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SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
NASFA 'Shuttle'
The SHUTTLE March 2002 The Next NASFA Meeting will be 16 March 2002 at the Regular Time and Location DeepSouthCon 40 ConCom Meeting 14 March 2002 7PÐ9P at Sam SmithÕs Apartment { Oyez, Oyez { DSC ConCom Meeting The next NASFA meeting will be 16 March 2002 at the The next DeepSouthCon 40 con committee meeting will regular time (6P) and the regular location. Call BookMark at be 7PÐ9P Thursday 14 March 2002 at Sam SmithÕs place. An 256-881-3910 if you need directions. agenda will be emailed to concom members before the meet- The March program will be ÒMarch Monster Madness.Ó ing. The first half of the program will be in the ÒArts and CraftsÓ Future DSC 40 concom meetings are scheduled for the category where attendees will create their own monster from Thursdays before regular NASFA meeting dates, as well as provided materials. The second half of the program will be a some additional dates (see the calendar on page 2). contest where the creators will enter their monsters into table- top combat to determine the ÒmeanestÓ monster. The March after-the-meeting meeting will be at Mike KennedyÕs house Ñ 7907 Charlotte Drive SW in Huntsville. Classic TV Retreads Call him at 256-883-5922 if you need directions. We need volunteers for future ATMMs. Coming And in the category of something you donÕt see every day, for a look at the Lord of the Rings saga (as rendered in Lego!) Fox Entertainment has bought rights to four classic sf TV visit <www.chem.ucla.edu/~bnh/lotr/lotrmain.html>. -
Network Aesthetics
Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Selected Scifi 201102.Xlsx
Selected Used SciFi Books- Subject to availability - Call/email store to receive purchasing link ([email protected] 540206-2505) StorePri AuthorsLast Title EAN Publisher ce Cross-Currents: Storm Season, The Face of Chaos, Abbey, Robert Lynn Asprin and Lynn B000GPXLOQ Nelson Doubleday,. $8.00 and Wings of Omen Adams, Douglas Life, The Universe and Everything 9780517548745 Harmony Books $8.00 Adams, Douglas Mostly Harmless 9781127539635 BALLANTINE BOOKS $15.00 Adams, Douglas So Long, and Thanks for All the Fish 9780795326516 HARMONY BOOKS $6.00 Adams, Douglas The Restaurant at the End of the Universe 9780517545355 Harmony $8.00 Adams, Richard MAIA 9780394528571 Knopf $8.00 Alan, Foster Dean Midworld B001975ZFI Ballentine $8.00 Aldiss, Brian W. Helliconia Summer (Helliconia Trilogy, Book Two) 9781111805173 Atheneum / $8.00 Aldiss, Brian W. Non-Stop B0057JRIV8 Carroll & Graf $10.00 Aldiss, Brian Wilson Helliconia Winter (Helliconia, 3) 9780689115417 Atheneum $7.00 Allen, Roger E. Isaac Asimov's Inferno 9780441000234 Ace Trade $6.00 Allen, Roger Macbride Isaac Asimov's Utopia 9781857982800 Orion Publishing Co $8.00 Allston, Aaron Enemy lines (Star wars, The new Jedi order) 9780739427774 Science Fiction $15.00 Anderson, Kevin J and Rebecca The Rise of the Shadow Academy 9781568652115 Guild America $15.00 Moesta Anderson, Kevin J,Herbert, Brian Hunters of Dune 9780765312921 Tor Books $10.00 Anderson, Kevin J. A Forest of Stars: The Saga of Seven Suns Book 2 9780446528719 Aspect $8.00 Anderson, Kevin J. Darksaber (Star Wars) 9780553099744 Spectra $10.00 Anderson, Kevin J. Hidden Empire: The Saga of Seven Suns - Book 1 9780446528627 Aspect $8.00 Anderson, Kevin J. -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Pandemonium: Stories of the Apocalypse Features Eighteen Original Stories Set at the End of the World, As Imagined by Award-Winn
Pandemonium: Stories of the Apocalypse features eighteen original stories set at the end of the world, as imagined by award-winning science fiction and fantasy writers including Jon Courtenay Grimwood, Lauren Beukes, Jonathan Oliver, Sophia McDougall and Chrysanthy Balis. The tales are inspired by the art of John Martin. Although Martin (1789 - 1854) received varying (and often negative) critical attention, his huge and wildly imaginative paintings were enormously popular with audiences. Since his death, Martin’s reputation has cycled through periods of complete insignificence and others of great renown. John Martin: Apocalypse is at Tate Britain until 15 January 2012. Tate will be selling a limited edition of Pandemonium from November 2011. The anthology will also be available for the Kindle and other e-readers from pandemonium-fiction.com. PANDEMONIUM STORIES OF THE APOCALYPSE Original tales inspired by the art of John Martin Magnus Anderson Scott Andrews Chrysanthy Balis Lauren Beukes Archie Black David Bryher S.L. Grey Jon Courtenay Grimwood Charlie Human Kim Lakin-Smith Sophia McDougall Louise Morgan Jonathan Oliver Den Patrick Tom Pollock Andy Remic Osgood Vance Sam Wilson Edited by Anne C. Perry & Jared Shurin Introduced by Tom Hunter, Director of the Arthur C. Clarke Award WWW.PANDEMONIUM-FICTION.COM THE ARCHITECT OF HELL DAVID BRYHER ™ Dear Mr Martin, So. It’s like this. I need your help. Hi, by the way. Hi. My name is Mulciber. Me and the boys think you’ve probably heard of me – and that’s one of the weird things, certainly, yes, I guess I should mention that. I’m back here, you’re way ahead over there. -
The Historical Role of the Corporation in Society
Journal of the British Academy, 6(s1), 17–47. DOI https://doi.org/10.5871/jba/006s1.017 Posted 17 December 2018; Pre-print posted 31 October 2018. © The British Academy 2018 The historical role of the corporation in society LEONARDO DAVOUDI, CHRISTOPHER McKENNA and ROWENA OLEGARIO Abstract: This article charts the historical role of the corporation in society from antiquity to the present day. Using a broad temporal and transnational approach, it argues that social purpose has been a defining trait of the corporation since the con- cept of legal personhood first appeared in antiquity. The direct connection between incorporation and social purpose formally broke in the 19th century, when countries like the United Kingdom and United States introduced general incorporation laws. Yet many corporations continued to act positively on behalf of society on a voluntary basis, but even as they acted against the interests of workers, consumers, and the environment. This article demonstrates that concerns about corporate power have a long history, and that societies over time have designed a variety of legal systems and forms of corporate governance to address these concerns. Keywords: Corporation, business, social purpose, corporate social responsibility, company, philanthropy, social welfare, charity, business history, economic history. EXECUTIVE SUMMARY This paper charts the historical role of the corporation in society from antiquity to the present day. It argues that, since the dawn of legal personhood, social purpose has been the defining trait of the corporation. This connection was formally broken in the 19th century through general incorporation laws, but many corporations continued to impact society positively on a voluntary basis. -
Head in the Stars Headessays on Science Fiction in the Stars Essays on Science Fiction
StephenStephen Zepke Zepke Head in the Stars HeadEssays on Science Fiction in the Stars Essays on Science Fiction Skhole 05 First edition published by Multimedijalni institut © 2020 by Stephen Zepke Multimedijalni institut ISBN 978-953-7372-67-5 A CIP catalogue record for this book is available from the National and University Library in Zagreb under 001072705. — Skhole is a program-segment within the flagship Dopolavoro (Rijeka 2020 – European Capital of Culture) Zagreb, August 2020 Stephen Zepke Head in the Stars Essays on Science Fiction For my Father, Nick Zepke, with love. ‘I hold out my hand to the future.’ Félix Guattari, Chaosmosis. Contents acknowledgments — 8 Introduction. Science Fiction, Prelude to a Philosophy of the Future — 13 1. Beyond Cognitive Estrangement, The Future in Dystopian Science Fiction Cinema — 23 2. Interface Aesthetics, Science Fiction Film in the Age of Biopolitics — 65 3. Alien Arrival and Alain Badiou’s Philosophy of the Event — 101 4. Against Nihilism, Nietzsche and Kubrick on the Future of Man — 133 5. Peace and Love (and Fuck) as the Foundation of the World, Spinoza’s Ethics in Samuel Delany’s Through the Valley of the Nest of Spiders — 183 bibliography — 223 filmography — 230 notes — 233 Acknowledgments Many thanks to all those who have shared my love of science fiction over the years. In particular I’d like to thank Nick Zepke, Arturo Silva, Georg Wasner, Yves Mettler, Nicolas Kolonias, Kat Válastur and Michael Frickh for the energy and ideas you have contributed to this book. All of the chapters in this book began life as essays published in books or journals.