Savoring the Classical Tradition in Drama
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Elgar Chadwick
ELGAR Falstaff CHADWICK Tam O’Shanter Andrew Constantine BBC National Orchestra of Wales Timothy West Samuel West CD 1 CD 2 Sir Edward Elgar (1857-1934) Sir Edward Elgar (1857-1934) Falstaff – Symphonic Study in C minor, Op.68 Falstaff – Symphonic Study in C minor, Op.68 1 I am not only witty in myself, but the cause that wit is in other men 3.59 1 Falstaff and Prince Henry 3.05 2 Falstaff and Prince Henry 3.02 2 Eastcheap - the robbery at Gadshill - The Boar’s Head - revelry and sleep 13.25 3 What’s the matter? 3.28 3 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, 4 Eastcheap - the robbery at Gadshill - The Boar’s Head - and page to Sir Thomas Mowbray, Duke of Norfolk 2.35 revelry and sleep 13.25 4 Falstaff’s March - The return through Gloucestershire 4.12 5 Dream interlude: ‘Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk’ 2.37 5 Interlude: Gloucestershire. Shallow’s orchard - The new king - The hurried ride to London 2.45 6 Come, sir, which men shall I have? 1.43 6 King Henry V’s progress - The repudiation of Falstaff and his death 9.22 7 Falstaff’s March - The return through Gloucestershire 4.12 8 Interlude: Shallow’s orchard - The new king - Total time 35.28 The hurried ride to London 2.44 BBC National Orchestra of Wales 9 Sir John, thy tender lambkin now is king. Harry the Fifth’s the man 2.24 Andrew Constantine 10 King Henry V’s progress - The repudiation of Falstaff and his death 9.25 George Whitefield Chadwick (1854-1931) Tam O’Shanter 11 Chadwick’s introductory note to Tam O’Shanter 4.32 12 Tam O’Shanter 19.39 Total time 71.14 BBC National Orchestra of Wales Andrew Constantine Falstaff, Timothy West Prince Henry, Samuel West George Whitefield Chadwick, Erik Chapman Robert Burns, Billy Wiz 2 Many of you might be coming to Elgar’s great masterpiece Falstaff for the very first time - I truly hope so! It has, undeniably, had a harder time working its way into the consciousness of the ‘Elgar-lover’ than most of his other great works. -
The Relevance of Tennessee Williams for the 21St- Century Actress
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par. -
ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB THE ENGLISH-SPEAKING UNION THE LAMBS, NEW YORK CITY ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13 For this special gathering, the GUILD is delighted to join forces with THE LAMBS, a venerable theatrical society whose early leaders founded Actors’ Equity, ASCAP, and the Screen Actors Guild. Hal Holbrook offered Mark Twain Tonight to his fellow Lambs before taking the show public. So it’s hard to imagine a better THE LAMBS setting for ESTELLE PARSONS and NAOMI LIEBLER to present 3 West 51st Street a dramatic exploration of “Shakespeare’s Old Ladies.” A Manhattan member of the American Theatre Hall of Fame and a PROGRAM 7:00 P.M. former head of The Actors Studio, Ms. Parsons has been Members $5 nominated for five Tony Awards and earned an Oscar Non-Members $10 as Blanche Barrow in Bonnie and Clyde (1967). Dr. Liebler, a professor at Montclair State, has given us such critically esteemed studies as Shakespeare’s Festive Tragedy. Following their dialogue, a hit in 2011 at the New York Public Library, they’ll engage in a wide-ranging conversation about its key themes. TERRY ALFORD Tuesday, April 14 To mark the 150th anniversary of what has been called the most dramatic moment in American history, we’re pleased to host a program with TERRY ALFORD. A prominent Civil War historian, he’ll introduce his long-awaited biography of an actor who NATIONAL ARTS CLUB co-starred with his two brothers in a November 1864 15 Gramercy Park South benefit of Julius Caesar, and who restaged a “lofty Manhattan scene” from that tragedy five months later when he PROGRAM 6:00 P.M. -
2015 Christmas Concert Artist Announcement-Edited
For Immediate Release Broadway Star Laura Osnes and Beloved British Actor Martin Jarvis Join Mormon Tabernacle Choir for Annual Christmas Concert Back by popular demand after charming audiences at this summer’s Pioneer Day concert, Broadway star Laura Osnes will join the Mormon Tabernacle Choir and Orchestra at Temple Square for their annual Christmas concerts on December 17, 18 and 19 in the Conference Center in Salt Lake City. Taking the stage with Osnes will be acclaimed British screen and voice actor Martin Jarvis. Under the direction of Mack Wilberg, music director of the Choir, and Ryan Murphy, associate music director, these powerhouse talents will ring in the holiday spirit for audiences young and old. But that’s not all. Osnes and Jarvis will be joined by four Metropolitan Opera soloists — Erin Morley, soprano; Tamara Mumford, mezzo-soprano; Ben Bliss, tenor; and Tyler Simpson, bass — adding a classical dimension to the musical repertoire. This is going to be an unforgettable concert,” said Ron Jarrett, president of the Mormon Tabernacle Choir. “Where else can you find such a depth of talent in all performing disciplines all on one stage? We are truly blessed to have this fabulous ensemble of artists spend Christmas with us.” Today’s carefully guarded announcement was eagerly anticipated by thousands in the community who have attended the Christmas concerts for over a decade. The free performances are arguably the hottest tickets in town during the Christmas season, and this year will be no exception. “We are overwhelmed and humbled by the response of our audiences each year,” said music director Mack Wilberg. -
June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace
No. 495 - June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace Nothing like a Dame (make that two!) The VW’s Shakespeare party this year marked Shakespeare’s 452nd birthday as well as the 400th anniversary of his death. The party was a great success and while London, Stratford and many major cultural institutions went, in my view, a bit over-bard (sorry!), the VW’s party was graced by the presence of two Dames - Joan Plowright and Eileen Atkins, two star Shakespeare performers very much associated with the Old Vic. The party was held in the Old Vic rehearsal room where so many greats – from Ninette de Valois to Laurence Olivier – would have rehearsed. Our wonderful Vice-President, Nickolas Grace, introduced our star guests by talking about their associations with the Old Vic; he pointed out that we had two of the best St Joans ever in the room where they would have rehearsed: Eileen Atkins played St Joan for the Prospect Company at the Old Vic in 1977-8; Joan Plowright played the role for the National Theatre at the Old Vic in 1963. Nickolas also read out a letter from Ronald Pickup who had been invited to the party but was away in France. Ronald Pickup said that he often thought about how lucky he was to have six years at the National Theatre, then at Old Vic, at the beginning of his career (1966-72) and it had a huge impact on him. Dame Joan Plowright Dame Joan Plowright then regaled us with some of her memories of the Old Vic, starting with the story of how when she joined the Old Vic school in 1949 part of her ‘training’ was moving chairs in and out of the very room we were in. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
Video Reviews 6-15-07.Qxp
New On Video & DVD Reno 911: Miami Comedy Central’s cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers’ convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren’t allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation’s police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Fox The Secret Nimh Don Bluth's The Secret Of NIMH is an exquisitely drawn, colorfully animated fea- ture about Mrs. Brisby, a brave mother field mouse who struggles to save her family's home from a farmer's plow. She soon discovers she needs the help of the strange, intelligent rats who live beneath the nearby rosebush in an intricate city. But when the timid but determined Mrs. Brisby discovers the astounding wonders of NIMH, it could change her life forever. -
DICKENS on SCREEN, BFI Southbank's Unprecedented
PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars. -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
“Revenge in Shakespeare's Plays”
“REVENGE IN SHAKESPEARE’S PLAYS” “MUCH ADO ABOUT NOTHING” – LECTURE/CLASS WRITTEN: In the second half of 1598 or 99 -- no later because the role of Dogberry was sometimes replaced by the name of “Will Kemp”, the actor who always played the role; Kemp left the Lord Chamberlain’s Men in 1599. AGE: 34-35 Years Old (B.1564-D.1616) CHRONO: Seventh in the line of Comedies after “The Two Gentlemen of Verona”, “The Comedy of Errors”, “Taming of the Shrew”, “Love’s Labours Lost”, “A Midsummer’s Night’s Dream”, “The Merchant of Venice”. QUARTO: A Quarto edition of the play appeared in 1600. GENRE: “Tragicomic” SOURCE: “Completely and entirely unhistorical” VERSION: The play is “Shakespeare’s earliest version of the more serious story of the man who mistakenly believes his partner has been unfaithful to him”. (“Othello” for one.) SUCCESS: There are no records of early performances but there are “allusions to its success.” HIGHLIGHT: The comedy was revived in 1613 for a Court performance at Whitehall before King James, his daughter Princess Elizabeth and her new husband in May 1613. AFTER: Oddly, the play was “performed only sporadically until David Garrick’s acclaimed revival in 1748”. CRITICS: 1891 – A.B. Walkley: “a composite picture of the multifarious, seething, fermenting life, the polychromatic phantasmagoria of the Renaissance.” 1905 – George Bernard Shaw: “a hopeless story, pleasing only to lovers of the illustrated police papers BENEDICTS: Anthony Quayle, John Gielgud, Michael Redgrave, Donald Sinden BEATRICES: Peggy Ashcroft, Margaret Leighton, Judi Dench, Maggie Smith RECENT: There was “a boost in recent fortunes with the well-received 1993 film version directed by Kenneth Branagh and starring Branagh and Emma Thompson.” SETTING: Messina in northeastern Sicily at the narrow strait separating Sicily from Italy. -
FOR IMMEDIATE RELEASE February 11, 2015
FOR IMMEDIATE RELEASE February 11, 2015 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] 20th Annual Audie® finalists announced in thirty categories Winners announced at the Audie Awards Gala in New York City on May 28th hosted by award winning author Jack Gantos Philadelphia, PA – The Audio Publishers Association (APA) has announced finalists for its 2015 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 28, 2015, at the New York Academy of Medicine in New York. Newbery award winning author, and audiobook narrator extraordinaire, Jack Gantos will emcee the event and says "I'm thrilled to host the Audies. Unlike when I'm in the recording studio, while on stage at the Audies Gala I can wear a watch, have my stomach growl, jiggle pocket change, trip over my own tongue, laugh at my own jokes, completely screw up my lines and not have to worry about repeating myself-- again and again. It is an honor to be a part of recognizing all the incredible audio talent in the industry who do the hard work of controlling themselves in the studio every single day." This year there will be an additional category: JUDGES AWARD – SCIENCE & TECHNOLOGY. Janet Benson, Audies Competition Chair, says “Recognizing the constantly evolving nature of modern science and technology, the Audies Competition Committee wished to honor audiobooks which celebrate Science, Technology, Engineering, and Mathematics. -
Z Space & Word for Word
WEIGHTLESS WEIGHTLESS DIRECTOR STATEMENT Ovid says it’s in our play we reveal the people we are. But sometimes it’s hard to find places for Featuring play. Play requires looseness and Lila Blue, Julia Brothers*, Dan Harris, Kate Kilbane, space to roam between ideas. Dan Moses and Josh Pollock Tonight, we hope to open up a space for you Directed by Becca Wolff to play. The world can be so sure of itself. But in my experience more mystery abounds. This is a rock show. It’s visceral —the beat moves you Angrette McCloskey Scenic Design physically, the music moves your spirit. It’s also Christine Crook Costume Design theater. Theater engages us with stories that Ray Oppenheimer Lighting Design give us a window into another life, Hana S. Kim Projection Design new ways of thinking about the world. Gregory T. Kuhn Sound Design Dan Moses Music Director We often associate the in-between with Jessica Barker* Production Stage Manager Frédéric O. Boulay Production Manager discomfort - being at 6s and 7s, neither here nor Kendra Bator General Manager & there - I think it is a glorious place. It is a place Executive Producer where expectations don’t hold and *Member Actors' Equity Association the very moment you are in is all there is. Audio Engineer Andy Fitts I invite you tonight to play. Immerse yourself in Head Electrician Lauren Wright this space between worlds and I hope you find Light Board Programmer & Operator Corey Schaeffe out -in play- something more about Deck Manager & Audio Engineer Emma Rodrigues who we human beings really are.