Music 1000 songs, 2.8 days, 5.90 GB Name Time Album Artist Drift And Die 4:25 Alternative Times Vol 25 Puddle Of Mudd Weapon Of Choice 2:49 Alternative Times Vol 82 Black Rebel Motorcycle Club You'll Be Under My Wheels 3:52 Always Outnumbered, Never Outg… The Prodigy 08. Green Day - Boulevard Of Bro… 4:20 American Idiot Green Day Courage 3:30 ANThology Alien Ant Farm Movies 3:15 ANThology Alien Ant Farm Flesh And Bone 4:28 ANThology Alien Ant Farm Whisper 3:25 ANThology Alien Ant Farm Summer 4:15 ANThology Alien Ant Farm Sticks And Stones 3:16 ANThology Alien Ant Farm Attitude 4:54 ANThology Alien Ant Farm Stranded 3:57 ANThology Alien Ant Farm Wish 3:21 ANThology Alien Ant Farm Calico 4:10 ANThology Alien Ant Farm Death Day 4:33 ANThology Alien Ant Farm Smooth Criminal 3:29 ANThology Alien Ant Farm Universe 9:07 ANThology Alien Ant Farm The Weapon They Fear 4:38 Antigone Heaven Shall Burn To Harvest The Storm 4:45 Antigone Heaven Shall Burn Tree Of Freedom 4:49 Antigone Heaven Shall Burn Voice Of The Voiceless 4:53 Antigone (Slipcase - Edition) Heaven Shall Burn Rain 4:11 Ascendancy Trivium laid to rest 3:49 ashes of the wake lamb of god Now You've Got Something to Die … 3:39 Ashes Of The Wake Lamb Of God Relax Your Mind 4:07 Bad Boys 2 Soundtrack Loon Intro 0:12 Bad Boys 2 Soundtrack Bad Boys 2 Soundtrack Show Me Your Soul 5:20 Bad Boys 2 Soundtrack Loon Feat.
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu-scholarworks@wmich.edu. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory.
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ publications@city.ac.uk A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis………………………………………………………………….
Tuesday, November 8, 2011 THE IRISH TIMES 13 TOMORROW Rosemary Mac Cabe adds some sparkle to your winter wardrobe in Style SMALL PRINTS Then Tori Amos composed herself Tori Amos by year ■ Born in Newton, North Carolina, August 22nd, 1963 ■ Age five Started to compose instrumental pieces on piano, winning a TONY CLAYTON-LEA full scholarship to the Preparatory division of the Peabody Conservatory of Music As achild at the Peabody Conservatory, ■ Age 11 Peabody scholarship it was ingrained in Tori Amos that discontinued because of reluctance to read from sheet music and an increasing female composers didn’t have the same interest in rock and pop music ■ Age 14 Began playing in piano bars, opportunities as men. So when a chaperoned by her father, Reverend one-in-a-billion chance came her way, she Edison Amos ■ Age 21 Following several years doing couldn’t resist ... the rounds of the piano-bar circuit in the DC area, moved to Los Angeles to pursue her music career HE IS, as they say, adifferent kettle of ■ Age 25 Releases the debut album fish, altogether. For some, American YKant Tori Read from her band of the singer/songwriter/performer Tori same name; it has long been out of Amos is many things: afirebrand of circulation, with no sign of it being S individualism, atorchbearer for idiosyn- reissued crasy, abeacon of light for those wavering ■ Age 27 Releases Little Earthquakes; between independency and soul-selling. sets out her stall with songs about sexual To others, she is the oddest side of odd: the assault, identity crises, religion
Y Kant Tori Read Y Kant Tori Read mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Y Kant Tori Read Country: US Released: 1988 Style: Alternative Rock MP3 version RAR size: 1274 mb FLAC version RAR size: 1195 mb WMA version RAR size: 1157 mb Rating: 4.9 Votes: 343 Other Formats: VOC AUD TTA ASF AC3 MP2 MIDI Tracklist Hide Credits A1 The Big Picture 3:25 A2 Cool On Your Island 4:06 Fayth A3 4:10 Piano [Acoustic] – Kim Bullard A4 Fire On The Side 4:26 A5 Pirates 5:40 B1 Floating City 3:12 B2 Heart Attack At 23 4:58 B3 On The Boundary 3:12 B4 You Go To My Head 6:59 B5 Etienne Trilogy 4:38 B5a The Highlands Etienne B5b Drums – Vinny Coliauta* B5c Skyeboat Song (Traditional) Companies, etc. Record Company – Warner Communications Phonographic Copyright (p) – Atlantic Recording Corporation Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Atlantic Recording Corporation Copyright (c) – WEA International Inc. Manufactured By – Atlantic Recording Corporation Credits Acoustic Guitar – Peter White Acoustic Guitar, Guitar – Steve Farris Artwork – Bob Defrin Backing Vocals – Ce Ce Bullard, James House, Merry Clayton, Nancy Shanks, Rick Nelson*, Robin Zander, The Valentine Brothers Backing Vocals, Keyboards [Additional] – Tori Amos Bagpipes – Devon Dickson Bass – Fernando Saunders (tracks: A3, A5, B1), Tim Landers (tracks: A1, A2, A4, B2 to B5) Bouzouki – Richard Bernard Co-producer, Keyboards, Programmed By – Kim Bullard Drums – Matt Sorum Engineer [Additional] – Caba Petcoz, Dan Nebenzal Engineer [Assistant] – Angus Davidson,
Brevard Live October 2007 - 1 2 - Brevard Live October 2007 Brevard Live October 2007 - 3 4 - Brevard Live October 2007 Brevard Live October 2007 - 5 6 - Brevard Live October 2007 Brevard Live October 2007 - 7 8 - Brevard Live October 2007 BREVARD LIVE Meet The Stars October 2007 F E A T U R E S Volume 16, Issue 7 • SM MEMORIAL BLUES BASH page 11 Featuring some of the finest blues bands in the country.. PUBLISHER & EDITOR Heike Clarke • SPACE COAST STATE FAIR page 13 STAFF Several free concerts with fair admission. Charlene Hemmle (Manager & Graphics) Jay Galbreath (Sales/Marketing) • BUDDY MILES page 14 Linda Thorpe (Sales/Marketing) The legendary blues man performs at the SBI Jeff Nall (Staff-Writer) Chris Long (Staff-Writer) David Mac Makin (Computer) • TORI AMOS page 20 Lou Belcher (Arts) American Doll Posse World Tour stops at the King Center Terry Wallace (Photos) CONTRIBUTING WRITERS • MEG O’WEEN page 25 Eroica Fedder, Greg Kimple, The wildest Halloween Party in the county Franco Dean, Judy Tatum Lane, DINING Chuck Van Riper, Rob Selkow & FUN D I N I N G Reproduction of any portion of Brevard • OUT & ABOUT page 47 Live is strictly prohibited without the by Eroica Fedder She samples food, enjoys the ambi- written permission of the publisher. ance, listens to music. Eroica is “out & about”. ADVERTISEMENT/ SALES page 47 for information and rate card The A R T S Phone: (321) 956-9207 • ART EVENTS page 56 Fax: (321) 956-9228 by Lou Belcher Two fine art shows are scheduled in e-mail: info@brevardlive.com October: First Annual Main Street Masters of Art and Artworks Eau Gallie.
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives “Don’t you realize it’s Just Her Disguise?” Performances of femininity by Kim Gordon, Tori Amos and Gillian Welch Tonje Håkensen Master Thesis Institute of Musicology University of Oslo February 2007 Preface Both popular music and femininity is something I deal with everyday, yet it has been quite challenging to write about it. I have been able to do so because of the following people: My tutor, Stan Hawkins: Your commentary is always inspiring, helpful and very interesting. It’s been so much fun working with you. I am deeply grateful. My wonderful and supportive family; Solvor Sperati Karlsen, Terje “8-timers-dagen” Håkensen, Daniel Håkensen, Michelle Schachtler and Marit Håkensen. My equally wonderful and supportive friends, I can’t mention any names because I’m afraid I’ll leave somebody out. My dear Bjørnar Sund, I’m looking forward to discussing this thesis with you. All fellow students at IMV, especially the “class of 2002” and those I have worked with in Fagutvalget/Programutvalget, thank you for collaboration and fun. Guro Flinterud and Ingvil Urdal, this thesis is for you. Oslo, January 2007 Tonje Håkensen. Contents Preface …………………………………………………………………………………….. i Chapter 1: Introduction …………………………………………………………………1 Choice of Objects………………………………………………………………………… 2 Structure…………………………………………………………………………………...3 Meaning and Dialogue…………………………………………………………………….4 My position on Popular Musicology………………………………………………………5 Femininity and Music……………………………………………………………………...6 Gender and Musicology………………………………………………………………….. 10 Performance……………………………………………………………………………….14 Performance and Authorship……………………………………………………………...15 Authorship, Authenticity and Gender …………………………………………………….18 Situation…………………………………………………………………………………...20 Chapter 2: Smartest Girl on the Strip ………………………………………………….
2 SWR2 Tandem - Manuskriptdienst Tori Amos - Zwischen Verzückung und Verstörung Die US-Musikerin wird 50 und polarisiert immer noch Autorin: Christiane Rebmann Redaktion: Bettina Stender Sendung: Freitag, 27.01.12 um 19.20 Uhr in SWR2 __________________________________________________________________ Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. SWR2 Tandem können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de oder als Podcast nachhören: http://www1.swr.de/podcast/xml/swr2/tandem.xml Kennen Sie schon das neue Serviceangebot des Kulturradios SWR2? Mit der SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de ___________________________________________________________________ 1 MANUSKRIPT Tori Amos “Gold Dust” (CD: Gold Dust) Autorin: Berlin, Winter 2012. Tori Amos ist nach Deutschland gekommen, um über ihr aktuelles Album Gold Dust zu sprechen, für das sie einige ihrer älteren Songs mit dem Amsterdamer Metropole Orchester eingespielt hat. Tori Amos “Gold Dust” (CD: Gold Dust) Tori Amos: (engl.) Sprecherin overvoice: Mit einem Orchester zu arbeiten, das ist, als würde man mit einem Drachen arbeiten. Ich sitze mit meinem Bösendorfer Piano und in High Heels oben auf dem Rücken des Drachens, und ich beobachte sehr genau die Bewegungen des Drachendompteurs. Denn ich weiß ja, dass so ein Drachen leicht mal seinen Kopf nach hinten werfen kann. Er will mir vielleicht nicht wehtun.
Adaptive Multimodale Exploration Von Musiksammlungen
Adaptive multimodale Exploration von Musiksammlungen Von der Fakultät für Mathematik, Informatik und Naturwissenschaften der RWTH Aachen University zur Erlangung des akademischen Grades eines Doktors der Naturwissenschaften genehmigte Dissertation vorgelegt von Diplom-Informatiker Dominik Lübbers aus Osnabrück Berichter: Universitätsprofessor Dr. rer. pol. Matthias Jarke Universitätsprofessor Dr. rer. nat. Thomas Seidl Tag der mündlichen Prüfung: 8. Dezember 2009 Diese Dissertation ist auf den Internetseiten der Hochschulbibliothek online verfügbar. Zusammenfassung Aktuelle Musikportale und Systeme zur Verwaltung privater Musiksammlungen konzentrieren sich auf die Unterstützung einer gezielten Suche nach Stücken (z.B. anhand von beschreiben- den Metadaten wie Titel, Künstler, etc.). Empirische Untersuchungen haben jedoch gezeigt, dass das typische Kundenverhalten in klassischen Musikläden viel stärker durch ein ungerich- tetes „Stöbern“ im Angebot ohne ein klar artikulierbares Informationsbedürfnis gekennzeich- net ist. Um dieses Zugriffsmuster besser zu bedienen, beschreibt diese Dissertation die Konzepti- on, Implementierung und Evaluation einer Computerspiel-artigen Explorationsumgebung für Musiksammlungen, die dem Benutzer die Freiheit zur selbständigen Erkundung einer nach- vollziehbar strukturierten Stück-Kollektion gibt. Grundlage einer solchen Strukturierung ist ein quantifizierbarer Ähnlichkeitsbegriff für Musik- titel. Im ersten Teil der Arbeit werden daher inhaltsbasierte, Experten-basierte, kollaborative und textbasierte Ansätze