PATTER the Marvelettes
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Stand by Me 1961 Ben E
Only You (And You Alone) 1955 The Platters x initialement géré par Ralph Bass (1911-1997) – spécialiste de la musique noire américaine – qui le fait enregistrer pour le label Federal Records, le groupe, devant le manque de réussite, décide alors d’engager Buck Ram (1907-1991) pour le remplacer et pour lui écrire de nouvelles chansons. L’une d’entre elles, Only You, est enregistrée en 1954 mais Federal contexte contexte la juge mauvaise et elle n’est pas publiée. L’année suivante, ce titre est ré-enregistré pour Mercury et devient alors un immense succès. x The Platters était un groupe vocal noir américain constitué en 1953. Tout d’abord employé comme groupe d’accompa- gnement pour des artistes solistes, il a gagné peu à peu de l’importance et de l’autonomie. Il était formé au moment de l’enregistrement par Tony Williams (1928-1992) : ténor principal, Paul Robi (1931-1989) : baryton, David Lynch (1929-1981) : ténor, Herb Reed (1928-2012) : basse et Zola le(s) musicien(s) Taylor (1934-2007) : contralto. C’est Buck Ram qui est au piano. x le 1er grand succès du groupe mais pas le plus important. clés clés x un titre qui se situe aux confins de plusieurs styles comme le rhythm and blues et le rock’n’roll et bien évidemment le doo-wop. x une chanson qui met en valeur le ténor vedette alors que les les points- autres chanteurs ne réalisent que l’accompagnement. x on en connaît certaines interprétées par Carl Perkins (1957), Little Richard (1964), James Brown (1965), Ringo Starr (1974), Harry Connick Jr. -
Detroit Blues Women Michael Duggan Murphy Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2011 Detroit blues women Michael Duggan Murphy Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the African American Studies Commons, Music Commons, and the United States History Commons Recommended Citation Murphy, Michael Duggan, "Detroit blues women" (2011). Wayne State University Dissertations. Paper 286. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. DETROIT BLUES WOMEN by MICHAEL DUGGAN MURPHY DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: HISTORY Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ DEDICATION “Detroit Blues Women” is dedicated to all the women in Detroit who have kept the blues alive, to the many friends, teachers and musicians who have inspired me throughout my life, and especially to the wonderful and amazing family that has kept me alive. Many thanks to Lee, Frank, Tom, Terry, Kim, Allison, Brendan, John, Dianne, Frankie, Tommy, Kathy, Joe, Molly, Tom, Ann, Michael, Dennis, Nancy, Mary, Gerry, Charles, Noranne, Eugene, Maegan, Rebecca, Tim, Debby, Michael Dermot and Angela. ii ACKNOWLEDGMENTS I would first like to thank my advisor and committee chair John J. Bukowczyk for his friendship, his editing skills, and his invaluable guidance through all stages of this dissertation. Throughout my graduate career, Dr. Bukowczyk has been generous mentor with a great deal of insight into the workings of the University and the world at large. -
Maxine Powell
Understanding Music Course Pack MUS.131.PCI1 COTTON FACILITY FALL 2020 Instructor: Brian Ketner # of copies: 0 Table of Contents Syllabus pg 1 Course Block and Due Dates Schedule pg 2 Video Lesson Schedule pg 3 J-Pay Interactive Question Guidelines pg 4 Assignment Packet Instructions pg 5 Chapter Summary Guidelines pg 6 Writing Assignment Guidelines pg 7 Reading Guidelines pg 8 Writing Assignment Prompts pg 9 Appendix: Motown Pages pg 19 Instructions and Guidelines 1 Syllabus: Understanding Music MUS.131.PCI1 Fall 2020 Number of Credits: 3 Days Class Meets: N/A Location: Internet Based Learning Instructor: Professor Ketner Course Description Lecture and directed listening on the elements, forms, and historic chronology of Western music. Course Goals To equip students with tools to listen to and appreciate multiple genres of music, to increase comprehension of musical form, style, and other musical concepts, and to recognize the historical development of Western music. Textbook • The Enjoyment of Music, 12E, by Forney, Dell’Antonio, and Machlis Expectations • Students are expected to check J-Pay regularly and interact with the question prompts. (This is also how I keep track of attendance. If you are not checking J-Pay, then you are not participating, and risk being dropped from the class.) • Students are expected to watch every class video and process it alongside reading. • Students are expected to be familiar with all reading assignments. • While listening to examples in the videos, students are expected to listen attentively. Use this time to practice observing and noticing specific details in the music. • Students are expected to turn in all assignments by the listed due dates. -
Finding Aid to the Historymakers ® Video Oral History with Katherine Schaffner
Finding Aid to The HistoryMakers ® Video Oral History with Katherine Schaffner Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Schaffner, Katherine, 1944- Title: The HistoryMakers® Video Oral History Interview with Katherine Schaffner, Dates: March 5, 2007 Bulk Dates: 2007 Physical 5 Betacame SP videocasettes (2:18:10). Description: Abstract: Singer Katherine Schaffner (1944 - ) was an original member of the musical group, The Marvelettes. Schaffner was interviewed by The HistoryMakers® on March 5, 2007, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2007_074 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Original member of the Marvelettes, Katherine Anderson Schaffner was born Katherine Elaine Anderson on January 16, 1944, in Ann Arbor, Michigan to Robert Timothy Calvin “T.C.”Anderson and Florence Smith Anderson. Raised in the Detroit suburb of Inkster’s Carver Homes, Schaffner attended Carver Elementary School, Ford Junior High School, Fellrath Junior High School and Inkster High School. At age seventeen, she was drafted as a back up singer for friends Gladys Horton and Georgia Dobbins for the Inkster High School talent show in 1961. Their group included Georgeanna Tillman and Wyanetta (often spelled “Juanita”) Cowart. The five teenagers called themselves the Casinyets for “Can’t Sing Yets.” They won fourth place, but with the help of their teacher, Shirley Sharpley, who knew Berry Gordy’s driver, Jon O’Den, they were able to land an audition with Motown Records. Motown’s featured stars in 1961 were Smokey Robinson and the Miracles and Mary Wells. -
Life's a Beach
NENEH CHERRY IS ALL WINDY CITY ABOUT THE VOICE OF CHICAGO’S GAY, LESBIAN, CHICAGO BI AND TRANS COMMUNITY SINCE 1985 AND BEING A ‘MORMOR’ JULY 30, 2014 VOL 29, NO. 44 PAGE 17 TIMESwww.WindyCityMediaGroup.com First couple to adopt looks back BY MATT SIMONETTE Beth Strum (left) and Becky Lowery. Relatively few people in Illinois may know it, Photo by but many of the state’s families headed by Matt Simonette LGBT parents owe a debt of thanks to Elizabeth Strum and Becky Lowery. Strum and Lowery have been together for 30 GAY MAN TO RUN years. They were the first same-sex couple in FOR CHICAGO the state to be granted the right to adopt a child together. MAYOR They won their case in 1994, after several PAGE 8 years of litigation. Strum and Lowery, who are married, kept their names out of the public sphere in order to guard the privacy of their daughter, Megan, now a graduate student in her early twenties. The couple has lived in Evanston for several years, but were Chicago residents at the time of the hearings. Strum, who gave birth to Megan Turn to page 4 LIFE’S A BEACH STRIKE UP THE BAND page 6 MIKEY APUADA TO COMPETE IN GAY GAMES TRIATHLON PAGE 22 page 16 WCT REVIewS ‘GUARDIANS OF As she bids farewell to her post as director of the THE GALAXY’ Lakeside Pride Freedom Band, Christy Zurcher looks PAGE 14 These are just a few of the hundreds of people who attended the affirming lakefront TransPride Beach back on her own development and accomplishments. -
The Shangri-Las and Their Recorded Legacy
“DRESSED IN BLACK”: THE SHANGRI-LAS AND THEIR RECORDED LEGACY Lisa Annette MacKinney (B.A. Hons., M.A.) This thesis is presented for the degree of Doctor of Philosophy The University of Western Australia School of Humanities Discipline of History 2012 ABSTRACT This thesis is the first ever full-length study of the Shangri-Las, a female teenage pop group from Cambria Heights in Queens, New York. Sisters Mary and Betty Weiss, and twins Mary Ann and Marguerite Ganser formed the group while attending school together in the early 1960s, and are most famous for their single “Leader of the Pack.” Despite enjoying an enduring following among rock fans and musicians, the Shangri-Las have been trivialised in a variety of important and lastingly influential ways by mainstream rock criticism, which is the context in which the bulk of commentary on the group has been published. This study examines the reasons for and manners in which this has received expression, which are complex, interconnected, and not always immediately obvious. As very young women, the Shangri-Las had relatively little agency within a male- dominated recording industry that perceived teenagers as fodder for manipulation and exploitation. Typically, this has been used as an excuse to devalue the musical input of the group members, and marginalise their recordings within a canon of perceived ‘authentic’ rock music. This thesis argues for a substantial rethinking and acknowledgment of the Shangri- Las’ considerable abilities, talent and musicality, and the centrality of their performances to the Shangri-Las’ largely unacknowledged artistic achievement. This thesis is divided into three sections. -
Finding Aid to the Historymakers ® Video Oral History with Bobby Rogers
Finding Aid to The HistoryMakers ® Video Oral History with Bobby Rogers Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Rogers, Bobby, 1940-2013 Title: The HistoryMakers® Video Oral History Interview with Bobby Rogers, Dates: June 7, 2010 Bulk Dates: 2010 Physical 4 uncompressed MOV digital video files (1:47:30). Description: Abstract: Songwriter and singer Bobby Rogers (1940 - 2013 ) was a second tenor with the legendary Motown group, The Miracles. Rogers was interviewed by The HistoryMakers® on June 7, 2010, in Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2010_047 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Bobby Rogers, a second tenor with The Miracles, was born on February 19, 1940 in Detroit, Michigan. Coincidentally, he was born on the same day and in the same hospital as Miracles lead singer Smokey Robinson. At the age of fifteen, Rogers joined Robinson’s group, The Matadors, with his cousin, Claudette Rogers. In 1959, he, along with Robinson, Rogers, Ronald White and Pete Moore, joined Berry Gordy’s new Motown label, with the new name, The Miracles. Aside from being a key background vocalist, Rogers helped write several songs for both The Miracles and other Motown acts. These include “The Way You Do The Thing You Do,” by The Temptations, and The Miracles own hit, “Going to A The Thing You Do,” by The Temptations, and The Miracles own hit, “Going to A Go-Go.” After Smokey Robinson’s departure in 1972, Rogers stayed with the group, helping to recruit new lead singer Billy Griffin.