 INTRODUCTION Introduction: The present study tries to analyze and interpret the select novels of Eric Clifford Ambler in the context of the concept of Thriller or Thriller fiction. Eric Ambler is one of the most prominent authors of the twentieth century British Literature. He is considered as ‘the Master of Thriller Fiction’, who has produced a number of best thriller novels in his lifetime. His novels focus on contemporary social realities: a crime, robbery, murder, assassination, blackmailing, serial killer, drug-smuggling, spy or detection, and war. He depicts photographic representation of his era and milieu which include dirty, dingy, war-shadowed, industrial Europe in the modem period. Eric Ambler tries to depict fictional world in his novels. He reflects the real world which includes crooked businessmen and financiers, dmg dealers, pimps and gun-mnners, criminal gangs, a world of espionage, assassination, moral and political decay. His major characters are real people with proper jobs: writers, journalists, teachers, scientists, lawyers, and engineers who unconsciously entangle in the world of violence and danger. They go from the strange situation to fight against such kind of immoral things in the society. Indeed, they are ordinary people who come from different parts of the society. They are ordinary citizens who involve accidentally or sometimes s' innocently in the national or international intrigues. His villains are not real people, but the actual kind of people, who generate violence in the society. s' Through these characters, he tries to show two faces of the human being that are good and evil existed in human nature in the world.
    [Show full text]
  • One of the Rarest American Novels in Jacket 132 Dawn POWELL Whither Boston: Small, Maynard & Company (1925)
    Between the Covers Rare Books Catalog 193: New Arrivals Terms of Sale: Images are not to scale. Dimensions of items, including artwork, are given width first. All items are returnable 112 Nicholson Rd. within ten days if returned in the same condition as sent. Orders may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced Gloucester City, NJ 08030 with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, Visa, Mastercard, American Express, Discover, and PayPal. (856) 456-8008 Gift certificates available. Domestic orders from this catalog will be shipped gratis for orders of $200 or more via UPS [email protected] Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items betweenthecovers.com insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Cover art by Tom Bloom. © 2014 Between the Covers Rare Books, Inc. 1 George ADE The Girl Proposition: A Bunch of He and She Fables New York: R.H. Russell 1902 First edition. Profusely illustrated by John T. McCutcheon and others. Pencil name, fine in a lovely, near fine illustrated dustwrapper with tiny nicks and tears, and a small, faint stain on the rear panel. One of the author’s volumes of snappy fables, revolving around the war between the sexes. Once phenomenally popular, Ade’s fables coincided with the turn-of-the-century urbanization of America and captured perfectly the street-wise persona and vernacular of the era.
    [Show full text]
  • St. Martin's Press April 2017
    ST. MARTIN'S PRESS APRIL 2017 Blast the Sugar Out! Lower Blood Sugar, Lose Weight, Live Better Ian K. Smith From the New York Times #1 bestselling author of the SHRED diets, a book that fills an urgent need and supports all dieters who know cutting sugar is key. Blast The Sugar Out! is the ultimate guide to eating well—and frequently —while dieting or making a lifestyle change after a diagnosis of diabetes or pre-diabetes. This book includes more than two dozen food swaps—vegetable and fruit flavored waters instead of soda, grains instead of rice, oven-baked sweet potatoes instead of fries—which are key to an achievable and permanent change in lifestyle. HEALTH & FITNESS / DIET & NUTRITION / WEIGHT LOSS St. Martin's Press | 4/25/2017 Structured meal plans and more than 50 easy-to-follow recipes that are both 9781250130136 | $25.99 / $36.99 Can. nutritious and low or no sugar make Blast the Sugar Out! both a great primer Hardcover | 240 pages | Carton Qty: 24 for first-timers and a rich source of ideas for more knowledgeable readers. 9.3 in H | 6.1 in W Subrights: UK: St. Martin's Press The book includes exercise routines and motivation to get bodies back on a Translation: St. Martin's Press healthy track and kick start weight loss. Other Available Formats: Ebook ISBN: 9781250130143 IAN K. SMITH, M.D., is the bestselling author of SHRED, The Fat Smash Diet, Extreme Fat Smash Diet, and The 4 Day Diet. He was the diet expert for six seasons on VH1’s Celebrity Fit Club, and has created two national health initiatives: the 50 Million Pound Challenge and the MARKETING Makeover Mile.
    [Show full text]