Questions for Art of Medieval Spain
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Summer Spanish Language
Summer Spanish Language July 2013 ← Woody Allen Statue Woody Allen Campo San Francisco ↓ Oviedo is a small city, though it felt big. It is a mix of old and new: old and new architecture, people, traditions, etc. There are always people out and about in the city, walking to the store, meeting friends at cafes, walk- ing their dogs, or shopping. Every neighborhood has its own stores: shops selling fruits and veggies, or breads, or books, or haircuts, and everything in be- tween . Few people speak fluent English , which was challenging, but good for learning Spanish . Oviedo was a great place to spend a month in Spain . El Camino de Santiago ↓ The University of Oviedo is spread across several campus- es throughout the city. All of our Spanish classes were on the humanities campus, in La Casa de las Lenguas. Clas- ses were held Monday through Friday, from 9:30 to 2:00. We had students of all levels, from those who had abso- lutely no Spanish experience, to some who were fluent. ← Casa de las Lenguas My class in Oviedo was the best Spanish class I think I’ve ever taken . I enjoyed being in class. I wanted to be the person who was called on to read or answer questions, simply because I wanted to use my Spanish . The teachers were great, and the fact that they didn’t speak any English made it even better. It was intimidating at first, and often frustrating, but I think it was better that way. I fell in love with Spanish , and I just wanted to keep learning. -
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo by Flora Thomas Ward A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Flora Thomas Ward 2014 Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo Flora Thomas Ward Doctor of Philosophy Department of Art University of Toronto 2014 Abstract My dissertation examines the Cámara Santa of the Cathedral of Oviedo as both a medieval and modern monument, shaped by twelfth-century bishops and twentieth-century restorers. I consider the space as a multi-media ensemble, containing manuscripts, metalwork, and sculpture, arguing that we must view it as a composite—if fragmented—whole. My analysis focuses on the twelfth century, a crucial period during which the structure, decoration, and contents of the Cámara Santa were reworked. A key figure in this story is Bishop Pelayo of Oviedo (d. 1153), who sought to enhance the antiquity and authority of the see of Oviedo by means of the cult of its most important reliquary: the Arca Santa. I argue that this reliquary shapes the form and function of the twelfth-century Cámara Santa, considering the use of the space in the context of liturgy and pilgrimage. Finally, I consider the sculpture that lines the walls of the space, arguing that it animates and embodies the relics contained within the Arca Santa, interacting with the pilgrims and canons who used the space. Thus, this sculpture represents the culmination of the long twelfth-century transformation of the Cámara Santa into a space of pilgrimage focused around the Arca Santa and the memory of the early medieval patrons of the Cathedral of Oviedo, a memory which abides to this day. -
Paradores De Turismo
Discovering Spain Asturias - holiday destinations - holiday in Spain - luxury four - star hotel - luxury hotel - luxury hotel chain - luxury hotels - Parador Cangas de Onís - Parador Corias - Parador Guadalupe - Paradores - Paradores in Spain - Spain - Spain Paradores - spanish From Ferry to Parador Tuesday, 21 October, 2014 Paradores Parador de Cangas de Onís Parador de Corias Parador de Gijón The regular ferry service from the United Kingdom makes taking on a northern holiday in Spain an easy task! Why not schedule a trip to the beautiful region of Asturias and discover the provincial charm of the fishing villages near Gijón, Cangas de Onís and Corias? All three cities host some of Paradores’ luxury and historic hotels most spectacular locations, places where you will be able to discover the simple beauty of the local scene while enjoying the comforts of an exceptional lodging experience. Discovering Gijón The Asturian post city of Gijón is well-within reach now that a ferry line has opened with Poole, England. Drop in on the scenic spot, blessed with a mild climate and full of charming, provincial architecture, for a lovely stay on the Bay of Biscay. Parador Gijón is your home away from home here, nestled in an old mill in the city’s landmark Isabel la Católica Park, surrounded by gardens and a peaceful lake. Use it as your base as you visit San Lorenzo Beach or nearby villages like Avilés, home to the Oscar Niemeyer International Cultural Centre. Enjoy the changing colours of autumn at Parador Gijón Inland wonders Further inland, Cangas de Onís is an idyllic town located in the heart of the Picos de Europa National Park. -
Come Home To
Come home to Rural tourism in Asturias asturiastourism.co.uk 2 #RuralAsturias Introduction #RuralAsturias EDITING: SOCIEDAD PÚBLICA DE GESTIÓN Y PROMOCIÓN TURÍSTICA Y CULTURAL DEL PRINCIPADO DE ASTURIAS, SAU Design: Arrontes y Barrera Estudio de Publicidad Layout: Paco Currás Diseñadores Maps: Da Vinci Estudio Gráfico Texts: Ana Paz Paredes Translation: Morote Traducciones, SL. Photography: Front cover: Amar Hernández. Inside pages: Aitor Vega, Amar Hernández, Camilo Alonso, Carlos Salvo, Gonzalo Azumendi, Hotel 3 Cabos, Iván Martínez, Joaquín Fanjul, José Ángel Diego, José Ramón Navarro, Juan de Tury, Juanjo Arrojo, Julio Herrera, Mampiris, Miki López, Noé Baranda, Paco Currás Diseñadores, Pelayo Lacazette, Pueblosatur and own archive. Printing: Imprenta Mundo SLU D.L.: AS 03727 - 2018 © CONSEJERÍA DE EMPLEO, INDUSTRIA Y TURISMO DEL PRINCIPADO DE ASTURIAS asturiastourism.co.uk 1 Asturias gives so much, but it also takes a little something from travellers wanting to discover and enjoy it. It takes their astonishment and a little piece of their hearts. Every journey is the penultimate one, because, the more you get to know Asturias, the more you discover, and of course, there is always something yet to be discovered. Perhaps another cliff to admire, another river to descend in a canoe, or perhaps another beach to be enjoyed from a hang glider, another trail to be discovered... You just can’t get enough of it. It is never enough. So much greenery, so much rock, so much forest, so many ports to watch the boats coming and going, and all that cider poured in good company; all forming a series of monuments that leave those leaving with an impression of a friendly and welcoming land, like its people; always prepared to go the whole nine yards for those that love and respect it. -
An Interdisciplinary Study of Early Mediaeval Churches in North-Western Spain (Galicia)
heritage Article An Interdisciplinary Study of Early Mediaeval Churches in North-Western Spain (Galicia) Jorge Sanjurjo-Sánchez 1,* , Rebeca Blanco-Rotea 2 and José Carlos Sánchez-Pardo 2 1 Instituto Universitario de Xeoloxía, Universidade da Coruña, 15071 A Coruña, Spain 2 Universidade de Santiago de Compostela, 15782 Santiago, Spain; [email protected] (R.B.-R.); [email protected] (J.C.S.-P.) * Correspondence: [email protected] Received: 3 January 2019; Accepted: 4 February 2019; Published: 12 February 2019 Abstract: Over the last five years, the EMCHAHE (Early Medieval Churches: History, Archaeology and Heritage) Project has analysed the architecture, archaeology and history of numerous rural churches of the High Middle Ages in Galicia (NW Spain), through its historical, stratigraphic and chronological study. As a result, the knowledge of this historical period has been broadened and even changed, as well as an interdisciplinary methodology on how to approach this type of study. According to the results obtained, the project has allowed us to reflect on two issues, the potential of a relatively low-cost type of study to understand, assess and disseminate this type of heritage and the special appreciation and ownership that local communities have towards these churches as an engine of sustainable social development. Keywords: rural heritage; rural churches; early mediaeval heritage; Middle Ages 1. Introduction This work aims to discuss a key element of the heritage of North-Western Spain consisting of rural churches, and in particular, early mediaeval churches, based on the knowledge generated in a research project. The Project in question is “Early Medieval Churches: History, Archaeology and Heritage” (hereinafter, EMCHAHE), funded with an Action Marie Curie Career Integration Grant (PCIG12-GA-2012-334068) from the European Research Agency (European Commission, “People” Program of the “Frame Program 7”) in its 2012 call for bids and developed between 2013 and 2017. -
Sunset Building-Rue Abid Isaac- Sassine Square- Achrafieh- Beirut- Lebanon T= 01330396/97/98
Satguru Travel & Tours Service Block 8B - Sunset Building-Rue Abid Isaac- Sassine square- Achrafieh- Beirut- Lebanon T= 01330396/97/98 Madrid & Northern Spain 6 Nights/7 Days 02 December 2019 – 31 March 2020 1st Day (Mon.) MADRID Meet and assistance at the airport, transfer to the hotel. Balance of the day at leisure. Accommodation at the hotel. 2nd Day (Tue.) MADRID Breakfast at the hotel. Morning Madrid panoramic city tour; find the medieval origins of the city, like the Arabic fortress, at the Barrio de la Morería, famous for its historical buildings. Drive through the courtesan district of the Hapsburgs characterized by Phillip II and its Renaissance and Baroque style buildings, Puerta del Sol, Plaza Mayor and Plaza de la Villa; the Madrid of the Bourbons and the complex town planning schemes of Charles III, the Royal Palace, Cibeles and Neptuno Fountains and the Puerta de Alcalá. Admire the XIX C. works such as Prado Museum. The contemporary Madrid with areas such as Gran Vía, Castellana, the district of Salamanca, Plaza Castilla and Parque del Oeste, as well as commercial and financial areas of Modern Madrid, the emblematic Las Ventas Bullring and the Santiago Bernabéu Football Stadium. Afternoon free to explore the wonders that the city has to offer. Accommodation at the hotel. 3rd Day (Wed.) MADRID – ZARAGOZA – SAN SEBASTIAN Breakfast at the hotel. Transfer to JULIÁ TRAVEL bus terminal, located in the underground parking of the Plaza de Oriente. Departure at 08:30 a.m. Towards Zaragoza. Free time to visit the Basilica of Our Lady of The Pilar, patroness of Hispanity and stroll through the old streets of Zaragoza. -
University of Florida Thesis Or Dissertation Formatting
THE MAN AND THE MYTH: HERACLIUS AND THE LEGEND OF THE LAST ROMAN EMPEROR By CHRISTOPHER BONURA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2011 1 © 2011 Christopher Bonura 2 ACKNOWLEDGMENTS I thank my adviser, Dr. Andrea Sterk, for all the help and support she has given me, not just for this thesis, but for her patience and guidance throughout my time as her student. I would never have made it to this point without her help. I would like to thank Dr. Florin Curta for introducing me to the study of medieval history, for being there for me with advice and encouragement. I would like to thank Dr. Bonnie Effros for all her help and support, and for letting me clutter the Center for the Humanities office with all my books. And I would like to thank Dr. Nina Caputo, who has always been generous with suggestions and useful input, and who has helped guide my research. My parents and brother also deserve thanks. In addition, I feel it is necessary to thank the Interlibrary loan office, for all I put them through in getting books for me. Finally, I would like to thank all my friends and colleagues in the history department, whose support and friendship made my time studying at the University of Florida bearable, and often even fun, especially Anna Lankina-Webb, Rebecca Devlin, Ralph Patrello, Alana Lord, Eleanor Deumens, Robert McEachnie, Sean Hill, Sean Platzer, Bryan Behl, Andrew Welton, and Miller Krause. -
Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions
RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof. -
Juan Antonio Quirós Castillo Medieval Archaeology in Spain
Juan Antonio Quirós Castillo Medieval Archaeology in Spain [A stampa in 50 years of medieval archaeology in Britain and beyond, a cura di R. Gilchrist e A. Reynolds, London 2009 (London: Society for Medieval Archaeology Monograph 30), pp. 173-189 © dell’autore - Distribuito in formato digitale da “Reti Medievali”, www.retimedievali.it]. chapter 9 MEDIEVAL ARCHAEOLOGY IN SPAIN By Juan Antonio Quiro´ s Castillo As in other countries in southern Europe, medieval archaeology in Spain is a young discipline. The predominance of prehistoric and Classical archaeology in academe has conditioned the study of medieval societies on the basis of the archaeological record. It is only in the last 30 years that medieval archaeology has undergone a significant quantitative and qualitative development. This paper presents a brief analysis of the discipline’s historiography and of the main subjects studied, and considers the main challenges currently posed by the development of the subject. introduction As in other parts of southern Europe, the archaeology of medieval societies in Spain is a discipline of very recent creation, despite the fact that its antecedents can be traced back to the 19th century. In spite of this, the discipline has undergone a spectacular development in the last few decades. As the field currently stands, there have never before been so many active archaeological projects or such systematic investigations of medieval sites. There is now an impressive number of published monographs and related studies. As discussed later in this paper, however, this explosion in professional interest and output contrasts with a negligible presence in academic institutions. This has led to the existence of several ‘medieval archaeologies’; an absence of methodological and epistemological reflection can be observed, and the results obtained by archaeology have been marginalized in historical syntheses devoted to the medieval period. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
Diocesis Hispaniarum (3Rd-5Th Century)
003 ROMA_english_Maquetación 1 21/02/14 11:33 Página 64 003 ROMA_english_Maquetación 1 21/02/14 11:33 Página 65 From Late Antiquity to Middle Age 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 66 Diocesis Hispaniarum (3rd-5th Century) The third century was a period of political and economic instability for the Roman Empire, which culminated with the reign of Diocletian. Under his rule, Hispania was divided into five provinces which together formed the Diocesis Hispaniarum. The fourth century brought a revival of economic prosperity, especially during the reign of the Hispano-Roman emperor Theo- dosius. The growing importance of the rural villas, the new residences of the Hispano-Roman aristocracy, would mark the course of the fourth and fifth centuries. In 380 Theodosius declared Christianity the empire’s official religion, crea- 66 ting a new ideological instrument of power with far-reaching political, ad- ministrative and social consequences. The origins of Christianity in Hispania are heterogeneous, with influences pouring in from North Africa, Rome and other places where important communities had existed since the third cen- tury. Everyday objects like the ones in the display case incorporated Christian symbols such as the Chi-Rho. The exhibition also features sarcophagi with relief decoration, a mosaic memorial plaque and gravestone inscriptions in memory of the dead. Reccesvinth’s crown (The Guarrazar Hoard) > 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 67 004 MEDIEVAL_english_Maquetación 1 21/02/14 11:42 Página 68 The Visigothic Kingdom of Toledo (6th-8th Century) After being defeated by the Franks at the Battle of Vouillé (507), the Visi- goths consolidated their power on the Iberian Peninsula and established To- ledo as their capital. -
Download: Brill.Com/Brill- Typeface
The Medieval Iberian Treasury in the Context of Cultural Interchange The Medieval Iberian Treasury in the Context of Cultural Interchange Expanded Edition Edited by Therese Martin LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Originally published, in part, as Volume 25, No. 1– 2 (2019) of Brill’s journal Medieval Encounters. Chapter 9 was originally published as Nancy L. Wicker, “The Scandinavian Container at San Isidoro, León, in the Context of Viking Art and Society,” Journal of Medieval Iberian Studies 11/ 2 (2019): 135– 156; it is here reprinted by permission of the publisher Taylor & Francis Ltd, http:// www.tandfonline.com. The Medieval Iberian Treasury in Context: Collections, Connections, and Representations on the Peninsula and Beyond (National Research Challenge Grant, Spanish Ministry of Science, Innovation, and Universities, AEI/ FEDER, RTI2018- 098615- B- I00, 2019– 2022). Cover illustration: Stole of Queen Leonor (detail), 1197 (Museo de la Real Colegiata de San Isidoro de León, Inv. No. IIC-3-089-002-0024, photo: Therese Martin).