DOCSLIB.ORG

Stavros Malas: Society Is Demanding a Change in Political Culture and Behaviour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stavros Malas: Society Is Demanding a Change in Political Culture and Behaviour ¶∞ƒ√π∫π∞∫∏ ¶POO¢EYTIKH EºHMEPI¢A ™THN Y¶HPE™IA TH™ KY¶PIAKH™ ¶APOIKIA™ ¶∂ª¶Δ∏ 1 º∂μƒ√À∞ƒπ√À 2018 ● XPONO™ 42Ô˜ ● AÚÈıÌfi˜ ʇÏÏÔ˘ 2246 ● PRICE: 90 pence ªÈ· ÌÂÁ¿ÏË ÎÔÈÓˆÓÈ΋ ÏÂÈÔ„ËÊ›· ··ÈÙ› ·ÏÏ·Á‹ §∂À∫ø™π∞ – ∞ÓÙ·fiÎÚÈÛË ¶∂Δƒ√™ ¶∞™π∞™ 3.461 (0.87%). ÊfiÚ· ·ÏÏ·Á‹ ¯·Ú·ÎÙ‹ÚÈÛ ÙÔ ÂÎÏÔÁÈÎfi ·ÔÙ¤ÏÂÛÌ· Ô ˘Ô„‹- æ‹ÊÈÛ·Ó: ÊÈÔ˜ ÁÈ· ÙËÓ ÚÔ‰ڛ· ™Ù·‡ÚÔ˜ ª·Ï¿˜, ·Â˘ı˘ÓfiÌÂÓÔ˜ ÛÙÔ È· Ó¤· ÂÎÏÔÁÈ΋ ‰È·‰Èηۛ· ¤ÊÂÚÂ Ë ÂfiÌÂÓË Ì¤Ú· ÙÔ˘ ¡π∫√™ ∞¡∞™Δ∞™π∞¢∏™ ...............................35.50% 137.235 Ï·fi ÌÂÙ¿ ÙËÓ ÔÚÈÛÙÈÎÔÔ›ËÛË ÙˆÓ ÙÂÏÈÎÒÓ ÂÎÏÔÁÈÎÒÓ ·ÔÙÂ- ÚÒÙÔ˘ Á‡ÚÔ˘ ÙˆÓ ÚÔ‰ÚÈÎÒÓ ÂÎÏÔÁÒÓ. ΔÔ ·ÔÙ¤ÏÂ- ™Δ∞Àƒ√™ ª∞§∞™ .........................................30.25% 116.942 ÏÂÛÌ¿ÙˆÓ ÙÔ˘ ·’ Á‡ÚÔ˘ ÙˆÓ ÂÎÏÔÁÒÓ. ªÛÌ· ÙÔ˘ ÚÒÙÔ˘ Á‡ÚÔ˘, Ì ÌÈ· ‰È·ÊÔÚ¿ ÂÚ›Ô˘ 20.000 ¡π∫√§∞™ ¶∞¶∞¢√¶√À§√™ .........................25.74% 99.519 √ ™Ù·‡ÚÔ˜ ª·Ï¿˜ ¤ÛÙÂÈÏ ÍÂοı·ÚÔ Ì‹Ó˘Ì· ÂıÓÈ΋˜ ÂÓfiÙË- „‹ÊˆÓ ÌÂٷ͇ ∞Ó·ÛÙ·ÛÈ¿‰Ë Î·È ª·Ï¿ (35,54% Î·È 30,21% Ãπ™Δ√™ Ãπ™Δ√À ...........................................5.65% 21.830 Ù·˜ Î·È ÙËÓ ·Ó¿ÁÎË Ó· Á˘Ú›ÛÂÈ Ë ∫‡ÚÔ˜ ÛÂÏ›‰·, ·Ê‹ÓÔÓÙ·˜ ·ÓÙ›ÛÙÔȯ·), Â›Ó·È ¿ÏψÛÙ ·Ó·ÙÚ¤„ÈÌÔ, fiˆ˜ ÙÔÓ›˙Ô˘Ó °πøƒ°√™ §π§§∏∫∞™ ..........................................2.18% 8.411 ›Ûˆ ÙÔ˘˜ ‰È¯·ÛÌÔ‡˜ ÙÔ˘ ·ÚÂÏıfiÓÙÔ˜. ™ËÌ›ˆÛ ·ÎfiÌ· ˆ˜ ۯ‰fiÓ fiÏÔÈ ÔÈ ·Ó·Ï˘Ù¤˜ Î·È ÛÙ·ÙÈÛÙÈÎÔÏfiÁÔÈ. ∞¡¢ƒ∂∞™ ∂À™Δƒ∞Δπ√À ........................................0.22% 842 «Ì ˘Â˘ı˘ÓfiÙËÙ·, ÛÔ‚·ÚfiÙËÙ·, Û‡ÓÂÛË Î·È Û˘Ó·›ÓÂÛË ı· Ã∞ƒ∏™ ∞ƒπ™Δ∂π¢√À ...............................................0.19% 751 ·ÍÈÔÔÈ‹ÛÔ˘Ì οı ‰˘Ó·ÙfiÙËÙ· Â›Ï˘Û˘ ÙÔ˘ ∫˘ÚÈ·ÎÔ‡, ™˘ÁÎÂÓÙÚˆÙÈο ¶·Á·ÚÈ· 100% ªπÃ∞∏§ ª∏¡∞ ......................................................0.17% 663 ·ӤӈÛ˘ Î·È ·ÂÏ¢ı¤ÚˆÛ˘ Ù˘ ·ÙÚ›‰·˜ Ì·˜». ™‡Ìʈӷ Ì ٷ ›ÛËÌ· ·Á·ÚÈ· Û˘ÁÎÂÓÙÚˆÙÈο ·ÔÙÂ- Ãπ™Δ∞∫∏™ ∫∞¶∏§πøΔ∏™ ......................................0.10% 391 ∂›Â ›Û˘ fiÙÈ Ì ‰È·Ê·Ó‹ Î·È ·ÍÈÔÎÚ·ÙÈ΋ ‰È·Î˘‚¤ÚÓËÛË, ϤÛÌ·Ù· Û ۇÓÔÏÔ 550.876 ÂÁÁÂÁÚ·ÌÌ¤ÓˆÓ „ËÊÔÊfiÚˆÓ, Ì ÎÔÈÓˆÓÈ΋ ·ÏÏËÏÂÁÁ‡Ë Î·È ·Ú·ÁˆÁÈΤ˜ ÚˆÙÔ‚Ô˘Ï›Â˜, fiÏÔÈ „‹ÊÈÛ·Ó: 395.915 (71.87%). ∏ ·Ô¯‹ ·Ó‹Ïı ÛÙȘ 154.961 ª‹Ó˘Ì· ÂÓfiÙËÙ·˜ ·fi ™Ù·‡ÚÔ ª·Ï¿ Ì·˙› «Ó· ‰ËÌÈÔ˘ÚÁ‹ÛÔ˘Ì ÚÔÔÙÈΤ˜ ÛÙË Ó¤· ÁÂÓÈ¿, Û˘Óı‹Î˜ „ËÊÔÊfiÚÔ˘˜ (28.13%). ª›· Ó¤· ÌÂÁ¿ÏË ÎÔÈÓˆÓÈ΋ ÏÂÈÔ„ËÊ›· Ô˘ ÂÎÊÚ¿˙ÂÈ ÙË ÈÛfiÙÈÌ˘ Û˘ÌÌÂÙÔ¯‹˜ ÙˆÓ Á˘Ó·ÈÎÒÓ ÛÙÔ ÎÔÈÓˆÓÈÎfi Î·È ÔÏÈÙÈ- ŒÁ΢ڷ: 386.584 (97.64%) Õ΢ڷ: 5.870 (1.48%) §Â˘Î¿: ı¤ÏËÛË ÙÔ˘ Ï·Ô‡ ÁÈ· ÌÈ· Ú·ÁÌ·ÙÈ΋ ‰ËÌÈÔ˘ÚÁÈ΋ Î·È ÂÏȉÔ- Îfi Á›ÁÓÂÛı·È». ∞¢ı˘ÓfiÌÂÓÔ˜ ÛÙÔ˘˜ Ôϛ٘, Ô ˘Ô„‹ÊÈÔ˜ ¶Úfi‰ÚÔ˜ ÙÔ‡˜ οÏÂÛ ӷ ˘ÂÚ‚Ô‡Ó ÎÔÌÌ·ÙÈΤ˜ ÚÔÙÈÌ‹ÛÂȘ Î·È È‰ÂÔ- ÏÔÁÈΤ˜ ÂÔÈı‹ÛÂȘ Î·È Ó· Û˘ÁÎÚ›ÓÔ˘Ó Ì ÓËÊ·ÏÈfiÙËÙ· ÙȘ ı¤ÛÂȘ ÙˆÓ ‰‡Ô ˘Ô„ËÊ›ˆÓ. Cypriot Weekly Newspaper ΔÔ˘˜ οÏÂÛ ·ÎfiÌ· Ó· ÎÚ›ÓÔ˘Ó ÙȘ ‰˘Ó·ÙfiÙËÙ¤˜ ÙÔ˘˜, ÙȘ G ¢È‡ı˘ÓÛË: 140 Falkland Road London N8 0NP ‰ÂÛ̇ÛÂȘ ÙÔ˘˜ Î·È Ù· ¯·Ú·ÎÙËÚÈÛÙÈο ÙÔ˘˜, ͯˆÚ›˙ÔÓÙ·˜ ÙÔ G ΔËÏ.: 020 8341 5853 – 020 8341 0751 Ó¤Ô ·fi ÙÔ ·ÏÈfi. ∫¿ÏÂÛ ·ÎfiÌ· ÙÔ˘˜ Ôϛ٘ Ó’ ·ÔÊ·Û›ÛÔ˘Ó G Fax Δ˘ÔÁÚ·Ê›Ԣ: 020 8341 6642 Ì ÙÔ ¯¤ÚÈ ÛÙËÓ Î·Ú‰›· Î·È ÙÔ Ì˘·Ïfi ÛÙÔ ·‡ÚÈÔ Ô˘ ·Í›˙Ô˘Ó Ù· G Email: [email protected] ·È‰È¿ ÙÔ˘˜. [email protected] [email protected] 400-402 West Green Road, London, N15 3PX ∂ÚˆÙËı›˜ ÁÈ· ÙȘ ·ʤ˜ ÂÓfi„ÂÈ ÙÔ˘ ‰Â‡ÙÂÚÔ˘ Á‡ÚÔ˘, Ô ™Ù·‡ÚÔ˜ ª·Ï¿˜ › fiÙÈ ı· Á›ÓÔ˘Ó ·fi ÙÔÓ ›‰ÈÔ ·fi Û‹ÌÂÚ· G Website: www.parikiaki.com [email protected] G ÁÈ· Ó· ηıÔÚÈÛıÔ‡Ó Ù· ÂfiÌÂÓ· ‚‹Ì·Ù·. π‰ÈÔÎÙËÛ›·: Parikiaki Haravgi (U.K.) Ltd 7 www.starestates.com G Reg. at the P.O. as a newspaper ∞¢ı˘ÓfiÌÂÓÔ˘˜ ÛÙÔ˘˜ Δ/Î, Ô ™Ù·‡ÚÔ˜ ª·Ï¿˜ › fiÙÈ ÔÈ ¢È¢ı˘ÓÙ‹˜: ¶∞ª¶√™ Ã∞ƒ∞§∞ª¶√À™ 020 8365 8877 ● ™˘Ó¤¯ÂÈ· ÛÙË ÛÂÏ›‰· 16 ™ÂÏ›‰· 2 ¶¤ÌÙË 1 ºÂ‚ÚÔ˘·Ú›Ô˘ 2018 ·ÚÔÈÎÈ··ÚÔÈÎÈ· °ÈfiÚÙ·Û ٷ 80-¯ÚÔÓ¿ ÙÔ˘ ∏ ∂ÔÚÙ‹ ÙˆÓ ΔÚÈÒÓ πÂÚ·Ú¯ÒÓ Ô ∫·ıËÁËÙ‹˜ ∑·ÓÓ¤ÙÔ˜ ΔÔÊ·ÏÏ‹˜ Î·È ÙˆÓ ∂ÏÏËÓÈÎÒÓ °Ú·ÌÌ¿ÙˆÓ ™Ù· ∂ÏÏËÓÈο ™¯ÔÏ›· ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ μ·ÙÈÛÙÔ‡ ¤Û· Û ÌÈ· ÊÈÏÈ΋ Î·È ÂÁοډȷ ‰ÂÍ›ˆÛË Ô ™¿‚‚·ÙÔ, 27 π·ÓÔ˘·Ú›Ô˘ ªÁÈfiÚÙ·Û ÙÔ ÂÚ·Ṳ̂- Δ2018, ÛÙÔÓ πÂÚfi ¡·fi ÙÔ˘ ÓÔ ™¿‚‚·ÙÔ, 27 π·ÓÔ˘·Ú›Ô˘ ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ μ·ÙÈÛÙÔ‡, 2018, Ù· 80¯ÚÔÓ¿ ÙÔ˘ Ô Î·ıË- Ù· ∂ÏÏËÓÈο ™¯ÔÏ›· Ù˘ ÁËÙ‹˜ Î·È ÈÛÙÔÚÈÎfi Û٤ϯԘ ∫ÔÈÓfiÙËÙÔ˜ Ù¤ÏÂÛ·Ó ÙÔÓ Î·- Ù˘ ·ÚÔÈΛ·˜ ∫·ıËÁËÙ‹˜ ¢Ú ıÈÂڈ̤ÓÔ Â›ÛËÌÔ ∂ÔÚÙ·- ∑·ÓÓ¤ÙÔ˜ ΔÔÊ·ÏÏ‹˜. ÛÌfi ÙˆÓ ΔÚÈÒÓ πÂÚ·Ú¯ÒÓ Î·È ∫¿Ô˘ 50 ÛÙÂÓÔ› Û˘ÁÁÂÓ›˜ ÙˆÓ ∂ÏÏËÓÈÎÒÓ °Ú·ÌÌ¿ÙˆÓ, Î·È Ê›ÏÔÈ ÙÔ˘ ∑·ÓÓ¤ÙÔ˘, ·- Ì ÌÂÁ¿ÏË ÂÈÙ˘¯›·. Ú¢ڤıËÎ·Ó ÛÙÔ Û›ÙÈ ÙÔ˘ √ ∂ÔÚÙ·ÛÌfi˜ ÍÂΛÓËÛÂ Ë ÎÏ‹ÚˆÛË ÙÔ˘ ¶ÚˆÙÔ¯ÚÔÓ- Ó· ‰ÂÈ Ù· ÓÔ‡ÌÂÚ· Ô˘ ÎÏË- ÁÈÔ˘ ÙÔ˘ ÃÚ›ÛÙÔÊÂÚ ΔÔÊ·ÏÏ‹ Ì ¢ÏÔÁ›· Î·È ÚÔÛ¢¯‹ ÓÈ¿ÙÈÎÔ˘ Ï·¯Â›Ô˘ ÙˆÓ ™¯ÔÏ›ˆÓ ÚÒıËÎ·Ó Î·È ·Ó ΤډÈÛÂ, Î·È Ó‡Ê˘ ÙÔ˘ Δ˙›Ó·˜. ΔÔ˘˜ ·fi ÙÔÓ ∞ȉÂÛÈÌÔÏÔÁÈÒÙ·ÙÔ Ô˘ ÂÚÈÂÏ¿Ì‚·Ó ÔÏÏ¿ Î·È ÌÔÚ› Ó· ·Ó·˙ËÙ‹ÛÂÈ ÙÔ Û˘ÁÁÂÓ›˜ Î·È Ê›ÏÔ˘˜ ηψ- ¶ÚÂÛ‚‡ÙÂÚÔ . ¶·‡ÏÔ ∫. ÏÔ‡ÛÈ· ‰ÒÚ·. ‰ÒÚÔ ÙÔ˘ ·fi ÙÔÓ . ¶·‡ÏÔ ÛfiÚÈÛ·Ó ÔÈ ÂÁÁÔÓ¤˜ ™Ù·˘Ú›Ó· °ÚËÁÔÚ›Ô˘. ΔË ÛËÌ·Û›· Î·È ÙÔ ™ÙÔÓ ›Ó·Î· ÌÔÚ› ηÓ›˜ ÛÙ· ÁÚ·Ê›· ÙˆÓ ™¯ÔÏ›ˆÓ. Î·È μ·ÛÔ‡ÏÏ· ÂÍ·›ÚÔÓÙ·˜ Û˘- ¤ÚÁÔ ÙˆÓ ΔÚÈÒÓ πÂÚ·Ú¯ÒÓ Ó¿Ì· ÙËÓ Î·ÏÔÛ‡ÓË ÙÔ˘ ·- ·Ó¤Ù˘ÍÂ Ë ‰È¢ı‡ÓÙÚÈ· ÙˆÓ Ô‡ ÙÔ˘˜. ™¯ÔÏ›ˆÓ Î. ª·Ú›· ∫Ú·ÛÈ¿, Ì √ ∑·ÓÓ¤ÙÔ˜ Î·Ù·Û˘ÁÎÈÓË- ÙË ‚Ô‹ıÂÈ· ÂÎ·È‰Â˘ÙÈÎÒÓ Ì¤ÓÔ˜ ¢¯·Ú›ÛÙËÛ ÙfiÛÔ ÙËÓ ·ÏÏ¿ Î·È ËÏÂÎÙÚÔÓÈ΋˜ ·ÚÔ˘- ÔÏ˘·Á·Ë̤ÓË ÙÔ˘ Û‡˙˘ÁÔ Û›·Û˘. Δ· ·È‰È¿ Û˘ÌÌÂÙ›- μ·ÛÔ‡ÏÏ·, ÙÔ ÁÈÔ ÙÔ˘ ¯·Ó Ì ‡ÌÓÔ˘˜, ÙÚ·ÁÔ‡‰È· Î·È ÃÚ›ÛÙÔÊÂÚ, ÙË Ó‡ÊË ÙÔ˘ Δ˙›Ó· ··ÁÁÂϛ˜. Î·È ÂÁÁÔÓԇϘ ÙÔ˘ ™Ù·˘Ú›Ó· ÀÂÓı˘Ì›˙ÂÙ·È Û fiÏÔ˘˜ Ë Î·È μ·ÛÔ‡ÏÏ· ηıÒ˜ Î·È ‡·ÚÍË ¢·ÓÂÈÛÙÈ΋˜ μÈ‚ÏÈÔ- fiÏÔ˘˜ ÙÔ˘˜ Û˘ÁÁÂÓ›˜ Î·È Ê›- ı‹Î˘ ¶·È‰ÈÎÒÓ Î·È §ÔÁÔÙÂ- ÏÔ˘˜ ÙÔ˘ Ô˘ ÙÔ˘ Û˘Ì·Ú·- ¯ÓÈÎÒÓ μÈ‚Ï›ˆÓ, ÁÈ· ÁÔÓ›˜ Î·È ÛÙ¿ıËÎ·Ó ÛÙȘ ‰‡ÛÎÔϘ ÛÙÈÁ- ·È‰È¿ ÙˆÓ ™¯ÔÏ›ˆÓ. ̤˜ ÙÔÓ ÙÂÏÂ˘Ù·›Ô ¯ÚfiÓÔ Ì ӈÓÈÎÔ‡ Î·È ÔÏÈÙÈÛÙÈÎÔ‡ Îfi- «∏Úˆ›‰·» ÙÔ˘! ∞¤ÎÙËÛ·Ó ¤Ó· ªÂ ÙËÓ Â˘Î·ÈÚ›· ÙÔ˘ ∂ÔÚ- ÙËÓ ˘Á›· ÙÔ˘. ÛÌÔ˘ Ù˘ μÚÂÙ·Ó›·˜ (§fiÚ‰Ô˜ ÁÈfi ÙÔÓ ÃÚÈÛÙfiÊÔÚÔ, Ô ÔÔ›- Ù·ÛÌÔ‡ ÙˆÓ ΔÚÈÒÓ πÂÚ·Ú¯ÒÓ √ ·Á·ËÙfi˜ ∑·ÓÓ¤ÙÔ˜ ÁÂÓ- ƒ¿ÛÛÂÏ, ËıÔÔÈÔ‡˜ §ÒÚÂÓ˜ Ô˜ - ·ÚÁfiÙÂÚ· - ·ÓÙÚ‡ÙËÎÂ Î·È ÙˆÓ ∂ÏÏËÓÈÎÒÓ °Ú·ÌÌ¿- Ó‹ıËΠÛÙȘ 27 π·ÓÔ˘·Ú›Ô˘ √Ï›‚ÈÂÚ, ª¿ÈÎÔÏ ƒ¤ÓÙÁÎÚÂË‚, Ì ÙËÓ °ÂˆÚÁ›· ∞ÓÙˆÓ›Ô˘, Ì وÓ, ÙÈÌ‹ıËÎ·Ó Ì ÂȉÈ΋ ·Ó·- 1938 ÛÙÔ Î·Ù¯fiÌÂÓÔ ¯ˆÚÈfi ∫·ıËÁËÙ‹˜ Δ˙ˆÓ ªÂÚÓ¿Ï Î·È ÙËÓ ÔÔ›· ·¤ÎÙËÛ·Ó ‰‡Ô ÌÓËÛÙÈ΋ ϷΤٷ Î·È ¤·ÈÓÔ ™Ù‡ÏÏÔÈ Ù˘ ·گ›·˜ ∞ÌÌÔ- ¶Úfi‰ÚÔ ÙÔ˘ ¶·ÁÎÔÛÌ›Ô˘, ·ÍÈ·Á¿ËÙ˜ ÂÁÁÔÓԇϘ, ÙËÓ Ù· ·È‰È¿ ÙˆÓ ™¯ÔÏ›ˆÓ ÙÔ˘ ¯ÒÛÙÔ˘. °fiÓÔ˜ ÙÔ˘ ΔÔÊ·ÏÏ‹ ™ÂÚ ∫fiÌÓÙÔÓ ª·Î¤Ó˙Ë, ∫·ıË- ™Ù·˘Ú›Ó· Î·È ÙËÓ μ·ÛÔ‡ÏÏ· ∞Á›Ô˘ πˆ¿ÓÓÔ˘ ÙÔ˘ μ·ÙÈÛÙÔ‡ ∑·ÓÓ¤ÙÔ˘, ·fi ÙÔÓ °·˚‰Ô˘Ú¿ ÁËÙ‹ ∂ÏÏËÓÈÛÙ‹ Δ˙ˆÚÙ˙ ÙȘ Ôԛ˜ Ô ∑·ÓÓ¤ÙÔ˜ ÙȘ Ï·- Ô˘ ¤Ù˘¯·Ó ÛÙȘ ÂÍÂÙ¿ÛÂȘ Î·È Ù˘ ∫·ÙÂÏÔ‡˜ ∫¿ÚÔ˘ÏÏ· ΔfiÌÛÔÓ Î·ıÒ˜ Î·È ÙÔÓ ◊Úˆ· ÙÚ‡ÂÈ Ì¤¯ÚÈ ÙËÓ «·ÈˆÓÈfiÙËÙ·» GCSE, AS/A Level 2017. ·fi ÙÔ˘˜ ™Ù‡ÏÏÔ˘˜. ∞‰ÂÏÊfi˜ Ù˘ ∞ÎÚfiÔÏ˘ ª·ÓÒÏË °Ï¤- fiˆ˜ ϤÂÈ. ªÂ ·Ó·ÌÓËÛÙÈο ‚Ú·‚›· ÙÔ˘ ∞Ó‰Ú¤·, ºÒÙË, ¡›ÎÔ˘, ¢¤- ˙Ô, ª›ÎË £ÂÔ‰ˆÚ¿ÎË) Î·È ÔÏ- ΔÔ 1984 ¤Ï·‚ ڈٷÁˆÓÈ- ÙÈÌ‹ıËηÓ, ›Û˘, fiÏÔÈ ÔÈ ÛÔÈÓ·˜, §Ô˘Î›·˜, Î·È ÙÔ˘ ÏÔ‡˜ ¿ÏÏÔ˘˜. ÛÙÈÎfi ÚfiÏÔ ·fiÎÙËÛ˘ ÓfiÌÈ- ÂÎ·È‰Â˘ÙÈÎÔ› Ô˘ Û˘ÌÌÂÙ›- ÁÓˆÛÙÔ‡ ∫·ıËÁËÙ‹ ¢Ú· ∫‡- ΔÔ 1959, Û ËÏÈΛ· 21 ÂÙÒÓ Ì˘ ¿‰ÂÈ·˜ ÁÈ· ÙÔ LGR ÙÔ ¯·Ó Û ·˘Ù¤˜ ÙȘ Ù¿ÍÂȘ ·ÏÏ¿ ÚÔ˘ ΔÔÊ·ÏÏ‹. ºÔ›ÙËÛ ÛÙÔ ÁÓˆÚ›ÛÙËΠ̠ÙËÓ Û˘Ó‹ÏÈ΋ ÔÔ›Ô Î·ÙfiÚıˆÛÂ Ô ÛÙ·ıÌfi˜ Î·È ÛÙȘ ÂÍÂÙ¿ÛÂȘ, ηıÒ˜ Î·È ∂ÌÔÚÈÎfi §‡ÎÂÈÔ ∞ÌÌÔ¯Ò- ÙÔ˘ μ·ÛÔ‡ÏÏ· ∞ÏÂÍ¿Ó‰ÚÔ˘ Ó· Ï¿‚ÂÈ ¿‰ÂÈ· ÙÔ 1990. Ë ÚÔËÁÔ‡ÌÂÓË ‰È¢ı‡ÓÙÚÈ· ÛÙÔ˘. ªËÓ¿, ·fi ÙÔ ∞ÏÂıÚÈÎfi, §¿Ú- √ÏfiÎÏËÚË Ë ˙ˆ‹ ÙÔ˘ ‹Ù·Ó ‰Ô- ∫· ª¿Úˆ ™ÙÚÔ‡ıÔ˘ Ô˘ Ù›ÌË- ™Ù· 18 ÙÔ˘ ÌÂÙ·Ó¿ÛÙ¢Û ӷη˜, Ë ÔÔ›· ÂÚ›ÙÚ·Ó· ÙÔÓ Ṳ̂ÓË ÛÙËÓ ∫‡ÚÔ, ÙÔÓ ∂ÏÏË- Û ÙËÓ ÂΉ‹ÏˆÛË Ì ÙËÓ ÛÙËÓ ∞ÁÁÏ›·. ∂ÚÁ¿ÛÙËΠˆ˜ ‚Ô‹ıËÛ ÁÈ· 10 ¯ÚfiÓÈ· ÛÔ˘- ÓÈÎfi ¶ÔÏÈÙÈÛÌfi Î·È ÙËÓ ¶·ÚÔÈ- ·ÚÔ˘Û›· Ù˘. Û˘ÓÙ¿ÎÙ˘ ÛÙËÓ ÙfiÙ ÂÊËÌÂÚ›- ‰ÒÓ - ·fi GCE ̤¯ÚÈ ¢È‰·- Λ·.
Load more

Recommended publications
  • Mad Radio 106,2
    #WhoWeAre To become the largest Music Media and Services organization in the countries we operate, providing services and products which cover all communication & media platforms, satisfying directly and efficiently both our client’s and our audience’s needs, maintaining at the same time our brand's creative and subversive character. #MISSION #STRUCTURE NEW MEDIA TV EVENTS RADIO WEB INTERNATIONAL & SERVICES MAD 106,2 Mad TV www.mad.gr DIGITAL VIDEO MUSIC MadRADIO Mad TV CYPRUS GREECE MARKETING AWARDS Mad HITS/ CONTENT Mad TV MADWALK 104FM SOCIAL MEDIA OTE Conn-x SERVICES ALBANIA Mad GREEKζ/ MAD MUSIC ANTENNA EUROSONG NOVA @NOVA SATELLITE MAD PRODUCTION NORTH STAGE Dpt FESTIVAL YouTube #TV #MAD TV GREECE • Hit the airwaves on June 6th, 1996 • One of the most popular music brands in Greece*(Focus & Hellaspress) • Mad TV has the biggest digital database of music content in Greece: –More than 20.000 video clips –250.000 songs –More than 1.300 hours of concerts and music documentaries –Music content database with tens of thousands music news, biographical information –and photographic material of artists, wallpapers, ring tones etc. • Mad TV has deployed one of the most advanced technical infrastructures and specialized IT/Technical/ Production teams in Greece. • Mad TV Greece is available on free digital terrestrial, cable, IPTV, satellite and YouTube all over Greece. #PROGRAM • 24/7 youth program • 50% International + 50% Greek Music • All of the latest releases from a wide range of music genres • 30 different shows/ week (21 hours of live
    [Show full text]
  • Quick Guide to the Eurovision Song Contest 2018
    The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV.
    [Show full text]
  • Far-Right Trends in South Eastern Europe: the Influences of Russia, Croatia, Serbia and Albania
    HCSS Security Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Dr. Arlinda Rrustemi The Hague Centre for Strategic Studies 1 Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Introduction In the last few years, violent extremist trends have been researched in South-Eastern Europe (SEE) incorporating Albania, Kosovo, Bosnia and Herzegovina, Montenegro, North Macedonia and Serbia from the various perspectives of risks, links to organized crime, community resilience, and drivers for disengagement and resilience (British Council 2019); (Perry 2019);(Petrović and Stakić 2018); (CeSID and USAID 2016); (Bakic 2013); (QKSS); (Analytica.); (Selimi and Stojkovski 2016). It is striking though that most of the research focuses on religious violent extremism, mainly Islamic, rather than far-right and/or ethno-national violent extremism. So far, in-depth analysis of the phenomena has been limited (Kelly 2019). Some interviewees confirm the former points that the international community focuses more on religious radicalization and external influencers in the region. Meanwhile, they also point out that local contexts show challenges deriving from local elites who use nationalism and religion for their own purposes and are sometimes assisted by mother states or external actors (Several Anonymous Interviews, International Officials and Local Officials, 2017- 2019, Western Balkans). This paper explores previously under-researched trends in SEE’s far right movements. It attempts to answer the following questions: which countries are most affected by the far-right? What are the main drivers? How does this impact the discussions on the EU and NATO membership? This paper uses violent extremism as the framework as it is a less biased and globally accepted term used by the United Nations member states.
    [Show full text]
  • Degrieck Patrick 11/01/2019 P. 1
    Degrieck Patrick 11/01/2019 Amor Dean Martin Cha Cha Cha Cha cha cha Raymond v. h. Groenewoud Cha Cha Cha Cherry pink & apple blossom white James Last Cha Cha Cha Corazon Espinado Santana Cha Cha Cha Guantanamera Helmut Lotti Cha Cha Cha Me lo diga adela Bert Kaempfert Cha Cha Cha Pata Pata Coumba Gawlo Cha Cha Cha Pata Pata Miriam Makeba Cha Cha Cha Pepito Los Machucambos Cha Cha Cha Sway Michael Bublé Cha Cha Cha Sway Pussycat Dolls Cha Cha Cha Tea for two cha cha Tommy Dorsey Cha Cha Cha Un Rayo del Sol Los Diablos Cha Cha Cha 1 Life Xandee Dance 00 1 Life Xandee Dance 00 1 Life Xandee Dance 00 6th Gate D-Devils Dance 00 A bit patchy Switch Dance 00 Adagio for Strings Tiësto Dance 00 Adelante Sash Dance 00 Ain't no party like an alcoholic party The Jumpaholic Dance 00 Alejandro Lady Gaga Dance 00 Alive Kate Ryan Dance 00 All alone Splitter Dance 00 All day, all night X-Session Dance 00 All day, All night X-Session Dance 00 All for you Kate Ryan Dance 00 All I need The Mackenzie Feat. Jessy Dance 00 All I need The Mackenzie feat. Jessy Dance 00 All night long Lasgo Dance 00 All or nothing Natalia Dance 00 Allein Allein Polarkreis Dance 00 Allejoppa Gunther D Dance 00 Alone Lasgo Dance 00 Alors on danse Stromae Dance 00 Amoré Loco Elsie Moraïs Dance 00 Annie hou jij m'n tassie ff vast Nienke Dance 00 Another Chance Roger Chance Dance 00 Another world Checkmate Dance 00 Anyplace anywhere anytime Nena & Kim Wilde Dance 00 Anyplace, anywhere, anytime Nena & Kim Wilde Dance 00 Attention Da Rick Dance 00 Axel F Crazy Frog Dance 00 Baby when the light David Guetta Dance 00 Back in my life Alice Deejay Dance 00 Bad habit A.T.F.C.
    [Show full text]
  • Copy of CV AK Spotify
    Antigoni Katsantoni +44 7407274108 | [email protected] | LinkedIn | Portfolio Profile An ambitious and hard-working BSc Management student at the University of Bath, with extensive internship experience in marketing, public relations and media. Also a student radio presenter, with an immense passion for music, who loves working with others, and is reliable, insightful, and exceptionally creative. Education 2018 - 2022 (Expected) UNIVERSITY OF BATH, BSc Management Four-year, thick sandwich degree with an industrial placement in the penultimate year of study. Relevant Modules: Strategic Marketing Communications, Principles of Marketing, Information Systems and Technology, Project Management, Brand Management. Year 1 average: 68%, Year 2 average: 69.2% 2012 - 2018 Moraitis School (Greece), International Baccalaureate Diploma Overall grade 37/45 and Academic Distinction Higher Level subjects: Business Management, Mathematics, English Language & Literature Greek Gymnasium (Middle School) final grade: 19.85/20 Full academic scholarship for all of secondary school Received an Honorary Distinction for my volunteering actions throughout secondary school. Relevant Experience August 2020 - November 2020 PR & INFLUENCE TRAINEE, Ogilvy Greece Working on the accounts of Sakis Rouvas (Greek artist), IKEA and Loumidis Papagalos (Greek coffee brand) My responsibilities included drafting the artist's social media schedule, creating proposals for corporate sponsorships, writing press releases, creating monthly PR reports, monitoring press clippings, measuring KPIs, copywriting influencers' posts and assisting with other administrative tasks. September 2020 - Present INTERNATIONAL MUSIC OFFICER, Student Music Network UK Establishing relationships with international labels, in order to source and distribute music across our network of all student radio stations in the U.K., as well as to further promote and arrange interviews with promising artists.
    [Show full text]
  • P R E S E N T a T I
    PRESENTATIONPRESENTATION | 1 Panayotis Petrakis has worked as a diverse and sought after actor/singer/dancer in TV, theatre and music for almost 20 years. A combination of talent, impeccable professionalism and an infectious personality has ensured him constant work and an exemplary reputation. www.panayotispetrakis.com [email protected] PRESENTATION | 1 HEIGHT: 1,85M | WEIGHT: 82KG | EYES: DARK BROWN | HAIR: DARK BROWN | SINGING VOICE: BARITONE PRESENTATION | 3 Actor - Singer Panayotis Petrakis was born in Athens. Whilst in drama school, he began training alongside inter- nationally renowned baritone Kostas Paskalis1, ultimately earning the acclaimed Fulbright Scholarship2 to continue his training in NY. Panayotis has worked successfully in TV, theatre and music for almost 20 years, collaborating with some of Greece’s most acclaimed directors, musicians, actors and recording artists at the biggest venues, concert halls and TV channels. In 2008 he received nationwide recognition for his role in the No1 rated, prime time continuing drama “Secrets of Eden”3. The show achieved ratings up to 52% and 2 million viewers for 3 consecutive years and was sold to 8 countries. His theatre credits include leading roles in productions as diverse as: “Saturday Night Fever, the musical”, “Fun- ny Girl”, “Querelle de Brest” and “Priscilla, Queen of the Desert, the musical”4 5. Known for his rich baritone voice and soulful renditions, he has collaborated with Greece’s most acclaimed com- posers and song writers like Mikis Theodorakis6 and Mimis Plessas7. In 2011 Panayotis won the celebrity talent TV show “Just the two of us”8; a 14-episode reality singing contest show for a charitable cause, based on BBC’s homonymous production.
    [Show full text]
  • Karaoke Catalog Updated On: 25/10/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 25/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Wannabe - Spice Girls Sweet Caroline - Neil Diamond Zombie - The Cranberries I Will Survive - Gloria Gaynor Don't Stop Believing - Journey Dancing Queen - ABBA Sweet Child O'Mine - Guns N' Roses Perfect - Ed Sheeran Piano Man - Billy Joel Amarillo By Morning - George Strait Bohemian Rhapsody - Queen Africa - Toto Always On My Mind - Willie Nelson Uptown Funk - Bruno Mars Black Velvet - Alannah Myles Me And Bobby McGee - Janis Joplin Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Santeria - Sublime Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse Livin' On A Prayer - Bon Jovi Can't Help Falling In Love - Elvis Presley Wagon Wheel - Darius Rucker New York, New York - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals What A Wonderful World - Louis Armstrong Summer Nights - Grease Jackson - Johnny Cash Jolene - Dolly Parton Crazy - Patsy Cline Let It Go - Idina Menzel (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations All Of Me - John Legend I Wanna Dance With Somebody - Whitney Houston Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Neon Moon - Brooks & Dunn My Way - Frank Sinatra These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter I Want It That Way - Backstreet
    [Show full text]
  • School of Humanities Med in Teaching English As a Foreign/International Language
    School of Humanities Med in Teaching English as a Foreign/International Language Postgraduate Dissertation Integrating Educational Technology and Web 2.0 Tools into Project – Based Learning to Enhance Young Learners’ Writing Skills and New Literacies Irene Manidaki Supervisor: Dr. Zafiri Makrina – Nina Patras, Greece, September 2020 POSTGRADUATE DISSERTATION Theses / Dissertations remain the intellectual property of students (“authors/creators”), but in the context of open access policy they grant to the HOU a non-exclusive license to use the right of reproduction, customisation, public lending, presentation to an audience and digital dissemination thereof internationally, in electronic form and by any means for teaching and research purposes, for no fee and throughout the duration of intellectual property rights. Free access to the full text for studying and reading does not in any way mean that the author/creator shall allocate his/her intellectual property rights, nor shall he/she allow the reproduction, republication, copy, storage, sale, commercial use, transmission, distribution, publication, execution, downloading, uploading, translating, modifying in any way, of any part or summary of the dissertation, without the explicit prior written consent of the author/creator. Creators retain all their moral and property rights. 2 POSTGRADUATE DISSERTATION Integrating Educational Technology and Web 2.0 Tools into Project – Based Learning to Enhance Young Learners’ Writing Skills and New Literacies Irene Manidaki Supervising committee: Supervisor: Co – supervisor: Dr. Zafiri Makrina – Nina Dr. Calfoglou Christina Hellenic Open University Hellenic Open University Patras, Greece, September 2020 3 POSTGRADUATE DISSERTATION Dedication To Eva and Marianna, my wonderful nieces 4 POSTGRADUATE DISSERTATION MANIDAKI IRENE, “INTEGRATING EDUCATIONAL TECHNOLOGY AND WEB 2.0 TOOLS INTO PROJECT – BASED LEARNING TO ENHANCE YOUNG LEARNERS’ WRITING SKILLS AND NEW LITERACIES” Acknowledgements I would like to express my deepest gratitude to my supervisor, Dr.
    [Show full text]
  • He Is Back! ATRAYU Wins the SUMMER SPRINT
    YOUR WEEKLY UPDATE ON ALL HORSE RACING ISSUES WEEKLYΝEWSLETTER EDITION: 148 | Wednesday, September 4th 2019 He is back! ATRAYU wins the SUMMER SPRINT • Markopoulo Park: Impressive races and Horses Ratings page 07 big winnings in Pick 6 page 02 RACE RESULTS 103 to 108 • RACE RESULTS page 04-06 Follow us on • All stars consert at Markopoulo Park 22|09 page 16 QUEEN BAYNOONAH made her first win ATRAYU won the SUMMER SPRINT Markopoulo Park: Impressive races and big winnings in Pick 6 The SUMMER SPRINT included an exciting battle with ATRAYU winning The race meeting on Sunday September 1st, had strong finishes, surprises and big winnings in Pick 6. Those that visited Markopoulo Park enjoyed six impressive races. The winner of the 5th and most important race of the day, the SUMMER SPRINT, was ATRAYU, owned by Kosmas Skrepetos and Yiannis Datsopoulos, trained by Irini Keratsa and ridden by Yiannis Lazaridis. Following an exciting battle, he crossed the finish line first and conquered the cup worth 20.000€. First win for QUEEN BAYNOONAH The 3rd race also stole the spotlight, where four out of the seven fillies, raced for the first time. The winner was QUEEN BAYNOONAH, owned by Katerina Hatzopoulou that will not only receive the race’s prize money, but also the 500 euro bonus for her horse’s first win in Greece. The new as well as the previous Greek owners have shown great interest in the horses that HORSE RACES S.A. brought from abroad, with only a few remaining available on the company’s website markopoulopark.gr.
    [Show full text]
  • What Female Pop-Folk Celebrity in South-East Europe Tells Postsocialist Feminist Media Studies About Global Formations of Race
    What female pop-folk celebrity in south-east Europe tells postsocialist feminist media studies about global formations of race Catherine Baker University of Hull This is an Accepted Manuscript of an article published by Taylor & Francis in Feminist Media Studies on 03 Apr 2019, available online: https://www.tandfonline.com/doi/ full/10.1080/14680777.2019.1599035. Abstract: Feminist media studies of postsocialism are well practised at explaining how ideologies of gender and nation reinforce each other amid neoliberal capitalism on Europe’s semi-periphery. They extend this, by critiquing media marginalization of Roma, into addressing regional formations of race. Yet they rarely go on to contextualize the region’s place within “race” as a global structure of feeling, or how transnational processes of “race in translation” operate in postsocialism – as necessary as this would be to fulfil ever-more-frequent calls to combine postsocialist and postcolonial analytical lenses. Vestiges of racial exceptionalism thus still often characterize postsocialist studies despite Anikó Imre’s intervention against them more than a decade ago. This paper traces how south-east European pop-folk music’s politics of representation, “modernity” and “Balkanness” interact with aesthetics of ethnic/racial ambiguity in Western female celebrity to translate globalized, racialized tropes of exoticism into postsocialist national media cultures. By explaining how pop- folk female celebrity translates the transnational racialized aesthetics of so-called “ethnic simultaneity” into postsocialist glamour, the paper puts Imre’s intervention against racial exceptionalism into practice, expanding postsocialist feminist media studies’ conceptual tools for understanding the regional politics of ethnicity into engagement with the global politics of race.
    [Show full text]
  • Frame Page 2
    Y EM R E N E T T . N C A O M R A ¶∞ƒ√π∫π∞∫∏ U ¶POO¢EYTIKH EºHMEPI¢A ™THN Y¶HPE™IA TH™ KY¶PIAKH™ ¶APOIKIA™ ¶∂ª¶Δ∏ 28 ¡√∂ªμƒπ√À 2013 ● XPONO™ 39Ô˜ ● AÚÈıÌfi˜ ʇÏÏÔ˘ 2028 ● PRICE: 75 pence ∂∫¢∏§ø™∏ ¶§∞Δº√ƒª∞™ ∂¡øª∂¡∏ ∫À¶ƒ√™ ∂/·ÚÈÔÈ Î·È Δ/·ÚÈÔÈ Ì·˙› ÛÙÔ ‚ÚÂÙ·ÓÈÎfi ∫ÔÈÓÔ‚Ô‡ÏÈÔ Î‰‹ÏˆÛË Ô˘ ¤ÊÂÚ ∂Ï- Û˘ Û˘ÓÂÓÒÓÔÓÙ·˜ ÔÈΛϘ ∂·ÁÁÂÏÌ·ÙÈÒÓ ∂¶π™Δ∏ª∏ ÚÈÎfi ı· Â›Ó·È ˙ˆÙÈÎfi Û˘ÛÙ·ÙÈ- ÙÔ˘˜ ∫˘Ú›Ô˘˜ ÂÓÙfi˜ Ù˘ ∂∂, ÙÔ¯‹ ÛÙË ‰ÈÔ›ÎËÛË ÙÔ˘ ΢ÚÈ·- ÏËÓÔ·ÚÈÔ˘˜ Î·È ΔÔ˘Ú- ÂÏÏËÓÔ΢ÚȷΤ˜ Î·È ÙÔ˘ÚÎÔ- ¶‹ÙÂÚ ¢ÚÔ˘ÛÈÒÙ˘ (Ô˘ η- Îfi Ù˘ ÂÈÙ˘¯›·˜ Ù˘ Ó¤·˜ ÙËÓ ÔÈÎÔÓÔÌÈ΋ ¢ËÌÂÚ›· ˆ˜ ÎÔ‡ ÔÌÔÛÔӉȷÎÔ‡ ÎÚ¿ÙÔ˘˜. ∂ÎÔ·ÚÈÔ˘˜ Ù˘ ‰È·ÛÔ- ΢ÚȷΤ˜ ÔÚÁ·ÓÒÛÂȘ, Ì ٤¯ÂÈ Â›Û˘ ÙË ı¤ÛË ÙÔ˘ ¶ÚÔ- ÚÔÛ¿ıÂÈ·˜ ÁÈ· ·ӤӈÛË. ·ÔÙ¤ÏÂÛÌ· ÙˆÓ ·˘ÍËÌ¤ÓˆÓ √ Î. ¢ÚÔ˘ÛÈÒÙ˘ ÂÈÛ‹Ì·- Ú¿˜ Ì·˙›, ηıÒ˜ ›Û˘ μÚÂ- ÛÎÔfi Ó· ¤ÏıÂÈ Ë Â·Ó¤Óˆ- ¤‰ÚÔ˘ Ù˘ ∂ıÓÈ΋˜ ∫˘Úȷ΋˜ √ Î. ¢ÚÔ˘ÛÈÒÙ˘ ÛÙ¿ıËΠÂÂÓ‰‡ÛÂˆÓ Î·È Ù˘ ‰ÈÎÔÈÓÔ- Ó ٤ÏÔ˜ ÙËÓ ÈÛÙÔÚÈ΋ ÛËÌ·- Ù·ÓÔ‡˜ ÔÏÈÙÈÎÔ‡˜, ‰ÈÔÚÁ·ÓÒ- ÛË Ù˘ ∫‡ÚÔ˘ ÛÙË Û˘Ìʈ- √ÌÔÛÔÓ‰›·˜ ∏ӈ̤ÓÔ˘ μ·- ÛÙË ÛËÌ·Û›· ·Ó¿‰ÂÈ͢ ÙˆÓ ÙÈ΋˜ ·Ó¿Ù˘Í˘, ÙËÓ ÂÚÈÊÂ- Û›· Ù˘ ‰ÈÔÚÁ¿ÓˆÛ˘ ÌÈ·˜ ıËΠÙÔ ‚Ú¿‰˘ Ù˘ ΔÚ›Ù˘ Û ٤ÙÔÈ·˜ ÂΉ‹ÏˆÛ˘ ÛÙÔ ‚ÚÂ- ·›ıÔ˘Û· ÙÔ˘ ‚ÚÂÙ·ÓÈÎÔ‡ ∫ÔÈ- Ù·ÓÈÎfi ∫ÔÈÓÔ‚Ô‡ÏÈÔ Ì ÙË Û˘Ì- ÓÔ‚Ô˘Ï›Ô˘.
    [Show full text]
  • Far-Right Trends in South Eastern Europe: the Influences of Russia, Croatia, Serbia and Albania
    HCSS Security Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Dr. Arlinda Rrustemi1 1 The author would like to thank Dylan Browne-Wilkinson, Jovana Petrovska, Lirije Palushi, Hugo van Manen, Prof. Shinasi Rama, Prof. Rob de Wijk and the United States Institute of Peace for their contribution to the development of this paper. A special thanks is dedicated to the Netherlands Ministry of Foreign Affairs for their contribution to the Please note that some parts of this report have also been incorporated into a report on Geopolitical Influences of External Powers in the Western Balkans due to similarities between the themes. See https://hcss.nl/report/geopolitical- influences-external-powers-western-balkans The Hague Centre for Strategic Studies 1 Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Introduction In the last few years, violent extremist trends have been researched in South-Eastern Europe (SEE) incorporating Albania, Kosovo, Bosnia and Herzegovina, Montenegro, North Macedonia and Serbia from the various perspectives of risks, links to organized crime, community resilience, and drivers for disengagement and resilience (British Council 2019); (Perry 2019); ; (CeSID and USAID 2016); (Bakic 2013); (QKSS); (Analytica.); (Selimi and Stojkovski 2016). It is striking though that most of the research focuses on religious violent extremism, mainly Islamic, rather than far- right and/or ethno-national violent extremism. So far, in-depth analysis of the phenomena has been limited (Kelly 2019). Some interviewees confirm the former points that the international community focuses more on religious radicalization and external influencers in the region.
    [Show full text]