Coming: the Christopther Columbus Follies: an Eco-Cabaret

Total Page:16

File Type:pdf, Size:1020Kb

Coming: the Christopther Columbus Follies: an Eco-Cabaret TASTE OF NATIONS MULTICULTURAL FALL FESTIVAL OCTOBER 9TH, 7:30pm- 1 :OOam STEPAN CENTER • TASTE FOODS FROM AROUND THE WORLD • LIVE INTERNATIONAL MUSIC ~ • DANCE CONTESTS EVERYONE IS INVITED Coming: The Christopther Columbus Follies: An Eco-Cabaret A Production by the Underground Railway Theater 4 E-Mail Creating Campus Connections '. October 13, 1992 Washington Hall, 8 :00 p.m. 6 Tailgating The Irish Way University of Notre Dame ····, . .J?..., () .;;",' R .".',: '/ T .' . :-,', , S" S , • I , ~. --r '- '. ' 0:.1:.' - . ~ ~ . '~. ~ '.:', 8 Born Again This energetic performance by an award-winning national touring company explores the legacy of Columbus from multiple viewpoints 10 Take A Shot while examining issues of cultural encounter,' racism, ecology, class division, Native American concerns, and more. The play combines music, puppetry, humor, magic and other theatrical media to 15 Out Of Bounds challenge, inform, and encourage dialogue. 16 Peter Gabriel & 10,000 Maniacs 17 Ah, Wilderness! Tickets are available at: LaFortune Information Desk $7 General Admission 2 Editor's Notes· Center for Social Concerns $5 Students 3 Campus Watch Cosponsored by: Center for Social Concerns 18 On Other Campuses Student Union Board 19 Week In Distortion Student Government 20 Final Word . Multicultural Executive Couneil Helen Kellogg Institute for International Studies Cover photo by Ken Osgood STUDENT UNION BOARD Coming: The Christopther Columbus Follies: An Eco-Cabaret A Production by the Underground Railway Theater 4 E-Mail Creating Campus Connections '. October 13, 1992 Washington Hall, 8 :00 p.m. 6 Tailgating The Irish Way University of Notre Dame ····, . .J?..., () .;;",' R .".',: '/ T .' . :-,', , S" S , • I , ~. --r '- '. ' 0:.1:.' - . ~ ~ . '~. ~ '.:', 8 Born Again This energetic performance by an award-winning national touring company explores the legacy of Columbus from multiple viewpoints 10 Take A Shot while examining issues of cultural encounter,' racism, ecology, class division, Native American concerns, and more. The play combines music, puppetry, humor, magic and other theatrical media to 15 Out Of Bounds challenge, inform, and encourage dialogue. 16 Peter Gabriel & 10,000 Maniacs 17 Ah, Wilderness! Tickets are available at: LaFortune Information Desk $7 General Admission 2 Editor's Notes· Center for Social Concerns $5 Students 3 Campus Watch Cosponsored by: Center for Social Concerns 18 On Other Campuses Student Union Board 19 Week In Distortion Student Government 20 Final Word . Multicultural Executive Couneil Helen Kellogg Institute for International Studies Cover photo by Ken Osgood STUDENT UNION BOARD \ : ~ 2 , . 1 : - i ~ ~ I • , ' In this week's cover story, Campus Life Dedman reviews the recently-released al­ Editor Mollie Mudd examines one of the bums by Peter Gabriel and 10,000 Maniacs. features offered by the Office of University i =: We also have our regular features: Week ,- Computing, electronic mail. E-mail.asit is in Distortion, On Other Campuses, Coming more commonly referred to by users, allows Distractions, Final Word and Out of Notre Dame students, faculty and personnel Bounds. WHERE'S MY VALET? , to communicate with others - at Notre Greetings, disappointed football fans! BROKEN WATER Dame or somewhere else (without spending The Gipp is back again this week, hoping to Welcome Aboard Mter looking up the number for mainte­ the 29 cents on a stamp or paying long­ lighten your heavy hearts with tales of ran­ The Gipp's only question this week re­ distance bills!). gards the fountain part of "Stonehenge." A nance services this week, the Gipp flipped Scholastic would also ,like to welcome dom goofiness from across the campus. Of course, he's still not getting any mail, which , curious party asked the Gipp why the through the "Notre Dame Departments" some new staff members: Karen Lawrence section of the phone book and found a few In This Issue would make this job much easier, but never streams' of water on both ends of the me­ and Mark Mitchell, our co-News Editors; interesting phone numbers. One especially fear - there's enough silly stuff happening morial seem to vary so much in height. Pat Skidmore, Charlie Kranze and Christie Indeed, the water pressure in the fountain caught the Gipp' s eye. It seems that there is One of Notre Dame's many traditions is on this campus to keep anyone busy. Gallo in the Graphic Arts Department; and seems to be quite erratic. As a friend of the an organization on this campus called "Park­ tailgating, and Campus Life writer Peg Mark Mazzola, one of our back page car­ Gipp's stated, "One minute it's blasting ing Services." Thrilled at the possibility of Ward shows us several different types of toonists. WIN A DATE WITH THE against the top of the thingy and the next valet parking which he could charge to his tailgaters and enlightens us ,that 'football GIPP student account, the Gipp called this little­ tailgating doesn't end with the bowl games. minute it's barely squirting at all." The Gipp Scholastic's New Look known organization and asked how he could In Sports, assistant Amanda Clinton pre­ tried to contact maintenance services on sign up. Alas, parking services has nothing views this week's football game against the It seems that SYR-date angst has hit the campus for an answer but was unable to talk to do with parking students'cars. It seems Uriiversity of Pittsburgh. The Irish are As you may have noticed, Layout Editor campus alI at once. Yes, that's right, to anyone. He didn't even get an answer at that they're just another part ofcampus Stasi coming off a disappointing loss against the Chin Wang has made some snazzy changes kiddies, there are nine SYRs in women's the number listed under "Emergency Main­ tenance Services" in ,---------,------::::::-::;7"1<7'1"":=------:-----...., Stanford Cardinal and will try to redeem to the pages of the magazine. We are in­ dorms this weekend, meaning that if you're the phone directory ~ themselves by increasing their winning corporating new design ideas through our a guy and you're not busy this weekend, (Apparently the uni­ streak against the Panthers to five straight Graphics Arts department, and some of our yoq're probably a loser. (Of course, the versity doesn't plan victories. Also, Jason Conte highlights the ' editors have been working with our com­ Gipp himself doesn't have a date, so you on, things breaking 1992 hockey team, which has recently re­ puters to create more eye-catching and in­ unwanted guys are in good company.) down after business joined Division I. Take a look at the key teresting headlines. We hope you are as Anyway, it seems that there is a wave of hours.) After that players and what Coach Ric Schafer has to pleased with our new look as we are! paranoia spreading among much of the fe­ failed attempt, the - say about his team. male population of this campus that there Gipp tried to get in Notre Dame's production of Ah, Wilder­ just aren't enough acceptable guys to go ness! opened this week at Washington Hall, MargaretS. Kenny' around. A Scholastic staff member has had touch with the Cam­ pus Druids, figuring and writer Lisa Mehl previews it in Enter­ Managing Editor so much difficulty finding a good man that that maybe'the asym-, , tainment. Also in Entertainment, writer Pete she asked the Gipp to help her find a date for her dance this weekend. All those interested metric flows had can call 239-7569 to inquire. Please state something to do with your height, your name (or pseudonym) and the position of the relative dancing skill. The Gipp himself, as planets or something. , , ' was previously stated, is also not doing Again, no luck. In fact, there isn't even a (I mean, security) and are responsible for much ~ithet night this weekend and would chapter of the College Druids here at Notr~ controlling all parking areas on campus be willing to provide his seryices for inter­ ,Dame. Bummer. So the question remains (a.k.a. giving out tickets). ested 'women. That's ~ght, you can get a ~nanswered, but the Gipp hopes that some­ date with the Gipp. Call the number listed one out there knows and will be willing to As always, the Gipplovesyour IT!ail. He above: The Gipp is (obviously) male, 6 feet share that knowledge with us. reallydoes. Honestly. Hewouldbeflattered taIl and not a very good dancer but he Alsoon'the topic of "Stonehenge:" The to ge~ more than one piece of mail a week guarantees at least good conversation. He Gipp has heard a rather clever ,expression (freshmen asking whaUs in ,the radiation , still is not at ~iberty to disclose his'real used to describe,the activity of sitting near building are encouraged not to s(md lett~rs). Stonehenge and doing nothing. The word is Hot tips for the Gipp can be addressed to: 'I'M Edit01 identity, even if you shoUld require his ser­ ScholllSlic vices. (Anrl;no;'he ,can't go out with the "henge" (henj) vt." [SLANG, from 303 LaFortune, campus mrul. You can also lAF01tWM a",tor Not,. DIl1M, IN 46556 fe~ale Scholastic staff member because he "Stonehenge"] to sit near Stonehenge'and do call our 24-hour friendly answering ma- " 'Add it to ' \ : ~ 2 , . 1 : - i ~ ~ I • , ' In this week's cover story, Campus Life Dedman reviews the recently-released al­ Editor Mollie Mudd examines one of the bums by Peter Gabriel and 10,000 Maniacs. features offered by the Office of University i =: We also have our regular features: Week ,- Computing, electronic mail. E-mail.asit is in Distortion, On Other Campuses, Coming more commonly referred to by users, allows Distractions, Final Word and Out of Notre Dame students, faculty and personnel Bounds.
Recommended publications
  • Peter Gabriel's Secret World - 4 Worlds Limited Edition Mp3, Flac, Wma
    Peter Gabriel Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition Country: UK & Europe Released: 1994 Style: Pop Rock, Synth-pop MP3 version RAR size: 1565 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1958 mb Rating: 4.4 Votes: 716 Other Formats: TTA VOX MP3 VQF ADX MPC APE Tracklist Hide Credits Secret World Live (CD) CD1-1 Come Talk To Me 6:13 CD1-2 Steam 7:45 Across The River CD1-3 6:00 Written-By – David Rhodes, Shankar, Stewart Copeland CD1-4 Slow Marimbas 1:41 Shaking The Tree CD1-5 9:18 Written-By – Youssou N'Dour CD1-6 Red Rain 6:15 CD1-7 Blood Of Eden 6:58 CD1-8 Kiss That Frog 5:58 CD1-9 Washing Of The Water 4:07 CD1-10 Solsbury Hill 4:42 CD2-1 Digging In The Dirt 7:36 CD2-2 Sledgehammer 4:58 CD2-3 Secret World 9:10 CD2-4 Don't Give Up 7:35 CD2-5 In Your Eyes 11:32 Secret World Live (VHS) VHS1 Come Talk To Me VHS2 Steam Across The River VHS3 Written-By – David Rhodes, Shankar, Stewart Copeland VHS4 Slow Marimbas Shaking The Tree VHS5 Written-By – Youssou N'Dour VHS6 Blood Of Eden VHS7 San Jacinto VHS8 Kiss That Frog VHS9 Washing Of The Water VHS10 Solsbury Hill VHS11 Digging In The Dirt VHS12 Sledgehammer VHS13 Secret World VHS14 Don't Give Up VHS15 In Your Eyes Companies, etc.
    [Show full text]
  • Multimédia En Questions À La Bibliothèque Nationale De France
    :>• Ecole Nationale Sup6rieure des Sciences de 1'information et des biblioth6ques Diplome de conservateur de bibliotheque Memoire d'etude Le multimedia en questions a la Bibliotheque nationale de France: le depot legal d'un nouveau support Joelle Jezierski 1995 BIBLIOTHEQUE DE L ENSSIB Ecole Nationale Superieure des Sciences de Vinformation et des bibliotMques Dipldme de conservateur de bibliotheque Memoire d'etude Le multimedia en questions a la Bibliotheque nationale de France : le depot legal d'un nouveau support Joelle Jezicrski Stage effectue au Departement de la Phonotheque et de 1'Audiovisuel de la Bibliotheque nationale de France, sous la direction de Cecile Franc Resume Depuis la loi n° 92-546 du 20 juin 1992, les documents multimedias sont soumis, au meme titre que les videogrammes et que les phonogrammes, a 1'obligation de depot legal, dont est affectataire le departement de la Phonotheque et de 1'Audiovisuel de la Bibliotheque nationale de France. Ayant a faire face a un marche encore mal defini et peu structure, et a un secteur editorial tout juste naissant, le service du depot legal a defini une strategie efficace de prospection et de developpement de ces fonds, tout en participant aux recherches en cours sur leur traitement bibliographique et leur conservation. En outre, il a permis d'integrer ces documents au sein du systeme audiovisuel qui sera mis en place sur le site de Tolbiac, enrichissant ainsi ses activites en direction du public. Abstracts A new law about legal deposit in France was promulgated in 1992, which decided to extend the legal deposit to multimedia documents.
    [Show full text]
  • Seeing Beyond the End of the World in Strange Days and Until the End of the World
    Journal of Religion & Film Volume 7 Issue 1 April 2003 Article 6 April 2003 Seeing Beyond the End of the World in Strange Days and Until the End of the World S. Brent Plate Hamilton College - Clinton, [email protected] Tod Linafelt Georgetown University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Plate, S. Brent and Linafelt, Tod (2003) "Seeing Beyond the End of the World in Strange Days and Until the End of the World," Journal of Religion & Film: Vol. 7 : Iss. 1 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss1/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Seeing Beyond the End of the World in Strange Days and Until the End of the World Abstract Herein we offer a critique of contemporary filmic visions of apocalypse. The problem with many Hollywood-style apocalyptic films is that they expect the end of the world to be a spectacular end of the whole world. Against this, by reviewing two contemporary films (Strange Days and Until the End of the World) we suggest that apocalypse may take on a greater significance if we understand that there are many worlds, and that rather than expecting the end of the world, we should be more vigilant in our examinations of the endings of a world. With this in mind, apocalyptic predictions given by Jesus in the gospels are reread and we note how these prophecies have already been fulfilled.
    [Show full text]
  • Gabriel at Hyde Park 23 June 2007
    Warming Up a Rain Soaked Crowd – Peter Gabriel at Hyde Park 23 June 2007 Peter Gabriel brought the opening day of the 2 day Hyde Park Calling concert to a close with a 90 minute performance made up of largely forgotten gems plucked from the dusty recesses of a solo career which is now 30 years old. Of course those fans that faithfully devour every scrap of Gabriel data from the internet will know the story already but to recap for those people on the outside – Gabriel is currently in the early stages of a Warm Up tour arranged at fairly short notice as a result of agreeing to do the 25th anniversary at WOMAD next month in Wiltshire. To that end he has reassembled the same band (save for the absent keyboard player Rachel Z) that toured the major territories between 2002 to 2004 – what could reasonably described as the Growing Up band, but playing anything other than Growing Up songs. Gabriel enlisted the help of his devoted fans to suggest songs they’d like to hear live that were not aired last time and the result for tonight’s show is the return of songs that have lain dormant for anything up to 27 years! The keyboard slot has been filled – and I would add to great effect - by Angie Pollock, who also can add a touch of class to the backing vocals department when called upon. Angie has very quickly established herself among the otherwise familiar ranks of Gabriel’s supporting players, namely Tony Levin, David Rhodes, Ged Lynch, Richard Evans and Melanie Gabriel and the new renditions of these old songs are all healthily revitalised.
    [Show full text]
  • ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP a AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten Til Hardrocker'ne Fra Down Under
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 FRA LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. AEROSMITH PUMP 1989 GEFFEN REC924254 USA LP 1982 Fengende synthpop/new wave fra flinke gutter med sær frisyre. Produsert av Bill Nelson A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS HOP 201 UK LP (Be Bop Deluxe) AFZELIUS & WIEHE AFZELIUS & WIEHE 1986 TRAM 70 SWE LP Flott låtskriverpar,her med god hjelp av bl.a Marius Muller. AKKERMAN, JAN JAN AKKERMAN 1977 ATL 50420 HOL LP Soloalbum fra den glimrende gitaristen fra nederlandske Focus. AKKERMAN, JAN & CLAUS OGERMAN ARANJUEZ 1978 CBS 81843 HOL LP Jazz / klassisk fra gitaristen fra Focus,med arrangør og dirigent Claus Ogerman ALAN PARSONS PROJECT, THE TALES OF MYSTERY AND IMAGINATION 1976 20TH CENT. FOX SPA LP Spansk LP utgivelse, basert på tekster av Edgar Allan Poe.Hipgnosis cover. ALAN PARSONS PROJECT, THE I ROBOT 1978 ARTISTA 062-99168 SWE LP Coverdesign av Hipgnosis En av de beste med Alan P., med tysk symf.orkester,vocalhjelp fra Leslie Duncan, Clare 1979 Torry (P:Floyd), hun med den utrolige bra vocalen i Great gig in the sky (Dark side of the ALAN PARSONS PROJECT, THE EVE ARTISTA 201 157 HOL LP moon). 1980 Hjelp av Elmer Ganrtry (Velvet Opera) på vocal.Tysk symf.orch.Cover av K.Godley & ALAN PARSONS PROJECT, THE THE TURN OF A FRIENDLY CARD ARTISTA I-203000 SPA LP L.Creme 1983 ALAN PARSONS PROJECT, THE THE BEST OF ALAN PARSONS PROJECT ARI 90066 HOL LP Alan Parson,produsent og tekniker fra Dark side of the moon med Pink Floyd.
    [Show full text]
  • Update August 11 2021 Artist Song Title the Mike Massé Show Episodes (Andi G) (Clickable Links)
    *Roc = feat. Rock Smallwood Songs Total: 3812 YouTube Debuts: 0520 YouTube Shows: 176 *Bry = feat. Bryce Bloom Different Songs: 0705 Tease: 0025 Interviews: 008 *Tim = feat. Tim Massé *Sco= feat. Scott Slusher *kur=feat. Kurt Moorehead *Mik=feat. Mike Johnson *Ban=Band *Bre=Brenda Andrus * Retired = Mike has retired this song on the live stream Update August 11 2021 Artist Song Title The Mike Massé Show Episodes (Andi G) (clickable links) Adventure Time Theme Song 171 Hot Cross Buns 055 10,000 Maniacs These Are Days 164 175Ban175 88, The At Least It Was Here 087 092 106 A A Flock Of Seagulls I Ran 053 063Roc 067Roc 082Roc 105Roc 170Roc ABBA I Have A Dream 048 ABBA S.O.S. 007 024 036 060 075 135 A-Ha Hunting High And Low 023 066 Sco 079 106 A-Ha Take On Me 048 062 108 Air Supply All Out Of Love 007 040 058 064 137 Alan Parsons Project, The Eye In the Sky 002 010 031 050Bry 060 062 079 090Bry 099 106 121 148 Alan Parsons Project, The Time 131 Alanis Morissette Hand In My Pocket 024 041 070 081 107Roc 126 Alanis Morissette Thank U 175Ban175 Alice In Chains (1/2 Step) No Excuses 014 039 047Roc 063Roc 066Sco 094Roc 105Roc 112Roc 118Roc 161Roc 169Roc America A Horse With No Name – America 159Roc 166Roc Andrew Lloyd Webber Close Every Door 012 044 087 113 153 Aqualung Brighter Than Sunshine 140 Asia Heat Of The Moment 008 045 055 092 106 127 164 Asia The Smile Has Left Your Eyes (piano) 078 122 Autograph Turn Up The Radio 099 B Bad Company Feel Like Makin' Love 088Roc 114Ban 166Roc Bad Company Shooting Star 011 022 031 042 069 081 121 131 141
    [Show full text]
  • Update August 11 2021 Song Title Artist the Mike Massé Show Episodes (Andi G) 100 Years Five for Fighting 103 117 138 15
    *Roc = feat. Rock Smallwood Songs Total: 3812 YouTube Debuts: 0520 YouTube Shows: 176 *Bry = feat. Bryce Bloom Different Songs: 0706 Tease: 0025 Interviews: 008 *Tim = feat. Tim Massé *Sco= feat. Scott Slusher *kur=feat. kurt Moorehead *Mik=feat. Mike Johnson *Ban=Band *Bre=Brenda Andrus *JDH=Jeff & Dave Hall * Retired = Mike has retired this song on the live stream Update August 11 2021 Song Title Artist The Mike Massé Show Episodes (Andi G) (clickable links) 100 Years Five For Fighting 103 117 138 150 “40” (1/2 Step) U2 083 103 146 '74 - '75 (1/2 Step) The Connells 005 015 022 035 050Bry 059 069 073 075 090Bry 110 135 174 867-5309 (Jenny) Tommy Tutone 008 038 042 061 076 093 120 129 A A Day In the Life The Beatles LS2 001 013 034 072 092 108 119 138 149 152Mik 171 A Hard Day's Night The Beatles 012 060 152Mik A Horse With No Name America 159Roc 166roc A Man I'll Never Be (piano) Boston 029 122 A New England Billy Bragg 167Sco A Sort Of Homecoming (1/2 Step) U2 146 A Taste of Honey The Beatles 085 Abracadabra Steve Miller Band 171 Retired Across The Universe The Beatles 003 048 070 119 128 Adventure Time Theme Song 171 Africa Toto LS2 009 015 024 033 043 050Bry 053Roc 056Sco 062 071 077Bry 090Bry 100Ban 114Ban 124 132 176JDH Afterglow Genesis 133 135 Against All Odds (Take A Look At Me Now) Phil Collins 003 029 050Bry 055 081 124 133 135 148 150 Against The Wind Bob Seger & The Silver Bullet Band 031 033 038 052 060 070 089 093 110 130 147 168 Ain't Talkin 'Bout Love (1/2 Step) Van Halen 102Roc 112Roc 161Roc 166Roc Albuquerque Neil Young
    [Show full text]
  • Anthony Phillipsalbums
    Anthony Phillips Albums 1978 Vinyl 12" $25 US Passport PB 9828 :1978 picture disc Both sides of disc are identical to cover back and front. Gatefold lyric insert. $10 US Passport PB 9828 :1978 picture sleeve 1979 Vinyl 12" $10 US Passport PB9834 :1979 picture sleeve picture inner bag 1981 Vinyl 12" $10 US Passport PB6006 :1981 picture sleeve Anthony Phillips Singles Sally 1984 Women Were Watching Exocet Vinyl 12" $20 UK Street Tunes JJ 102-12 :1984 picture sleeve dup$20 UK Street Tunes JJ 102-12 :1984 picture sleeve Genesis Albums 1969 Vinyl 12" CA London XPS643 :1969 picture label Third Canadian release with picture label. (no lyric sheet: missing?) CA London XPS643 :1969 picture sleeve 2nd Canadian release with red label. (no lyric sheet: missing?) dup$20 IL PAX ISK 1158 :1969 picture sleeve missing lyric sheet IL PAX ISK 1158 :1969 picture sleeve with lyric insert sheet IT Decca SKLI4990 :1969 picture sleeve Stereo, boxed logo with lyric insert. US London PS643 :1969 picture sleeve Original US release with lyric sheet US London PS643 :1969 picture sleeve Original US release with lyric sheet, RCA club edition US London PS643 :1969 promo Original US release with lyric sheet IT Decca 820 322-1 :1970 picture sleeve Stereo, later re-pressing, boxed logo with lyric insert. UK Decca SKL 4990 :1970 picture sleeve Stereo, later re-pressing, boxed logo with lyric insert. UK Decca SKL 4990 :1970 picture sleeve Stereo, re-pressing, un-boxed logo missing lyric insert. CA London 820 322-1 :1974 picture sleeve black cover similar to original with “Genesis” on diagonal Cassette CA London 820 322-4 :1974 picture sleeve black cover similar to original with “Genesis” on diagonal 8Track US London O-864 :1969 special box RCA club edition, white case, yellow border around typical US release cover (S133343) And The Word Was ....
    [Show full text]
  • Students Appointed to Key Economic Posts Within the Clinton Administration, MIT Stands to Gain Strong Influence in Washington
    VTHE H E T E C H Volume 113, Number 1 Section 2 Friday, January 29, 1993 sid Harassment Suit Raises Policy Issues While both Professor Gabriel R. Bitran and MIT were eventually cleared of any wrongdoing, the sexual harassment suit brought against them by Marina R. Erulkar SM '92 raised serious questions about the Institute's policy on handling sexual harassment allegations. Story, Page 6 Clinton Win Means Good News for MIT With its former graduate students appointed to key economic posts within the Clinton administration, MIT stands to gain strong influence in Washington. Moreover, many of the issues Clinton has promised to address may bring significant change to MIT, especially in research funding allocation and the ban on homosexuals in the Reserve Officers' Training Corps. Story, Page 8 thr i0 Rastn lude, bsi L "'UP " 1 - = gl Incrase afey Cocerna is also not patrolled by Campus Police. -two on each of the Boston and Cambridge Eva Moy dered, By Memorial Drive "traditionally has had its problems routes - in late December, in response intense uring the past year, crimes against nmem- after dark," Glavin said at a Baker House meeting student pressure following Raustein's murder. The 'I ,7tfs bers of the MIT community were a con- after Raustein's death. "You could walk down two new vans are fully accessible to the handi- stant reminder that MIT is an urban eam- there 10 times and never have a problem, but the capped, as required by the Americans with Dis- Funding Refusal pus, subject to the problems of the city eleventh time you might...
    [Show full text]
  • Come Closer Acousmatic Intimacy in Popular Music Sound
    Emil Kraugerud Come Closer Acousmatic Intimacy in Popular Music Sound A dissertation submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2020 Contents Acknowledgements V 1. Introduction 1 Aim of the Dissertation and Research Questions 6 Clarification of Terms 7 Knowledge Aims 10 Analyzing Recorded Popular Music Sound 16 Interviews and Their Role in Hermeneutic Research 26 Outline of the Dissertation 29 2. Perceptions of Physical Proximity 33 Intimacy as Interpersonal Proximity 34 Mediated Intimacy 38 Portrayed Intimacy 43 Conclusion 47 3. Acousmatic Intimacy as Relation 49 Intimate Awareness and Interaction 51 Recorded Song Persona 54 Authenticity 59 The “Realism” of Virtual Performances 64 The Double Paradox of Acousmatic Intimacy 67 Domestic Intimate Space 70 Metaphorical Intimate Space 74 (Positive and) Negative Notions of Acousmatic Intimacy 76 Conclusion 80 4. Technological Facilitation of Acousmatic Intimacy 83 The Microphone and its Intimate Affordances 87 Magnetic Tape and Multitrack Recording: Reduced Noise and Increased Control 92 Dynamic Range Processors: Controlling Intimate Proximity 95 Reverb and the Construction of Intimate Space 98 Stereo Recording and Pseudo-Stereo Techniques: Exaggerated Presence 103 Noise as Signifier of Silence 105 Hyperintimacy: Intimacy Beyond Intimacy 107 Conclusion 112 5. Soft, Intense, and Close 115 Background 116 Intimacy, Closeness, and Smallness 118 What Happened Is What You Hear: Siv Jakobsen’s “To Leave You” 121 Hyperintimacy by Contrast: Jordan Mackampa’s “Teardrops in a Hurricane” 132 Conclusion 139 6. Constructing Relational Closeness 141 Background 142 Intimacy as Perceived Relational Closeness 144 Portrayed Intimacy and Human Imperfection: David Byrne’s “My Love Is You” 148 Intimacy in Failing Technology: Bumcello’s “Je Ne Sais Quality” 157 Conclusion 164 7.
    [Show full text]
  • Asking the Super-Important Questions Written and Edited by Evan Lynch
    MKULTRA 3: Asking the Super-Important Questions Written and Edited by Evan Lynch, Emma Laslett, Edmund Dickinson, David Knapp, Daoud Jackson, Pietro Aronica, Francis Clark-Murray, Tom Hill, Ben Salter, Alex Bubb, James Leahy, Chris Stern, Oliver Clarke Editors 3 Tossups 1. In The Binding of Isaac: Rebirth, this character is unlocked by completing The Womb and requires namesake tokens to be used. This name appears in the title of a single used in Wim Wenders’ Until the End of the World that was re-released featuring Sinead O’Connor on Peter Gabriel’s Us. The video “The Truth” ends with an ASCII code for this name and its (*) “Pieces” appear throughout Assassin’s Creed. A Channel 4 reality show with this name was cancelled after four months without telling the contestants. The first name of a midfielder who signed from Lille in 2012 to join Chelsea is shared with, for 10 points, what location west of the Land of Nod that was the Biblical Garden of Adam and Eve? ANSWER: Eden [accept “Blood of Eden”; or Pieces of Eden; or Eden Hazard; or Garden of Eden] <EBL, Miscellaneous> 2. Charlotte Brewer suggests that the Z-text is an early version of this work, in which Haukyn the Active Man wears a coat soiled with the Seven Deadly Sins. In one section of this work, the narrator re-enacts the Fall of Man in front of the Tree of Charity. This work, which is divided into sections called “passus”, begins when its narrator falls asleep atop the (*) Malvern Hills and has a vision of a ‘fair field full of folk’ standing between the tower of heaven and ‘donjon’ of hell.
    [Show full text]
  • Soul Satiation
    soul satiation 1 may the mere wish of tasting satiation in this sacred lifetime enwrap you and envelop you as you allow life to lead you home here wholly you opening key lives inside of you and is alive and awaiting your ecstatic return C o m e o n i n 3 m a y t h e s e s o u l s o n g s b e m y o f f e r i n g s t o y o u s a c r e d o n e m a y t h e y b e s o u l s a l v e t o l u b r i c a t e y o u r w a y a n d h e r a l d a t i m e o f t e n d i n g t o y o u r s a c r e d t r i n i t y t e m p l e a s y o u b e c o m e t h e s t e w a r d a n d s o u l m i d w i v e o f y o u r o w n w h o l l y n e s s a n o i n t t h e e i n r i t e r e m e m b r a n c e a n d r e v e l i n t h e b e a u t y a n d m y s t e r y t h a t i s y o u r r e b i r t h r e v e l a t i o n a m e n 5 life speaks to me life speaks to you will you recognize which song is sung to you… love calling your name singing your tune She answering the call hearing his ring our duty taking the chance making the choice to choose life today as if death is who we serve and who fuels our existence we can come to prostrate to both and ‘alabar’ in love’s name halleluyah halleluyah 7 touched by death moved to life a tickle feather fan comes near Ashe stated the instance deeply felt that there is no other what once was gone an inkling of inspiration comes by but you say not today h e r e s y almost stays till you return incoming life inkling of inspiration 9 there is a sound waiting to be heard can you hear it Akaal grandmothers sighing spinning singing there is time while others whine sometimes grotesquely dine a fine wine lingers not lost patiently waiting simmering in blood of eden that sips to your coming hOMe akaal 11 come in source insourcing sovereignty every woman has her own key reopening an inward dwelling portal everlasting and ecstatic to her sacred longing surrender satiation her inner halleluyah her sacred sanctum sanctuary her tantric trinity temple taaaanto tantra instrument for expansion am i, are you what, me? yes, you.
    [Show full text]