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SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
NASFA 'Shuttle'
The SHUTTLE March 2002 The Next NASFA Meeting will be 16 March 2002 at the Regular Time and Location DeepSouthCon 40 ConCom Meeting 14 March 2002 7PÐ9P at Sam SmithÕs Apartment { Oyez, Oyez { DSC ConCom Meeting The next NASFA meeting will be 16 March 2002 at the The next DeepSouthCon 40 con committee meeting will regular time (6P) and the regular location. Call BookMark at be 7PÐ9P Thursday 14 March 2002 at Sam SmithÕs place. An 256-881-3910 if you need directions. agenda will be emailed to concom members before the meet- The March program will be ÒMarch Monster Madness.Ó ing. The first half of the program will be in the ÒArts and CraftsÓ Future DSC 40 concom meetings are scheduled for the category where attendees will create their own monster from Thursdays before regular NASFA meeting dates, as well as provided materials. The second half of the program will be a some additional dates (see the calendar on page 2). contest where the creators will enter their monsters into table- top combat to determine the ÒmeanestÓ monster. The March after-the-meeting meeting will be at Mike KennedyÕs house Ñ 7907 Charlotte Drive SW in Huntsville. Classic TV Retreads Call him at 256-883-5922 if you need directions. We need volunteers for future ATMMs. Coming And in the category of something you donÕt see every day, for a look at the Lord of the Rings saga (as rendered in Lego!) Fox Entertainment has bought rights to four classic sf TV visit <www.chem.ucla.edu/~bnh/lotr/lotrmain.html>. -
From Dimitrios with Love Ian Fleming’S Cold War Revision of Eric Ambler’S a Coffn for Ififrr Fos
From Dimitrios with Love Ian Fleming’s Cold War Revision of Eric Ambler’s A Coffn for ififrr fos LUCAS TOWNSEND One of the most recognisable titles of Cold War popular fction is certainly Ian Fleming’s 1957 no el From Russia With Love! Listed among American $resident %ohn F! &ennedy’s top ten fa ourite no els in Life magazine and later mar(ing Sean Connery’s second flm appearance as %ames *ond+ Russia occupies a cross, roads of multilateral Cold War culture, becoming a -uintessential mar(er of the deadlocked political tensions bet.een /ast and West! Russia .as a noticeable de, parture from the successful formula Fleming de eloped in the four *ond no els that preceded it0 Casino Royale+ Live and Let Die+ Moonraker+ and Diamonds Are For- ever! In Russia+ *ond’s chief 1 orders him to Istanbul on a mission to 2pimp for England3 4Fleming 5615b, 1177 and seduce the beautiful So iet cipher cler( 8a, tiana 9omano a. In e:change, 8atiana ofers a cutting-edge So iet encryption machine, the )pe(tor! As the reader learns from the opening section of the no el+ this is an elaborate ploy+ a 2honey trap3 laid by the So iet <nion’s )1/9)=1 intelligence branch to cripple the reputation of the *ritish Secret Ser, ice in a murder-suicide se: scandal in ol ing their best agent! Russia’s uni-ue 1 #s Fleming defnes it+ 2)1/9)= is a contraction of >)miert )pionam ?Смерть Шпионам@+’ .hich means >Aeath to )pies’3 45615b+ 577! )1/9)= 4СМЕРШ 7 .as a real col, laborati e department of se eral )oviet counterintelligence agencies! Lucas Townsend is .n /A 0.n*i*.)e in Englis1 .) 2lori*. -
Wednesday Morning, Nov. 23
WEDNESDAY MORNING, NOV. 23 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Justin Bieber. (N) (cc) Live! With Kelly Jerry Seinfeld; 2/KATU 2 2 (cc) (Cont’d) (TV14) Howie Mandel. (N) (cc) (TVPG) KOIN Local 6 at 6am (N) (cc) The Early Show (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) Newschannel 8 at Sunrise at 6:00 Today Justin Bieber performs; John O’Hurley. (N) (cc) Anderson (cc) (TVG) 8/KGW 8 8 AM (N) (cc) EXHALE: Core Wild Kratts (cc) Curious George Cat in the Hat Curious George ★★ (‘06) Voices of Will Ferrell, Curious George 2: Follow That Monkey ★★ (‘09) Voic- Curious George: A Very Monkey 10/KOPB 10 10 Fusion (TVG) (TVY) (TVY) Knows a Lot Drew Barrymore. ‘G’ (1:27) es of Tim Curry, Jamie Kennedy. ‘G’ (1:21) Christmas (cc) (TVG) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Law & Order: Criminal Intent Prav- 12/KPTV 12 12 da. (cc) (TV14) Paid Paid Paid Paid Turbo Dogs (cc) Pearlie (TVY7) Through the Bible Paid Paid Paid Paid Paid 22/KPXG 5 5 (TVY7) Changing Your John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- Winning With Jason Crabb: Trusting God to Get Behind the Joyce Meyer James Robison Marilyn Hickey 24/KNMT 20 20 World (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) Wisdom You Through Scenes (cc) (cc) (TVG) (cc) Eye Opener (N) (cc) My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show (N) (cc) 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass (TV14) Andrew Wom- Paid The Jeremy Kyle Show (N) (cc) Family Feud (N) Family Feud (N) America Now (N) Divorce Court (N) Cheaters (N) (cc) Cheaters (cc) America’s Court Judge Alex (N) 49/KPDX 13 13 mack (TVPG) (cc) (TVPG) (cc) (TVPG) (cc) (TVG) (TVPG) (TV14) (TVPG) (cc) (TVPG) Paid Paid CSI: Miami Attorney may be The Sopranos Tony’s feud with The Sopranos Jackie Jr. -
Vector 246 Harrison & Melzack 2006-03 BSFA
TheVector Critical Journal of the British Science Fiction Association #246 • March/April 2006 • £2.so cnyr SMnTS OEOFF RYMAN IWIYIEn IAIN M BANKS Neil macleod Gai man th'OTid CHARLES Anansi UAH FOX Boys 1 HAMILTON JUDAS UNCHA’KEO JON COURTENAY GRIMWuOO JONATHAN STRANGE 1610 SERENITY M: NORRELL *7 SutiEBi Caike THE DESCENT MAGIC roRiininxKn* uuv LN Vector 246 The critical journal of the British Science Fiction Association Contents The British Science Fiction Association Officers Torque Control 3 Editorial by Geneva Melzack & Niall Harrison President Sir Arthur C. Clarke, CBE OT 4 Vice President Stephen Baxter Letters to Vector Chairs Pat McMurray & Julie Rigby Vector Reviewers' Poll 5 [email protected] Best Books of 2005, compiled by Paul Billinger Treasurer Martin Potts 61 Ivy Croft Road, Warton, Near Tamworth A Year in the Dark 10 B79 0JJ Movies of the Year by Colin Odell & Mitch LeBlanc [email protected] The Good, the Decent and the Membership Peter Wilkinson Services 39 Glyn Avenue, New Barnet, Herts "Why, Dear Lord, Why?" 14 (UK & Europe) EN4 9PJ Genre TV of 2005, by Mattia Valente [email protected] Best Related Relatedness 18 US Agent Cy Chauvin Claire Brialey's theories of relativity 14248 Willfred Street, Detroit, MI 48213, USA Archipelago 20 Membership fees Short stories of 2005 UK £26 pa, or £18pa (unwaged), or £28 (Joint/Family membership), Life First Impressions 23 membership £260 Book Reviews edited by Paul N. Billinger Europe £31 pa The New X 35 USA $35 pa (surfacemail) $45 pa (airmail) A column by Graham Sleight Rest of the World £31 pa (surface mail) £37 pa (airmail) Cover: Montage of some of the stuff of 2005 UK and Europe, make cheques payable to: BSFA Ltd and send to Estelle Roberts at the address above. -
Pandemonium: Stories of the Apocalypse Features Eighteen Original Stories Set at the End of the World, As Imagined by Award-Winn
Pandemonium: Stories of the Apocalypse features eighteen original stories set at the end of the world, as imagined by award-winning science fiction and fantasy writers including Jon Courtenay Grimwood, Lauren Beukes, Jonathan Oliver, Sophia McDougall and Chrysanthy Balis. The tales are inspired by the art of John Martin. Although Martin (1789 - 1854) received varying (and often negative) critical attention, his huge and wildly imaginative paintings were enormously popular with audiences. Since his death, Martin’s reputation has cycled through periods of complete insignificence and others of great renown. John Martin: Apocalypse is at Tate Britain until 15 January 2012. Tate will be selling a limited edition of Pandemonium from November 2011. The anthology will also be available for the Kindle and other e-readers from pandemonium-fiction.com. PANDEMONIUM STORIES OF THE APOCALYPSE Original tales inspired by the art of John Martin Magnus Anderson Scott Andrews Chrysanthy Balis Lauren Beukes Archie Black David Bryher S.L. Grey Jon Courtenay Grimwood Charlie Human Kim Lakin-Smith Sophia McDougall Louise Morgan Jonathan Oliver Den Patrick Tom Pollock Andy Remic Osgood Vance Sam Wilson Edited by Anne C. Perry & Jared Shurin Introduced by Tom Hunter, Director of the Arthur C. Clarke Award WWW.PANDEMONIUM-FICTION.COM THE ARCHITECT OF HELL DAVID BRYHER ™ Dear Mr Martin, So. It’s like this. I need your help. Hi, by the way. Hi. My name is Mulciber. Me and the boys think you’ve probably heard of me – and that’s one of the weird things, certainly, yes, I guess I should mention that. I’m back here, you’re way ahead over there. -
Journey Into Fear Free
FREE JOURNEY INTO FEAR PDF Eric Ambler,Norman Stone | 224 pages | 01 Jul 2009 | Penguin Books Ltd | 9780141190303 | English | London, United Kingdom Journey Into Fear by Eric Ambler AllMovie relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Action Comedy Drama Comedy. Horror Thriller Drama. Science Fiction Romance Adventure. Western Mystery All Genres. Comedy on the Edge Eyepoppers Fantastic Reality. Tough Guys Trashy All Moods. Kidnapping Prostitutes Sexual Awakening. Witches Zombies All Themes. Features Reviews Lists. Watch Online News All Posts. Facebook Twitter RSS. Flags Suitable for Children. Orson Welles had planned to produce, direct and star Journey into Fear RKO's Journey Into Fearbut prior commitments compelled him to vacate the director's chair in favor of Norman Foster. Joseph Cottenwho starred as an American gunnery engineer up to his armpits in international intrigue, adapted the screenplay from the Journey into Fear by Eric Ambler. Targeted for extermination by the Gestapo, Cotten secretly books passage on a steamer bound from Turkey to Batumi. His fellow passengers include dancer Dolores Del Rio and her gigolo partner Jack Durant ; talkative Frenchwoman Agnes Moorehead and her browbeaten husband Frank Readick ; German archaeologist Journey into Fear Wyatt ; and a secretive, obese, thick-spectacled Journey into Fear, played by Orson Welles ' business partner Jack Moss. From the outset, it is no secret that Moss is a Nazi assassin. The question: who are his contacts, and how long will it be before Cotten is forced into a showdown? The very complex storyline was made even more Journey into Fear by RKO's decision to pare the film down to 69 minutes; several resultant plot gaps had to be bridged by an ongoing offscreen narration, presented in the form of a letter written by Cotten to his worried wife Ruth Warrick. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
(1.907Mb) Library Newsletter Winter 2019.Pdf
2/14/2019 Winter 2019 OU Libraries eNews View in browser UNIVERSITY LIBRARIES Winter 2019 eNewsletter MESSAGE FROM THE DEAN Since I arrived at Oakland in September 2015, many exciting programs, events and initiatives have been implemented at OU Libraries, enabling students and faculty across campus to engage in collaborative research, hands-on learning and much more. Highlights of our collective accomplishments include: opening of the Krompart-Hildebrand Digitization Lab and the Mike Roger Collection of congressional papers and documents; digitization of student newspapers; and a Makerspace to inspire student collaboration and creativity. We have increased student access to scholarly information critical to their education and success through the promotion of affordable textbooks and the adoption of Open Educational Resources across campus. We have provided quality research assistance and information literacy instruction to our community of scholars, and increased engagement http://oaklandghostlevel.imodules.com/controls/email_marketing/view_in_browser.aspx?sid=1001&gid=4&sendId=122728&ecatid=4&puid=3a7830c6… 1/10 2/14/2019 Winter 2019 OU Libraries eNews with our local communities through events, cultural celebrations and shared programs. Through the development of a strong strategic plan for the library, in conjunction with the launch of the University’s largest comprehensive campaign, OU Libraries is poised for continued success. While I have enjoyed working with each of you and have learned much here at OU, I have informed Provost Lentini of my intention to retire effective August 15, 2019. It has truly been my privilege to serve as dean of University Libraries. However, for me personally, it is time to move back home to my family in New York, to spend time working on personal projects, and to do a bit of fishing. -
Social Media: a Work in Progress for CPG
SocialSocial Media:Media: AA WorkWork inin ProgressProgress forfor CPGCPG AA NationalNational SurveySurvey ofof ManufacturersManufacturers Third Annual Conference “Shopper Strategies: From Insights to Activation” September 21, 2011 325 W. Huron – Suite 714 Tel: (312) 932-0285 [email protected] Chicago, IL 60654 Fax: (312) 932-0286 Agenda Introduction & Background Social Media: 2011 Situation Analysis Who uses social media? How is social media used? How are consumers responding to social media? How are social media evaluated? How successful are social media? Questions 2 About Partners In Loyalty Marketing What We Do 1. Strategic planning 2. Program optimization & oversight 3. Program evaluation Our strength as an organization comes from: Our high level of experience and expertise The fact that we’re a true unbiased 3rd party We have no vested interest in specific technologies, vehicles, or media We take evaluation very seriously. It’s a key driver of program success! Michael Schiff, Managing Partners 15 years of experience in loyalty marketing, customer segmentation and targeting Extensive experience in relationship program development, databases, targeting, and program evaluation 3 Background The Shopper Technology Institute, in collaboration with Partners in Loyalty Marketing (PILM) surveyed manufacturers on the role of Social Media in marketing strategy A brief 20-question online survey was fielded in June-July 2011 Who uses Social Media, and how Social Media’s role in overall marketing strategy Consumer engagement with this new way of connecting to companies and brands Whether Social Media are measureable, and by which metrics How successful Social Media are in achieving business objectives Results are based on responses from 126 manufacturers across CPG industries Including food/beverage, HBC, and general merchandise 4 Average U.S. -
Privately Speaking Issue #2: Tackling Innovation on a Tight
Insights on private company growth www.kpmg.com/us/privatelyspeaking Issue #2 Tackling innovation on a tight budget 2 PRIVATELY SPEAKING: INSIGHTS ON PRIVATE COMPANY GROWTH IN THIS ISSUE The Privately Speaking STAYING RELEVANT series investigates THROUGH INNOVATION the growth appetites mid new and changing competitors and consumers, 69% of and growth plans of private company CEOs are concerned about the future relevancy private companies, Aof their products and services and are therefore focused on improving them through innovation, according to the KPMG Private based on quantitative Markets Group’s survey of 226 U.S.-based private company executives. survey data, interviews with private CEOs, Our survey shows that developing new products and services, and improving existing products and services, are both playing a significant role in directing and perspectives of innovation in private companies. KPMG’s private markets “Product [and service] innovation is directly related to top line growth. If you want specialists. This issue to grow organically, you have to innovate,” says Eric Redifer, managing director in examines the important KPMG’s Strategy & Operations practice. role of innovation on But in today’s environment, innovating alone is not enough. As open source design the CEO’s agenda and tools, internet-based collaboration software, 3-D printing technology, and other the strategies leaders new tools and techniques make innovation processes faster and cheaper and significantly shorten product life cycles, organizations may also need to increase the of growth stage and speed at which they innovate. midsize companies should consider when “Companies have always driven revenue and market share by bringing new products and services to market at a high speed relative to competitors,” says driving innovation Redifer. -
JOURNEY INTO FEAR a Lost Eric Ambler Story © Glenn Mosley, 2005
JOURNEY INTO FEAR A lost Eric Ambler story © Glenn Mosley, 2005 By Glenn A. Mosley Director of Broadcasting School of Journalism and Mass Media University of Idaho A reviewer of the work of suspense author Eric Ambler once wrote that one of the keys to Ambler’s popularity with the public was his unique ability to use regular, everyday people in unusual situations. “The amateur as protagonist,” Ronald Ambrosetti wrote in “Dimensions of Detective Fiction,” “succeeds for Ambler by reducing all of the angst of international intrigue to a very personal level…Ambler gets the edge on suspense by making his spy- detective an average person—the reader identifies easily.” It was this very technique that Ambler was to employ in a largely forgotten story of his, though the title of the story may sound familiar. It was called “Journey Into Fear.” It is not, however, the famous thriller written by Ambler in the early 1940s and adapted by Orson Welles into a memorable film (another film version was also subsequently produced in 1974). This “Journey Into Fear” was a pilot for a proposed television series developed by Ambler and producer William Dozier in 1965, targeted for the 1966-67 season on NBC. However, the proposed series, to star film actor Jeffrey Hunter, did not sell, and has collected dust in film vaults ever since. Of course, Eric Ambler was a renowned novelist when he and Dozier began to develop the program in the summer of 1965, but he was well- acquainted with film and television, as well. Many of Ambler’s most famous novels had already been written by this time, including “Journey Into Fear,” “The Dark Frontier,” “Background to Danger,” and “Epitaph for a Spy.” All of these had been written prior to the outbreak of World War II.