Bijork Free Download Björk
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Björk's Biophilia
Junctions volume 2 issue 2 113 ! ! Björk’s Biophilia A Musical Introduction to Feminist New Materialism Marek Susdorf ABSTRACT This paper looks at Biophilia, created by Björk (2011), the Icelandic singer, musician and actress. This multidimensional project, comprising a music album, newly-designed instruments, an educational programme and digital interactive applications, is focused on its title theme, namely, the love of life, or correctly said, the love of zoe, which I will prove in the course of this article. Taking the project as my point of departure, I will present the basic structure of feminist new materialist ontology and methodology. In particular, I would like to investigate the problematic conceptual, as well as physical, relationship between the human (both andro- and anthropocentric) subject and his non-human other. I will try to locate my reflections within the feminist new materialist and posthumanist frameworks and analyse the way in which the anthropocentric and phallogocentric human has been trying to subordinate, symbolically and physically, the rest of the planet. My special focus here is the political foundations of the myth of human exceptionality, which has been utilised to subjugate, colonise and exploit what we tend to call ‘nature’. This research draws mostly upon the work of Donna Haraway, Karen Barad and Rosi Braidotti. Following Haraway’s plea to ‘make kin, not babies’ (Haraway, 2015), I will show how Björk has managed to create a plane whereon both human and non-human worlds may meet and participate in imagining new artistic, symbolic and physical assemblages. KEYWORDS Björk, Biophilia, Feminist New Materialism, Posthumanism, Art INTRODUCTION Drawing inspiration from Björk’s 2011 project Biophilia, I would like to present a brief introduction to feminist new materialism and its application in artistic practice. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
2019 Tcc Jfteixeira.Pdf
UNIVERSIDADE FEDERAL DO CEARÁ INSTITUTO DE CULTURA E ARTE CURSO DESIGN-MODA JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA FORTALEZA 2019 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. OriEntAdora: Profa. Esp. PAtriciA MontEnegro MAtos Albuquerque. FORTALEZA 2019 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) T266b Teixeira, Johann Freitas. Björk e seu coração partido : uma analise das relações entre figurino e design gráfico a partir do encarte do álbum vulnicura / Johann Freitas Teixeira. – 2019. 60 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Instituto de cultura e Arte, Curso de Design de Moda, Fortaleza, 2019. Orientação: Profa. Esp. Patricia Montenegro Matos Albuquerque. 1. Figurino . 2. Design gráfico. 3. Encarte. 4. Björk. I. Título. CDD 391 JOHANN FREITAS TEIXEIRA BJÖRK E SEU CORAÇÃO PARTIDO: UMA ANÁLISE DAS RELAÇÕES ENTRE FIGURINO E DESIGN GRÁFICO A PARTIR DO ENCARTE DO ÁLBUM VULNICURA MonografiA ApresEntAda como conclusão de Curso Em DEsign-Moda do Instituto de Cultura E ArtE – ICA da Universidade FEderal do CeArá – UFC, como requisito parciAl para obtEnção de Título de Bacharel em DEsign-Moda. -
Ba Ritgerð RETT2
! Tónlistardeild! Tónsmíðar! ! ! ! ! ! ! Ystu!mörk! ! Nútímatónlist,!popp!og!Björk! ! ! ! ! ! ! ! ! ! ! ! ! Ritgerð!til!BA!prófs!í!tónsmíðum! ! ! ! Hrafnkell!Flóki!Kaktus!Einarsson! Haustönn!2015 ! ! Tónlistardeild! Tónsmíðar! ! ! ! ! Ystu!mörk! ! Nútímatónlist,!popp!og!Björk! ! ! ! ! ! ! ! ! ! ! ! Ritgerð!til!BA!prófs!í!tónsmíðum! ! ! ! ! ! ! Hrafnkell!Flóki!Kaktus!Einarsson! Kt.:!270692H3110! Leiðbeinandi:!Páll!Ragnar!Pálsson! Haustönn!2015! Útdráttur Í þessari ritgerð kanna ég hvar mörk popp- og nútímatónlistar liggja. Til þess skoða ég hvar megin munurinn milli þessa tveggja heima liggur en hann er töluverður. Í framhaldi af því rýni ég í nokkur verk af plötum tónlistarkonunnar Bjarkar Guðmundsdóttur með tilliti til þess hvernig hún notar tónsmíðaaðferðir nútímatónlistar í popptónlist sinni. Það sem ég skoða sérstaklega er: hljóðheimsvinna hennar á Medúllu, hugmyndafræðileg vinna og takt-skipulag á Biophiliu og útsetningar sem eru á Vulnicura. Ystu mörk poppsins eru ekki skýr eftir að hafa rýnt í verk Bjarkar. Hljóðheimur hennar og tónlist eiga margt sameiginlegt með popptónlist og nútímatónlist, en þrátt fyrir það virðist tónlistin vera hvorugt. Þá er áhugavert að sjá að þrátt fyrir að hún vinni gegn lang flestum stöðlum er við kemur popptónlist hafa vinsældir hennar ekki dvínað og hefur hún haldið titli sínum sem eitt stærsta nafn tónlistarheimsins í rúma tvo áratugi. Niðurstaðan mín er sú að það sem einu sinni þótti framandi og óhugsandi verður síðar með frumkvæði skapandi hugsunar samþykkt nálgun innan popptónsmíða. Björk og aðrir -
MUSIC VIDEOS It Was Too Tough for Me to Choose Only 36 Music Videos from the Stash Archive and Compile Them Stash Media Inc
MUSIC VIDEOS It was too tough for me to choose only 36 music videos from the Stash archive and compile them Stash Media INC. Editor: STEPHEN PRice into this 2nd collection, so I did what any editor would do. I opened it up to let the best of the best Publisher: GReg ROBINS videos fight it out for victory in a totally gnarly, steel cage grudge match. Managing editor: HEATHER GRIEVE Associate publisher: MARILEE BOITSON Of course bets were placed on popular champions such as Kanye West’s “Welcome to Account managers: APRIL HARVEY, Heartbreak”, Radiohead’s “House of Cards”, and The Chemical Brothers’ “The Salmon Dance,” CHRISTINE STEAD Associate editor: ABBEY KERR but this year saw maniacal young bloods enter the ring with Flairs “Better Than Prince”, LeLe Business development: “Breakfast” and Wild Beasts “Brave Bulging Buoyant Clairvoyants”. And don’t forget the vicious PauliNE THomPsoN comebacks of seasoned prize-fighters like Grace Jones with “Corporate Cannibal” and Paul Music editor: STEVE MARCHESE Preview editor: McCartney with “222”, proving they still have the music video moves to make it to the top of our list. HEATHER GRIEVE Technical guidance: IAN HASKIN I know you’ll enjoy this new collection, just watch out for the blood spatter. MUSIC Heather Grieve Managing Editor Get your inspiration delivered monthly. VIDEOS Toronto, May 2009 Every issue of Stash DVD magazine [email protected] is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. -
The Subject of Music As Subject of Excess and Emergence: Resonances and Divergences Between Slavoj Žižek and Björk Guðmundsdóttir
ISSN 1751-8229 Volume Eleven, Number Three The Subject of Music as Subject of Excess and Emergence: Resonances and Divergences between Slavoj Žižek and Björk Guðmundsdóttir Jérôme Melançon, University of Regina (Canada) Alexander Carpenter, University of Alberta (Canada) Abstract In answering the question “who is the subject of music,” we argue that it is a subject of excess and emergence, and we rely on the definition and development of these terms by Žižek and Björk. Such a subject is movement and activity; it exceeds the experiences, objects, others and symbolic order that make it who it is; and it emerges through desire and drive, and resonance and animation. We open with a brief discussion of Žižek’s subject of excess, which we then relate to his approach to subjectivity in music. After an analysis of Björk’s music, centered on the piece “Black Lake” and from a perspective informed by Žižek’s account of subjectivity, we shift our attention to Björk’s thoughts on music in order to find elements that allow for the development of a subject of emergence. While the elements of excess and emergence are present in both accounts of the subject, Žižek’s and Björk’s respective focus on one of these concepts allow us to develop a fuller picture of subjectivity, particularly but not exclusively as it is engaged with in musical activities. Key Words: Subjectivity; Creation; Self-Transformation; Resonance; Popular Music; Classical Music; Musical Subjectivization Overture Who is the subject of music? Who is the subject who sings and plays, rather than simply speaking and working—whose speaking is singing and whose work is playing? Such a question is easily answered with reference to the subject of expression, who speaks and sings because it has something to say. -
Universidade Federal Do Ceará Centro De Humanidades Programa De Pós-Graduação Em Estudos Da Tradução
UNIVERSIDADE FEDERAL DO CEARÁ CENTRO DE HUMANIDADES PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA TRADUÇÃO JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE FORTALEZA 2017 JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Estudos da Tradução da Universidade Federal do Ceará, como requisito para a obtenção do título de Mestre em Estudos da Tradução. Área de concentração: Processos de Retextualização. Orientador: Prof. Dr. Robert Brose Pires. FORTALEZA 2017 JEFFERSON CÂNDIDO NUNES A TRANSMUTAÇÃO MONADOLÓGICA DE BJÖRK: TRADUÇÃO INTERSEMIÓTICA DA DOR EM TRÊS DIMENSÕES, A PARTIR DE BLACK LAKE Dissertação apresentada ao Programa de Pós- Graduação em Estudos da Tradução da Universidade Federal do Ceará, como requisito para a obtenção do título de Mestre em Estudos da Tradução. Área de concentração: Processos de Retextualização. Aprovada em: ___/___/______. BANCA EXAMINADORA ________________________________________ Prof. Dr. Robert Brose Pires (Orientador) Universidade Federal do Ceará (UFC) _________________________________________ Prof. Dr. Carlos Augusto Viana da Silva Universidade Federal do Ceará (UFC) _________________________________________ Profª. Drª. Suene Honorato de Jesus Universidade Federal do Ceará (UFC) À família, aos amigos. AGRADECIMENTOS À minha família, em especial e com amor maior à minha irmã – Fernanda – e à minha mãe – Ana –, que sempre me apoiam e me incentivam a ir cada vez mais longe. Aos parentes que entendem que “família não é sangue; família é sintonia”. Aos bons amigos – principalmente àquele grupo de pessoas com nomes iniciados em “m”. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed. -
053479223227.Pdf
1 Daníel Bjarnason UNA 1 Stillshot (2015) 9:52 Una Sveinbjarnardóttir SVEINBJARNARDÓTTIR Opacity (2014) VIOLIN 2 More 2:38 3 Opacity 4:37 HELGA ÞÓRA 4 Elegia 3:16 5 Less 4:52 BJÖRGVINSDÓTTIR Valgeir Sigurðsson VIOLIN Nebraska (2011) 6 Flat Water 3:12 ÞÓRUNN ÓSK 7 Landlocked 2:46 8 Erosion 1:36 MARINÓSDÓTTIR 9 Plainsong 3:14 VIOLA Mamikó Dís Ragnarsdóttir 10 Fair Flowers (2018) 14:46 SIGURÐUR BJARKI Haukur Tómasson GUNNARSSON 11 Serimonia (2014) 9:06 CELLO total time 59:55 1 2 SIGGI us aim for rhythmical super- preci- sion and working on Mamiko Dís STRING Ragnarsdóttir Fair Flowers after performing the same Beethoven pushed us into the long long QUARTET phrases, I imagined endless moss, Siggi String Quartet was founded in grey and green and the tiny wild 2012 during the Young Scandinavian Icelandic flowers in bright violet and Composers festival in Reykjavik. yellow. My piece Opacity is more The quartet has actively collabo- free, the structure is simple and the rated with current composers improvisando feeling is reigning. It is and commissioned and premiered a kind of In-the-moment play, also numerous works by various with timings and texture.” composers. The quartet’s reper- In 2017 Siggi String Quartet toire extends from the renaissance recorded the music of Philip Glass through the classical masters and with prize-winning pianist Víkingur Siggi String Quartet four members Ólafsson for Deutsche Grammo- have great passion for 20. and 21. phon. For this recording the quartet century repertoire. “Experimenting was branded “superb” by Gramo- with sound and texture, improvi- phone Magazine and “top-notch” by sation and life electronics is an National Public Radio. -
Björk and Michel Gondry's Networked Authorship
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
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 2 Phono-somatics: gender, embodiment and voice in the recorded music of Tori Amos, Björk and PJ Harvey by Sarah Boak Thesis for the degree of Doctor of Philosophy October 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy PHONO-SOMATICS: GENDER, EMBODIMENT AND VOICE IN THE RECORDED MUSIC OF TORI AMOS, BJÖRK AND PJ HARVEY Sarah Boak This thesis is a feminist enquiry into the relationship between gender, embodiment and voice in recorded popular music post-1990. In particular, the study focuses on the term ‘embodiment’ and defines this term in a way that moves forward from a simple understanding of representing the body in music.