The Legend of King Arthur in History Erin Pevan in Collaboration with Dr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry. -
How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
Leggiera, Alle Ca D’Oro Per Aumentare Il Suo Pre- Di P.Svetonio Con La Xllli
Gruppo Archeologico SIAC INFORMATICA SRL centro commerciale Ingrosso Sett. A1/10 33170 Pordenone (PN) Polcenigo Tel. 0434 572922 Fax 0434 570285 Bollettino, ANNO VII, gennaio 2010, N. 7 www.siacinformatica.com [email protected] aucinius, Paucinico, Pulcinici, ecc., diversi nomi la costante raccolta in superficie di tutto quello che può per indicare un luogo, un abitato, un villaggio che suscitare interesse storico-archeologico. Pnel corso dei secoli si è modificato per diventare Concludo ringraziando i soci, gli sponsor per questo Polcenigo. La domanda che da molti anni mi faccio è bollettino e tutti i simpatizzanti del Gr.A.Po. come veniva chiamato il nostro paese prima dell’av- vento dei Romani? Sicuramente rimarrà senza risposta Il Presidente Oscar Riet visto che non ci sono documenti, però non c’è ombra di dubbio che il posto era frequentato fin dalla preistoria. Il palù del Livenza, la necropoli di San FLoriano ed ora anche l’ipotesi del castelliere sulla sommità del colle di San Floriano mi fanno pensare ad una grande comunità di genti che nel trascorrere dei secoli se non millenni si era stanziata e sviluppata proprio in questi luoghi, dove ogni giorno i soci del Gr.A.Po. raccolgono in superfi- cie tracce tangibili che testimoniano la vita quotidiana dei nostri antenati. Selci e ceramica del neolitico, pezzi di vasi dell’età del bronzo, schegge di vario materiale dell’età del ferro, per non parlare della romanità, del Il GR.A.Po al lavoro sul “CIASTELAT” periodo alto e basso medioevo, dell’avvento della Re- pubblica di Venezia, del Rinascimento, ecc. -
King Arthur: Legend of the Sword (Movie Review)
Digital Collections @ Dordt Faculty Work Comprehensive List 5-31-2017 King Arthur: Legend of the Sword (Movie Review) Donald Roth [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the American Film Studies Commons Recommended Citation Roth, D. (2017). King Arthur: Legend of the Sword (Movie Review). Retrieved from https://digitalcollections.dordt.edu/faculty_work/725 This Blog Post is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. King Arthur: Legend of the Sword (Movie Review) Abstract "First, I really liked this movie, and, second, I think it says something really interesting about the nature of evil." Posting about the movie King Arthur: Legend of the Sword from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation. http://inallthings.org/king-arthur-legend-of-the-sword/ Keywords In All Things, movie review, King Arthur, Legend of the Sword Disciplines American Film Studies Comments In All Things is a publication of the Andreas Center for Reformed Scholarship and Service at Dordt College. This blog post is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/725 King Arthur: Legend of the Sword inallthings.org/king-arthur-legend-of-the-sword/ May 31, 2017 Donald Roth With the movie looking to be one of the biggest financial flops in recent cinema history, and with iAt’s resident snarky film critic, Josh Matthews, out of town, you might wonder why I would be volunteering to write a review of this movie (aside from a borderline-pathological need to write that makes this my 50th piece for iAt). -
Nennius' Historia Brittonum
Nennius’ ‘Historia Brittonum’ Translated by Rev. W. Gunn & J. A. Giles For convenience, this text has been assembled and composed into this PDF document by Camelot On-line. Please visit us on-line at: http://www.heroofcamelot.com/ The Historia Brittonum Table of Contents Acknowledgements....................................................................................................................................4 Preface........................................................................................................................................................5 I. THE PROLOGUE..................................................................................................................................6 1.............................................................................................................................................................6 2.............................................................................................................................................................7 II. THE APOLOGY OF NENNIUS...........................................................................................................7 3.............................................................................................................................................................7 III. THE HISTORY ...................................................................................................................................8 4,5..........................................................................................................................................................8 -
Storiografi Della Britannia Medievale: Tematiche Storiche E Letterarie
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AMS Tesi di Dottorato Università degli Studi di Bologna Dipartimento di Filologia Classica e Medioevale _______________________________________________________________ DOTTORATO DI RICERCA IN FILOLOGIA GRECA E LATINA Ciclo XXI Settore scientifico disciplinare: L-FIL-LET/04 STORIOGRAFI DELLA BRITANNIA MEDIEVALE: TEMATICHE STORICHE E LETTERARIE Tesi presentata da Alberto Zama Coordinatore del Dottorato Relatore Chiar.mo Prof. Chiar.mo Prof. Renzo Tosi Marco Scaffai Anni Accademici 2005-2006, 2006-2007, 2007-2008 PREMESSA Lo studioso che decida di analizzare un testo storiografico, di qualsiasi natura esso sia, ha la possibilità di farlo sotto molteplici punti di vista. Sotto questo aspetto, la storiografia è un genere poliedrico, caleidoscopico, che si presta ad indagini e fruizioni diverse. Si può in primo luogo trattare un testo storiografico come semplice fonte per un periodo storico: in tal caso, fondamentale sarà cercare di capire quali informazioni siano degne di fede e storicamente corrette. Si può invece analizzare il testo sotto l’aspetto letterario e filologico, valutandone aspetti di tradizione testuale e stilistici. Si può da ultimo scegliere di “far parlare” il testo, cercando di carpire dalle sue pieghe, dalla sua littera , il pensiero dell’autore, le sue convinzioni, la sua cultura, i suoi rapporti con le fonti e l’opinione che egli aveva del periodo storico che descriveva. Si tratta di un aspetto sottilmente ma significativamente diverso dal primo, in quanto non è in gioco la ricostruzione della storia del periodo, ma l’ idea che di quel periodo aveva lo storico in questione, giusta o sbagliata che fosse. -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Geoffrey of Monmouth and the English Past
Chapter 3 Geoffrey of Monmouth and the English Past Rebecca Thomas Geoffrey does not grant much space to the English in the De gestis Britonum. In one respect, this is unsurprising: Geoffrey’s history extends back to the origins of the Britons in Troy, spending a significant amount of time in pre-Roman Britain, and as such the English enter the narrative rather late in the day. Even after their arrival, however, the English do not appear in the way which we might expect. The traditional narrative of the development of the English kingdoms, pioneered by sources such as Bede’s Ecclesiastical History and the Anglo-Saxon Chronicle, and accepted and reproduced by many of Geoffrey’s contemporary Anglo-Norman historians, has no place in the DGB. With his strikingly different version of events, Geoffrey certainly cannot be accused of lacking originality in his treatment of English history. The way in which he approached this subject is highly significant not only for our understanding of his attitude toward the English, but also for the composition of the DGB more generally. There was no shortage of contemporary historians writing of the English past, such as Henry of Huntingdon, the first version of whose History of the English, with which Geoffrey was most likely familiar, was completed by 1130. Henry presents us with a conventional account of English history, drawing heavily on Bede and the Anglo-Saxon Chronicle.1 Hengist and Horsa arrive in Britain in 449, and after recounting their dealings with the Britons, Henry pro- ceeds through the various other Saxon settlers of the 5th and 6th centuries. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
The Arthurian Legend Now and Then a Comparative Thesis on Malory's Le Morte D'arthur and BBC's Merlin Bachelor Thesis Engl
The Arthurian Legend Now and Then A Comparative Thesis on Malory’s Le Morte D’Arthur and BBC’s Merlin Bachelor Thesis English Language and Culture, Utrecht University Student: Saskia van Beek Student Number: 3953440 Supervisor: Dr. Marcelle Cole Second Reader: Dr. Roselinde Supheert Date of Completion: February 2016 Total Word Count: 6000 Index page Introduction 1 Adaptation Theories 4 Adaptation of Male Characters 7 Adaptation of Female Characters 13 Conclusion 21 Bibliography 23 van Beek 1 Introduction In Britain’s literary history there is one figure who looms largest: Arthur. Many different stories have been written about the quests of the legendary king of Britain and his Knights of the Round Table, and as a result many modern adaptations have been made from varying perspectives. The Cambridge Companion to the Arthurian Legend traces the evolution of the story and begins by asking the question “whether or not there ever was an Arthur, and if so, who, what, where and when.” (Archibald and Putter, 1). The victory over the Anglo-Saxons at Mount Badon in the fifth century was attributed to Arthur by Geoffrey of Monmouth (Monmouth), but according to the sixth century monk Gildas, this victory belonged to Ambrosius Aurelianus, a fifth century Romano-British soldier, and the figure of Arthur was merely inspired by this warrior (Giles). Despite this, more events have been attributed to Arthur and he remains popular to write about to date, and because of that there is scope for analytic and comparative research on all these stories (Archibald and Putter). The legend of Arthur, king of the Britains, flourished with Geoffrey of Monmouth’s The History of the Kings of Britain (Monmouth). -
Ancient Dumnonia
ancient Dumnonia. BT THE REV. W. GRESWELL. he question of the geographical limits of Ancient T Dumnonia lies at the bottom of many problems of Somerset archaeology, not the least being the question of the western boundaries of the County itself. Dcmnonia, Dumnonia and Dz^mnonia are variations of the original name, about which we learn much from Professor Rhys.^ Camden, in his Britannia (vol. i), adopts the form Danmonia apparently to suit a derivation of his own from “ Duns,” a hill, “ moina ” or “mwyn,” a mine, w’hich is surely fanciful, and, therefore, to be rejected. This much seems certain that Dumnonia is the original form of Duffneint, the modern Devonia. This is, of course, an extremely respectable pedigree for the Western County, which seems to be unique in perpetuating in its name, and, to a certain extent, in its history, an ancient Celtic king- dom. Such old kingdoms as “ Demetia,” in South Wales, and “Venedocia” (albeit recognisable in Gwynneth), high up the Severn Valley, about which we read in our earliest records, have gone, but “Dumnonia” lives on in beautiful Devon. It also lives on in West Somerset in history, if not in name, if we mistake not. Historically speaking, we may ask where was Dumnonia ? and who were the Dumnonii ? Professor Rhys reminds us (1). Celtic Britain, by G. Rhys, pp. 290-291. — 176 Papers, §*c. that there were two peoples so called, the one in the South West of the Island and the other in the North, ^ resembling one another in one very important particular, vizo, in living in districts adjoining the seas, and, therefore, in being maritime. -
Morgaine Speaks
MORGAINE SPEAKS ... I think that my first real memory is of my mother's wedding to Uther Pendragon. I remember my father only a little. When I was unhappy as a little girl, I seemed to remember him, a heavyset man with a dark beard and dark hair I remember playing with a chain he wore about his neck. I remember that as a little maiden when I was unhappy, when I was chidden by my mother or my teachers, or when Uther-rarely-noticed me to disapprove of me, I used to comfort myself by thinking that if my own father were alive, he would have been fond of me and taken me on his knee and brought me pretty things. Now that I am older and know what manner of man he was, I think it more likely he would have put me into a nunnery as soon as I had a brother, and never thought more about me. Not that Uther was ever unkind to me; it was simply that he had no particular interest in a girl child. My mother was always at the center of his heart, and he at hers, and so I resented that-that I had lost my mother to this great fair-hair boorish man. When Uther was away in battle-and there was battle a good deal of the time when I was a maiden-my mother Igraine cherished me and petted me, and taught me to spin with her own hands and to weave in colors. But when Uther's men were sighted, then I went back into my rooms and was forgotten until he went away again.