Feature A UNIQUE CULTURE

Artwork for the documentary What’s ? Who better to ask than manzai-shi Stephen Tetsu! © 2016 control and comedy writing, as well as dancing and GAVIN BLAIR sword fighting. Tetsu, who grew up in California but got a taste ar and away the most popular style of com- for the style via his Japanese mother, says he was, edy in is manzai, a form of perfor- “taken off guard” by the dance classes and sword mance that can trace its roots in New Year fighting, but found performing routines in front of Fcelebrations back around a thousand years. the demanding instructors, “taking notes and not The basic premise is similar to comedy double acts laughing” the toughest element. seen across the globe, with a tsukkomi “straight Forming and breaking up around ten double acts man” and boke “funny man/fall guy,” but with the during the course, Tetsu — who plays the boke role emphasis in manzai heavily on rapid-fire delivery, — linked up with his current partner, Leo Togawa, to puns and deliberate misunderstandings. form “Iruka Punch” (“iruka” means dolphin in Japa- The particular style of manzai now dominant in nese) shortly after its completion. The duo have been Japanese show business hails from and was signed up by Yoshimoto Creative Agency, part of the brought to the fore by Yoshimoto Kogyo, which is entertainment conglomerate, and are currently pay- headquartered in the city. The popularity of the style ing their dues and honing their craft by performing helped turn Yoshimoto into a giant entertainment on the manzai circuit. company with most of the famous in In spite of the challenges, being one of less than a Japan on its roster. handful of foreign manzai performers in the field has So when American-born Stephen Tetsu decided brought advantages to Tetsu and Iruka Punch. Yoshi- to undertake the ambitious challenge of becoming a moto Kogyo has a content creation partnership with manzai-shi (as performers are known) he knew that Netflix, and Tetsu became the narrator and star of Yoshimoto’s New Star Creation school was the place What’s Manzai?, a documentary for the global online to go. The year-long course molds aspiring comedi- video platform last year. The film followed Tetsu ans into shape, teaching them skills such as voice through his training at the manzai school as well as

14 | highlighting japan Stills from the documentary "What’s Manzai?!!!” featuring Stephen Tetsu © 2016 Yoshimoto Kogyo introducing the form, how it works and how it differs a novelty brings, Tetsu says he “doesn’t want to be from Western comedy. considered funny just because I’m American.” Nev- “Japanese and Western comedy start from different ertheless, he does use his otherness in his shows. “I places. Japanese comedy is more about just making tried not to play on it at first, but we got a lot of pres- people happy, whereas Western comedy is about say- sure from producers and other people to use it more, ing what you want to say, a kind of confession,” says and the truth is that it does work,” he says. Tetsu in an interview at Yoshimoto Creative Agency’s With his career still in its infancy, Tetsu’s future offices. goals include to perform at the Namba Grand “There are a lot of political in the United Ka­getsu (NGK) Theater in Osaka, a manzai Mecca, States, but Japanese comedy steers away from operated by Yoshimoto, and to win the M-1 Grand politics,” notes Tetsu, who admits his attempts to Prix contest. The end-of-year competition, broad- include political elements in his act have not gone cast nationally, and naturally organized by Yoshi- down very well with audiences. moto, comes with a 10 million yen (90,000 US dol- “I don’t know if it couldn't work, but in Japanese lars) prize and the potential to catapult winners to comedy and manzai you want everyone to laugh. manzai stardom. With political jokes there will always be someone “And in terms of performing, I want to see if man- who’s mad at you,” he adds. zai would work in English,” says Tetsu. “I would While acknowledging the advantages that being really like to know if it could.”

june 2017 | 15