Un Amour Impossible
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Feature Films
FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Où Va France 2 ?
Sophie Bramly La fondatrice du site Secondsexe.com, dédié au plaisir féminin, produit une collection de courts métrages pour 1 Canal+. Portrait. PAGE 4 Mesrine A l’occasion de la sortie en salles de « L’Instinct de mort », TV&Radio retour sur le parcours Du lundi 20 octobre de l’ex-ennemi public n˚1. PAGE 23 au dimanche 26 octobre Où va France 2 ? Dirty Sexy Money Casting prestigieux pour cette série américaine politiquement incorrecte qui débarque sur Canal+. PAGE 19 L’expédition RTL La station lance une série de grands reportages sur l’état de la planète. Première Audience destination : l’Alaska. PAGE 35 en baisse et nouveaux magazines bâclés, la chaîne vit une rentrée délicate. PAGES 2 ET 3 Dessin de Sylvie Serprix ; Michel Monteaux pour « Le Monde » ; La Petite Reine ; ABC ; RTL. - CAHIER DU « MONDE » DATÉ DIMANCHE 19 - LUNDI 20 OCTOBRE 2008, Nº 19823. NE PEUT ÊTRE VENDU SÉPARÉMENT - 2 Le Monde Dimanche 19 - Lundi 20 octobre 2008 DOSSIER Une prérentrée tumultueuse pour France 2 Bousculée par la suppression de la publicité après 20 heures annoncée pour le 5 janvier 2009, la chaîne amiral de France Télévisions a enregistré en septembre sa plus faible audience. Tandis que la plupart des nouveaux magazines, mis à l’antenne dans la précipitation, n’ont pas convaincu le public RANCE 2 «à la Courbet en remplacement de Lau- 31 octobre. Au-delà, Patrice Duha- peine ». « Vendredi rent Ruquier pour animer la case mel, parle de « changements noir » pour France 2. de l’avant-« JT» ? « Service maxi- lourds » pour une émission « qui « Dérapage » dans le mum », le magazine de consom- n’a pas tenu ses promesses ». -
Classic French Film Festival 2013
FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S. -
Le Laboratoire D'éric Rohmer, Un Cinéaste À La
2 EXPOSITIONS ÉVÉNEMENTS 25 CYCLES EXCEPTIONNELS : BLAKE E DWARDS / N ANNI MORETTI FRITZ LANG / CITÉS FUTURISTES / ROBERT ALTMAN / JACQUES FEYDER BERNARDO BERTOLUCCI / TIM BURTON / EGYPTOMANIA / ALAIN CAVALIER BULLE OGIER / GABRIEL YARED / KING HU / SHIRLEY MACLAINE / STEVEN SPIELBERG ... Organisez votre saison sur cinematheque.fr LA CINÉMATHÈQUE FRANÇAISE - 51 RUE DE BERCY 75012 - PARIS Grands mécènes de La Cinémathèque française pub_cf_belfort_2011.indd 1 25/10/2011 17:40:32 Le cinéma n’est pas une distraction pour moi. C’est la rencontre, parfois atroce, avec mes désirs les plus profonds. Alejandra Pizarnik 25 janvier 1963 (Journaux 1959-1971, collection Ibériques, édtions José Corti, 2010) 3 L’équipe du festival Remerciements Président du Festival : Étienne Butzbach Le festival remercie ses partenaires : Le Festival remercie particulièrement Déléguée générale, directrice artistique : la Région Franche-Comté, le Conseil général du Jean-Pierre Chevènement Catherine Bizern Territoire de Belfort, le ministère de la Culture Françoise Etchegaray, Patricia Mazuy, Jean- Secrétaire générale : Michèle Demange et de la communication, la Direction régionale Claude Brisseau Adjoint à la direction artistique, catalogue, site des Affaires culturelles de Franche-Comté, Hala Abdallah, Michel Amarger, Jérôme internet : Christian Borghino le Centre national du cinéma et de l’image Baptizet, Gilles Barthélémy, Xavier Baert, Claire Sélection de la compétition officielle : animée, la Cinémathèque française, la Sempat, Beaudoin, Bernard Benoliel, Vincent-Paul -
And the Ship Sails On
And The Ship Sails On by Serge Toubiana at the occasion of the end of his term as Director-General of the Cinémathèque française. Within just a few days, I shall come to the end of my term as Director-General of the Cinémathèque française. As of February 1st, 2016, Frédéric Bonnaud will take up the reins and assume full responsibility for this great institution. We shall have spent a great deal of time in each other's company over the past month, with a view to inducting Frédéric into the way the place works. He has been able to learn the range of our activities, meet the teams and discover all our on-going projects. This friendly transition from one director-general to the next is designed to allow Frédéric to function at full-steam from day one. The handover will have been, both in reality and in the perception, a peaceful moment in the life of the Cinémathèque, perhaps the first easy handover in its long and sometimes turbulent history. That's the way we want it - we being Costa-Gavras, chairman of our board, and the regulatory authority, represented by Fleur Pellerin, Minister of Culture and Communication, and Frédérique Bredin, Chairperson of the CNC, France's National Centre for Cinema and Animation. The peaceful nature of this handover offers further proof that the Cinémathèque has entered into a period of maturity and is now sufficiently grounded and self-confident to start out on the next chapter without trepidation. But let me step back in time. Since moving into the Frank Gehry building at 51 rue de Bercy, at the behest of the Ministry of Culture, the Cinémathèque française has undergone a profound transformation. -
Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
MK2 presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines MK2 presents I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ in coproduction with France 3 Cinéma and the participation of the Musée d’Orsay and of Canal+ and TPS Star with the support of the Region of Ile-de-France in partnership with the CNC I nt E rnationa L S A LE S MK2 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 55 / fax : + 33 1 43 07 29 63 [email protected] PRESS MK2 - 55 rue Traversière - 75012 Paris tel : + 33 1 44 67 30 11 / fax : + 33 1 43 07 29 63 SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche) a successful New York designer, Frédéric (Charles Berling) an economist and university professor in Paris, and Jérémie (Jérémie Renier) a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future. 1 ABOUT SUMMER HOURS: INTERVIEW WITH OLIVIER ASSAYAS The script of your film was inspired by an initiative from the Musée d’Orsay. Was this a constraint during the writing process? Not at all. In the beginning, there was the desire of the Musée d’Orsay to associate cinema with the celebrations of its twentieth birthday by offering «carte blanche» to four directors from very different backgrounds. -
Bamcinématek Presents the US Theatrical Premiere of Jacques Rivette’S Through-The-Looking Glass Thriller Le Pont Du Nord, Mar 22—28
BAMcinématek presents the US theatrical premiere of Jacques Rivette’s through-the-looking glass thriller Le Pont du Nord, Mar 22—28 One week only! New 35mm print! “The most alive movie I saw at the festival. Leaves me with a whole album of indelible images and unnerving emotions.”—Jonathan Rosenbaum, 1981 New York Film Festival The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Feb 28, 2013—From Friday, March 22, through Thursday, March 28, BAMcinématek presents the US theatrical premiere run of Jacques Rivette’s Le Pont du Nord (1981), screening in a new 35mm print. A puzzle, a hallucinatory cinephilic fever dream, and a spellbinding, through-the-looking glass thriller as only French New Wave titan Rivette could make, Le Pont du Nord plays like the darker, conspiracy theory-obsessed cousin of the director’s beloved Céline and Julie Go Boating. This tale of two women follows ex-con Marie (Bulle Ogier), just out of prison, and Baptiste (Ogier’s real-life daughter Pascale, who died two years later at the age of 25), who embark on a surreal, labyrinthine odyssey through a wintry Paris. The film is replete with mysterious clues, codes, traps, and spies and unfolds as “underworld and wonderland merge in the open air; joyous whimsy blurs with justified worry; and Rivette risks exploring the scarifying powers of fantasy and paranoia with a panning, punning documentary eye” (Paul Taylor, Time Out London). Rivette, in collaboration with Bulle and Pascale Ogier as well as Oscar-nominated screenwriter Suzanne Schiffman, made Le Pont du Nord on a shoestring budget with a largely improvised script. -
Juliette Binoche Charles Berling Jérémie Renier Olivier Assayas
Palace Films presents Juliette Charles Jérémie BINOCHE BERLING RENIER A film by Olivier ASSAYAS photo : Jeannick Gravelines Official Selection 2008 New York Film Festival 2008 Toronto Film Festival Prix Louis Delluc 2008 Nominee Piers Handling, Toronto Film Festival «Olivier Assayas’s new film is not a radical departure from his previous work, but the differences are nonetheless striking. It has a mature look and feel, made by an artist completely at ease with the medium. Without striving for effect, Assayas is happy to let the material speak for itself. And what a magnificent achievement it is. Summer Hours deals with ideas of tradition and family heritage, using a house and a garden as a metaphor for cultural memory. Incisively written, superbly acted by some of France’s finest performers and boasting a delicately understated approach to the subject matter, Assayas’s new film moves effortlessly through its narrative with all the grace of Renoir at the height » of his powers. I wanted, as simply as possibly, to tell the story of a life-cycle that resembles that of the seasons… Olivier Assayas presents a film by Olivier Assayas Starring Juliette Binoche Charles Berling Jérémie Renier France, 35mm, color, 2008. Running time : 102’ Australian Release 2 April, 2009 Website www.summerhours.com.au PRESS Paige Diamond National Publicity & Promotions Manager [email protected] T: +61 2 9357 5755 F: +61 2 9331 7145 M: +61 431 106 082 For images please visit www.palacefilms.com.au/gallery Username: PFGallery Password: pfguest SYNOPSIS The divergent paths of three forty something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. -
Lauréats 2021 Bourses De Création Littérature Générale
LAURÉATS 2021 BOURSES DE CRÉATION LITTÉRATURE GÉNÉRALE « Pleine Lune» Créatin pluridisciplinaire (cinéma, litérature et théâtre) autiur d’Éric Rihmer, de Bulle Ogier et de Marguerite Duras Lauréats de la Bourse de création «Littérature générale et Arts 2021 Mélodie Richard - comédienne Guillaume Gaessler - vidéaste Aude Brechotteau - scénariste, réalisatrice Mélodie Richard présentation de la comédienne 2 Diplômée du Conservatoire national supérieur d’art dramatique en 2011, Mélodie Richard joue avec Yann-Joël Collin dans TDM3 de Didier-Georges Gabily, Salle d’attente de Lars Norén, Perturbation, spectacles mis en scène par Krystian, Les revenants mis en scène par Thomas Ostermeier, Intrigue et Amour mis en scène par Yves Beaunesne, Nouveau Roman de Christophe Honoré ou encore La mouette mis en scène par Thomas Ostermeier. Au cinéma, on l’a vue notamment dans Vénus noire d’Abdellatif Kechiche. On la retrouve dans Les fantômes d’Ismaël et Trois souvenirs de ma jeunesse d’Arnaud Desplechin, Métamorphoses de Christophe Honoré… À la télévision, elle apparaît dans la saison 2 de la série Les Revenants de Fabrice Gobert et Frédéric Goupil. En 2011, elle obtient au festival de La Rochelle le Meilleur espoir féminin pour son interprétation dans le film Cigarettes et bas nylon de Fabrice Cazeneuve. En 2018, elle jouait la nouvelle et éclatante Bérénice, mise en scène par Célie Pauthe. Elle était en 2020 à l’affiche de La double inconstance de Marivaux, mise en scène par Galin Stoev et créée au Théâtre de la Cité à Toulouse… Guillaume Gaessler et Aude Brechotteau présentation des vidéastes Dès sa 3e année d'approfondissement photographique de l'ETPA Toulouse, Guillaume Gaessler s'inscrit en micro entreprise et commence à travailler dès le début de son cursus. -
Redalyc.Exilic/Idyllic Shakespeare: Reiterating Pericles in Jacques
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España Calbi, Maurizio Exilic/idyllic Shakespeare: Reiterating Pericles in Jacques Rivette's Paris nous appartient SEDERI Yearbook, núm. 25, 2015, pp. 11-30 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333543052002 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Exilic/Idyllic Shakespeare: Reiterating Períc1es in Jacques Rivette's París nous apparfíenl Maurizio Calbi Universitil degli Studi di Salema, Italy ABSTRAeT Jacgues Rivette's París nous appartient (1961) i5 about a literature student, Anne Coupit who becomes involved with a group of bohemians centering around the absent figure of Spanish musician, Juan. The film incorporates the attempt by theatre director Cérard Lenz - in many ways a simulacrum of Rivette himself - to stage Pericles, even though this i5 a play that he himself defines as lIincoherent" and lIunplayable." This essay explores the significance of this incorporatiol1, and shows how the reiterated, fragmentary rehearsals of this "unplayable" play are essential to an understanding of the (disjointed) logic of the film as well as the atmosphere of conspiracy it continually evokes. It also arglles that the "5hakespeare" included in the film is an "exilie 5hakespeare" that does not properly belong, a kind of speetre haunting the film eharacters. This construct uneasily coexists with a version of IIShakespeare" that the film simultaneously emphasizes - a "5hakespeare" that takes place "on another level" (in Anne's words), an idyllie and idealistic entity. -
Gespräch Mit Pascale Ogier : "Ich Liebe Es, Geliebt Zu Werden"
Gespräch mit Pascale Ogier : "Ich liebe es, geliebt zu werden" Autor(en): Ruggle, Walter / Ogier, Pascale Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 26 (1984) Heft 139 PDF erstellt am: 10.10.2021 Persistenter Link: http://doi.org/10.5169/seals-866566 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Gelächter preisgegeben wäre. Es scheint mir ein leiten, emotional einzugreifen, wie es die Kinder beim wesentlicher Unterschied zu sein, ob man sich amüsiert, Besuch im Kasperle-Theater tun. Nein, schreit es dann weil man eine Situation, in der man sich auch selber in uns, das kann sie doch nicht so machen, wieso handelt immer mal wieder befindet, in ihrer Konstitution sie jetzt so, wieso merkt sie das nicht.