Finding Aid to the Historymakers ® Video Oral History with Bobby Rogers
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“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
My Girl [Intro] [Verse 1] I've Got Sunshine on a Cloudy Day When It's
My Girl (The Temptations) [Intro] [Bridge] Hey, hey, hey [Verse 1] Hey, hey, hey I've got sunshine on a cloudy day Ooh, yeah When it's cold outside, I've got the month of May [Verse 3] I guess you'd say I don't need no money, fortune, or What can make me feel this way? fame I've got all the riches, baby, one [Chorus] man can claim My girl, my girl, my girl Well, I guess you'd say Talkin' 'bout my girl, my girl What can make me feel this way? [Verse 2] [Chorus] I've got so much honey, the bees My girl, my girl, my girl envy me Talkin' 'bout my girl, my girl I've got a sweeter song than the birds in the trees [Outro] Well, I guess you'd say I've got sunshine on a cloudy day What can make me feel this way? With my girl I've even got the month of May [Chorus] With my girl My girl, my girl, my girl Talkin' 'bout, talkin' 'bout, talkin' Talkin' 'bout my girl, my girl 'bout my girl 155 "My Girl" is a soul music song recorded by the Temptations for the Gordy (Motown) record label. Written and produced by the Miracles members Smokey Robinson and Ronald White, the song became the Temptations' first U.S. number-one single, and is today their signature song. Robinson's inspiration for writing this song was his wife, Miracles member Claudette Rogers Robinson. The song was included on the Temptations 1965 album The Temptations Sing Smokey. -
Southern Black Gospel Music: Qualitative Look at Quartet Sound
LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music. -
See You at Music Fest 2013! Education Innovator Salman Khan to Kick Off Distinguished Lecture Series Sept. 17
UTutnews.utoledo.edu NEWSSEPT. 9, 2013 VOLUME 14, ISSUE 4 Education innovator Salman See you at Music Fest 2013! Khan to kick off distinguished Special section features interviews lecture series Sept. 17 with Reel Big Fish, Josh Gracin, The White Panda and The Contours featuring Sylvester Potts! By Jon Strunk Psyche up for the UT-Eastern Washington game at the pep rally! globally renown education Ainnovator will launch The University of Toledo’s Jesup Scott Honors College Distinguished Lecture Series Tuesday, Sept. 17, at 7 p.m. in UT’s newly renovated Doermann Theater on the third floor of University Hall. Salman Khan is the founder of the Khan Academy, a not-for-profit organization with a mission to bring a top-tier education to anyone with Khan an Internet connection. Khan Academy has College, to flip classrooms — having a library of more than 3,000 web videos students listen to lectures prior to class and Read about everything slated ranging from algebra and chemistry to art then completing interactive activities during just for Rocket fans at the history and economics. class time with a professor’s assistance. free, public extravaganza, “People like Salman Khan are the A hedge fund analyst, Khan walked which will take place inspirations for the innovative approaches away from Wall Street and began what Friday, Sept. 13, from we are taking at The University of Toledo became Khan Academy as a simple effort 3 p.m. to midnight in the as we make sure the education our students to provide tutoring for his niece. As grassy field south of the receive keeps pace with rapid societal word spread and the videos became more changes UT graduates will face once and more popular, Khan found himself Memorial Field House. -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
DONOVAN, Timothy Paul. HENRY ADAMS and BROOKS ADAMS: the SEARCH for a LAW
This dissertation has beenmicrofilmed exactly asreceived Mic 60-5186 DONOVAN, Timothy Paul. HENRY ADAMS AND BROOKS ADAMS: THE SEARCH FOR A LAW. The University of Oklahoma, Ph.D., 1960 History, general University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE HENRY ADAMS AND BROOKS ADAMS: THE SEARCH FOR A LAIV A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY TIMOTHY PAUL DONOVAN Norman, Oklahoma i960 HENRY ADAMS AND BROOKS ADAMS; THE SEARCH FOR A LAW APPROVED BY c : A , bvL'iZ ^2if7S^ DISSERTATION COMMITTEE TABLE OF CONTENTS Chapter Page I. AMERICA AND AMERICAN HISTORY.... ..................... 1 II. HENRY ADAMS: THE SEARCH .............................. 25 III. BROOKS ADAMS: THE SEARCH ............................ 63 INTERLUDE .................... 99 IV. HENRY ADAMS: THE LAW ................................. IO8 V. BROOKS ADAMS: THE L A W ................................ I38 INTERLUDE .......................................... 16? VI. THE ADAMSES AND THE AMERICAN DREAM ................. 175 VII. THE ADAMSES AND AMERICAN HISTORIOGRAPHY ............. 211 BIBLIOGRAPHY ............................................... 222 iix ACKNOWLEDGEMENTS The author would like to express his deep gratitude to Dr. John S. Ezell who first showed him the fascination of intel lectual history and who was of immeasurable aid in the direction of the dissertation. I would also like to thank Dr. Donnell M. Owings who read the first draft and made many valuable suggestions. Thanks are due to the other members of the committee, Dr. Herbert J. Ellison, Dr. Cortez A. M. Ewing, and Dr. William E. Livezey for their advice and counsel. A special debt is owed to Dr. Bert James Loewenberg of Sarah Lawrence College who by correspondence and interview directed the author's attention to the significance of Henry and Brooks Adams. -
Biography Armed with Some of the Greatest Songs Ever Written, The
Biography Armed with some of the greatest songs ever written, The Miracles are still after 40 years, attracting enthusiastic audiences around the world. Motown’s first of many famous groups such as The Temptations, The Four Tops, The Supremes, The Commodores, and The Jackson Five, and of course The Miracles the very first group to sign to Motown records, continue to keep the Motown sound alive by performing songs, such as: “Shop Around”, “I Second That Emotion”, “Tears Of A Clown”, “Love Machine”, “You’ve Really Got A Hold On Me”, “The Tracks Of My Tears”, “Ooh Baby Baby” and many more. Their performances at the Nassau Coliseum, the Inaugural Gala in Washington, D.C. and the 4th of July celebration at Duke University with over 60,000 fans in attendance, was simply unbelievable. In 1956, Bobby Rogers, Smokey Robinson, Claudette Robinson, Ronnie White and Pete Moore, childhood friends became The Miracles, and embarked on a career that would surpass their wildest dreams. Berry Gordy Motown’s founder recorded and released “Shop Around” a number one smash on all the charts, establishing The Miracles and giving Motown their first gold seller, this was the beginning of the record company and the group success for many years to come. The Miracles and Motown Records became known throughout the entire world. Over the course of the years, The Miracles continued to record chart-topping hits, including “Ooo Baby Baby”, “Going To A Go-Go”, “More Love”, “Mickey’s Monkey” and “Tears Of A Clown”. The Miracles established themselves as one of the best groups of all times. -
Motown the Musical
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Biographical Description for the Historymakers® Video Oral History with Mickey Stevenson
Biographical Description for The HistoryMakers® Video Oral History with Mickey Stevenson PERSON Stevenson, Mickey, 1937- Alternative Names: Mickey Stevenson; Life Dates: January 4, 1937- Place of Birth: Detroit, Michigan, USA Residence: West Hollywood, CA Work: CA Occupations: Music Executive Biographical Note Music executive Mickey Stevenson was born on January 4, 1937, in Detroit, Michigan, and raised by his mother, blues singer Kitty “Brown Gal” Stevenson, and stepfather Ted Moore. From the age of eight, Stevenson performed in a singing trio with his younger brothers. In 1950, the group won first place at Amateur Night at the Apollo Theater in New York City. However, Stevenson’s musical career halted in 1953 when his mother, the group’s coach and producer, when his mother, the group’s coach and producer, passed away from cancer. Stevenson attended Detroit’s Northeastern High School. Stevenson joined the U.S. Air Force in 1956, where he was part of a special unit that organized entertainment for the troops. While on furlough in 1958, Stevenson saw a performance by the Four Aims—later known as the Four Tops—which inspired him to leave the military and pursue a career in music. Stevenson joined the Hamptones, touring with famed bandleader Lionel Hampton. Upon his return to Detroit, Stevenson met Berry Gordy, who told him of his plans to start a record label. Stevenson briefly worked as a producer and songwriter for Carmen Carver Murphy’s gospel label, HOB Records, until 1959, when Gordy hired him to head the artists and repertoire department at Motown Records. As Motown’s A&R executive, Stevenson was responsible for talent scouting, auditions, and managing the artistic development of recording artists and songwriters. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Order of Service
First Unitarian-Universalist Church October 8, 2017 Today’s Music “Detroit Today” Stephen Henderson Prelude: The Washington Post March John Philip Sousa Liberate Truth ~ First Unitarian-Universalist Church is an urban center for spiritual Radiate Kindness ~ This march was commissioned by The Washington Post newspaper Love Courageously renewal and social justice in Detroit in 1889 for the newspaper’s essay contest awards ceremony. The motto of The Washington Post is “Democracy Dies in Darkness.” ORDER OF SERVICE Choir Anthem: Atheists Don’t’ Have No Songs ENTERING Steve Martin Lighting of Candles Singing Together* #88 Calm Soul of All Things Musical Meditation: For Once in My Life #1018 Come and Go With Me Ron Miller and Orlando Murden WELCOME Worship Leader, Jillian Gross Fortgang Offertory: The Temptations Medley William "Smokey" Robinson, Bobby Rogers, Ronald White, CENTERING Eddie Holland, Norman Whitfield Prelude Calling to Worship Recessional: I Say a Little Prayer Kindling the Flame Burt Bacharach Opening Hymn* #288 All are Architects of Fate Choir Anthem Todd Ballou, 1st UU Detroit choir director DEEPENING First Unitarian-Universalist Church Silent Meditation The Rev. Dr. Stephen Butler Murray, Minister Invocation Todd Ballou, Music Director Musical Meditation Nancy Shattuck, Office Administrator Reading Omar Davis, Acting Social Hour Coordinator Response #123 Spirit of Life (please sing along) Julia Cuneo, Child Care Provider Message Today’s Ushers: Danny Rebb Emma Velasquez RETURNING Today’s Greeters: Joan Smykowski Dave Vailliencourt Offering Hearing Assistance devices and Large Print Hymnals are available Closing Hymn* #121 We’ll Build a Land from any of our Greeters. Recessional the Social Hall Please visit us at www.1stuu.org; email the church secretary, Congregation may exit to for Sunday potluck and conversation (* indicates times to stand in body or spirit) Nancy, at [email protected]; or give us a call at (313) 833-9107.