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Inside March/April 2018 Volume 17, Number 2 M A R C H / A P R I L 2 0 1 8 VOLUME 17, NUMBER 2 INSIDE Artist Features: Yang Jiechang, Xu Bing When Contemporary Art Practices Meet Ethnographic Research in Chinese Sociery Sourthern Port of Call: Guangzhou’s Current Galleries Reviews: 7th Bi-City Biennale of Urbanism/ Architecture, Spectrosynthesis, 5th Chengdu Up-On International Live Art Festival US$12.00 NT$350.00 PRINTED IN TAIWAN 6 Vol. 17 No. 2 12 VOLUME 17, NUMBER 2, MARCH/APRIL 2018 CONTENTS 29 8 Editor’s Note 10 Contributors 12 Yang Jiechang: 100 Layers of Ink, 100 Layers of Action Susanna Ferrell and Britta Erickson 29 The Doubleness of Sight/Site: Xu Bing’s Phoenix as an Intended Public Art Project 46 Junjie Jiang 46 Art, Making Cities: The Existence and Future of Urban Villages Yu Hsiao Hwei 61 When Contemporary Art Practices Meet Ethnographic Research in Chinese Society Yuling Zhong 76 Southern Port of Call: Guangzhou’s Current Galleries 61 Julie Chun 85 Inside/Outside—Black & White: 5th Chengdu Up-On International Live Art Festival Sophia Kidd 99 Spectrosynthesis: Incomplete Rainbow? Shih-yu Hsu 104 Chinese Name Index 85 99 Cover: Wang Yanxin, Hidden, 2017, performance, 20 mins. Courtesy of the artist and Up-On, Chengdu. Vol. 17 No. 2 7 Editor’s Note YISHU: Journal of Contemporary Chinese Art PRESIDENT Katy Hsiu-chih Chien LEGAL COUNSEL Infoshare Tech Law Office, Mann C. C. Liu Yishu 85 opens with an essay by Susanna Ferrell FOUNDING EDITOR Ken Lum and Britta Erickson on the early work of Yang EDITOR-IN-CHIEF Keith Wallace Jiechang, one of contemporary Chinese art’s MANAGING EDITOR Zheng Shengtian EDITORS Julie Grundvig most important artists and among the first to Kate Steinmann exhibit outside of China. The multi-year series of Chunyee Li CIRCULATION MANAGER Larisa Broyde nearly all-black paintings, titled 100 Layers of Ink, WEB SITE EDITOR Chunyee Li embodies a complex deliberation of the artist’s ADVERTISING Sen Wong Michelle Hsieh social, political, and spiritual life journey. Junjie Jiang writes about Xu Bing, who, since the 1980s INTERNATIONAL COUNCIL Junjun Liu also has made an instrumental contribution to Chris Mao contemporary Chinese art. Her essay focuses Bing Yang Vivian Jianhui Zhang on Xu Bing’s major public art project Phoenix, in which she addresses the tension between his ADVISORY BOARD Judy Andrews, Ohio State University dependence as an artist upon both capital and Melissa Chiu, Hirschhorn Museum and Sculpture Garden the labour of those who fabricated his artwork, John Clark, University of Sydney Lynne Cooke, National Gallery of Art, Washington, D.C. as well as the workers whose labour also drives Okwui Enwezor, Critic and Curator China's urban development. Britta Erickson, Independent Scholar and Curator Fan Di’an, Central Academy of Fine Arts Fei Dawei, Independent Critic and Curator This idea of social consciousness is extended Gao Minglu, University of Pittsburgh in essays by Yu Hsiao Hwei on the 7th Bi-City Hou Hanru, MAXXI, Rome Hu Fang, Vitamin Creative Space and the shop Biennale of Urbanism/Architecture, Shenzhen, Katie Hill, University of Westminster and by Yuling Zhong on recent ethnographic Claire Hsu, Asia Art Archive Martina Köppel-Yang, Independent Critic and Historian practices within the art making process. Both of Sebastian Lopez, Critic and Curator these texts address artists working directly with Lu Jie, Long March Space Charles Merewether, Critic and Curator local communities; in the case of Shenzhen, in Apinan Poshyananda, Ministry of Culture, Thailand the ways that art can animate an older part of Philip Tinari, Ullens Center for Contemporary Art the city while attempting to maintain its social Chia Chi Jason Wang, Independent Critic and Curator Wu Hung, University of Chicago character and economic ecology, and in the case Pauline J. Yao, M+, West Kowloon Cultural District of ethnographic methodologies, how engagement ART & COLLECTION GROUP LTD. with various communities generates forms of 6F. No. 85, Section 1, Chungshan N. Road, Taipei, Taiwan 104 knowledge that expand the parameters of what Phone: (886)2.2560.2220 Fax: (886)2.2542.0631 might constitute a work of art. E-mail: [email protected] VICE GENERAL MANAGER Jenny Liu Yishu has on a regular basis presented MARKETING MANAGER Joyce Lin perspectives examining various urban and rural CIRCULATION EXECUTIVE Perry Hsu art scenes in China. Julie Chun explores some of Yishu is produced bi-monthly in Vancouver, Canada, and published in Taipei, Taiwan. The publishing dates are January, March, May, July, the current galleries operating in Guangzhou and September, and November. All subscription, advertising, and submission identifies what makes them so distinctive relative inquiries may be sent to: to other cities in China. Sophia Kidd updates us YISHU INITIATIVE OF CONTEMPORARY CHINESE ART SOCIETY on Chengdu’s dynamic performance art scene 200–1311 Howe Street Vancouver, BC, Canada V6Z 2P3 Phone: 1.604.649.8187 through a review of the fifth iteration of the Up/ E-mail: offi[email protected] On International Live Art Festival. On a different DIRECTOR Zheng Shengtian note, Shih-yu Hsu reviews Spectrosynthesis, SECRETARY GENERAL Yin Qing one of the first exhibitions in Asia to highlight RETAIL RATES USD $12 / EUR 9 / TWD 350 art from the LGBTQ community, and considers (per copy) the challenge of what it means to attempt to SUBSCRIPTION RATES represent Asia within this context. 1 Year Print Copy (6 issues including air mail postage): Asia $94 USD/Outside Asia $104 USD 2 Years Print Copy (12 issues including air mail postage): In conclusion, Yishu is honoured to announce Asia $180 USD/Outside Asia $198 USD the recipients of the Seventh Yishu Awards for 1 Year PDF Download (6 issues): $49.95 USD Critical Writing on Contemporary Chinese Art. 1 Year Print Copy and PDF (6 issues including air mail postage): Asia $134 USD/Outside Asia $144 USD Recommender Kuiyi Shen has selected Mia Yu and Zhu Qinsheng has selected Wang Nanming. DESIGN AND PRODUCTION Leap Creative Group CREATIVE DIRECTOR Raymond Mah The awards will be presented on March 28 in ART DIRECTOR Gavin Chow Hong Kong. Yishu 86 (May/June 2018) will carry DESIGNER Philip Wong PRINTING Chi Wei Colour Printing Ltd. an extended profile of the recipients as well as WEB SITE http://yishu-online.com publish a text by each of them. WEB DESIGN Design Format ISSN 1683 - 3082 Keith Wallace No part of this journal may be reprinted without the written permission from the publisher. The views expressed in Yishu are not necessarily those of the editors or publisher. Yishu: Journal of Contemporary Chinese Art 典藏國際版(Yishu)創刊於 2002年5月1日 典藏國際版‧第17卷第2期‧2018年3–4月 社 長： 簡秀枝 法律顧問： 思科技法律事務所 劉承慶 創刊編輯： 林蔭庭（Ken Lum） 總策劃： 鄭勝天 8 編者手記 主 編： 華睿思 (Keith Wallace) 編 輯： 顧珠妮 (Julie Grundvig) 史楷迪 (Kate Steinmann) 10 作者小傳 黎俊儀 網站編輯： 黎俊儀 12 楊詰蒼：千層墨，百重行 行 政： 藍立杉 (Larisa Broyde) 廣 告： 謝盈盈 Susanna Ferrell 、林似竹（Britta Erickson） 黃 晨 國際委員會： 劉珺珺 茅為清 29 視 · 域的雙重性：徐冰的《鳳凰》— 楊 濱 一個公共藝術設想 張建暉 蔣俊潔 顧 問： 王嘉驥 田霏宇 (Philip Tinari) 安雅蘭 (Judy Andrews) 巫 鴻 46 藝術造城：城中村的存在與未來 林似竹 (Britta Erickson) 余小蕙 范迪安 招穎思 (Melissa Chiu) 洛柿田 (Sebastian Lopez) 胡 昉 61 當代藝術實踐與民族誌研究在華人 侯瀚如 徐文玠 (Claire Hsu) 社會的交集 姜苦樂 (John Clark) 鍾玉玲 姚嘉善 (Pauline J. Yao) 高名潞 費大爲 楊天娜 (Martina Köppel-Yang) 76 南行記：今日廣州畫廊 盧 杰 Julie Chun Lynne Cooke Okwui Enwezor Katie Hill Charles Merewether 85 內外與黑白：評第五屆Up-On向上 Apinan Poshyananda 國際現場藝術節 出 版： 典藏藝術家庭有限公司 Sophia Kidd 副總經理： 劉靜宜 高世光 行銷總監： 林素珍 發行專員： 許銘文 99 光·合作用：不夠完整的彩虹？ 謝宜蓉 地 址： 台灣台北市中山北路一段85號6樓 徐詩雨 電話: (886) 2.2560.2220 傳真：(886) 2.2542.0631 電子信箱：[email protected] 104 中英人名對照 編輯製作： Yishu Initiative of Contemporary Chinese Art Society 加中當代藝術協會 會 長： 鄭勝天 秘書長： 陰晴 地 址： 200 - 1311 Howe Street, Vancouver, BC, V6Z 2P3, Canada 電話: (1) 604.649.8187 電子信箱: offi[email protected] 訂閱、投稿及廣告均請與Yishu Initiative聯繫。 設計製作： Leap Creative Group, Vancouver 創意總監： 馬偉培 藝術總監： 周繼宏 設計師： 黃健斌 印 刷： 台北崎威彩藝有限公司 本刊在溫哥華編輯設計，台北印刷出版發行。 一年6期。逢1、3、5、7、9、11月出版。 網 址： http://yishu-online.com 管 理： Design Format 國際刊號： 1683-3082 售 價： 每本12美元 / 9歐元 / 350台幣 一年6期 （含航空郵資）： 亞洲94美元 / 亞洲以外地區104美元 兩年12期 （含航空郵資）： 亞洲180美元 / 亞洲以外地區198美元 一年網上下載： 49.95美元 一年6期加網上下載： 亞洲134美元 / 亞洲以外地區144美元 封面：王彥鑫，《黑傘》（2017），行為藝術， 版權所有，本刊內容非經本社同意不得翻譯和轉載。 20分鐘，藝術家及Up-On向上國際現場藝術 提供 本刊登載內容並不代表編輯部與出版社立場。 Contributors Julie Chun is an independent art historian and Ink, in 2013. She is also on the boards of lecturer who has been based in Shanghai since Three Shadows Photography Art Centre 2011. She serves as the Art Convener of the (Beijing), Yishu: Journal of Contemporary Royal Asiatic Society China in Shanghai, where Chinese Art, and ArtAsiaPacific. In 2006 she delivers monthly lectures at museums and she was awarded a Fulbright Fellowship to galleries to widen the public’s understanding of conduct research in Beijing on the Chinese artistic objects, past and present. She lectures contemporary art market. Since 2013 she has frequently on art for the various foreign been Artistic Director at INKStudio, a gallery Consulate General offices in Shanghai and as an based in Beijing. adjunct for the Alliance for Global Education at Shanghai University of Finance and Economics. Susanna Ferrell is a scholar of contemporary She is a regular contributor to Yishu Journal of art history living and working in Los Angeles, Contemporary Chinese Art and Honorary Editor California. She received her B.A. in Art of the Journal Royal Asiatic Society, one of the History and Fine Art from Scripps College in longest running English-language publications 2015, with theses on the art of Yayoi Kusama on Chinese Studies, founded in 1858. and obsessive compulsive disorder, and the exhibiting of Chinese contemporary ink Britta Erickson, Ph.D., is an independent art in major Western institutions.
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