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Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin
Journal of chinese humanities 5 (2019) 124-148 brill.com/joch Imagining a Universal Empire: a Study of the Illustrations of the Tributary States of the Myriad Regions Attributed to Li Gonglin Ge Zhaoguang 葛兆光 Professor of History, Fudan University, China [email protected] Abstract This article is not concerned with the history of aesthetics but, rather, is an exercise in intellectual history. “Illustrations of Tributary States” [Zhigong tu 職貢圖] as a type of art reveals a Chinese tradition of artistic representations of foreign emissaries paying tribute at the imperial court. This tradition is usually seen as going back to the “Illustrations of Tributary States,” painted by Emperor Yuan in the Liang dynasty 梁元帝 [r. 552-554] in the first half of the sixth century. This series of paintings not only had a lasting influence on aesthetic history but also gave rise to a highly distinctive intellectual tradition in the development of Chinese thought: images of foreign emis- saries were used to convey the Celestial Empire’s sense of pride and self-confidence, with representations of strange customs from foreign countries serving as a foil for the image of China as a radiant universal empire at the center of the world. The tra- dition of “Illustrations of Tributary States” was still very much alive during the time of the Song dynasty [960-1279], when China had to compete with equally powerful neighboring states, the empire’s territory had been significantly diminished, and the Chinese population had become ethnically more homogeneous. In this article, the “Illustrations of the Tributary States of the Myriad Regions” [Wanfang zhigong tu 萬方職貢圖] attributed to Li Gonglin 李公麟 [ca. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Grand Hyatt Seattle
Table of Contents General Information Hotel Maps and Meeting Room Locations . .3 Housing Map and Hotel Listings . .11 Registration Area and Committee or Society Tables . .13 While at JSM . .14 Meetings and Sessions . .15 Before Leaving JSM . .18 Hours of Operation . .19 Keynote Speakers . .21 Committees 2006 Program Committee . .22 Advisory Committee on Continuing Education . .22 Local Area Committee . .23 Association Offi cers ASA . .24 ENAR . .25 WNAR . .26 SSC . .26 IMS . .27 Continuing Education at a Glance . .28 Computer Technology Workshops at a Glance . .29 Career Placement Service Floor Plan . .31 Employers Listing . .31 Exhibits Listing of Exhibitors by Booth Number . .32 Exhibit Floor Plan . .33 Listing of Exhibitors by Name . .34 Who’s Who in the Exhibit Hall . .35 General Program Schedule Thursday, August 3 . .41 Friday, August 4 . .41 Saturday, August 5 . .42 Sunday, August 6 . .43 Monday, August 7 . .81 Tuesday, August 8 . .129 Wednesday, August 9 . .177 Thursday, August 10 . .225 Index of Participants . .249 Index of Continuing Education Instructors . .272 Advertising Index . .272 Seattle 1 General Information WASHINGTON STATE CONVENTION & TRADE CENTER 2 JSM 2006 Washington State Convention & Trade Center Level 1 Kinkos Citywide Concierge Center Tour Bus Pick-up Seattle 3 Washington State Convention & Trade Center Level 2 —Technical Sessions 4 JSM 2006 Washington State Convention & Trade Center Level 3 Bus/Cmte Mtgs CE Offi ce/Bus/Cmte Mtgs ce/Bus/Cmte —Technical Sessions —CE Course Rooms —Technical Sessions and CE Course -
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Advances in Social Science, Education and Humanities Research, volume 310 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019) “Pipa in the Period of Five Dynasties and Ten Kingdoms” in Music Pictures Xiao Wang College of Music Sichuan Normal University Chengdu, China Abstract—This paper tries to analyze the music images of the kingdoms tend to uphold the concept of "keeping the people at five dynasties and Ten Kingdoms through the combination of ease" and "emphasizing agriculture and suppressing military historical facts, from the angle of the music images, and briefly Force", kingdoms were basically at peace, and encouraged and discusses the characteristics of the five dynasties and ten urged farmers to plant mulberry trees and raise silkworms, kingdoms pipa. This paper probes into the scope of application, built and repaired water conservancy, attracted business travel. form, playing method in the image data of five dynasties and ten kingdoms, and the position of pipa in the instrumental music of Later, the leader of the northern regime — Taizu of the five dynasties and ten kingdoms post-Zhou Dynasty led the troops to destroy the Han Dynasty and establish the kingdom, and after the succession of Shizong Keywords—Five Dynasties and Ten Kingdoms; pipa; music Chai Rong, in the course of his subsequent development, he picture ; "Han Xizai’s Night Banquet Picture"; "Chorus Picture"; perfected the law and economic and political system, and Gile stone carving of the Seven Treasure Pagodas in Shanxi constantly expanded the territory of his rule, China, which had Pingshun Dayun Temple; Wang Jian's tomb of former-Shu been divided for a long time, begun to show a trend of reunification. -
Recent Articles from the China Journal of System Engineering Prepared
Recent Articles from the China Journal of System Engineering Prepared by the University of Washington Quantum System Engineering (QSE) Group.1 Bibliography [1] Mu A-Hua, Zhou Shao-Lei, and Yu Xiao-Li. Research on fast self-adaptive genetic algorithm and its simulation. Journal of System Simulation, 16(1):122 – 5, 2004. [2] Guan Ai-Jie, Yu Da-Tai, Wang Yun-Ji, An Yue-Sheng, and Lan Rong-Qin. Simulation of recon-sat reconing process and evaluation of reconing effect. Journal of System Simulation, 16(10):2261 – 3, 2004. [3] Hao Ai-Min, Pang Guo-Feng, and Ji Yu-Chun. Study and implementation for fidelity of air roaming system above the virtual mount qomolangma. Journal of System Simulation, 12(4):356 – 9, 2000. [4] Sui Ai-Na, Wu Wei, and Zhao Qin-Ping. The analysis of the theory and technology on virtual assembly and virtual prototype. Journal of System Simulation, 12(4):386 – 8, 2000. [5] Xu An, Fan Xiu-Min, Hong Xin, Cheng Jian, and Huang Wei-Dong. Research and development on interactive simulation system for astronauts walking in the outer space. Journal of System Simulation, 16(9):1953 – 6, Sept. 2004. [6] Zhang An and Zhang Yao-Zhong. Study on effectiveness top analysis of group air-to-ground aviation weapon system. Journal of System Simulation, 14(9):1225 – 8, Sept. 2002. [7] Zhang An, He Sheng-Qiang, and Lv Ming-Qiang. Modeling simulation of group air-to-ground attack-defense confrontation system. Journal of System Simulation, 16(6):1245 – 8, 2004. [8] Wu An-Bo, Wang Jian-Hua, Geng Ying-San, and Wang Xiao-Feng. -
The Eurasian Transformation of the 10Th to 13Th Centuries: the View from Song China, 906-1279
Haverford College Haverford Scholarship Faculty Publications History 2004 The Eurasian Transformation of the 10th to 13th centuries: The View from Song China, 906-1279 Paul Jakov Smith Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/history_facpubs Repository Citation Smith, Paul Jakov. “The Eurasian Transformation of the 10th to 13th centuries: The View from the Song.” In Johann Arneson and Bjorn Wittrock, eds., “Eurasian transformations, tenth to thirteenth centuries: Crystallizations, divergences, renaissances,” a special edition of the journal Medieval Encounters (December 2004). This Journal Article is brought to you for free and open access by the History at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Medieval 10,1-3_f12_279-308 11/4/04 2:47 PM Page 279 EURASIAN TRANSFORMATIONS OF THE TENTH TO THIRTEENTH CENTURIES: THE VIEW FROM SONG CHINA, 960-1279 PAUL JAKOV SMITH ABSTRACT This essay addresses the nature of the medieval transformation of Eurasia from the perspective of China during the Song dynasty (960-1279). Out of the many facets of the wholesale metamorphosis of Chinese society that characterized this era, I focus on the development of an increasingly bureaucratic and autocratic state, the emergence of a semi-autonomous local elite, and the impact on both trends of the rise of the great steppe empires that encircled and, under the Mongols ultimately extinguished the Song. The rapid evolution of Inner Asian state formation in the tenth through the thirteenth centuries not only swayed the development of the Chinese state, by putting questions of war and peace at the forefront of the court’s attention; it also influenced the evolution of China’s socio-political elite, by shap- ing the context within which elite families forged their sense of coorporate identity and calibrated their commitment to the court. -
A Geographic History of Song-Dynasty Chan Buddhism: the Decline of the Yunmen Lineage
decline of the yunmen lineage Asia Major (2019) 3d ser. Vol. 32.1: 113-60 jason protass A Geographic History of Song-Dynasty Chan Buddhism: The Decline of the Yunmen Lineage abstract: For a century during China’s Northern Song era, the Yunmen Chan lineage, one of several such regional networks, rose to dominance in the east and north and then abruptly disappeared. Whereas others suggested the decline was caused by a doctri- nal problem, this essay argues that the geopolitics of the Song–Jin wars were the pri- mary cause. The argument builds upon a dataset of Chan abbots gleaned from Flame Records. A chronological series of maps shows that Chan lineages were regionally based. Moreover, Song-era writers knew of regional differences among Chan lin- eages and suggested that regionalism was part of Chan identity: this corroborates my assertion. The essay turns to local gazetteers and early-Southern Song texts that re- cord the impacts of the Song–Jin wars on monasteries in regions associated with the Yunmen lineage. Finally, I consider reasons why the few Yunmen monks who sur- vived into the Southern Song did not reconstitute their lineage, and discuss a small group of Yunmen monks who endured in north China under Jin and Yuan control. keywords: Chan, Buddhism, geographic history, mapping, spatial data n 1101, the recently installed emperor Huizong 徽宗 (r. 1100–1126) I authored a preface for a new collection of Chan 禪 religious biogra- phies, Record of the Continuation of the Flame of the Jianzhong Jingguo Era (Jianzhong Jingguo xudeng lu 建中靖國續燈錄, hereafter Continuation of the Flame).1 The emperor praised the old “five [Chan] lineages, each ex- celling in a family style 五宗各擅家風,” a semimythical system promul- gated by the Chan tradition itself to assert a shared identity among the ramifying branches of master-disciple relationships. -
Macbeth's and ZHUGE Liang's Fate Explained Through I Ching
Advances in Social Science, Education and Humanities Research, volume 497 Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020) Macbeth’s and ZHUGE Liang’s Fate Explained Through I Ching Liguo LOU1a 1Department of General Education, Changzhou Institute of Engineering Technology, Changzhou, Jiangsu 213164, China a [email protected] ABSTRACT I Ching, also translated as Yijing or The Changes, is a work on the "law of change" that is universally applicable to the natural world and human society. It originated from China but belongs to all the human kind. It is a treasure to the world civilization and is still valuable to all walks of life. The philosophy of I Ching’s Kun Hexagram is used to analyze the fate of two literary characters: Macbeth and ZHUGE Liang. Macbeth’s collapse of nice fame and good fortune lies in his dashing out of the way of a subordinate in his “top-yin” period; by contrast, ZHUGE Liang’s integrity and prosperity lies in his humility from his “first-yin” period to the “top-yin” period. Keywords: I Ching, Macbeth, ZHUGE Liang, the Kun Hexagram opposite to the Qian Hexagram. Its attribute is “devotion”. 1. INTRODUCTION It signifies receptivity, submission, humility, faithfullness. Contrary to the Qian Hexagram, the Kun Hexagram is Can I Ching (The Law of Chang) be used to predict the fate made up of six yin lines. From the bottom to the top, they and fortune of literary figures? Of course not. Literary are called: the 1st yin (“yin” is also called “six”), the 2nd yin, figures are different from real-life figures in that their fates the 3rd yin, the 4th yin, the 5th yin, and the top yin. -
Sciencedirect Tracking Domestic Ducks
BAI You-lu, China LI Zhao-hu, China WANG Zhi-qiang, China BI Yang, China LI Zhong-pei, China WANG Zong-hua, China BIAN Xin-min, China LIN Er-da, China WEI Qin-ping, China CAI Hui-yi, China LIN Jiao-jiao, China XIA Guang-min, China CAI Xue-peng, China LIN Min, China XIE Bi-jun, China CAI Zu-cong, China LIN Qi-mei, China XIE Cong-hua, China CAO Hong-xin, China LIN Wen-xiong, China XIE Guan-lin, China CAO Wei-xing, China LIU Da-qun, China XU Jian-long, China CHEN Fu, China LIU Qing-chang, China XU Ning-ying, China CHEN Hua-lan, China LIU Tong-xian, China XU Wei-hua, China CHEN Kun-song, China LIU Zhi-yong, China XU Yun-bi, China CHEN Wan-quan, China LOU Yong-gen, China XUE Fei-qun, China CHEN Xue-xin, China LU Cheng-ping, China YANG Han-chun, China CHEN Yan-hui, China LU Tie-gang, China YANG Ning, China CHEN Yong-fu, China LUO Shi-ming, China YE Gong yin, China CHEN Zhi-qiang, China LUO Xu-gang, China YE Xing-guo, China CHENG Shi-hua, China LÜ Jia-ping, China YIN Hong, China DIAO Qi-yu, China MA Rui-kun, China YIN Jun, China DING Yan-feng, China MA Yue-hui, China YU Da-zhao, China Editorial Consultants DONG Han-song, China MA Zhi-ying, China YU De-yue, China CHEN Xiao-ya, China LI Zhen-sheng, China XIANG Zhong-huai, China DONG Jin-gao, China MENG Xian-xue, China YU Jing-quan, China CHEN Zong-mao, China LIU Xiu-fan, China XIE Lian-hui, China DONG Shu-ting, China MU Tai-hua, China ZHANG Ai-min, China CHENG Shun-he, China LIU Xu, China XU Ri-gan, China DU Li-xin, China PAN Gen-xing, China ZHANG Bao-shi, China DAI Jing-rui, China LV Fei-jie, -
China's Strategic Modernization: Implications for the United States
CHINA’S STRATEGIC MODERNIZATION: IMPLICATIONS FOR THE UNITED STATES Mark A. Stokes September 1999 ***** The views expressed in this report are those of the author and do not necessarily reflect the official policy or position of the Department of the Army, the Department of the Air Force, the Department of Defense, or the U.S. Government. This report is cleared for public release; distribution is unlimited. ***** Comments pertaining to this report are invited and should be forwarded to: Director, Strategic Studies Institute, U.S. Army War College, 122 Forbes Ave., Carlisle, PA 17013-5244. Copies of this report may be obtained from the Publications and Production Office by calling commercial (717) 245-4133, FAX (717) 245-3820, or via the Internet at [email protected] ***** Selected 1993, 1994, and all later Strategic Studies Institute (SSI) monographs are available on the SSI Homepage for electronic dissemination. SSI’s Homepage address is: http://carlisle-www.army. mil/usassi/welcome.htm ***** The Strategic Studies Institute publishes a monthly e-mail newsletter to update the national security community on the research of our analysts, recent and forthcoming publications, and upcoming conferences sponsored by the Institute. Each newsletter also provides a strategic commentary by one of our research analysts. If you are interested in receiving this newsletter, please let us know by e-mail at [email protected] or by calling (717) 245-3133. ISBN 1-58487-004-4 ii CONTENTS Foreword .......................................v 1. Introduction ...................................1 2. Foundations of Strategic Modernization ............5 3. China’s Quest for Information Dominance ......... 25 4. -
THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous Emperor 220 the Later History Of
CHAPTER TEN THE LAST YEARS 218–220 Liu Bei in Hanzhong 218–219 Guan Yu and Lü Meng 219 Posthumous emperor 220 The later history of Cao Wei Chronology 218–2201 218 spring: short-lived rebellion at Xu city Liu Bei sends an army into Hanzhong; driven back by Cao Hong summer: Wuhuan rebellion put down by Cao Cao’s son Zhang; Kebineng of the Xianbi surrenders winter: rebellion in Nanyang 219 spring: Nanyang rebellion put down by Cao Ren Liu Bei defeats Xiahou Yuan at Dingjun Mountain summer: Cao Cao withdraws from Hanzhong; Liu Bei presses east down the Han autumn: Liu Bei proclaims himself King of Hanzhong; Guan Yu attacks north in Jing province, besieges Cao Ren in Fan city rebellion of Wei Feng at Ye city winter: Guan Yu defeated at Fan; Lü Meng seizes Jing province for Sun Quan and destroys Guan Yu 220 spring [15 March]: Cao Cao dies at Luoyang; Cao Pi succeeds him as King of Wei winter [11 December]: Cao Pi takes the imperial title; Cao Cao is given posthumous honour as Martial Emperor of Wei [Wei Wudi] * * * * * 1 The major source for Cao Cao’s activities from 218 to 220 is SGZ 1:50–53. They are presented in chronicle order by ZZTJ 68:2154–74 and 69:2175; deC, Establish Peace, 508–560. 424 chapter ten Chronology from 220 222 Lu Xun defeats the revenge attack of Liu Bei against Sun Quan 226 death of Cao Pi, succeeded by his son Cao Rui 238 death of Cao Rui, succeeded by Cao Fang under the regency of Cao Shuang 249 Sima Yi destroys Cao Shuang and seizes power in the state of Wei for his family 254 Sima Shi deposes Cao Fang, replacing him with Cao Mao 255 Sima Shi succeeded by Sima Zhao 260 Cao Mao killed in a coup d’état; replaced by Cao Huan 264 conquest of Shu-Han 266 Sima Yan takes title as Emperor of Jin 280 conquest of Wu by Jin Liu Bei in Hanzhong 218–219 Even while Cao Cao steadily developed his position with honours, titles and insignia, he continued to proclaim his loyalty to Han and to represent himself as a servant—albeit a most successful and distin- guished one—of the established dynasty. -
Empresses, Bhikṣuṇῑs, and Women of Pure Faith
EMPRESSES, BHIKṢUṆῙS, AND WOMEN OF PURE FAITH EMPRESSES, BHIKṢUṆῙS, AND WOMEN OF PURE FAITH: BUDDHISM AND THE POLITICS OF PATRONAGE IN THE NORTHERN WEI By STEPHANIE LYNN BALKWILL, B.A. (High Honours), M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy McMaster University © by Stephanie Lynn Balkwill, July 2015 McMaster University DOCTOR OF PHILOSOPHY (2015) Hamilton, Ontario (Religious Studies) TITLE: Empresses, Bhikṣuṇīs, and Women of Pure Faith: Buddhism and the Politics of Patronage in the Northern Wei AUTHOR: Stephanie Lynn Balkwill, B.A. (High Honours) (University of Regina), M.A. (McMaster University) SUPERVISOR: Dr. James Benn NUMBER OF PAGES: x, 410. ii ABSTRACT This dissertation is a study of the contributions that women made to the early development of Chinese Buddhism during the Northern Wei Dynasty 北魏 (386–534 CE). Working with the premise that Buddhism was patronized as a necessary, secondary arm of government during the Northern Wei, the argument put forth in this dissertation is that women were uniquely situated to play central roles in the development, expansion, and policing of this particular form of state-sponsored Buddhism due to their already high status as a religious elite in Northern Wei society. Furthermore, in acting as representatives and arbiters of this state-sponsored Buddhism, women of the Northern Wei not only significantly contributed to the spread of Buddhism throughout East Asia, but also, in so doing, they themselves gained increased social mobility and enhanced social status through their affiliation with the new, foreign, and wildly popular Buddhist tradition.