A Dictionary of Postmodernism
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An Answer to the Question, What Is Postmodernism? by Niall Lucy & Steve Mickler
2/18/2016 TRANSFORMATIONS Journal of Media & Culture ISSN 14443775 2008 Issue No. 16 — Democracy Under Fire The War on English: An Answer to the Question, What is Postmodernism? By Niall Lucy & Steve Mickler This paper derives from our keynote address to the NSW English Teachers’ Association Conference (“Licence to Thrill”) in Sydney, December 2007. It is intended as an evidence-based rejoinder to widespread attacks on the alleged parlous state of secondary-school English in Australia today, where the problem seems to be that English has been taken over by “postmodernism.” In this way postmodernism is seen as the general or foundational problem, and so it follows that “postmodern” English must be a problem too. Our first task, then, is to decide what “postmodernism” means, according to its detractors. What are its alleged key features? This question occupies the initial section of the paper, which includes a series of counter arguments in response to what postmodernism is supposed to be guilty of “undermining” or “destroying.” In section two we move to a discussion of particular problems associated with so-called “postmodern” English, before focusing (in section three) on the widely reported views of a strident adversary of contemporary English studies: Kevin Donnelly. Our comments here are confined to a discussion of Donnelly’s most recent book, Dumbing Down (2007), which we take for a mature and considered expression of his approach to education. We conclude by way of pondering the question, whose interests are served by attacking postmodernism? 1. Postmodernism 1.1 Postmodernism is denounced for consisting (allegedly) of five broad features, all of which are meant to be equally damning: postmodernism holds there to be no such thing as truth postmodernism equals moral relativism postmodernism is leftist postmodernism is anti-liberal postmodernism holds there to be no such thing as history. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. Furtherowner. reproduction Further reproduction prohibited without prohibited permission. without permission. UNEXPECTED SYNCHRONICITIES: EXPLORING CUNNINGHAM’S CHOREOGRAPHY THROUGH DERRIDA’S THEORY OF DECONSTRUCTION By Rachel Ellen Stephens Submitted to the Faculty o f the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Masters of Arts In Dance Chair: ... DrJjtrett Ashley Cra$fard U DryAprt&Smith ^ Cirsten Bodenstemer Dean Datela tip* ff 2005 American University Washington, D.C. 20016 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1425716 Copyright 2005 by Stephens, Rachel Ellen All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1425716 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. -
Jesus Is the Gateway
theadvocate.tv SEPTEMBER 2015 In Conversation Australian author Naomi Reed talks “Not drowning, just waving: Six thoughts on serving without about The Plum Tree in the Desert. PAGE 12 >> sinking in your local church.” RORY SHINER PAGE 13 >> 4 Leaders’ mission Global Interaction and Baptist World Aid Australia in Malawi >> 5 Sexuality discussed Vose Seminary Principal speaks at seminar hosted by BCWA >> Photo: Baptist World Alliance Vibrancy and diversity left wonderful memories for delegates at the 21st Baptist World Congress held in Durban, South Africa. Jesus is the gateway Keith Jobberns Other Australian Baptists that count, from every nation and all 8 Bordered by love are members of Committees and tribes and peoples and tongues, Australia’s treatment of Commissions included John standing before the throne and refugees and asylum Over 2,500 delegates from more than 80 countries Beasy, Rod Benson, Bill Brown, before the Lamb, clothed in seekers >> came together for the 21st Baptist World Congress in Ross Clifford, Heather Coleman, white robes, and palm branches Durban, South Africa in July. Ken Edmonds, Brian Harris, were in their hands; and they John Hickey, Keith Jobberns, cry out with a loud voice, saying, Sue Peters, Frank Rees, “Salvation to our God who sits African Baptists hosted and the quality of the preaching. Mark Wilson and Stephen Vose. on the throne, and to the Lamb.”’ welcomed the delegates and the The sermon can viewed on the The 22nd Baptist World [Revelation 7:9-10] induction of Rev. Paul Msiza from BWA website. Congress will be held in Rio Preceding the BWA Congress Building South Africa as the President of Forums covered topics de Janeiro, Brazil in 2020. -
Suzan-Lori Parks's the America Play and Its Deconstructive Ontology By
Suzan-Lori Parks’s The America Play and Its Deconstructive Ontology by Rachel A. Naor A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Sara Deats, Ph.D. Gaëtan Brulotte, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: December 11, 2007 Keywords: deconstruction, trace, différance, drama, textuality © Copyright 2008, Rachel A. Naor Dedication For Millie, Ariel, and Asaf Acknowledgement I would like to express my profound gratitude to my dissertational director, Dr. Phillip Sipiora. Being left without a mentor and director, I view Dr. Sipiora’s directorship as a unique act of generosity. I would like to thank my Marlowe and Shakespeare professor, Dr. Sara Deats, for many years of support and good advice. I would also like to extend my thanks to my committee members, Dr. Gaëtan Brulotte and Dr. Silvio Gaggi, for participating in my committee. I would like to express my thanks to my defense chair, Dr. Victor Peppard, for participating in my defense and for many years of support. I would like to thank my Hebrew Program coordinator, Rina Donchin, for her friendship and support. I would like to thank my drama professor, Dr. Anthony Kubiak, for making theater essential to my thinking. Finally, I would like to express my deep gratitude to my brother, Eli Angel, for his continued care throughout the years and for intervening in crucial moments in the course of my doctoral studies. -
Essex Green • Tralala • Totalt Jävla Mörker • Gentleman • the Pipettes Ed Harcourt • the Doits • Ebb • Existensm
Nummer 5 • 2006 Sveriges största musiktidning Essex Green • Tralala • Totalt jävla mörker • Gentleman • The Pipettes Ed Harcourt • The Doits • Ebb • Existensminimum • Molotov Jive • The Motorcycle Boy ME?X?JUNIJPDF ME?X ?JUNIJPDF ME?X ?JUNIJPDF Groove 5 • 2006 Gentleman sidan 7 Tre frågor till Ed Harcourt sidan 7 Att dela eller inte Se upp! sidan 7 Visst är det uppfriskande att följa priset att betala är ju bara urholkat Essex Green sidan 8 fildelningsdebatten som blossat upp personligt livsrum som ju inte är kvan- i samband med Storebrors tillslag i tifierbart på samma sätt. I kriget mot Titta en bilkrasch! sidan 8 Sverige på order av Bush den yngre. terrorismen måste vi ju alla räkna med Wolfmother sidan 9 Denna gång har globala vinstintressen att vårt privatliv inte längre förblir lika tagit av sig silkesvantarna och istället privat. Eller? Vad skulle Aldous Hux- Favvoplattor sidan 9 skjutit sig i foten. Några mäktiga före- ley säga? Eller George Orwell? Omslag The Pipettes sidan 10 tagsledare har likt Shakespeares skugg- Är det inte en gång för alla dags EMI Totalt jävla mörker sidan 10 figur Jago viskat i George W:s öra och att lagstifta bort vår fria vilja och fått svenska myndigheter att ta i med unika behov? Hur intresserade är vi Groove är en oberoende musiktidning The Doits sidan 12 hårdhandskarna. Man har därmed egentligen av att ta alla dagliga job- som ges ut av Musiktidning i Göteborg AB. Ebb sidan 12 lyckats med konststycket att alienera biga beslut själva, är det så självklart Groove åtminstone en hel generation trafi- att det är nödvändigt att vi ska kunna Box 112 91 Existensminimum sidan 12 kanter på informationsmotorvägen – utbyta idéer och information med 404 26 Göteborg Molotov Jive sidan 13 generationsklyftan har sällan öppnat varandra utan statliga riktlinjer? Telefon 031–833 855 sig så tydligt som sommaren 2006. -
Vagabond Holes: David Mccomb and the Triffids Free Ebook
FREEVAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS EBOOK Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Curtin research reveals David McComb and the Triffids Find many great new & used options and get the best deals for Vagabond Holes: David McComb and the Triffids by Fremantle Press (Paperback, ) at the best online prices at eBay!. Among other recent works, Lucy's co-edited collection (with Chris Coughran), Vagabond Holes (), is a tribute to his late friend, David McComb, lead singer and songwriter for Australian rock band The Triffids, which defies the conventions of a rock biography in its deconstruction of the notion of an autonomous self or identity. 9 Oct Vagabond Holes: David McComb and the Triffids by Lucy, Niall and a great selection of related books, art and collectibles available now at. Vagabond Holes: David McComb & The Triffids Get this from a library! Vagabond holes: David McComb and the Triffids. [Chris Coughran; Niall Lucy;] -- It is over 30 years since David McComb's haunting music and lyrics inspired a generation. This volume brings together family, friends and fans with a book of stories, poems and artworks about the. Vagabond Holes book. Read 5 reviews from the world's largest community for readers. In an homage to David McComb's haunting music and lyrics that inspire. Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN Vagabond Holes: David McComb And the Triffids Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN The Triffids released one more LP, The Black Swan, before the band split up and McComb sadly passed away. -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
Eleanor Mclean and the Murder of Parley P. Pratt
BYU Studies Quarterly Volume 15 Issue 2 Article 7 4-1-1975 Eleanor McLean and the Murder of Parley P. Pratt Steven Pratt Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Pratt, Steven (1975) "Eleanor McLean and the Murder of Parley P. Pratt," BYU Studies Quarterly: Vol. 15 : Iss. 2 , Article 7. Available at: https://scholarsarchive.byu.edu/byusq/vol15/iss2/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Pratt: Eleanor McLean and the Murder of Parley P. Pratt eleanor mclean and the murder of parley P pratt steven pratt twelve miles northwest of a small arkansas town called van buren parley P pratt was murdered on 13 may 1857 the events that precipitated the murder have often been spec- ulated about and discussed among students of mormon his- tory most scholars know that parley s death was connected with his involvement with eleanor jane mclean and that her estranged husband hector committed the murder though the narrative of parley s tragic end is available the full details are not and these need telling so that whatever mystery still sur- rounds it may be resolved ELEANOR JANE MCCOMB MCLEAN 181718541817 1854 eleanor jane mccomb was born 9 december 1817 in wheeling virginia to james and ann mccomb 1 little is known of her early life except that her -
David Mccomb Was a Conscious Craftsman and a Scintillating Thinker About His Craft
214 S PATIAL R ELATIONS a only you can hear. With “Good Evening Dear Miss Alach,” the book finishes in a very different register from the rest. It is self-referencing regarding the foulness (I use the antiquated term) of the music industry, snobbishness, false values. A goodbye with irony writ large. Its modest proposal eats us all. It is an epilogue. In this journey through his poetry, I hope to have shown that David McComb was a conscious craftsman and a scintillating thinker about his craft. It was no mere utilitarian device of expression and opinion for him, but some- thing of his body, of the place he came from and where he went. Poetry was necessity. It was a survival kit that kept him searching for reason, for purpose, for a logic in a traumatized but also compelling world. Beauty never faded, even if it struggled for expression. Love was about separation and loss as well as about having and possession. Irony was the safety-net that always gave way when the poet went out on the tightrope. Furthermore, McComb was an ecologist of body and land, and wrote against invasiveness in all its forms. Sometimes he had to deal with that invasiveness and come up with whatever ‘escapes’ he could manage. He was a poet of total liminality. David McComb: Beautiful Waste107 INCE THE BROADER RECOGNITION of Born Sandy Devotional (re- corded 1985, released 1986) as one of the great Australian music S albums, there has been a pleasing ‘growth’ in publications relating to definitively West Australian band The Triffids (named, of course, after the John Wyndham novel) and their singer–songwriter Dave McComb. -
This Book Contains the Complete Text of the Hardcover Edition. Spelling Is British and Mistakes by Publisher Are Left In. HAILED
This book contains the complete text of the hardcover edition. Spelling is British and mistakes by publisher are left in. HAILED AS THE GREATEST SCIENCE-FICTION MASTERPIECE OF OUR TIME The Day of The Triffids by John Wyndham THE END BEGINS When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere. I felt that from the moment I woke. And yet, when I started functioning a little more smartly, I became doubtful. After all, the odds were that it was I who was wrong, and not everyone else-though I did not see how that could be. I went on waiting, tinged with doubt. But presently I had my first bit of objective evidence-a distant clock stuck what sounded to me just like eight. I listened hard and suspiciously. Soon another clock began, on a hard, decisive note. In a leisurely fashion it gave an indisputable eight. Then I knew things were awry. The way I came to miss the end of the world-well, the end of the world I had known for close on thirty years-was sheer accident: like a lot of survival, when you come to think of it. In the nature of things a good many somebodies are always in hospital, and the law of averages had picked on me to be one of them a week or so before. It might just as easily have been the week before that-in which case I'd not be writing now: I'd not be here at all. -
Vagabond Holes: David Mccomb and the Triffids Free
FREE VAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS PDF Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Calenture - The Triffids | Songs, Reviews, Credits | AllMusic In an homage to David McComb's haunting music and lyrics that inspired a generation 30 years ago, this collection of stories, poems, and artwork celebrates the man and his postpunk band, the Triffids. Due to sold-out tribute concerts across Australia and the remastering of the complete Triffids oeuvre, a new generation is discovering McComb's work; fans old and new can delve deeper into his life and music in this intensely personal biography. Many of the featured photographs and images are previously unpublished. It is over thirty years since David McComb's haunting music and lyrics inspired Vagabond Holes: David McComb and the Triffids generation. Now, thanks to sold-out tribute concerts Australia-wide and the re-mastering of the complete Triffids oeuvre, a new generation is discovering his life's work. The editors bring together friends, family and fans in this book of stories, poems and artworks about the Triffids. It is exactly the type of book you would want produced on all your other beloved smart yet soulful guy and gal favorites. Convert currency. Add to Basket. Book Description Fremantle Press, Vagabond Holes: David McComb and the Triffids New. More information about this seller Contact this seller. Book Description Now, thanks to sold-out tribute Vagabond Holes: David McComb and the Triffids Australia-wide and the re-mastering of t. Seller Inventory Coughran, Chris ; Lucy, Niall. -
Songs About Perth
Edith Cowan University Research Online ECU Publications Post 2013 2016 Nothing happens here: Songs about Perth Jon Stratton Independent Scholar, Perth, Australia Adam Trainer Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/ecuworkspost2013 Part of the Australian Studies Commons, and the Social and Cultural Anthropology Commons 10.1177/0725513616657884 This is an Author's Accepted Manuscript of: Stratton, J., & Trainer, A. (2016), Nothing happens here: Songs about Perth. Thesis Eleven, 135(1), 34-50. Reprinted by permission of SAGE Publications. Available here This Journal Article is posted at Research Online. https://ro.ecu.edu.au/ecuworkspost2013/2163 Nothing Happens Here: Songs About Perth Jon Stratton Adam Trainer Abstract This essay examines Perth as portrayed through the lyrics of popular songs written by people who grew up in the city. These lyrics tend to reproduce the dominant myths about the city, that it is isolated, that it is self-satisfied, that little happens there. Perth became the focus of song lyrics during the late 1970s time of punk with titles such as ‘Arsehole Of The Universe’ and ‘Perth Is A Culture Shock.’ Even the Eurogliders’ 1984 hit, ‘Heaven Must Be There,’ is based on a rejection of life in Perth. However, Perth was also home to Dave Warner whose songs in the 1970s and early 1980s offered vignettes, which is itself a title of one of Warner’s tracks, of the youthful, male suburban experience. The essay goes on to examine songs by the Triffids, Bob Evans, Sleepy Township and the Panda Band. Keywords: Perth; songs; music; place; isolation; lyrics Myths of the City Every city has its myths.