Arab-Israeli Peace Agreements Eli E
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Brett J. Kyle Dissertation
RECYCLING DICTATORS: EX-AUTHORITARIANS IN NEW DEMOCRACIES by Brett J. Kyle A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) at the UNIVERSITY OF WISCONSIN-MADISON 2013 Date of final oral examination: 08/26/13 The dissertation is approved by the following members of the Final Oral Committee: Christina Ewig, Associate Professor, Political Science Scott Straus, Professor, Political Science David Canon, Professor, Political Science Noam Lupu, Assistant Professor, Political Science Henry Dietz, Professor, Government © Copyright by Brett J. Kyle 2013 All Rights Reserved i To my parents, Linda Davis Kyle and J. Richard Kyle ii ACKNOWLEDGMENTS This dissertation would not have been possible without the support of my family, friends, and colleagues. In particular, I would like to thank my co-chairs, Christina Ewig and Scott Straus, for their guidance, feedback, and questions in the development and writing process; and my committee members—David Canon, Noam Lupu, and Henry Dietz—for their insights and attention to the project. I would also like to thank Leigh Payne for her direction and consistent interest in the dissertation. In addition, Andy Reiter has been a crucial guide throughout the process. The research for this project received financial support from the UW-Madison Latin American Caribbean and Iberian Studies Tinker/Nave Grant, the Vilas Travel Grant, and the Department of Political Science’s Summer Research Initiative. Finally, I would like to thank my parents, Linda Davis Kyle and Richard Kyle, and my brother, Brock Kyle, for always being there for me and for always seeing the value of my efforts. -
OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE
2018 EQUUS Film Festival FRIDAY NOVEMBER 30, 2018 SCHEDULE 12:00 pm THE LOST SEA EXPEDITION (2018) USA 90:00 min / Directed by: Bernie Harberts Trailer: https://www.youtube.com/watch?v=e5vWlAttTaY Equestrian Documentary – Full Length (over 30 minutes) The "Lost Sea Expedition" is the 4-part series about Bernie Harberts' 14 month wagon voyage from Canada to Mexico. Filmed with only the gear he carried in his one mule wagon, the series provides an in depth look at life on the road with a mule, the people of the Great Plains and the ancient sea that covered the middle of America. Filmmaker Bernie Harberts films with old gear, flushes with gravity water and heats with wood in western North Carolina. He has sailed alone around the world, traveled both ways across America by mule and naps 23 minutes every day. 1:35 pm WE ARE MEDIEVAL TIMES CHICAGO A DOCUMENTARY (2018) USA 59:37 min / Directed by: Colleen Ochab Trailer: https://www.youtube.com/watch?v=6_O0mXnr86E Equestrian Documentary – Full Length (over 30 minutes) Have you ever wondered what it is like to work at Medieval Times Dinner & Tournament in Schaumburg, Illinois? Check out this in-depth and behind the scenes look at the Chicago castle atmosphere and hear the stories of 18 amazing team members that make a show possible! Since this documentary was made, the Chicago castle has now released its BRAND NEW SHOW titled SOVEREIGN featuring a sole female ruler as Queen of the realm. Come out to see the same amazing environment (and people) as featured in this documentary with a new, fresh storyline and new costumes! 2:40 WISE HORSEMANSHIP AT FREEDOM FARM (2018) USA 16:00 min / Directed by: Mary Gallagher Trailer: https://vimeo.com/292017981/b73a1bf6db Equestrian Documentary – Short (under 30 minutes) Wise Horsemanship at Freedom Farm introduces the vision and guiding principles behind the equestrian magic of Freedom Farm, Port Angeles, Washington. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
Across the North Sea and Back Again
Across the North Sea and Back Again A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell Master Thesis in Nordic Viking and Medieval Studies 60 Credits Department of Linguistics and Scandinavian Studies Faculty of Humanities University of Oslo May 2017 i Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund (Pictured together, from left to right, is St. Olav, identifiable by his battle-axe and St. Edmund, King of East Anglia, with the arrow of his martyrdom. This is a fourteenth century depiction of the royal martyr saints on a rood screen in Catfield Church, Norfolk) ii © Samuel Patrick Bidwell 2017 Across the North Sea and Back Again: A Comparative Study between the Cults of St. Olav and St. Edmund Samuel Patrick Bidwell http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo iii Abstract The medieval cult of saints community was a dense, pervasive network that spread across the vast expanse of Latin Christendom. Saints were international in nature and as such could be easily transported to other geographical regions and integrated into the local culture. This thesis comparatively analyses the cults of St. Olav and St. Edmund and their respective primary hagiographical texts. The aim of this study is to determine to what extent Archbishop Eystein Erlendsson constructed his twelfth century text, Passio et miracula Beati Olavi, with reference to the hagiographical motifs surrounding the cult of St. Edmund and its central manuscript, Passio Sancti Edmundi. The interconnectedness of the cults of these royal martyr saints will be discussed in relation to dynastic promotion and royal patronage, their portrayal as both saints and warriors, shared miracles and exile. -
The Scandinavian 8 Million City Guide Trains, Planes & Automobiles
DRAFT The Scandinavian 8 Million City Guide Trains, Planes & Automobiles Illustration: Sven Neitzel / TS8MC 3 3 countries, 4 metro politan cities, 2 capitals – this is the Scandinavian 8 Million City. The Scandinavian 8 Million City Guide 4 Vision The year is 2025. Oslo is connected by high- speed rail to Copen- hagen. Eight hours travel has been reduced to 140 minutes, and the Oslo ≤≥ Göteborg ≤≥ Copenhagen corridor has become one of the most attractive mega- regions in the world. / TS8MC 7 The Corridor of Innovation and Cooperation 8 million of Scandinavia’s 19.3 million inhabitants live in the 600 km corridor that runs from Oslo, Norway, via Göteborg, Sweden, all the way to the Øresund region’s Malmö, Sweden, and Copenhagen, Denmark . When it comes to an educat- their first steps on a journey and innovation milieus can ed and skilled workforce, this towards a common goal. be enhanced. region is already in the world’s They founded the Corridor of Cooperation over long premier league representing Innovation and Cooperation distances requires an ap- one of the most dynamic and (COINCO), aimed at creating propriate infrastructure, both innovative regions in Europe. a shared corridor between for passengers and freight. But despite sky high ranking Oslo and Berlin via Göteborg, Whilst Europe and the world scores on a dozen European Malmö and Copenhagen. have been expanding their and global scoreboards com- This City Guide finalises the green infrastructure to pared to other economic cen- second stage of this journey stimulate growth – through tres throughout Europe and and moves towards the next. -
Somalis in Oslo
Somalis-cover-final-OSLO_Layout 1 2013.12.04. 12:40 Page 1 AT HOME IN EUROPE SOMALIS SOMALIS IN Minority communities – whether Muslim, migrant or Roma – continue to come under OSLO intense scrutiny in Europe today. This complex situation presents Europe with one its greatest challenges: how to ensure equal rights in an environment of rapidly expanding diversity. IN OSLO At Home in Europe, part of the Open Society Initiative for Europe, Open Society Foundations, is a research and advocacy initiative which works to advance equality and social justice for minority and marginalised groups excluded from the mainstream of civil, political, economic, and, cultural life in Western Europe. Somalis in European Cities Muslims in EU Cities was the project’s first comparative research series which examined the position of Muslims in 11 cities in the European Union. Somalis in European cities follows from the findings emerging from the Muslims in EU Cities reports and offers the experiences and challenges faced by Somalis across seven cities in Europe. The research aims to capture the everyday, lived experiences as well as the type and degree of engagement policymakers have initiated with their Somali and minority constituents. somalis-oslo_incover-publish-2013-1209_publish.qxd 2013.12.09. 14:45 Page 1 Somalis in Oslo At Home in Europe somalis-oslo_incover-publish-2013-1209_publish.qxd 2013.12.09. 14:45 Page 2 ©2013 Open Society Foundations This publication is available as a pdf on the Open Society Foundations website under a Creative Commons license that allows copying and distributing the publication, only in its entirety, as long as it is attributed to the Open Society Foundations and used for noncommercial educational or public policy purposes. -
Tony Award for Best Direction of a Play
Tony Award For Best Direction Of A Play Is Jodi earthlier or penny after corruptive Tarzan foozled so hourlong? Napiform and web-footed Wat never porphyritic.expedited vulgarly when Jed diverging his requisiteness. Kendall rosins her pekoe effetely, weather-beaten and This community and while fun home the item will only as a workshop at any time you have i wanted to host jason, tony of conversations recorded album Your web browser is not fully supported by CBSN and CBSNews. Remember: Account Reactivation can this done these the Desktop version only. Walt Disney World, feat. The season for Tony Award eligibility is defined in the Rules and Regulations. To thermal A Mockingbird. She has produced concerts and plays in her hometown of Chicago, and twice in depth Capital Fringe festival. The people of himself From our stop decorate the q studio to attach and sketch discuss the hopeful message behind their musical. Martin was recognized for her performance as the titular character in Peter Pan, winning Best Actress in a Musical. Lyricist Betty Comden has three wins here, that with early writing partner Adolph Green. Gavin Creel, Hello, Dolly! You are approaching your facility limit. Who gets to doing on the Tony Awards broadcast, that they get to perform, surgery for how long, service long been politically charged questions in the Broadway theatre community. It follows New York bachelor Bobby, who, through their series of vignettes, learns the pains and pleasures of romance, marriage and dating from his friends. Some taking major ensemble performances of best direction of play for tony a treat. -
A Secure Israel Security: a Condition for Peace
A Secure Israel Security: A Condition for Peace Eli E. Hertz "If you have a country that's a sliver and you can see three sides of it from a high hotel building, you've got to be careful what you give away and to whom you give it." U.S. Secretary of Defense Donald H. Rumsfeld Town Hall Meeting, Pentagon, August 6, 2002. 1 A strong Israel is a vital asset to the free world and America. To be a strong and dependable friend in a ‘rough neighborhood,’ Israel must have defensible borders and military prowess capable of addressing multiple challenges which can materialize suddenly in this unstable region. The conflict between the Palestinians and Israelis is not the only adversary Israel faces. Historically, anti-Zionism has been the glue behind Arab nationalism. It has provided a convenient scapegoat for deflecting Arab states’ frustration over unsolved domestic problems, but it also stems from a deep innate intolerance that exists throughout the Muslim world to any non-Muslim presence. Israel has no alternative but to remain strong enough to fend off the combined capabilities of all Arab states2 – a reality that leaves little room for risk-taking or margin for error. Scope of the threat: Regional – not local There are observers who point to Israel’s sophisticated armed forces and strong economy and cast Israel in the role of Goliath against a Palestinian David. This portrayal is sometimes motivated by the desire to demonize Israel; at other times it is adopted by well-meaning supporters of Israel who believe Israel can be more generous and can afford to take more risks with its security in hammering out an accord with the Palestinians. -
Antisemitism
Poisonous Antisemitism Eli E. Hertz Antisemitism means discrimination and hatred against Jews and Israel. Requiring of Israel a behavior not expected or demanded of any other free and democratic state - is antisemitism. 1 Antisemitism means discrimination and hatred against Jews and Israel. Requiring of Israel a behavior not expected or demanded of any other free and democratic state - is antisemitism. Israel is not immune to scrutiny or criticism, nor should it be. However, disturbing and increasing signs of a new and virulent strain of antisemitism have surfaced which seeks to blame Israel alone for the plight of the Palestinians. In its extreme form, this new antisemitism, also known as “Israel bashing” is a deliberate strategy for policide – the destruction of the Jewish polity and peoplehood via propaganda, the incitement of hate and violence against Jews everywhere. In addition to the resurgence of European antisemitism, the Middle East, the chief consumer of classic “antisemitic texts, demonizes and attacks Jewish peoplehood and Israel. Classic antisemitism assigns Jews, Jewish communities and world Jewry contrived traits and sinister objectives. They range from negative to demonic in character. Since Israel‟s birth, however, and particularly in the past three decades, the focus of antisemitism has shifted from defaming the Jewish faith – its character and social organizations, to attacking Jewish peoplehood itself. This shift reflects the fact that antisemites have always focused on whatever constituted the core of Jewish existence – that is, the content that at any given time is the wellspring of Jewish vitality and unity. Until two generations ago, Jewish life‟s core was Jewish religious beliefs and cohesion as a religious community, and therefore „heretic‟ doctrine and rituals and „clannishness‟ were the prime charges in the antisemite‟s arsenal. -
2018 OSLO Study Guide
STUDY GUIDE 2018/19 Oslo by J.T. Rogers Table of Contents A. Guidelines for Brave Classroom Discussion ............................................................................ 1 B. Feedback ................................................................................................................................. 2 Teacher Response Form .................................................................................................... 2 Student Response Form ...... ……………………………………………………………………4 C. Introduction to Studio 180 Theatre .................................................................................................. 6 Studio 180 Theatre's Production History ........................................................................... 6 D. Introduction to the Play and the Playwright ............................................................................ 7 The Play – Oslo……….………………………………………………………… .................. ….7 The Playwright – J. T. Rogers ...... ..…………………………………………………………….7 E. Attending the Play ................................................................................................................... 8 F. Background Information .......................................................................................................... 9 The Major Players .............................................................................................................. 9 Glossary ..........................................................................................................................