DOCSLIB.ORG

Bafta Rocliffe New Writing Showcase – Film 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

A huge thank you to our script selection BAFTA Rocliffe patrons include: panellists and judges. They included: Christine Langan, Julian Fellowes, John Madden, Mike Newell, Richard Eyre, BAFTA ROCLIFFE David Parfitt, Peter Kosminsky, David Yates, The Jury Finola Dwyer, Michael Kuhn, Nik Powell, NEW WRITING SHOWCASE Ð Duncan Kenworthy, Rebecca OÕBrien, Sue OLIVIA HETREED Writer & Producer, President WGGB (Chair) Perkins, John Bishop, Greg Brenmer, Olivia MARY BURKE Senior Development & Production Executive, BFI Film Fund Hetreed, Andy Patterson and Andy Harries. FIL M 2019 ANTHONY CHEN Director MONDAY 15 APRIL 2019 // BAFTA 195 PICCADILLY, LONDON W1J 9LN MATIMBA KABALIKA Talent Development Executive, Troika Talent Agency Rocliffe Producers ANDREW ORR Managing Director, Independent Film Company CATHERINE FREEMAN [email protected] FOLASADE OYELEYE Editor FARAH ABUSHWESHA LUCINDA COXON and Margot Robbie. Jones is currently in post CLAUDIA YUSEF Head of Development, BBC Films [email protected] Lucinda Coxon is an on Greed from director Michael Winterbottom JUSTINE WRIGHT Editor BAFTA Producer award-winning writer for film, and in development on an Untitled Alexander JULIA CARRUTHERS television, and stage. Her feature McQueen Project. He is the founder of DJ Films The Panel [email protected] screenplays include The Danish Ltd and was co-founder of Dragon Pictures and Directors SUSAN JACOBSON Director, Pistachio Pictures (Chair) SIAN REEVES Girl, starring Eddie Redmayne Mission Pictures. SHONA COLLINS Senior Creative Executive, Path [email protected] and Alicia Vikander, and Wild Target starring LAURIE COOK Producer, Newscope Films NOUR WAZZI Bill Nighy, Emily Blunt, and Rupert Grint. HELEN BLAKEMAN [email protected] URSULA DEVINE Development Executive, Northern Ireland Screen SUSAN JACOBSON She collaborated with Guillermo Del Toro on Helen Blakeman is the creator, lead writer LINCIA DANIEL Producer [email protected] Crimson Peak and adapted Sarah Waters’ novel and associate producer of the BAFTA nominated LUCY FAWCETT Agent, Sheil Land Associates Artwork The Little Stranger for film, which was directed CBBC series Hetty Feather, based SONNY GILL Development & Acquisitions Executive, Independent Film Co. DERMOT FLYNN by Lenny Abrahamson. Her four-part version on the best-selling children’s novel SOPHIE GREEN Head of Acquisitions and Development, Bankside Films www.dermotflynn.com of The Crimson Petal and the White, based on by Jacqueline Wilson – now in its EMILY HARRIS Writer & Director Casting Director Michael Faber’s novel, was screened to critical fifth series. EMILY JACOBS Casting Director, KLS Casting FAYE TIMBY acclaim on BBC2, and starred Romola Garai and Helen is also a BAFTA and [email protected] JESSIE MANGUM Sales Agent & Producer, Goalpost Film Chris O’Dowd. It was BAFTA nominated. She is International Emmy Award GREG MARTIN Acquisitions and Distribution Executive, Embankment Films Music currently adapting Ian McEwan’s Sweet Tooth for winner, both of which she received for her TV C/O ALICE ATKINSON - AIR EDEL MAX PARK Development Editor, Film 4 [email protected] Working Title Films, and writing a new play for screenplay adaptation of Dustbin Baby (BBC/ JAY TAYLOR Producer, Electric Shadow Company the National Theatre. Kindle Entertainment) starring Juliet Stevenson, EMMA YAP Development Producer David Haig and Dakota Blue Richards. She Find us on Facebook BAFTA DAMIAN JONES wrote the much-acclaimed and controversial film BAFTA Rocliffe New Writing Forum Damian Jones has produced over 30 feature Pleasureland for Kudos/Channel 4 (BAFTA, RTS Follow us on Twitter films including: Absolutely Fabulous: The Movie, nomination) and has scripted numerous episodes @rocliffeforum The Lady in the Van, Dad’s Army, of teen soap Hollyoaks (Lime Pictures/C4). Helen @BAFTA Belle, The Iron Lady, Adulthood, wrote for the much-loved Call the Midwife, series Sign up for BAFTA news and events at Kidulthood, The History Boys, 7, in 2018. www.bafta.org Gridlock’d, Millions, Sex and Helen also writes for theatre and has numerous Drugs and Rock & Roll, Powder prime-time projects currently in development. BAFTA and Rocliffe request that attendees Room and most recently, Goodbye Helen is Chair of the BAFTA Children’s do not solicit industry guests with copies Christopher Robin in collaboration with Fox Committee, a member of the BAFTA Council of their scripts, projects or CVs, or request contact details. BAFTA and Rocliffe cannot Searchlight and starring Domnhall Gleeson and a board member for the Liverpool Everyman provide contact details of attendees. & Playhouse Theatres. Midas MIDAS FLY IN THE OINTMENT LIVERPOOL FERRY by ROB MARSHALL by CARYS WATFORD by LEE ARMSTRONG Directed by NOUR WAZZI Directed by SUSAN JACOBSON Directed by SIAN REEVES Composer ROSHAN GUNGA Composer GARETH MURPHY Composer PETE BLYTH A teenage boy develops Midas syndrome, the golden Cork, Ireland. 1980. Set against a backdrop of great Liverpool Ferry is a coming of age story about a touch, and has to control his perception of the world social change, two teenage girls form a punk band Northern Irish teenage girl, Sarah (16), escaping in order to survive. and forge a trail of disruption in their quiet, religious Belfast via ferry to England, where it is legal for coastal town. her to undergo abortion. ROB MARSHALL has come up with stories since he was a young kid, and written scripts for many CARYS WATFORD is a Writer/Director LEE ARMSTRONG wrote, produced and years. He’s mainly written for himself, submitting passionate about making female-led films directed a short film On Call in 10 hours with a to occasional competitions, and has made it Fly in the Ointment packed with personality and heart. £2K budget in 2017. It got nominated for best through the first sift once or twice, or been asked Her short films have competed at Oscar- and short film at British Independent Film Festival, to send something else. This is the first time he’ll BAFTA-qualifying festivals worldwide. Carys’ Lift Off Film Festival and London Independent see (part of) a script performed. latest short film Space Girls (an adventure film Film Awards, and got shortlisted at the London centred around four 9-year-old girls who want Short Film Festival. CAST to be astronauts) screened at over 30 festivals and Narrator/Sally won the Grand Prize Children’s Live Action Short CAST ANNIE MCKENZIE Award at Rhode Island International Film Festival Narrator Global Artists (2018). Fly in the Ointment is Carys’ debut feature FELICITY DAVIDSON John script. Carys is a member of 2018’s BAFTA Crew Amanda Sarosi Associates MICHAEL AJAO Film & TV Programme and she made the Final 15 Jules United Agents Shortlist for Zealous’ 2018 Emerge Film Prize. MICHAEL WORKEYE Tash Olivia Bell Management RHODA OFORI-ATTAH CAST Sarah Olivia Bell Management Liverpool Ferry Narrator/Conor’s mother/Brendan SAOIRSE-MONICA JACKSON Tzuki EAMONN HEARNS Independent Talent ALEX JARRETT c/o Roclif fe Mum/Doctor Middleweek Newton Aoiffe JOANNE CRAWFORD Dave/Jeff SIOBHAN CULLEN Susannah Norris Agency ROBIN PEARCE Jonathan Arun United Agents Orla Doctor Lloyd LOUISA HARLAND BRIAN PROTHEROE Emptage Hallett United Agents Niamh LARA WOLLINGTON Daisy & Dukes Karen BARBARA DRENNAN Olivia Bell Management Patrick/Father O’Brien KEITH DUNPHY Jonathan Arun Conor DONAL FINN Independent Talent .
Recommended publications
  • Invented Worlds

    Invented Worlds

    THE WIZARD OF OZ 1939, Victor Fleming Invented Worlds > This beloved classic hails from the peak of Hollywood’s Golden Age, 1939, and By Steve Chagollan was directed by the no-nonsense Victor Fleming—who also helmed Gone With the Wind, released that same year. The film’s blend of realism and fantasy is still OLLYWOOD HAS OFTEN been referred to as a fantasy striking to this day, especially the transition from Dorothy’s sepia-toned Kansas to the factory—a place where both reality and make-believe Technicolor brilliance of Oz. Sixty-five sets were constructed over six sound stages are plumbed from the vast recesses of the filmmakers’ at MGM for the effort, and the quest for perfection was so arduous it took the art imaginations. But when directors delve into literal fantasy department a week to settle on the proper and futurism, that imagination is allowed to run truly wild. shade of yellow for the Yellow Brick Road. Fleming told the film’s producer, Mervyn There have been countless milestones over the years that LeRoy, that he wanted to make “a picture that searched for beauty and decency and point to the medium’s ability to transport us to worlds that love in the world.” H only exist in the movies; here are a few choice examples. 68 DGA QUARTERLY PHOTOS: (ABOVE) AMPAS; (RIGHT) PHOTOFEST DGA QUARTERLY 69 BLADE RUNNER (1982), Ridley Scott > It’s hard to believe we’ve caught up with the time frame, 2019, in which Ridley Scott transformed Los Angeles into what he termed a near-future, “mul- tinational megalopolis,” where a rogue group of synthetic humans, known as replicants, are tracked down by a world-weary cop played by Harrison FORBIDDEN Ford.
  • Joel Devlin Director of Photography

    Joel Devlin Director of Photography

    Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British
  • Dustbin Baby Free

    Dustbin Baby Free

    FREE DUSTBIN BABY PDF Jacqueline Wilson,Nick Sharratt | 240 pages | 27 Mar 2007 | Random House Children's Publishers UK | 9780552556118 | English | London, United Kingdom ​Dustbin Baby () directed by Juliet May • Reviews, film + cast • Letterboxd Dustbin Baby helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Dustbin Baby by Jacqueline Wilson. Dustbin Baby by Jacqueline Wilson. April Showers so called because of her birth date, April 1, and her tendency to burst into tears at the drop of a hat was unceremoniously dumped in a Dustbin Baby bin when she was only a few hours old. Her young life has passed by in a blur of ever-changing foster homes but Dustbin Baby she enters her teens she decides it is time to find out the truth about her real family. Get A Copy. Paperbackpages. Published October 1st by Corgi Childrens first published September More Details Original Title. Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Dustbin Babyplease sign up. Did April find her mother? Navika This answer contains spoilers… view spoiler [No, she found Frankie and got a phone. Donya Do not think so but I Dustbin Baby read it to know Dustbin Baby happend in the real end. See all 4 questions about Dustbin Baby….
  • Ull History Centre: Papers of Alan Plater

    Ull History Centre: Papers of Alan Plater

    Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985.
  • Stories in Support of Education

    Stories in Support of Education

    en doors Open books - Op 20-26 April 2009 Nelson Mandela F Queen Rania Chimamanda Ngozi Adichie F Paulo Coelho Ishmael Beah F Devli Kumari Dakota Blue Richards F Michael Morpurgo Rowan Williams F Beverley Naidoo Desmond Tutu F Alice Walker Natalie Portman F Angélique Kidjo Mary Robinson Stories in support of education This storybook was created by the Global Campaign for Education. A compilation of short stories from influential figures around the world, The Big Read tells remarkable tales of education and the struggles of those who are denied the chance to learn. By reading this book and then writing your name at the end, you can help everyone have the chance of an education. www.campaignforeducation.org/bigread How you can be part of the Big Read: 1. Read or listen to a story from this book 2. Write your name on the last page 3. Send the message on the last page to your government 4. Let us know you have taken part (either online or using the back of this book) You are taking part in the Big Read with people from all over the world. This book is being distributed in more than 100 countries. This same book can be read online or downloaded from our website. Sign up here to receive updates on the Big Read around the world: www.campaignforeducation.org/bigread The Big Read events are happening throughout the Global Campaign for Education’s Action Week, 20th - 26th April 2009. All your names will be added to this book and delivered to world leaders and the United Nations.
  • Actores Transnacionales: Un Estudio En Cinema Internacional

    Actores Transnacionales: Un Estudio En Cinema Internacional

    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar………………………………………………………………………………………………………….
  • Mako Mori and the Gender Politics of Pacific Rim (2013)

    Mako Mori and the Gender Politics of Pacific Rim (2013)

    Journal of American Studies of Turkey 39 (2014): 113-122 Mako Mori and the Gender Politics of Pacific Rim (2013) Nathanael Hood Carefully balancing on the top of an escape pod somewhere in the South China Sea, pilots Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kukuchi) embrace after successfully saving the world from an invasion of giant, extra-dimensional monsters known as “kaiju.” This ending from Guillermo del Toro’s Pacific Rim (2013) seems to cohere to traditional narrative tropes within the Western action genre wherein the hero triumphantly kisses his love interest after a great struggle, battle, or fight. And yet, a close inspection of this scene reveals a shocking subversion of this reliable concluding scenario: Becket and Mori do not kiss. They draw close, touch foreheads, and even lean in for a hug as the screen cuts to the credits. But again, they do not consummate their victory with a kiss. The absence of a kiss wasn’t an oversight on del Toro’s part. In fact, it was a conscious creative choice, recounting in an interview that he had filmed three different versions of the scene including one where they did kiss. Del Toro said: “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues” (qtd. Faraci). The idea that two (supposedly) heterosexual heroes would not fall in love during the course of a film and instead become good friends seems oddly counter-intuitive. For western audiences, the development of romantic feelings concluding with a kiss between the protagonist and their love interest is quintessential for creating a sense of narrative closure (Doane 196).
  • SHAY CUNLIFFE Costume Designer

    SHAY CUNLIFFE Costume Designer

    (4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE
  • UK@Kidscreen Delegation Organised By: Contents

    UK@Kidscreen Delegation Organised By: Contents

    © Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time.
  • Re-Presenting the City

    Re-Presenting the City

    Re-presenting the City A Dramatist’s Contextualisation Of His Works On Liverpool Post - 1990 Andrew Sherlock A thesis submitted as partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy May 2015 1 Contents Page A Personal Foreword 2-10 Introduction to the Publications – The Plays 11-14 Conceptual Roots and Practitioner Theory 15-34 Coherence and Context of the Body of Work 35-51 Analysis and Contextualisation of each Play Fall From Grace 52-62 Ballad Of The Sea 63-70 Walltalks 71-81 The Shankly Show 82-95 Epstein – The Man Who Made The Beatles 96-103 Thoughts and Findings, Arriving at a Research Methodology 104-115 Conclusions 116-120 Appendices Research Notes and Key References 121-128 Professional and Teaching Impact 129-131 References 132-134 2 A Personal Foreword Byford Street, Liverpool L7, taken in 1972, where I was born, though had left here by 1966. Born in 1964, the son of a plasterer and leaving for Leeds University in 1982, my formative years in Liverpool and deep early impressions of the city were shaped by the 1970s /80s. One of the few positive benefits of attending an under-funded, inner-city comprehensive school in Liverpool was perhaps the number of subjects and interests we attempted to cover and a resultant affinity for eclecticism.1 From sports to school plays to a terrible school orchestra, I had a go at everything and at times the loose structure meant that when I was caught out of 1 I attended Holt Comprehensive between 1975-82.
  • Are Our Children Really in Crisis, Or the Victims of Parents' Anxiety?

    Are Our Children Really in Crisis, Or the Victims of Parents' Anxiety?

    Are our children really in crisis, or the victims of parents' anxiety? A major new report, out tomorrow, reveals that Britain's children are afraid of bullying, stressed by schoolwork and beset by concerns over relationships and abuse. But is 21st-century existence really that awful for our youngsters? Or is childhood being undermined by adult fears and aversion to risk? Amelia Hill, Caroline Davies and Gaby Hinsliff investigate Amelia Hill, Caroline Davies, Gaby Hinsliff The Observer, Sunday 1 February 2009 larger | smaller Childhood was once seen as an idyllic time. It was, children were told, "the best days of their life", during which the exuberance of youth could be enjoyed unadulterated by responsibilities or cares. It is not hard to think that such days may be gone. Experts warn that young people are suffering from stress and anxiety, parents are too scared to let their children play freely and newspaper headlines paint a picture of Britain in which childhood is fast disappearing. For children like 13-year-old Eleanor, things feel hopeless. "I'm so worried about the effect of the credit crunch on my family," she said. "I got sent home from school last week because I just started crying and couldn't stop. I feel like I'm having a breakdown." Last year, ChildLine received calls from 195,485 children desperate for help. Many had specific problems. Others, like 16-year-old Kwame, couldn't identify the source of their misery. "I've been on antidepressants for a year and have considered taking an overdose," he said.
  • Production Notes

    Production Notes

    Version française par www.cittagazze.com Notes de Production Cet article a été traduit par Haku pour Cittàgazze.com. Si vous souhaitez utiliser l'article sur votre site, intégralement ou non, veuillez s'il vous plait faire un lien vers Cittàgazze. Note du scénariste et réalisateur, Chris Weitz. Pour Lyra, l’enfant autour de laquelle tourne La Boussole d’Or, le voyage débute dans la relative sécurité de son Oxford natal et l’emporte au bout du monde. Mon voyage avec cette histoire a démarré à Londres il y a sept ans, quand un ami m’a conseillé de lire les livres de Pullman alors que j’étais dans la relative sécurité du tournage d’un film, Pour un Garçon. J’ai tout de suite su que je voulais transposer ces livres en films. J’étais absolument abasourdi par l’imagination, l’audace et l’intelligence de ces livres. La plume de Pullman va de la vie de tous les jours au métaphysique, et son impressionnante trilogie est un testament au nom de la liberté et du potentiel de l’âme humaine. Les Royaumes du Nord, le premier livre de la trilogie, offre tous ce qu’un réalisateur peut espérer – une histoire captivante, des personnages fascinants, une profondeur psychologique et philosophique, et une très respectable merveille en son cœur. Pour moi, il n’y avait pas de meilleur challenge que de m’y consacrer dans les années à venir. Cela demande beaucoup de courage de voir quelqu’un adapter votre travail pour un autre support, et je suis redevable à M.