FAVOURITE HYMN TUNES of the Salvation Army Vol. I
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A JOURNAL of SALVATION ARMY THEOLOGY & MINISTRY Benedictus
Word deed & Vol. X IX No. 1 NOVEMBER 2O16 A JOURNAL OF SALVATION ARMY THEOLOGY & MINISTRY Holiness and Mission: A Salvationist Perspective The New Wonder Memoirs from The Salvation Army’s ‘Outpost War’ in Norway Benedictus: Paul’s Parting Words on Ministry Founders and Foundations: The Legacy of the Booths CREST BOOKS Salvation Army National Headquarters Alexandria, VA, USA WDNov16_Interior_Werk4.indd 1 11/1/16 3:56 PM Word & Deed Mission Statement: The purpose of the journal is to encourage and disseminate the thinking of Salvationists and other Christian colleagues on matters broadly related to the theology and ministry of The Salvation Army. The journal provides a means to understand topics central to the mission of The Salvation Army, integrating the Army’s theology and ministry in response to Christ’s command to love God and our neighbor. Salvation Army Mission Statement: The Salvation Army, an international movement, is an evangelical part of the universal Christian Church. Its message is based on the Bible. Its ministry is motivated by the love of God. Its mission is to preach the gospel of Jesus Christ and to meet human needs in His name without discrimination. Editorial Address: Manuscripts, requests for style sheets, and other correspondence should be addressed to: Lieutenant Colonel Allen Satterlee The Salvation Army, National Headquarters 615 Slaters Lane, Alexandria VA 22313 Phone: 703/684-5500 Fax: 703/684-5539 Email: [email protected] Web: www.sanationalpublications.org Editorial Policy: Contributions related to the mission of the journal will be encouraged, and at times there will be a general call for papers related to specific subjects. -
JOHN Wesley's “DIRECTIONS for SINGING”
Methodist History, 47:4 (July 2009) JOHN WESLEy’S “DIRECTIONS FOR SINGING”: METHODIST HYMNODY AS AN EXPRESSION OF METHODIST BELIEFS IN THOUGHT AND PRACTICE MARTIN V. CLARKE John Wesley’s “Directions for Singing” was included as an appendage to Select Hymns: with Tunes Annext (1761), a collection of hymn texts and tunes designed for congregational use across the Methodist Connexion.1 Although a list of only seven brief points, it reveals much about the way in which Wesley desired music to be used in Methodist worship and the ben- efits that he believed could be reaped from its effective use. Carlton Young suggests that the “Directions” represent “Wesley’s attempts to standardize hymn singing performance and repertory,”2 which is borne out by their pub- lication together with the tunes of Select Hymns, which Wesley advocated as authentically Methodist. The full significance of these instructions can only be understood when they are considered in relation to the theological and doctrinal position of Methodism, while they need to be assessed alongside Select Hymns and other collections of tunes used within Methodism in order to evaluate their impact. They highlight the importance Wesley attached to Select Hymns, while also offering more general practical advice, before con- cluding with a reminder of the purpose of congregational singing: That this part of Divine Worship may be the more acceptable to God, as well as the more profitable to yourself and others, be careful to observe the following direc- tions. I. Learn these Tunes before you learn any others; afterwards learn as many as you please. -
Download Booklet
Introductions General John Gowans lives on through his words. The Salvation Army on beyond the musicals. The 2015 edition of The Song Book of The world was deeply saddened when he was promoted to Glory in December Salvation Army includes 28 of them – and they continue to be sung 2012, but thank God for the legacy of song words that he left us. Through around the world. them he still speaks to inspire and challenge and encourage, and with this album we are invited to share in a further 23 jewels from this legacy. Commissioner Gisèle Gowans and I were grateful to The International Staff Songsters when the first volume of A Gowans Legacy was recorded It is no secret that I set most of John’s song lyrics to music – and that in 2016. It seems that our appreciation has been shared by many, for explains why all but four of the songs included on this album are with that album has become a best-seller, and we are pleased that it is now music by me. being followed by this second volume. John and I hardly knew each other when in 1966 we were asked to form For my own part, I have enjoyed creating songster arrangements a creative partnership. The National Youth Secretary, Brigadier Denis for a number of the songs on the album for which the original stage Hunter, had called a small group together to discuss the possibility of a arrangement did not lend itself for recording. Getting immersed in that musical for Youth Year 1968 and ideas had flowed. -
Divisional Newsletter - 1212 Decemberdecember 20122012
Divisional Newsletter - 1212 DecemberDecember 20122012 Dear friends, We take this opportunity to thank you for all the extra time and effort you and your people are giving to MAJORS NORM AND ISABEL BECKETT share the true meaning of Christmas. As you proclaim Training Principal and Education Officer, the Christmas message through music, carols and Sweden and Latvia Territory preaching, and share the joy of giving hampers, toys WOODPORT RETIREMENT VILLAGE, NSW and meals, we pray that you will take time to sit in Alison Scott, Captain Jo-Anne Chant, Major wonder at the indescribable love of Christ our Christine Mayes and team Saviour. BURWOOD CORPS, NSW Captain Rhombus Ning and Lieutenants We share with you the words of the following song Marcus and Ji-Sook Wunderlich used at Fairhaven Carols last Sunday night. CAMPBELLTOWN CORPS, NSW When Christ was born the angel voices thundered Majors Garry and Susanne Cox Glory to God and peace to men on earth NAMBUCCA RIVER CORPS, NSW And shepherds in the fields looked on and wondered Captains John and Nicole Viles The marvel of the Saviour’s lowly birth. OASIS YOUTH CENTRE WYONG, NSW When men of wisdom saw a star before them They knew the sign foretold the Saviours birth DECEMBER From lands afar they came in awe to wonder 14 End Queensland School term That God Himself should come to men on earth. 16 Divisional Candidates Farewell 21 End NSW School term 25 Christmas Day That God should come to men, born in a manger 26 Boxing Day I can but ponder such humility JANUARY That He now reigns in glory and in splendour 1 New Years Day I can but wonder of His love for me. -
The Enigma of the Mason Hymn-Tunes
Title: The Enigma of the Mason Hymn-Tunes Author(s): George Brandon Source: Brandon, G. (1992, Fall). The enigma of the Mason hymn- tunes. The Quarterly, 3(3), pp. 48-53. (Reprinted with permission in Visions of Research in Music Education, 16(3), Autumn, 2010). Retrieved from http://www-usr.rider.edu/~vrme/ It is with pleasure that we inaugurate the reprint of the entire seven volumes of The Quarterly Journal of Music Teaching and Learning. The journal began in 1990 as The Quarterly. In 1992, with volume 3, the name changed to The Quarterly Journal of Music Teaching and Learning and continued until 1997. The journal contained articles on issues that were timely when they appeared and are now important for their historical relevance. For many authors, it was their first major publication. Visions of Research in Music Education will publish facsimiles of each issue as it originally appeared. Each article will be a separate pdf file. Jason D. Vodicka has accepted my invitation to serve as guest editor for the reprint project and will compose a new editorial to introduce each volume. Chad Keilman is the production manager. I express deepest thanks to Richard Colwell for granting VRME permission to re-publish The Quarterly in online format. He has graciously prepared an introduction to the reprint series. The Enigma Of The Mason HYfl1fl-Tunes By George Brandon Davis, California orn into a familv of active amateur Many younger men of Mason's time, in- musicians, Lowell Mason attended cludingJ. S. Dwight and A. W. Thayer, prob- Bsinging schools conducted by local ably looked upon Lowell Mason as an elder figures such as Amos Albee and Oliver Shaw. -
Three Preludes on Hymn Tunes John G
Bridgewater College BC Digital Commons Music Faculty Scholarship Department of Music 1992 Three Preludes on Hymn Tunes John G. Barr Follow this and additional works at: https://digitalcommons.bridgewater.edu/ music_faulty_scholarship Part of the Music Commons Recommended Citation Barr, John G. Three Preludes on Hymn Tunes. FL: H.W. Gray Publications, c/o CPP/Belwin, Inc., 1992. This Sheet Music is brought to you for free and open access by the Department of Music at BC Digital Commons. It has been accepted for inclusion in Music Faculty Scholarship by an authorized administrator of BC Digital Commons. For more information, please contact [email protected]. ~- ·---- - - · - -- - ---- - --- ------ --- ~------ ---- ·~aiut Qlrrilia~rrirs ®rg.an <fotttpn.attiott.a THREE PRELUDES ON HYMN TUNES (AURELIA, MELITA AND CWM RHONDDA) by JOHNG.BARR ~nint Qlrrili ®rgnu Qlnmpnnir THREE PRELUDES ON HYM (AURELIA, MELITA. AND CWM RHONDDA) by JOHNG.BARR Copyright© 1992 H.W. Gray Publications, c/o CPP/Belwin, Inc., Miami, FL. 33014 International Copyright Secured Made in U.S.A. All Rights Reserved 2 for Mrs. Lois Wine PRELUDE ON "AURELIA"* (The Church's One Foundation) SW: Principal Chorus GT: Principal Chorus PED: Bourdons 16', 8', Sw. to Ped. JOHNG.BARR Sw. ~ f\ I -.., -1 I ,,, I IF, I - I I I J. h I llflll f.lllli. 1111111 .... I ... --, I r r I I I I - v - Ir "\-.a IF 'J !""' ,_ !""' .... .... I I I . I I I .-1 I 1111111 1111111 I- I .... ..... Ill/I/fl ..... .-1 I .-1 I I I .-1 I 'Jilli! 1111111 - ' \J - - - HJ I - - • - - - • .__ v=== ...=.,.- ...... - ....- - - mp --- r 111111" r - L ,. -
School Ofmusic
University of Washington 1998-1999 School ofMusic ~ 13, f£"'9 presents CD I ?, 4(p 0 I< 6~ ( 'if If THE LITTLEFIELD ORGAN SERIES '1-1.,) i with guest artist DAVID ROTHE April 23, 1999 12:30 PM and 8:00 PM Walker-Ames Room PROGRAM CD ill Prelude and Fugue in C Minor (5'30 (BWV 549, Arnstadt 1703) .... " ......"' ... ~..... ~.t ................ Johann Sebastian Bach (1685-1750) o Settings from orgelb.uchlein (Weimar, c. 1717) ...... ~.............................................J. S. Bach o Mensch bewein dein Sunde gross (BWV 622) 4-: 'to) Durch Adams Fall ist ganz verderbt (BWV 637) ,',If0) ~ Two shorr settings of "Christ ist erstanden" .{t.:}~)......... Buxheimer Orgelbuch (c. 1470) ttl Nun bittenwir den Heiligen Geist (BuxWV 2078)~:~.~)Dietrich Buxtehude (1637-1707) rn Praeludium in e minor (The Greater) .... .c.2'JQ.~.) ..................Nicolaus Bruhns (1665-1697) [kl Englische Nachtigal (Celler Clavierbuch, 1662).. C.!.~.Y.C?L .......Anonymous, 17th C. German [jJ From the Eighteen Great Chorales (Leipzig, 1747-49) ..~L::?2 ............................]. S. Bach Komm, Gott Schopfer, heiliger Geist (BWV 667) 00 Prelude and fugue in C Major (BWV 547, Leipzig, 1744) ... J¥.;.%.)....................]. S. Bach Ci1 6V\ tcrfe:. - (2- ~2-2) ----~~- The first piece. on today's .program, t~e Prelude an,d mostly anonymous composers,~nd is written in .. new" Fugue in C Mmor, was wntte~ early In J. S. B~ch s German organ tablature. The pieces are mostly dances, career, perhaps while he was std! a tee!lager., This set songs, arias. hymns, chorales and variation cycles which (sometimes called 'the Arnstadt) begms with a bold were probably used for entertainment, dancing and pedal cadenza, reminiscent of the works of Georg B6hm devotional services at the court of CelIe. -
Luther's Hymn Melodies
Luther’s Hymn Melodies Style and form for a Royal Priesthood James L. Brauer Concordia Seminary Press Copyright © 2016 James L. Brauer Permission granted for individual and congregational use. Any other distribution, recirculation, or republication requires written permission. CONTENTS Preface 1 Luther and Hymnody 3 Luther’s Compositions 5 Musical Training 10 A Motet 15 Hymn Tunes 17 Models of Hymnody 35 Conclusion 42 Bibliography 47 Tables Table 1 Luther’s Hymns: A List 8 Table 2 Tunes by Luther 11 Table 3 Tune Samples from Luther 16 Table 4 Variety in Luther’s Tunes 37 Luther’s Hymn Melodies Preface This study began in 1983 as an illustrated lecture for the 500th anniversary of Luther’s birth and was presented four times (in Bronxville and Yonkers, New York and in Northhampton and Springfield, Massachusetts). In1987 further research was done on the question of tune authorship and musical style; the material was revised several times in the years that followed. As the 500th anniversary of the Reformation approached, it was brought into its present form. An unexpected insight came from examining the tunes associated with the Luther’s hymn texts: Luther employed several types (styles) of melody. Viewed from later centuries it is easy to lump all his hymn tunes in one category and label them “medieval” hymns. Over the centuries scholars have studied many questions about each melody, especially its origin: did it derive from an existing Gregorian melody or from a preexisting hymn tune or folk song? In studying Luther’s tunes it became clear that he chose melody structures and styles associated with different music-making occasions and groups in society. -
Hymn Tune Hymn Tune Common Title 1 Aberystwyth Savior
TO DIAL A HYMN NUMBER: While pressing the HYMN PLAYER piston, press General pistons. (Zero is piston #10). Press PLAY. After the intro and each verse press PLAY. (PEDALS ARE DISABLED DURING HYMN PLAYING). TO PLAY A CONTINUOUS PRELUDE: Rotate the SELECT knob to MODE. Select General or Christmas. Press PLAY for continuous play. HYMN TUNE HYMN TUNE COMMON TITLE 1 ABERYSTWYTH SAVIOR, WHEN IN DUST TO YOU (THEE) 2 ACK, VAD AR DOCK LIVET HAR JESUS, IN THY DYING WOES 3 ADELAIDE HAVE THINE OWN WAY 4 ADESTES FIDELES O COME, ALL YE FAITHFUL 5 ALL IS WELL IT IS WELL WITH MY SOUL 5 ALL IS WELL WHEN PEACE LIKE A RIVER 6 ALL THE WAY ALL THE WAY MY SAVIOR LEADS ME 7 ALL TO CHRIST ALL TO CHRIST 8 AMERICA GOD BLESS OUR NATIVE LAND 9 AMSTERDAM OPEN LORD MY INWARD EAR 9 AMSTERDAM PRAISE THE LORD WHO REIGNS ABOVE 9 AMSTERDAM RISE, MY SOUL, AND STRETCH THY WINGS 10 ANGEL'S STORY ANGEL'S STORY 11 ANGELIC SONGS ANGELIC SONGS 12 ANTIOCH JOY TO THE WORLD 13 AR HYD Y NOS FOR THE FRUITS OF ALL CREATION 13 AR HYD Y NOS DAY IS DONE 13 AR HYD Y NOS GO, MY CHILDREN, WITH MY BLESSING 13 AR HYD Y NOS GOD, WHO MADE THE EARTH AND HEAVEN 14 ARLINGTON I'M NOT ASHAMED TO OWN MY LORD 15 ASCEND TO ZION'S ASCEND TO ZION'S HIGHEST 16 ASH GROVE SENT FORTH BY GOD'S BLESSING 16 ASH GROVE LET ALL THINGS NOW LIVING 17 ASSAM I HAVE DECIDED TO FOLLOW JESUS 18 ASSURANCE BLESSED ASSURANCE 19 AURELIA O FATHER, ALL CREATING 19 AURELIA O LIVING BREAD FROM HEAVEN 19 AURELIA THE CHURCH'S ONE FOUNDATION 20 AUSTRIAN HYMN GLORIOUS THINGS OF YOU ARE SPOKEN 20 AUSTRIAN HYMN PRAISE THE LORD! O HEAVENS -
Someone Cared
SOMEONE CARED Prose and Prayers Inspired by the Poetry of John Gowans by Rob Birks SOMEONE CARED Rob Birks 2014 Frontier Press All rights reserved. Except for fair dealing permitted under the Copyright Act, no part of this book may be reproduced by any means without written permission from the publisher. Birks, Rob SOMEONE CARED December 2014 Scripture references used in this text are from The Holy Bible, New Inter- national Version, New Living Translation, New American Standard, Ampli- fied Bible, The Living Bible. THE HOLY BIBLE, NEW INTERNATIONAL VERSION®, NIV® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide. The King James Version is public domain in the United States. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Copyright © The Salvation Army USA Western Territory ISBN 978-0-9908776-1-5 Printed in the United States For Stacy Sharing poetry introduced our hearts to each other. I couldn’t be more grateful. I love you more than dreams and poetry. More than laughter, more than tears, more than mystery. I love you more than rhythm, more than song I love you more with every breath I draw. —T Bone Burnett iii There is nothing quite like walking through an art gallery with a docent, or the curator himself. This is the feeling I get as I read Ma- jor Robert Birks’ beautiful unveiling of the poetry of John Gowans. He is an informed, inspired guide whose joy regarding the poet’s work is contagious. -
Journal of Aggressive Christianity
JOURNAL OF AGGRESSIVE CHRISTIANITY Issue 81, October – November 2012 Copyright © 2012 Journal of Aggressive Christianity Journal of Aggressive Christianity, Issue 81, October – November 2012 2 In This Issue JOURNAL OF AGGRESSIVE CHRISTIANITY Issue 81, October - November 2012 Editorial Introduction page 3 Editor, Major Stephen Court 100 Most Influential Salvationists page 4 Colonel Richard Munn Holiness and Other Pertinent Matters page 7 Erin Wikle Baptism, Eucharist, and Ministry page 13 Captain Rob Reardon An Innovative Salvation Army page 21 Lieutenant Peter Brookshaw What Now? page 23 Colonel David Gruer Trapped page 29 Tina Laforce A Great Commission? page 38 Lieutenant Xander Coleman How Lost are the Lost? page 42 Major Howard Webber A Living Sacrifice page 44 CSM Tim Taylor What Might Have Been? page 49 Commissioner Wesley Harris William and Catherine Booth's Mobilisation of an Army of all Believers Through Partnered Ministry page 50 Jonathan Evans Journal of Aggressive Christianity, Issue 81, October – November 2012 3 Editorial Introduction by Editor, Major Stephen Court Welcome to JAC81. You might reasonably ask how we can match the weighty JAC80. This is our considered response. Colonel Richard Munn (ICO) updates the first JAC 100 – Most Influential Salvationists list from 2007. This is his personal take on the subject. Soldier Erin Wikle, pioneering a corps in USA Southern Territory, writes Holiness and Other Pertinent Matters. Erin did some very interesting research into holiness and discipleship in the USA Western Territory and shares her results. Captain Rob Reardon (USN) gives his thoughtful take on Baptism, Eucharist, and Ministry from The Salvation Army’s perspective. -
The Supplemental Hymn and Tune Book
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com 4. A 2 a.... _T fºLº F O U R T H E D IT IO N. THE * | º Ü Ü | i -> supplemental jumum ſult `-- (WITH NEW APPENDIX). Under the sanction of the Lord Bishop of Worcester. EDITED BY THE frves, *. * REV. ROBERT BROWN-Bon THwick. LONDON: NOVELLO, EWER AND CO. OXFORD: W. R. BowdEN; Evesham w. AND H. SMITH, (A ſmall Edition of the Word, alone, fºr Congregational use, neatly bound in cloth, price Sixpence.) “On earth join all ye creatures to extol “Him firſt, Him laſt, Him midſt, and without end.” TO H E R R O Y A L H I G H N E S S W I C T O R I A, PRINCESS IMPERIAL OF GERMANY., PRINCESS ROYAL OF ENGLAND, THIS BOOK IS (BY SPECIAL PERMISSION) DEDICATED WITH ALL RESPECT, BY H E R R O Y A L H IG H N ESS'S MOST OBEDIENT HUMBLE SERVANT, ROBERT BROWN- BORT H WICK. PREFACE TO THE FIRST EDITION. “The Supplemental Hymn and Tune Book” was at first intended to be a collection of about five-and-twenty Hymns and original Tunes in the form of a pamphlet, to enable a comparatively limited circle of the Com piler's friends and others to obtain copies of those which, from their popu larity wherever they were introduced, involved, owing to the frequency of application for them, no slight labour in copying.