Roger Dunsmore Came to the University of Montana in 1963 As a Freshman Composition Instructor in the English Department
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The Quest Motif in Snyder's the Back Country
LUCI MARÍA COLLIN LA VALLÉ* ? . • THE QUEST MOTIF IN SNYDER'S THE BACK COUNTRY Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentração em Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federal ' do Paraná, para a obtenção do grau de Mestre em Letras. Orientador: Profa. Dra. Sigrid Rénaux CURITIBA 1994 f. ] there are some things we have lost, and we should try perhaps to regain them, because I am not sure that in the kind of world in which we are living and with the kind of scientific thinking we are bound to follow, we can regain these things exactly as if they had never been lost; but we can try to become aware of their existence and their importance. C. Lévi-Strauss ii ACKNOWLEDGMENTS First of all, I would like to acknowledge my American friends Eleanor and Karl Wettlaufer who encouraged my research sending me several books not available here. I am extremely grateful to my sister Mareia, who patiently arranged all the print-outs from the first version to the completion of this work. Thanks are also due to CAPES, for the scholarship which facilitated the development of my studies. Finally, acknowledgment is also given to Dr. Sigrid Rénaux, for her generous commentaries and hëlpful suggestions supervising my research. iii CONTENTS ABSTRACT vi RESUMO vi i OUTLINE OF SNYDER'S LIFE viii 1 INTRODUCTION 01 1.1 Critical Review 04 1.2 Cultural Influences on Snyder's Poetry 12 1.2.1 The Counter cultural Ethos 13 1.2.2 American Writers 20 1.2.3 The Amerindian Tradi tion 33 1.2.4 Oriental Cultures 38 1.3 Conclusion 45 2 INTO THE BACK COUNTRY 56 2.1 Far West 58 2.2 Far East 73 2 .3 Kail 84 2.4 Back 96 3 THE QUEST MOTIF IN THE BACK COUNTRY 110 3.1 The Mythical Approach 110 3.1.1 Literature and Myth 110 3 .1. -
Minutes of the January 25, 2010, Meeting of the Board of Regents
MINUTES OF THE JANUARY 25, 2010, MEETING OF THE BOARD OF REGENTS ATTENDANCE This scheduled meeting of the Board of Regents was held on Monday, January 25, 2010, in the Regents’ Room of the Smithsonian Institution Castle. The meeting included morning, afternoon, and executive sessions. Board Chair Patricia Q. Stonesifer called the meeting to order at 8:31 a.m. Also present were: The Chief Justice 1 Sam Johnson 4 John W. McCarter Jr. Christopher J. Dodd Shirley Ann Jackson David M. Rubenstein France Córdova 2 Robert P. Kogod Roger W. Sant Phillip Frost 3 Doris Matsui Alan G. Spoon 1 Paul Neely, Smithsonian National Board Chair David Silfen, Regents’ Investment Committee Chair 2 Vice President Joseph R. Biden, Senators Thad Cochran and Patrick J. Leahy, and Representative Xavier Becerra were unable to attend the meeting. Also present were: G. Wayne Clough, Secretary John Yahner, Speechwriter to the Secretary Patricia L. Bartlett, Chief of Staff to the Jeffrey P. Minear, Counselor to the Chief Justice Secretary T.A. Hawks, Assistant to Senator Cochran Amy Chen, Chief Investment Officer Colin McGinnis, Assistant to Senator Dodd Virginia B. Clark, Director of External Affairs Kevin McDonald, Assistant to Senator Leahy Barbara Feininger, Senior Writer‐Editor for the Melody Gonzales, Assistant to Congressman Office of the Regents Becerra Grace L. Jaeger, Program Officer for the Office David Heil, Assistant to Congressman Johnson of the Regents Julie Eddy, Assistant to Congresswoman Matsui Richard Kurin, Under Secretary for History, Francisco Dallmeier, Head of the National Art, and Culture Zoological Park’s Center for Conservation John K. -
PRICES REALIZED DETAIL - Animation Auction 52A, Auction Date: 12/1/2012
26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 52A, Auction Date: 12/1/2012 LOT ITEM PRICE 4 X-MEN “OLD SOLDIERS”, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $275 FEATURING “CAPTAIN AMERICA” & “WOLVERINE”. 5 X-MEN “OLD SOLDIERS”, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $200 FEATURING “CAPTAIN AMERICA” & “WOLVERINE” FIGHTING BAD GUYS. 6 X-MEN “PHOENIX SAGA (PART 3) CRY OF THE BANSHEE”, ORIGINAL PRODUCTION CEL $100 AND BACKGROUND FEATURING “ERIK THE REDD”. 8 X-MEN OVERSIZED ORIGINAL PRODUCTION CEL AND BACKGROUND FEATURING $150 “GAMBIT”, “ROGUE”, “PROFESSOR X” & “JUBILEE”. 9 X-MEN “WEAPON X, LIES, AND VIDEOTAPE”, (3) ORIGINAL PRODUCTION CELS AND $225 BACKGROUND FEATURING “WOLVERINE” IN WEAPON X CHAMBER. 16 X-MEN ORIGINAL PRODUCTION CEL AND BACKGROUND FEATURING “BEAST”. $100 17 X-MEN (2) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “NASTY BOYS”, $100 “SLAB” & “HAIRBAG”. 21 X-MEN (3) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “STORM”. $100 23 X-MEN (2) ORIGINAL PRODUCTION CELS AND (2) SKETCHES FEATURING CYCLOPS’ $125 VISION OF JEAN GREY AS “PHOENIX”. 24 X-MEN (2) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “CAPTAIN $150 AMERICA” AND “WOLVERINE”. 25 X-MEN (9) ORIGINAL PRODUCTION CELS AND PAN BACKGROUND FEATURING “CAPTAIN $175 AMERICA” AND “WOLVERINE”. 27 X-MEN (3) ORIGINAL PRODUCTION CELS AND BACKGROUND FEATURING “STORM”, $100 “ROGUE” AND “DARKSTAR” FLYING. 31 X-MEN THE ANIMATED SERIES, (2) ORIGINAL PRODUCTION CELS AND BACKGROUND $100 FEATURING “PROFESSOR X” AND “2 SENTINELS”. 35 X-MEN (2) ORIGINAL PRODUCTION PAN CELS AND BACKGROUND FEATURING $100 “WOLVERINE”, “ROGUE” AND “NIGHTCRAWLER”. -
Gary Snyder's Eco-Buddhist Deconstruction of "Self" and "Nature"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2002 Emptiness of "The Wild"| Gary Snyder's eco-Buddhist deconstruction of "self" and "nature" David J. Kerber The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Kerber, David J., "Emptiness of "The Wild"| Gary Snyder's eco-Buddhist deconstruction of "self" and "nature"" (2002). Graduate Student Theses, Dissertations, & Professional Papers. 2217. https://scholarworks.umt.edu/etd/2217 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. î ■i Maureen and Mike MANSFIELD LIBRARY The University of JVIONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. * * Please check "Yes" or "No" and provide signature * * Yes, I grant permission _____ No, I do not grant permission _____ Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. THE EMPTINESS OF “THE WILD”: GARY SNYDER’S ECO-BUDDHIST DECONSTRUCTION OF “SELF” AND “NATURE” By David J. Kerber B.S. Willamette University, 1999 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana May 2002 Approved by: irperson: Dean, Graduate School: S - ZZ-02.____ Date UMI Number: EP35489 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Vulpes Vulpes) Evolved Throughout History?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Environmental Studies Undergraduate Student Theses Environmental Studies Program 2020 TO WHAT EXTENT HAS THE RELATIONSHIP BETWEEN HUMANS AND RED FOXES (VULPES VULPES) EVOLVED THROUGHOUT HISTORY? Abigail Misfeldt University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/envstudtheses Part of the Environmental Education Commons, Natural Resources and Conservation Commons, and the Sustainability Commons Disclaimer: The following thesis was produced in the Environmental Studies Program as a student senior capstone project. Misfeldt, Abigail, "TO WHAT EXTENT HAS THE RELATIONSHIP BETWEEN HUMANS AND RED FOXES (VULPES VULPES) EVOLVED THROUGHOUT HISTORY?" (2020). Environmental Studies Undergraduate Student Theses. 283. https://digitalcommons.unl.edu/envstudtheses/283 This Article is brought to you for free and open access by the Environmental Studies Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Environmental Studies Undergraduate Student Theses by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. TO WHAT EXTENT HAS THE RELATIONSHIP BETWEEN HUMANS AND RED FOXES (VULPES VULPES) EVOLVED THROUGHOUT HISTORY? By Abigail Misfeldt A THESIS Presented to the Faculty of The University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Bachelor of Science Major: Environmental Studies Under the Supervision of Dr. David Gosselin Lincoln, Nebraska November 2020 Abstract Red foxes are one of the few creatures able to adapt to living alongside humans as we have evolved. All humans and wildlife have some id of relationship, be it a friendly one or one of mutual hatred, or simply a neutral one. Through a systematic research review of legends, books, and journal articles, I mapped how humans and foxes have evolved together. -
The History and Philosophy of the Postwar American Counterculture
The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers. -
NAC 2018 Final Eligible List.Xlsx
American Kennel Club 2018 National Agility Championship FINAL List of Eligible Dogs Breed Primary Owner Dog's Registered Name Affenpinscher Sharon Rafferty CH Ferlin's Black Jaguar MX MXB MXJ MJB CAX CGCA CGCU Airedale Terrier Deanna Corboy‐Lulik MACH3 Connemara's Sense Of Adventure SH MXC PAD MJC MFS TQX T2B3 Airedale Terrier Deanna Corboy‐Lulik MACH4 Connemara's Parteigh Like A Rock Star BN RE SH MXC3 MJG3 MXP MJP MFC TQX T2B3 Airedale Terrier Rhonda Walker MACH2 Connemara's Hunt For The Party MXC MJB2 OF T2B Airedale Terrier Rhonda Walker MACH2 Eclipse Journey Ripples Thru Time MXG MJC2 OF T2B Airedale Terrier William Fridrych MACH12 Connemara's Nothin But Aire MXS4 MJG4 Airedale Terrier William Fridrych MACH2 Connemara's Talkin To You MXC MJG MXF T2B2 Alaskan Malamute Cathie Reinhard PACH3 Ixa's Mesmerizing Miss Mickey UD BN AX AXJ MXP15 MXPS2 MJP13 MJPB2 PAX3 NF MFPC TQXP T2BP Alaskan Malamute James Alger PACH2 Lone Wolf Little Man Avery BN MXP9 MXPG MJP8 MJPG PAX2 XFP THDX CGC TKA Alaskan Malamute Raissa Hinman MACH6 Arcticdawn's Boots R' Made For Mushin' UDX7 OM9 RE MXC2 MJB3 MFB TQX T2B All American Dog Adrienne McLean MACH4 Jinx Falkenburg McLean MXC MJC T2B All American Dog ALISON DAY MACH3 Day's Katie MXG MJG MXF T2B3 TKA All American Dog Alison Hall MACH2 Nounours Lionheart Wynne MXS MJG All American Dog ALLISON MOONEY Jager Meister MX MXB MXJ MJB OF T2B All American Dog Alyson Deine‐Schartz H.E.L.P.Er. RE AX MXJ OF CGCA All American Dog AMY ANDERSON MACH Anderson's Lottie RE MXB MJB MXP MJP OF T2B All American Dog AMY GLOMAN -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Border Security Threatens Northern Border Wildernesses
Wilderness In Peril: Border Security Measures Threaten Wilderness along the Northern Border with Canada An Analysis Prepared by Wilderness Watch October 2012 Wilderness Watch P.O. Box 9175 Missoula, MT 59807 406-542-2048 www.wildernesswatch.org For more information, contact: George Nickas, Executive Director Kevin Proescholdt, Conservation Director [email protected] [email protected] 406-542-2048 612-201-9266 2 Table of Contents Executive Summary………………………………………………...…………….Page 3 Introduction………………………………………………………..………..….....Page 4 Background…………………………………………………..………………....…Page 4 A. Early 20th Century Border Easements B. International Boundary Treaties with Canada C. 2005 REAL ID Act D. 2006 Interagency Memorandum of Understanding (MOU) Border Patrol Practices on the Southern Border and Lessons for the North……………………………………………………………….Page 9 A. Border Wall Construction B. Illegal Roads and Vehicle Routes C. Border Security Infrastructure D. Motorized Patrols Emerging Major Threats to Wildernesses near the Northern Border……...…Page 13 A. Congressional Legislation B. Northern Border Programmatic Environmental Impact Statement C. 2006 MOU and Motorized Patrols D. Administrative Waiver of Federal Laws E. Clearing and Construction in Border Reservations F. Conclusion Needed Actions to Reestablish and Affirm Wilderness Protections Along the Northern Border……………………………………….……………..Page 17 A. Existing Homeland Security Laws B. 2006 MOU C. Northern Border PEIS D. Pending Legislation E. Restore Wilderness Protection Appendix - Wildernesses at Risk along the Northern Border………………....Page 18 3 Executive Summary Under the guise of border security, a plethora of new and proposed laws, policies, memoranda, and other governmental actions pose an unprecedented threat to Wildernesses, including in many national parks, along our nation’s Northern Border. This whitepaper describes the threats and presents several recommendations for securing the protection of Wilderness and parks along the Northern Border. -
The Raunchy Splendor of Mike Kuchar's Dirty Pictures
MIKE KUCHAR ART The Raunchy Splendor of Mike Kuchar’s Dirty Pictures by JENNIFER KRASINSKI SEPTEMBER 19, 2017 “Blue Eyes” (1980–2000s) MIKE KUCHAR/ANTON KERN GALLERY/GHEBALY GALLERY AS AN ILLUSTRATOR, MY AIM IS TO AMUSE THE EYE AND SPARK IMAGINATION, wrote the great American artist and filmmaker Mike Kuchar in Primal Male, a book of his collected drawings. TO CREATE TITILLATING SCENES THAT REFRESH THE SOUL… AND PUT A BIT MORE “FUN” TO VIEWING PICTURES — and that he has done for over five decades. “Drawings by Mike!” is an exhibition of erotic illustrations at Anton Kern Gallery, one of the fall season’s great feasts for the eye and a welcome homecoming for one of New York’s most treasured prodigal sons. Sympathy for the devil: Mike Kuchar’s “Rescued!” (2017) MIKE KUCHAR/ANTON KERN GALLERY As boys growing up in the Bronx, Mike and his twin brother — the late, equally great film and video artist George (1942–2011) — loved to spend their weekends at the movies, watching everything from newsreels to B films to blockbusters, their young minds roused by all the thrills that Hollywood had to offer: romance, drama, action, science fiction, terror, suspense. As George remembered in their 1997 Reflecons From a Cinemac Cesspool, a memoir-cum–manual for aspiring filmmakers: “On the screen there would always be a wonderful tapestry of big people and they seemed so wild and crazy….e women wantonly lifted up their skirts to adjust garter-belts and men in pin-striped suits appeared from behind shadowed décor to suck and chew on Technicolor lips.” For the Kuchars, as for gay male contemporaries like Andy Warhol and Jack Smith, the movie theater was a temple for erotics both expressed and repressed, projected and appropriated, homo and hetero, all whirled together on the silver screen. -
Protecting the Crown: a Century of Resource Management in Glacier National Park
Protecting the Crown A Century of Resource Management in Glacier National Park Rocky Mountains Cooperative Ecosystem Studies Unit (RM-CESU) RM-CESU Cooperative Agreement H2380040001 (WASO) RM-CESU Task Agreement J1434080053 Theodore Catton, Principal Investigator University of Montana Department of History Missoula, Montana 59812 Diane Krahe, Researcher University of Montana Department of History Missoula, Montana 59812 Deirdre K. Shaw NPS Key Official and Curator Glacier National Park West Glacier, Montana 59936 June 2011 Table of Contents List of Maps and Photographs v Introduction: Protecting the Crown 1 Chapter 1: A Homeland and a Frontier 5 Chapter 2: A Reservoir of Nature 23 Chapter 3: A Complete Sanctuary 57 Chapter 4: A Vignette of Primitive America 103 Chapter 5: A Sustainable Ecosystem 179 Conclusion: Preserving Different Natures 245 Bibliography 249 Index 261 List of Maps and Photographs MAPS Glacier National Park 22 Threats to Glacier National Park 168 PHOTOGRAPHS Cover - hikers going to Grinnell Glacier, 1930s, HPC 001581 Introduction – Three buses on Going-to-the-Sun Road, 1937, GNPA 11829 1 1.1 Two Cultural Legacies – McDonald family, GNPA 64 5 1.2 Indian Use and Occupancy – unidentified couple by lake, GNPA 24 7 1.3 Scientific Exploration – George B. Grinnell, Web 12 1.4 New Forms of Resource Use – group with stringer of fish, GNPA 551 14 2.1 A Foundation in Law – ranger at check station, GNPA 2874 23 2.2 An Emphasis on Law Enforcement – two park employees on hotel porch, 1915 HPC 001037 25 2.3 Stocking the Park – men with dead mountain lions, GNPA 9199 31 2.4 Balancing Preservation and Use – road-building contractors, 1924, GNPA 304 40 2.5 Forest Protection – Half Moon Fire, 1929, GNPA 11818 45 2.6 Properties on Lake McDonald – cabin in Apgar, Web 54 3.1 A Background of Construction – gas shovel, GTSR, 1937, GNPA 11647 57 3.2 Wildlife Studies in the 1930s – George M. -
Why a Public Anthropology? Notes and References
WHY A PUBLIC ANTHROPOLOGY? NOTES AND REFERENCES While the placement of notes and references online is still relatively rare, they are quite easy to examine in a PDF online format. Readers should use find (or control F) with a fragment of the quote to discover the cited reference. In a number of cases, I have added additional material so advanced readers, if they wish, can explore the issue in greater depth. Find can also be used to track down relevant citations, explore a topic of interest, or locate a particular section (e.g. Chapter 2 or 3.4). May I make a request? Since this Notes and References section contains over 1,300 references, it is likely that, despite my best efforts, there are still incomplete references and errors. I would appreciate readers pointing them out to me, especially since I can, in most cases, readily correct them. Thank you. Readers can email me at [email protected]. Quotes from Jim Yong Kim: On Leadership , Washington Post (April 1, 2010, listed as March 31, 2010) http://www.washingtonpost.com/wp- dyn/content/video/2010/03/31/VI2010033100606.html?hpid=smartliving CHAPTER 1 1.1 Bronislaw Malinowski, a prominent early twentieth century anthropologist, famously stated his goal in anthropology was "to grasp the native's point of view, his relation to life, to realize his vision of his world" (1961 [1922]:25) To do this, he lived as a participant-observer for roughly two years – between 1915-1918 – among the Trobriand Islanders of Papua New Guinea (in the South Pacific). Quoting him (1961[1922]:7-8): There is all the difference between a sporadic plunging into the company of natives, and being really in contact with them.