Pictorial Atlas to Homer's Iliad and Odyssey
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Durham Research Online
Durham Research Online Deposited in DRO: 17 February 2016 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Petrovic, Ivana (2006) 'Delusions of grandeur : Homer, Zeus and the Telchines in Callimachus Reply (Aitia Fr. 1) and Iambus 6.', Antike und Abendland., 52 . pp. 16-41. Further information on publisher's website: http://www.degruyter.com/view/j/anti.2006.52.issue- 1/9783110186345.16/9783110186345.16.xml?format=INT Publisher's copyright statement: The nal publication is available at www.degruyter.com Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk L IJ lVANA PETROVIC Delusions of Grandeur: Homer, Zeus and the Telchines in Callimachus' Reply (Aitia Fr. 1) and Iambus 6'' The visual representations of Homer were often modelled upon those of Zeus. Fur thermore, not only in the visual arts, but in poetry as well Homer was often in one way or another brought in connection with Zeus. -
Wide Angle a Journal of Literature and Film
2 Wide Angle a journal of literature and film Volume 10 Spring 2021 Published by Department of English Samford University Wide Angle 3 Mission Statement Literature and film continually reimagine an ever-changing world, and through our research we discover our relationships to those art forms and the cultures they manifest. Publishing one issue each academic year, Wide Angle serves as a conduit for the expression and critique of that imagination. A joint publication between English majors and faculty, the journal embodies the interdisciplinary nature of the Department of English at Samford University. It provides a venue for undergraduate research, an opportunity for English majors to gain experience in the business of editing and publishing, and a forum for all Samford students, faculty, and staff to publish their best work. As a wide-angle lens captures a broad field of vision, this journal expands its focus to include critical and creative works, namely academic essays, book and film reviews, and commentaries, as well as original poetry, short fiction and non-fiction, and screenplays. Editorial Staff 2020-‘21 Managing Editor……………………Andre’A Roper Assistant Managing Editor………….Parker Gilley Literature Editor………………….....Margaret Kirby Film Editor……………………….....Will Carlisle Creative Writing Editor……………..Brice Boyer General Editor………………………Dr. Geoffrey A. Wright Special Call This year, along with the general call for submissions, the editorial staff issued a special call for submissions on race and ethnicity in literature and film. The Editors’ Desks commentaries address issues of race ranging from Sherlock Holmes to Kanye West. Cover Art “Ten Years of Excellence” By Will Carlisle Copyright © 2021 Wide Angle, Samford University. -
Center 7 Research Reports and Record of Activities June 1986-May 1987
National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 7 Research Reports and Record of Activities June 1986-May 1987 Washington, 1987 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1987 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: William Hogarth, The Battle of the Pictures, 1744/1745. National Gallery of Art, Washington, Rosenwald Collection. CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 12 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1986-1987 (June 1986-May .1987) Board of Advisors 16 Staff 16 Architectural Drawings Advisory Group 16 Members 17 Meetings 21 Lecture Abstracts 30 Members' Research Reports Reports 36 i X- ql V ,~ !ill" ¸ L | i ~ ~L I / / HE CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars. This community consists of the Samuel H. Kress Professor, the Andrew W. Mellon Lecturer in the Fine Arts, Senior Fellows, Visiting Senior Fellows, National Gallery of Art Curatorial Fellow, Associates, and Predoctoral Fellows. -
6 X 10.Long New.P65
Cambridge University Press 978-0-521-19449-5 - Homer between History and Fiction in Imperial Greek Literature Lawrence Kim Excerpt More information chapter 1 Introduction Imperial Homer, history, and fiction Near the beginning of his treatise Against Celsus, the third-century Christian scholar Origen conveys the difficulty of his project, a defense of the Gospels’ account of Jesus, by an analogy to Greek example: Before we begin the defence [of Jesus], we must say that an attempt to con- firm almost any story as having happened, even if it is true (psan ¬stor©an, kn lhqv § ...Þv gegenhmnhn), and to produce complete certainty about it, is one of the most difficult tasks and in some cases is impossible. Suppose, for example, that someone says the Trojan War never happened (m gegonnai), in particular because it is bound up with the impossible story (di t¼ dÅ- naton prospeplcqai l»gon) about a certain Achilles having had Thetis, a sea-goddess,ashismother...Howcouldwedefend[thehistoricityoftheTro- jan War] (kataskeusaimen), especially as we are embarrassed by the invention (Ëp¼ toÓ ...plsmatov) which for some unknown reason is woven alongside the opinion, which everybody believes, that there really was (perª toÓ lhqäv gegonnai) a war in Troy between the Greeks and the Trojans?1 It is probably no accident that Origen selects the Trojan War to illustrate the difficulty of substantiating “true” stories as fact. The war is poised at the chronological end of the ‘mythological’ era and the beginning of Greek history, and while the legends surrounding it are more human-centered and less fantastic than those concerning previous heroic generations, they still feature the divine apparatus and enough “invention” or “fiction” (plsma) to render problematic any simple correspondence to historical reality.2 The anxiety engendered by these problems is well expressed by Origen; like nearly all ancient authors he was caught in an uneasy negotiation between his firm belief in the reality of the Trojan War and a suspicion that the stories told about it were not completely accurate. -
Pausanias: Travel and Memory in Roman Greece
Pausanias: Travel and Memory in Roman Greece SUSAN E. ALOCOCK JOHN F. CHERRY JAS ELSNER, Editors OXFORD UNIVERSITY PRESS Pausanias pausanias Travel and Memory in Roman Greece Edited by Susan E. Alcock, John F. Cherry, & Jas´Elsner 3 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Saˆo Paulo Shanghai Singapore Taipei Tokyo Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Pausanias : travel and memory in Roman Greece / edited by S.E. Alcock, J.F. Cherry & J. Elsner. p. cm. Includes bibliographical references and index. ISBN 0-19-512816-8 (cloth) 1. Pausanias. Description of Greece. 2. Greece—Description and travel—Early works to 1800. 3. Greece—Antiquities. 4. Greece—Historiography. I. Alcock, Susan E. II. Cherry, John F. III. Elsner, Jas´. DF27.P383 P38 2000 938'.09—dc21 00-022461 Frontispiece: Location of principal places mentioned in the book. 987654321 Printed in the United States of America on acid-free paper For Silvia, Britten, and Bax This page intentionally left blank Preface This volume is dedicated to the principle that Pausanias deserves more—and more ambitious—treatment than he tends to receive. -
Follow a Manual Added Link
Chris an Tschinkel Akusmonau sche Betrachtungen zu The Triumph of Sound Chris an Tschinkel Akusmonau sche Betrachtungen zu The Triumph of Sound ... ... beinhaltet folgende Kapitel EINS (1), worin ich mich aufmache, eine spezielle Thema k hinsichtlich eines eigenen Musikprojekts überblicksmäßig vorzustellen .................................... 1 ZWEI (2), in dem ich kurz über das transreale Konzept referiere, das selten sonst zur Sprache kommt ..................................................................... 2 DREI (3) erzählt von UFOs, Klangbildern und einem Hologramm für die Hörenden ............... 4 VIER (4), in welchem mir allerlei Explosives in den Sinn kommt, das ich sogleich zu rech er gen suche ................................................................. 6 FÜNF (5), das sich mit allerlei Bezügen in sämtliche Richtungen beschä igt und vier ähnlich gerichtete Werke als Beispiel bringt ............................................. 9 SECHS (6), in welchem in detaillierter Art und Weise acht Einzelbilder besprochen werden, die den Kern des Projekts bilden ........................................................................ 11 SIEBEN (7), das einen rechtskundlichen Abriss in ein nicht autorisiertes Werk bietet .............. 27 ACHT (8), in dem eine kurze Entstehungsgeschichte vorgetragen wird ................................. 29 NEUN (9), worin ich einen resümierenden Rück- und Ausblick gebe, der zusätzlich ein paar weitschweifende Gedanken bereit hält ............................. 31 ZEHN (10), in dem man sich bedankt, -
Françoise Létoublon We Shall Here Study the Possible Coherence Or
Brolly. Journal of Social Sciences 1 (2) 2018 LIVING IN IRON, DRESSED IN BRONZE: METAL FORMULAS AND THE CHRONOLOGY OF AGES1 Françoise Létoublon UFR LLASIC University Grenoble-Alpes, France [email protected] Abstract. Names of important metals such as gold, silver, iron, and bronze occur many times in the Homeric Epics. We intend to look at them within the framework of oral poetry, with the purpose to determine if they form a more or less coherent set of “formulas”, in the sense defined by Milman Parry and the Oral Poetry Theory2, and to test a possible link with the stages of the evolution of humankind. Though several specialists criticized some excess in Parry’s and Lord’s definitions of the formula, we deem the theory still valuable in its great lines and feel no need to discuss it for the present study3. The frequent use of bronze in epical formulas for arms, while the actual heroes fight their battles with iron equipment, and the emphasis of gold in the descriptions of wealth may reflect a deep-seated linguistic memory within the archaic mindset of the Ages of Mankind. With Homer’s language as our best witness, metal formulas testify to the importance of the tradition of the Ages of Mankind in understanding the thought patterns and value-systems, as well as some linguistic usages of the Homeric Epics. Keywords: oral poetry, the Myth of Ages, metals, gold, bronze, iron, metaphors, anthropology We shall here study the possible coherence or opposition between linguistic and literary artefacts in Homer and Hesiod on one hand, and archaeological or historical data on the other. -
Appeal and Value in the Homeric Epics from the Archaic Through the Classical Period
HEROES AT THE GATES: APPEAL AND VALUE IN THE HOMERIC EPICS FROM THE ARCHAIC THROUGH THE CLASSICAL PERIOD A thesis submitted in fulfillment of the requirements for the degree of MASTERS IN CLASSICAL CIVILISATIONS of RHODES UNIVERSITY by PETA ANN FOX April 2011 ABSTRACT This thesis raises and explores questions concerning the popularity of the Homeric poems in ancient Greece. It asks why the Iliad and Odyssey held such continuing appeal among the Greeks of the Archaic and Classical age. Cultural products such as poetry cannot be separated from the sociopolitical conditions in which and for which they were originally composed and received. Working on the basis that the extent of Homer’s appeal was inspired and sustained by the peculiar and determining historical circumstances, I set out to explore the relation of the social, political and ethical conditions and values of Archaic and Classical Greece to those portrayed in the Homeric poems. The Greeks, at the time during which Homer was composing his poems, had begun to establish a new form of social organisation: the polis. By examining historical, literary and philosophical texts from the Archaic and Classical age, I explore the manner in which Greek society attempted to reorganise and reconstitute itself in a different way, developing original modes of social and political activity which the new needs and goals of their new social reality demanded. I then turn to examine Homer’s treatment of and response to this social context, and explore the various ways in which Homer was able to reinterpret and reinvent the inherited stories of adventure and warfare in order to compose poetry that not only looks back to the highly centralised and bureaucratic society of the Mycenaean world, but also looks forward, insistently so, to the urban reality of the present. -
The Self in the Song: Identity and Authority in Contemporary
The Self in the Song: Identity and Authority in Contemporary American Poetry by David William Lucas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Linda K. Gregerson, Chair Professor Yopie Prins Associate Professor Gillian Cahill White Professor John A. Whittier-Ferguson for my teachers ii Acknowledgments My debts are legion. I owe so much to so many that I can articulate only a partial index of my gratitude here: To Jonathan Farmer and At Length, in which an adapted and excerpted version of “The Nothing That I Am: Mark Strand” first appeared, as “On Mark Strand, The Monument.” To Steven Capuozzo, Amy Dawson, and the Literature Department staff of the Cleveland Public Library for their assistance with my research. To the Department of English Language and Literature and the Rackham Graduate School at the University of Michigan for the financial and logistical support that allowed me to begin and finish this project. To the Stanley G. and Dorothy K. Harris Fund for a summer grant that allowed me to continue my work without interruption. To the Poetry & Poetics Workshop at the University of Michigan, and in particular to Julia Hansen, for their assistance in a workshop of the introduction to this study. To my teachers at the University of Michigan, and especially to Larry Goldstein and Marjorie Levinson, whose interest in this project, support of it, and suggestions for it have proven invaluable. To June Howard, A. Van Jordan, Benjamin Paloff, and Doug Trevor. -
Klaus-Peter Koch Kirchenmusik in Magdeburg. Die Jahrzehnte Vor Dem Ersten Weltkrieg
Klaus-Peter Koch Kirchenmusik in Magdeburg. Die Jahrzehnte vor dem Ersten Weltkrieg Vor Ausbruch des Ersten Weltkriegs hatte sich Magdeburg (im Jahre 805 erstmals erw¨ahnt) zu einem der wichtigsten Industrie- zentren Mitteldeutschlands, besonders hinsichtlich des Maschi- nenbaus, entwickelt. Unter anderem spiegelte sich das in den Be- v¨olkerungszahlen wider. Z¨ahlte man 1871 noch 84 000 Einwoh- ner, so stieg die Einwohnerzahl zwanzig Jahre sp¨ater, 1890, auf 202 000 und weitere zwanzig Jahre sp¨ater, 1910, auf 280 000 Ein- wohner. Dies war nicht nur der Eingemeindung westlicher und n¨ordlicher, besonders aber sudlic¨ her Vororte geschuldet, sondern vor allem Ergebnis des wirtschaftlichen Aufschwungs, wodurch viele Menschen vom l¨andlichen Umland in die Stadt zogen. Die Zeit Magdeburgs als preußische Festungsstadt ging um 1905 zu Ende, die Festungsanlagen wurden geschliffen, womit zugleich Platz fur¨ neue Geb¨aude in der Innenstadt und die Erweiterung der Stadtgrenzen gegeben wurde. Nunmehr begann eine Zeit der Entwicklung Magdeburgs zur Großstadt. Magdeburg galt im Mittelalter als eine Stadt der Kirchen. Al- lein in der Altstadt gab es 19 Kirchen und 50 Kapellen, von der Elbe aus gesehen eine beeindruckende Skyline. Aufgrund mehr- facher Br¨ande, Verwustungen¨ und Zerst¨orungen (besonders seien die Eroberung durch Tilly und der Stadtbrand am 10. (20.) Mai 1631 im Dreißigj¨ahrigen Krieg und die Bombardierung am 16. Ja- nuar 1945 durch angloamerikanische Flugzeuge genannt) existie- ren heute davon noch 6 Kirchen und 1 Kapelle. Es sind dies der Dom (aufgrund der Domfreiheit im Eigentlichen nicht zur Alt- stadt geh¨orend), der in seiner heutigen Gestalt zwischen 1209 und 1520 entstand und seit 1567 evangelisch ist, des Weiteren St. -
The Iliad of Homer by Homer
The Project Gutenberg EBook of The Iliad of Homer by Homer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Iliad of Homer Author: Homer Release Date: September 2006 [Ebook 6130] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ILIAD OF HOMER*** The Iliad of Homer Translated by Alexander Pope, with notes by the Rev. Theodore Alois Buckley, M.A., F.S.A. and Flaxman's Designs. 1899 Contents INTRODUCTION. ix POPE'S PREFACE TO THE ILIAD OF HOMER . xlv BOOK I. .3 BOOK II. 41 BOOK III. 85 BOOK IV. 111 BOOK V. 137 BOOK VI. 181 BOOK VII. 209 BOOK VIII. 233 BOOK IX. 261 BOOK X. 295 BOOK XI. 319 BOOK XII. 355 BOOK XIII. 377 BOOK XIV. 415 BOOK XV. 441 BOOK XVI. 473 BOOK XVII. 513 BOOK XVIII. 545 BOOK XIX. 575 BOOK XX. 593 BOOK XXI. 615 BOOK XXII. 641 BOOK XXIII. 667 BOOK XXIV. 707 CONCLUDING NOTE. 747 Illustrations HOMER INVOKING THE MUSE. .6 MARS. 13 MINERVA REPRESSING THE FURY OF ACHILLES. 16 THE DEPARTURE OF BRISEIS FROM THE TENT OF ACHILLES. 23 THETIS CALLING BRIAREUS TO THE ASSISTANCE OF JUPITER. 27 THETIS ENTREATING JUPITER TO HONOUR ACHILLES. 32 VULCAN. 35 JUPITER. 38 THE APOTHEOSIS OF HOMER. 39 JUPITER SENDING THE EVIL DREAM TO AGAMEMNON. 43 NEPTUNE. 66 VENUS, DISGUISED, INVITING HELEN TO THE CHAMBER OF PARIS. -
Nachlass Albin Skoda Autographen
Nachlass Albin Skoda Autographen ABEKEN, Hedwig an Fräulein Schulhoff Berlin, 3. 11. 1901; Hs. [AM 38 802 Sk] ABEKEN, Hedwig an Fräulein Schulhoff o. D.; Hs [AM 38 801 Sk] ABEL, Katharina an Frau Werner Vorderbrühl, 14. 7. o. J.; Visitenkarte, Dr. mit hs. Ergänzung [AM 51 995 Sk] ACHTERBERG, Fritz an Unbekannt Berlin, o. D.; Hs. [AM 38 803 Sk] ADLER, Dr. Friedrich an Unbekannt Prag, 20. 5. 1910; Hs. [AM 38 804 Sk] ADOLPH, Karl an Comitee 21. 1. 1930; Hs. [AM 38 805 Sk] AKNAY, Vilma an Unbekannt Wien, 29. 3. 1923; Fragment, Dr. mit eh. Unterschrift [AM 57 366 Sk] ALBACH-RETTY, Rosa an Unbekannt 1912; Einreichung für Freikarten im Burgtheater, Dr. und Hs. mit eh. Unterschrift [AM 39 179 Sk] ALBACH-RETTY, Rosa an Unbekannt 1912; Einreichung für Freikarten im Burgtheater, Dr. und Hs. mit eh. Unterschrift [AM 39 180 Sk] ALBACH-RETTY, Rosa an Anna Witrofski-Kallina 2. 11. 1931; Hs. Beilage: Briefkuvert; Hs. [AM 38 806 Sk] ALEXANDROWA, Elisabeth 4. 6. o. J.; Bestätigung eines Abkommens mit den Reinhardt-Gastspielen an den Münchener Staatstheatern, Abschrift, Ms. [AM 57 641 Sk] ALXINGER, Johann Baptist an Hofrat Greiner o. D.; Hs. Beilage: K. Bulling an Unbekannt; Leipzig, 17. 7. 1912; Ms. (Durchschlag) [AM 38 807 Sk] ANDERGAST, Liesl an Albin Skoda o. D.; Hs. Beilage: Briefkuvert; Hs. [AM 38 808 Sk] ANDERGAST, Liesl u. a. o. D.; Namensliste zur Vorstellung „Pariserinnen“, Ms. mit eh. Unterschriften u. a. von Liesl Andergast, Pepi Kramer-Glöckner, Gisa Wurm, Elfriede Datzig, Anton Rudolph, Oskar Karlweis, Robert Horky, Martin Berliner, Leopoldine Richter [AM 57 367 Sk] ANDERS, Günther an Albin Skoda 22.