CONTENTS Commentary by Tony Albarella
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Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Twilight Zone Series 4: Science and Superstition Checklist
Twilight Zone Series 4: Science and Superstition Checklist Base Cards # Card Title [ ] 217 The Last Night of a Jockey [ ] 218 The Last Night of a Jockey [ ] 219 The Last Night of a Jockey [ ] 220 The Last Night of a Jockey [ ] 221 The Last Night of a Jockey [ ] 222 The Last Night of a Jockey [ ] 223 Mr. Bevis [ ] 224 Mr. Bevis [ ] 225 Mr. Bevis [ ] 226 Mr. Bevis [ ] 227 Mr. Bevis [ ] 228 Mr. Bevis [ ] 229 The Bard [ ] 230 The Bard [ ] 231 The Bard [ ] 232 The Bard [ ] 233 The Bard [ ] 234 The Bard [ ] 235 The Passersby [ ] 236 The Passersby [ ] 237 The Passersby [ ] 238 The Passersby [ ] 239 The Passersby [ ] 240 The Passersby [ ] 241 Dead Man's Shoes [ ] 242 Dead Man's Shoes [ ] 243 Dead Man's Shoes [ ] 244 Dead Man's Shoes [ ] 245 Dead Man's Shoes [ ] 246 Dead Man's Shoes [ ] 247 Back There [ ] 248 Back There [ ] 249 Back There [ ] 250 Back There [ ] 251 Back There [ ] 252 Back There [ ] 253 The Purple Testament [ ] 254 The Purple Testament [ ] 255 The Purple Testament [ ] 256 The Purple Testament [ ] 257 The Purple Testament [ ] 258 The Purple Testament [ ] 259 A Piano in the House [ ] 260 A Piano in the House [ ] 261 A Piano in the House [ ] 262 A Piano in the House [ ] 263 A Piano in the House [ ] 264 A Piano in the House [ ] 265 Night Call [ ] 266 Night Call [ ] 267 Night Call [ ] 268 Night Call [ ] 269 Night Call [ ] 270 Night Call [ ] 271 A Hundred Yards Over the Rim [ ] 272 A Hundred Yards Over the Rim [ ] 273 A Hundred Yards Over the Rim [ ] 274 A Hundred Yards Over the Rim [ ] 275 A Hundred Yards Over the Rim [ ] 276 A Hundred -
Increasing Passersby Engagement with Public Large Interactive Surfaces
Increasing Passersby Engagement with Public Large Interactive Surfaces by Victor Cheung A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in Systems Design Engineering Waterloo, Ontario, Canada, 2016 ©Victor Cheung 2016 AUTHOR'S DECLARATION This thesis consists of material all of which I authored or co-authored: see Statement of Contributions included in the thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Statement of Contributions The DISCOVER interaction model introduced in Chapter 3, and the studies presented in the subsequent chapters, are the result of collaborative work between me and my research colleagues. It is often difficult to state the exact amount of each person’s contributions or the exact evolution of the research. However, the following notes provide some indication for the amount of their involvement. 1. The DISCOVER interaction model was developed by me, in collaboration with Dr. Stacey Scott. An earlier, simplified version of this model was used by Mindy Seto in her thesis work (Seto, 2012) and a study on menu discoverability (Seto et al., 2012). I was the author and presenter of the paper describing the early stages of this model in a peer-reviewed international conference under the following citation: Cheung, V. (2014). Improving Interaction Discoverability in Large Interactive Displays. In Doctoral Symposium of ITS 2014: ACM Interactive Tabletops and Surfaces. Dresden, Germany, November 16-19, 2014. -
An Analysis of Literature by Zora Neale Hurston and Jessie Redmon Fauset
BEING BLACK AND FEMALE: AN ANALYSIS OF LITERATURE BY ZORA NEALE HURSTON AND JESSIE REDMON FAUSET by Robin Patricia Scott SUBMITTED TO THE DEPARTMENT OF HUMANITIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR OF SCIENCE at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 1986 Copyright (c) 1986 Robin Patricia Scott Signature of Author · I Department of Humanities June 2, 1986 Certified by . %ArLC- I iCi -- v Professor Sarah Deutsch Thesis Supervisor Accepted by Professor Travis R. Merritt MASSACHUSETTSISTITUTE Director, Humanities Major Programs OFTECHNOLGY JUN 0 1987 LIBRAP.IES BRCHIVES BEING BLACK AND FEMALE: AN ANALYSIS OF LITERATURE BY ZORA NEALE HURSTON AND JESSIE REDMON FAUSET by Robin Patricia Scott Submitted to the Department of Humanities on June 2, 1986 in partial fulfillment of the requirements for the degree of Bachelor of Science. Abstract This thesis explores the way black women authors defined themselves in their writing during the Harlem Renaissance. It includes an analysis of short stories published by Zora Neale Hurston and Jessie Redmon Fauset. Opportunity and The Crisis were the primary sources for the stories. Thesis Supervisor: Professor Sarah Deutsch Title: Assistant Professor of History -3- Dedication To my father -4- Table of Contents Abstract 2 Dedication 3 ? Table of Contents 4 1. Introduction 5 2. Female/Male Relationships in Families 11 3. The Growth from Child to Woman 28 4. Feminist Elements in the Stories 32 5. Conclusion 35 Appendix A. Biography of Black Women Authors \-,VOo o38 6a -· 1W C e__ KP 'rnt, (%aCY,3 -5- Chapter 1 Introduction Black women have repeatedly asked themselves: how does a black woman handle the claims of being both a black and a woman? There has been no simple answer because the solution varies with each individual. -
The Lonely Page
The Lonely Page Edited by Emily DeDakis © eSharp 2011 eSharp University of Glasgow Glasgow G12 8QQ http://www.gla.ac.uk/esharp © eSharp 2011 No reproduction of any part of this publication is permitted without the written permission of eSharp eSharp The Lonely Page Contents Introduction 5 Emily DeDakis, editor (Queen’s University Belfast) Suicide, solitude and the persistent scraping 10 Shauna Busto Gilligan (NUI Maynooth/ University of Glamorgan) Game: A media for modern writers to learn from? 20 Richard Simpson (Liverpool John Moores University) Imaginary ledgers of spectral selves: A blueprint of 29 existence Christiana Lambrinidis (Centre for Creative Writing & Theatre for Conflict Resolution, Greece) ‘The writing is the thing’: Reflections on teaching 36 creative writing Micaela Maftei (University of Glasgow) The solitude room 47 Cherry Smyth (University of Greenwich) How critical reflection affects the work of the writer 55 Ellie Evans (Bath Spa University) Beyond solitude: A poet’s and painter’s collaboration 66 Stephanie Norgate (University of Chichester) & Jayne Sandys-Renton (University of Sussex) Making the Statue Move: Balancing research within 81 creative writing Anne Lauppe-Dunbar (Swansea University, Wales) 3 eSharp The Lonely Page Two inches of ivory: Short-short prose and gender 92 Laura Tansley (University of Glasgow) The beginnings of solitude 102 David Manderson (University of West Scotland) An extract from the novel The Bridge 110 Karen Stevens (University of Chichester) Poems from the sequence Distance 116 Cath Nichols (Lancaster University) An extract from the novel Lost Bodies 120 David Manderson (University of West Scotland) From the poem Now you're a woman 126 Cherry Smyth (University of Greenwich) Parts One, Two and Three 127 Laura Tansley (University of Glasgow) Marthé 134 Barbara A. -
The Temple Revealed As the Place Where Man Is with God
University of St. Thomas, Minnesota UST Research Online School of Divinity Master’s Theses and Projects Saint Paul Seminary School of Divinity Spring 5-2021 The Temple Revealed as the Place Where Man Is with God David L. Hottinger Follow this and additional works at: https://ir.stthomas.edu/sod_mat Part of the Religious Thought, Theology and Philosophy of Religion Commons THE SAINT PAUL SEMINARY SCHOOL OF DIVINITY UNIVERSITY OF ST. THOMAS The Temple Revealed as the Place Where Man Is with God A THESIS Submitted to the Faculty of the School of Divinity Of the University of St. Thomas In Partial Fulfillment of the Requirements For the Degree Master of Arts in Theology © Copyright All Rights Reserved By David L. Hottinger St. Paul, MN 2020 This thesis by David Hottinger fulfills the thesis requirement for the Master of Arts degree in Theology approved by Rev. Kevin Zilverberg, SSD, as Thesis Advisor, and by Dr. John Martens, Ph.D.. and by Dr. Paul Niskanen, Ph.D., as Readers. –––––––––––––––––––––––––––––––––––– Rev. Dr. Kevin Zilverberg, S.S.D., Thesis Advisor –––––––––––––––––––––––––––––––––––– Dr. John Martens, Ph.D., Reader –––––––––––––––––––––––––––––––––––– Dr. Paul Niskanen, Ph.D., Reader ii Contents Introduction ..................................................................................................................................... 1 I. Identifying the Temple in Scripture ........................................................................................ 3 A. Relevant Attributes of the Jerusalem Temple ..................................................................... -
Favorite Twilight Zone Episodes.Xlsx
TITLE - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Time Enough at Last 57 56 Eye of the Beholder 1 Time Enough at Last Eye of the Beholder 32 The Fever 4 5 The Mighty Casey 32 16 A World of Difference 25 19 The Rip Van Winkle Caper 16 I Shot an Arrow into the Air A Most Unusual Camera 17 I Shot an Arrow into the Air 35 41 A Most Unusual Camera 17 8 Third from the Sun 44 37 The Howling Man 8 Third from the Sun The Howling Man 25 A Passage for Trumpet 16 Nervous22 Man in a Four Dollar Room 25 9 Love Live Walter Jameson 34 45 The Invaders 9 Love Live Walter Jameson The Invaders 24 The Purple Testament 25 13 Dust 24 5 The Hitch-Hiker 52 41 The After Hours 5 The Hitch-Hiker The After Hours 28 The Four of Us Are Dying 8 19 Mr. Bevis 28 12 What You Need 40 31 A World of His Own 12 What You Need A World of His Own 21 Escape Clause 19 28 The Lateness of the Hour 21 4 And When the Sky Was Opened 37 48 The Silence 4 And When the Sky Was Opened The Silence 29 The Chaser 21 11 The Mind and the Matter 29 13 A Nice Place to Visit 35 35 The Night of the Meek 13 A Nice Place to Visit The Night of the Meek 20 Perchance to Dream 24 24 The Man in the Bottle 20 Season 1 Season 2 6 Walking Distance 37 43 Nick of Time 6 Walking Distance Nick of Time 27 Mr. -
The Literary and Visual Art Journal of Lourdes University 2014
the Tau the literary and visual art journal of Lourdes University 2014 1 theTau 2014 Cover Art: Hydrangea Leaves ~ by Maria Thomas 2 theTau 2014 2014 Editor: Shawna Rushford-Spence, Ph.D. Art Editors: Todd A. Matteson, M.F.A. Erin Palmer Szavuly, M.F.A. Layout & Design: Carla Woodell, B.A. © Lourdes University theTau 2014 3 Acknowledgements Our sincere thanks to the following people and organizations whose generous support made publishing this journal possible: Department of English Department of Art Literati Orbis Ars University Relations for Layout and Design Printing Graphics Thank you to the judges who generously gave of their time and made the difficult decisions on more than 200 submissions. Jennifer Brown Megan Eisenhour Veronica Lark Marcee Lichtenwald Morgan McPhilliamy www.lourdes.edu/TAU2014 Individual authors retain copyrights of individual pieces. No part of this text may be used without specific permission of the writer, the artist, or the University. 4 theTau 2014 Lourdes is a Franciscan University that values community as a mainstay of its Mission and Ministry. theTau 2014 5 “We read fine things but never feel them to the full until we have gone the same steps as the author” -John Keats The world in which we live is full of beauty, elegance, and joy, interlaced with sadness, fear, and hostility. Because we see the world through different eyes, each and every one of us, our experiences and sense of that which exists around us, are perceived individually. The purpose of The Tau is to explore the intellect of those who wish to share his or her personal experience of that world. -
New to Hoopla
New to Hoopla - January 2014 A hundred yards over the rim Audiobook Rod Serling 00:37:00 2013 A most unusual camera Audiobook Rod Serling 00:38:00 2013 A murder in passing Audiobook Mark DeCastrique 08:35:00 2013 A sea of troubles Audiobook P. G. Wodehouse 00:30:00 2013 A short drink from a certain fountain Audiobook Rod Serling 00:39:00 2013 A small furry prayer Audiobook Steven Kotler 09:30:00 2010 A summer life Audiobook Gary Soto 03:51:00 2013 Accelerated Audiobook Bronwen Hruska 10:36:00 2013 American freak show Audiobook Willie Geist 05:00:00 2010 An amish miracle Audiobook Beth Wiseman 10:13:22 2013 An occurrence at owl creek bridge Audiobook Ambrose Bierce 00:28:00 2013 Andrew jackson's america: 1824-1850 Audiobook Christopher Collier 02:03:00 2013 Angel guided meditations for children Audiobook Michelle Roberton-Jones 00:39:00 2013 Animal healing workshop Audiobook Holly Davis 01:01:00 2013 Antidote man Audiobook Jamie Sutliff 08:23:00 2013 Ashes of midnight Audiobook Lara Adrian 10:00:00 2010 At the mountains of madness Audiobook H. P. Lovecraft 04:48:00 2013 Attica Audiobook Garry Kilworth 09:46:00 2013 Back there Audiobook Rod Serling 00:35:00 2013 Below Audiobook Ryan Lockwood 09:52:00 2013 Beyond lies the wub Audiobook Philip K. Dick 00:22:00 2013 Bittersweet love Audiobook Rochelle Alers 06:21:00 2013 Bottom line Audiobook Marc Davis 07:31:00 2013 Capacity for murder Audiobook Bernadette Pajer 07:52:00 2013 Cat in the dark Audiobook Shirley Rousseau Murphy 09:14:00 2013 Cat raise the dead Audiobook Shirley Rousseau Murphy -
Traces of the Trade Leader's Guide FINAL
Traces of the Trade: A Story from the Deep North A Documentary by Katrina Browne Leader’s Guide Rev. Sofía Betancourt and Rabbi Julia Watts Belser Introduction About the Film: Traces of the Trade: A Story from the Deep North chronicles the journey of nine descendants of the largest slave-trading family in the United States, as they probe the history of their New England ancestors and confront the contemporary legacies of slavery. The documentary follows producer/director Katrina Browne as she and her family travel to Rhode Island, Ghana, and Cuba to retrace the notorious Triangle Trade – and search for the hidden history of their family, the region, and the nation. Though contemporary Americans commonly hold the South solely responsible for slavery, Traces of the Trade exposes New England’s deep involvement in the slave trade and shows how slavery was a cornerstone of the region’s commercial life. Together with the DeWolf family descendants, viewers will have the opportunity to grapple with the history and modern consequences of slavery, the corrosive role of silence in contemporary conversations about race, issues of white privilege and guilt, and questions of response, repair, and reparations. For more information about the film, please visit http://www.tracesofthetrade.org/ . Overarching Format and Program Setup: In order to provide congregations with a variety of opportunities to engage with Traces of the Trade, this study guide includes designs for three different programs: Film Night – a single-session program for viewing and discussing the film in a congregational setting. For all group sizes. (2.5 hours) Single-Session Program – an extended program for viewing and discussing the film, including issues of silence and complicity and the role of the church. -
Stories from the Twilight Zone Free Ebook
FREESTORIES FROM THE TWILIGHT ZONE EBOOK Rod Serling | 176 pages | 30 Jun 2013 | Createspace | 9781490423913 | English | United States Twilight Zone episodes based on short stories This episode is based on the short story "What You Need" by Henry Kuttner and C.L. Moore. This story was first published in Astounding Science Fiction (October, ). Before the Twilight Zone, this story was adapted as an episode of the classic sci-fi anthology Tales of Tomorrow (under the same title). With six stories in one book, The Mighty Casey, Escape Clause, Walking Distance, The Fever, Where is Everybody, and The Monsters are due on Maple Street, content is not an issue. The Twilight Zone has a large following in (after a release date), and numerous pop-culture references. The enduring legacy of these stories speaks for itself. Here are some short stories that were adapted into episodes of the Twilight Zone. The Howling Man | Charles Beaumont The narrator recounts his experiences traveling through Europe before he commenced his professional life. He ended up falling sick with pneumonia in Germany. The Twilight Zone: Complete Stories This episode is based on the short story "What You Need" by Henry Kuttner and C.L. Moore. This story was first published in Astounding Science Fiction (October, ). Before the Twilight Zone, this story was adapted as an episode of the classic sci-fi anthology Tales of Tomorrow (under the same title). With six stories in one book, The Mighty Casey, Escape Clause, Walking Distance, The Fever, Where is Everybody, and The Monsters are due on Maple Street, content is not an issue.