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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Raphael Cohen-Almagor Abstract This Article Records
1 “The Oslo Peace Process: Interview with Joel Singer”, Israel Affairs (published online 24 August 2018). DOI: 10.1080/13537121.2018.15056871 Raphael Cohen-Almagor Abstract This article records my interview with one of the authors of the Oslo Accords: Mr Joel Singer who was brought to the negotiations from Washington at a later stage of the negotiations. The Oslo channel was established by Yossi Beilin, Terje Rød-Larsen and Yoel Hirschfeld who understood Yassir Arafat’s need to initiate a new path for relationships with Israel. At that time, negotiations with the Palestinian Liberation Organization (PLO) were illegal. The PLO was regarded as a terrorist organization and the Israeli government refused to officially negotiate with Arafat, although it was clear to them that he was still the most capable person to strike a deal, and the only true representative of the Palestinian people. Bilateral negotiations begun in Washington between Israel and Palestinians who were supposedly independent of the PLO while everyone knew they were not. As mentioned above, these talks led to nowhere. This is Singer’s version of this peace chapter. The article assesses the positive and negative aspects, lessons and implications of the process and of the Oslo Accords. Keywords: Joel Singer, Yasser Arafat, PLO, Israel, Oslo Accords, peace process Introduction Over the past few years I am researching the failed peace process between Israel and the PLO, from Oslo 1993 until present time. Regarding Oslo I investigate how three 1 This interview is taken froM My book, From Oslo to Jerusalem: A Critical Study of Peace Mediation, Facilitation and Negotiations between Israel and the PLO (NY and CaMbridge: CaMbridge University Press, forthcoMing). -
2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE
2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE 12:00 pm THE LOST SEA EXPEDITION (2018) USA 90:00 min / Directed by: Bernie Harberts Trailer: https://www.youtube.com/watch?v=e5vWlAttTaY Equestrian Documentary – Full Length (over 30 minutes) The "Lost Sea Expedition" is the 4-part series about Bernie Harberts' 14 month wagon voyage from Canada to Mexico. Filmed with only the gear he carried in his one mule wagon, the series provides an in depth look at life on the road with a mule, the people of the Great Plains and the ancient sea that covered the middle of America. Filmmaker Bernie Harberts films with old gear, flushes with gravity water and heats with wood in western North Carolina. He has sailed alone around the world, traveled both ways across America by mule and naps 23 minutes every day. 1:35 pm WE ARE MEDIEVAL TIMES CHICAGO A DOCUMENTARY (2018) USA 59:37 min / Directed by: Colleen Ochab Trailer: https://www.youtube.com/watch?v=6_O0mXnr86E Equestrian Documentary – Full Length (over 30 minutes) Have you ever wondered what it is like to work at Medieval Times Dinner & Tournament in Schaumburg, Illinois? Check out this in-depth and behind the scenes look at the Chicago castle atmosphere and hear the stories of 18 amazing team members that make a show possible! Since this documentary was made, the Chicago castle has now released its BRAND NEW SHOW titled SOVEREIGN featuring a sole female ruler as Queen of the realm. Come out to see the same amazing environment (and people) as featured in this documentary with a new, fresh storyline and new costumes! 2:40 WISE HORSEMANSHIP AT FREEDOM FARM (2018) USA 16:00 min / Directed by: Mary Gallagher Trailer: https://vimeo.com/292017981/b73a1bf6db Equestrian Documentary – Short (under 30 minutes) Wise Horsemanship at Freedom Farm introduces the vision and guiding principles behind the equestrian magic of Freedom Farm, Port Angeles, Washington. -
Performing History Studies in Theatre History & Culture Edited by Thomas Postlewait Performing HISTORY
Performing history studies in theatre history & culture Edited by Thomas Postlewait Performing HISTORY theatrical representations of the past in contemporary theatre Freddie Rokem University of Iowa Press Iowa City University of Iowa Press, Library of Congress Iowa City 52242 Cataloging-in-Publication Data Copyright © 2000 by the Rokem, Freddie, 1945– University of Iowa Press Performing history: theatrical All rights reserved representations of the past in Printed in the contemporary theatre / by Freddie United States of America Rokem. Design by Richard Hendel p. cm.—(Studies in theatre http://www.uiowa.edu/~uipress history and culture) No part of this book may be repro- Includes bibliographical references duced or used in any form or by any and index. means, without permission in writing isbn 0-87745-737-5 (cloth) from the publisher. All reasonable steps 1. Historical drama—20th have been taken to contact copyright century—History and criticism. holders of material used in this book. 2. Holocaust, Jewish (1939–1945), The publisher would be pleased to make in literature. 3. France—His- suitable arrangements with any whom tory—Revolution, 1789–1799— it has not been possible to reach. Literature and the revolution. I. Title. II. Series. The publication of this book was generously supported by the pn1879.h65r65 2000 University of Iowa Foundation. 809.2Ј9358—dc21 00-039248 Printed on acid-free paper 00 01 02 03 04 c 54321 for naama & ariel, and in memory of amitai contents Preface, ix Introduction, 1 1 Refractions of the Shoah on Israeli Stages: -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Arab-Israeli Peace Agreements Eli E
Arab-Israeli Peace Agreements Eli E. Hertz Between 1993 and 2001, the Palestine Liberation Organization (PLO) and the Palestinian Authority (PA) signed six agreements with Israel and conducted countless meetings and summits to bring about a lasting peace between them. Each Israeli concession was met with Palestinian non-compliance and escalating violence. Six times, Palestinians failed to honor their commitments and increased their anti-Israeli aggressions. Finally, they broke every promise they made and began an all- out guerrilla war against Israel and its citizens. The failure of the Palestinian leadership to be earnest and trustworthy stands in stark contrast to the statesmanship exhibited by Israel’s peace partners in the region: the late Egyptian President Anwar Sadat and the late Jordanian King Hussein, both of whom honored their agreements. Although Israel succeeded in reaching historic peace agreements with Egypt and Jordan, when the time came to negotiate with the Palestinians in the territories, the Israelis discovered the Palestinian Arabs were unable or unwilling to choose peace or honor their given word. Despite numerous agreements, the pattern has always been the same: The Palestinians violate the conditions and commitments of virtually every agreement they sign. The Camp David Accords The 1979 Camp David Accords brought peace between Israel and Egypt. Because of Egypt’s key leadership role in the Arab world and the clauses in the peace treaty relating to Palestinian autonomy, the Camp David Accords were a breakthrough which offered a framework for a comprehensive settlement. The Palestinians, however, failed to respond positively to this window of opportunity. On March 26, 1979, Israel and Egypt took the first step toward a peace agreement between the Arab world and Israel when they signed the historic Camp David Accords on the White House lawn. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
An Israeli-Palestinian Confederation: a Viable Alternative for the “Two States Solution”?
An Israeli-Palestinian Confederation: A viable alternative for the “two states solution”? Friedrich Naumann STIFTUNG FÜR DIE FREIHEIT HKS 92 (grau) CMYK 10, 0, 5, 65 HKS 44 (blau) CMYK 100, 50, 0, 0 An Israeli-Palestinian Confederation: A viable alternative for the “two states solution”? Table of Contents Introductory Note Yair Hirschfeld .............................................................................................................................................................. 2 An Israeli-Palestinian Confederation: A viable alternative for the “two states solution”? Eran Etzion ........................................................................................................................................................................ 4 Israel and Palestine: For and Against the Idea of a Confederation Yair Hirschfeld .............................................................................................................................................................. 20 About the writers ................................................................................................................................................. 31 The repeated failure of Israeli-Palestinian peace negotiations during the last decades, regional unrest and destabilization throughout the Middle East have contributed to a diminished public belief and confidence in the viability of a peaceful Israel-Palestine two state solution. Through the encouragement and support of the Friedrich Naumann Foundation for Liberty, the S. -
Who Needs Norwegians?" Explaining the Oslo Back Channel: Norway’S Political Past in the Middle East
Evaluation Report 9/2000 Hilde Henriksen Waage "Norwegians? Who needs Norwegians?" Explaining the Oslo Back Channel: Norway’s Political Past in the Middle East A report prepared by PRIO International Peace Research Institute, Oslo Institutt for fredsforskning Responsibility for the contents and presentation of findings and recommendations rests with the author. The views and opinions expressed in the report do not necessarily correspond with the views of the Ministry of Foreign Affairs. Preface In September 1998, I was commissioned by the Norwegian Ministry of Foreign Affairs to carry out a preliminary study looking into Norway’s role in the Middle East. According to the agreement with the Ministry, the study should focus on the years prior to 1993 and examine whether Norway’s political past in the Middle East – and, not least, the mediating and confidence-building efforts of Norwegians prior to the opening of the secret Oslo Back Channel – had had any influence on the process that followed. The study should also try to answer the question ‘Why Norway?’ – that is, what had made Norway, of all countries, suitable for such an extraordinary task? The work on the study started on 15 September 1998. The date of submission was stipulated as 15 April 2000. This was achieved. The following report is based on recently declassified and partly still classified documents (to which I was granted access) at the Norwegian Ministry of Foreign Affairs, the verbatim records of the Parliamentary Foreign Affairs Committee, records of government proceedings and the Norwegian Parliament, Labour Party Archives, documents from the US State Department and the Socialist International – to mention the most important. -
Northern Stage Presents the Winner of the 2017 Tony Award for Best Play
NORTHERN STAGE PRESENTS THE WINNER OF THE 2017 TONY AWARD FOR BEST PLAY ABOUT THE PLAYWRIGHT J.T. Rogers is a multiple award-winning, internationally recognized American playwright who lives in New York. His plays include Oslo, Blood and Gifts, The Overwhelming, White People, and Madagascar. In May 2017, Rogers won the Lucille Lortel Award for Best Play, the Outer Critics Circle Award for Outstanding New Broadway Play, and the 2017 Drama League Award for Outstanding Production of a Play, all for Oslo. Oslo was nominated for seven 2017 Tony Awards, including Best Play, as well as two 2017 Drama Desk Awards, including Outstanding Play. It ultimately won the Tony Award for Best Play and the Drama Desk Award for Outstanding Play. In 2017, Oslo also won the Obie Award for Best New American Theatre Work. “As a playwright, I look to tell stories that are framed against great political rupture. I am obsessed with putting characters onstage who struggle with, and against, cascading world events — and who are changed forever through that struggle. While journalism sharpens our minds, the theater can expand our sense of what it means to be human. It is where we can come together in a communal space to hear ideas that grip us, surprise us — even infuriate us — as we learn of things we didn’t know. For me, that is a deeply, thrillingly, political act.” TERMS TO KNOW ● PLO: Palestine Liberation Organization. The PLO represents the world’s Palestinians (Arabs who lived in Palestine before the 1948 establishment of the State of Israel). -
Across the North Sea and Back Again
Across the North Sea and Back Again A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell Master Thesis in Nordic Viking and Medieval Studies 60 Credits Department of Linguistics and Scandinavian Studies Faculty of Humanities University of Oslo May 2017 i Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund (Pictured together, from left to right, is St. Olav, identifiable by his battle-axe and St. Edmund, King of East Anglia, with the arrow of his martyrdom. This is a fourteenth century depiction of the royal martyr saints on a rood screen in Catfield Church, Norfolk) ii © Samuel Patrick Bidwell 2017 Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo iii Abstract The medieval cult of saints community was a dense, pervasive network that spread across the vast expanse of Latin Christendom. Saints were international in nature and as such could be easily transported to other geographical regions and integrated into the local culture. This thesis comparatively analyses the cults of St. Olav and St. Edmund and their respective primary hagiographical texts. The aim of this study is to determine to what extent Archbishop Eystein Erlendsson constructed his twelfth century text, Passio et miracula Beati Olavi, with reference to the hagiographical motifs surrounding the cult of St. Edmund and its central manuscript, Passio Sancti Edmundi. The interconnectedness of the cults of these royal martyr saints will be discussed in relation to dynastic promotion and royal patronage, their portrayal as both saints and warriors, shared miracles and exile.