DOCSLIB.ORG

Vagabond Holes: David Mccomb and the Triffids Free Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vagabond Holes: David Mccomb and the Triffids Free Ebook FREEVAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS EBOOK Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Curtin research reveals David McComb and the Triffids Find many great new & used options and get the best deals for Vagabond Holes: David McComb and the Triffids by Fremantle Press (Paperback, ) at the best online prices at eBay!. Among other recent works, Lucy's co-edited collection (with Chris Coughran), Vagabond Holes (), is a tribute to his late friend, David McComb, lead singer and songwriter for Australian rock band The Triffids, which defies the conventions of a rock biography in its deconstruction of the notion of an autonomous self or identity. 9 Oct Vagabond Holes: David McComb and the Triffids by Lucy, Niall and a great selection of related books, art and collectibles available now at. Vagabond Holes: David McComb & The Triffids Get this from a library! Vagabond holes: David McComb and the Triffids. [Chris Coughran; Niall Lucy;] -- It is over 30 years since David McComb's haunting music and lyrics inspired a generation. This volume brings together family, friends and fans with a book of stories, poems and artworks about the. Vagabond Holes book. Read 5 reviews from the world's largest community for readers. In an homage to David McComb's haunting music and lyrics that inspire. Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN Vagabond Holes: David McComb And the Triffids Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN The Triffids released one more LP, The Black Swan, before the band split up and McComb sadly passed away. McComb's explosive rage at the finale of "Vagabond Holes" should have been the Triffids' last gasp, an unsettling blast of scarred emotions that isn't easy to shake off. Two fans of 70s Australian rock group, The Triffids, have written books about its lead singer, the late David McComb. Vagabond Holes: David McComb and the Triffids and Beautiful Waste: Poems by David McComb (The Triffids) are the result of 3½ years of research by the books’ editors, Curtin University of Technology’s Associate Professor Niall Lucy and University of Melbourne’s Dr Chris. Vagabond Holes Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN ART DOESN'T EXPRESS. IT INVENTSWhereas fans of Australian post-punk group The Triffids may profess not to know their Barthes from their elbows. Among other recent works, Lucy's co-edited collection (with Chris Coughran), Vagabond Holes (), is a tribute to his late friend, David McComb, lead singer and songwriter for Australian rock band The Triffids, which defies the conventions of a rock biography in its deconstruction of the notion of an autonomous self or identity. https://static.s123-cdn-static.com/uploads/4571966/normal_5fc4dcf465f11.pdf https://cdn.sqhk.co/gandzaortizer/idghqhi/the-worry-solution-using-your-healing-mind-to-turn-stress-and-anxiety-into-better-health-and-happin- 31.pdf https://cdn.sqhk.co/robertreiningaqj/jhLLBje/we-belong-together-a-book-about-adoption-and-families-33.pdf https://static.s123-cdn-static.com/uploads/4575238/normal_5fc6f7b967bf0.pdf https://static.s123-cdn-static.com/uploads/4568747/normal_5fc50fa1e0dcd.pdf https://static.s123-cdn-static.com/uploads/4571881/normal_5fc4d9e2635aa.pdf.
Load more

Recommended publications
  • An Answer to the Question, What Is Postmodernism? by Niall Lucy & Steve Mickler
    2/18/2016 TRANSFORMATIONS Journal of Media & Culture ISSN 1444­3775 2008 Issue No. 16 — Democracy Under Fire The War on English: An Answer to the Question, What is Postmodernism? By Niall Lucy & Steve Mickler This paper derives from our keynote address to the NSW English Teachers’ Association Conference (“Licence to Thrill”) in Sydney, December 2007. It is intended as an evidence-based rejoinder to widespread attacks on the alleged parlous state of secondary-school English in Australia today, where the problem seems to be that English has been taken over by “postmodernism.” In this way postmodernism is seen as the general or foundational problem, and so it follows that “postmodern” English must be a problem too. Our first task, then, is to decide what “postmodernism” means, according to its detractors. What are its alleged key features? This question occupies the initial section of the paper, which includes a series of counter arguments in response to what postmodernism is supposed to be guilty of “undermining” or “destroying.” In section two we move to a discussion of particular problems associated with so-called “postmodern” English, before focusing (in section three) on the widely reported views of a strident adversary of contemporary English studies: Kevin Donnelly. Our comments here are confined to a discussion of Donnelly’s most recent book, Dumbing Down (2007), which we take for a mature and considered expression of his approach to education. We conclude by way of pondering the question, whose interests are served by attacking postmodernism? 1. Postmodernism 1.1 Postmodernism is denounced for consisting (allegedly) of five broad features, all of which are meant to be equally damning: postmodernism holds there to be no such thing as truth postmodernism equals moral relativism postmodernism is leftist postmodernism is anti-liberal postmodernism holds there to be no such thing as history.
    [Show full text]
  • Note to Users
    NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. Furtherowner. reproduction Further reproduction prohibited without prohibited permission. without permission. UNEXPECTED SYNCHRONICITIES: EXPLORING CUNNINGHAM’S CHOREOGRAPHY THROUGH DERRIDA’S THEORY OF DECONSTRUCTION By Rachel Ellen Stephens Submitted to the Faculty o f the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Masters of Arts In Dance Chair: ... DrJjtrett Ashley Cra$fard U DryAprt&Smith ^ Cirsten Bodenstemer Dean Datela tip* ff 2005 American University Washington, D.C. 20016 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1425716 Copyright 2005 by Stephens, Rachel Ellen All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1425716 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner.
    [Show full text]
  • Suzan-Lori Parks's the America Play and Its Deconstructive Ontology By
    Suzan-Lori Parks’s The America Play and Its Deconstructive Ontology by Rachel A. Naor A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Sara Deats, Ph.D. Gaëtan Brulotte, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: December 11, 2007 Keywords: deconstruction, trace, différance, drama, textuality © Copyright 2008, Rachel A. Naor Dedication For Millie, Ariel, and Asaf Acknowledgement I would like to express my profound gratitude to my dissertational director, Dr. Phillip Sipiora. Being left without a mentor and director, I view Dr. Sipiora’s directorship as a unique act of generosity. I would like to thank my Marlowe and Shakespeare professor, Dr. Sara Deats, for many years of support and good advice. I would also like to extend my thanks to my committee members, Dr. Gaëtan Brulotte and Dr. Silvio Gaggi, for participating in my committee. I would like to express my thanks to my defense chair, Dr. Victor Peppard, for participating in my defense and for many years of support. I would like to thank my Hebrew Program coordinator, Rina Donchin, for her friendship and support. I would like to thank my drama professor, Dr. Anthony Kubiak, for making theater essential to my thinking. Finally, I would like to express my deep gratitude to my brother, Eli Angel, for his continued care throughout the years and for intervening in crucial moments in the course of my doctoral studies.
    [Show full text]
  • Eleanor Mclean and the Murder of Parley P. Pratt
    BYU Studies Quarterly Volume 15 Issue 2 Article 7 4-1-1975 Eleanor McLean and the Murder of Parley P. Pratt Steven Pratt Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Pratt, Steven (1975) "Eleanor McLean and the Murder of Parley P. Pratt," BYU Studies Quarterly: Vol. 15 : Iss. 2 , Article 7. Available at: https://scholarsarchive.byu.edu/byusq/vol15/iss2/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Pratt: Eleanor McLean and the Murder of Parley P. Pratt eleanor mclean and the murder of parley P pratt steven pratt twelve miles northwest of a small arkansas town called van buren parley P pratt was murdered on 13 may 1857 the events that precipitated the murder have often been spec- ulated about and discussed among students of mormon his- tory most scholars know that parley s death was connected with his involvement with eleanor jane mclean and that her estranged husband hector committed the murder though the narrative of parley s tragic end is available the full details are not and these need telling so that whatever mystery still sur- rounds it may be resolved ELEANOR JANE MCCOMB MCLEAN 181718541817 1854 eleanor jane mccomb was born 9 december 1817 in wheeling virginia to james and ann mccomb 1 little is known of her early life except that her
    [Show full text]
  • David Mccomb Was a Conscious Craftsman and a Scintillating Thinker About His Craft
    214 S PATIAL R ELATIONS a only you can hear. With “Good Evening Dear Miss Alach,” the book finishes in a very different register from the rest. It is self-referencing regarding the foulness (I use the antiquated term) of the music industry, snobbishness, false values. A goodbye with irony writ large. Its modest proposal eats us all. It is an epilogue. In this journey through his poetry, I hope to have shown that David McComb was a conscious craftsman and a scintillating thinker about his craft. It was no mere utilitarian device of expression and opinion for him, but some- thing of his body, of the place he came from and where he went. Poetry was necessity. It was a survival kit that kept him searching for reason, for purpose, for a logic in a traumatized but also compelling world. Beauty never faded, even if it struggled for expression. Love was about separation and loss as well as about having and possession. Irony was the safety-net that always gave way when the poet went out on the tightrope. Furthermore, McComb was an ecologist of body and land, and wrote against invasiveness in all its forms. Sometimes he had to deal with that invasiveness and come up with whatever ‘escapes’ he could manage. He was a poet of total liminality. David McComb: Beautiful Waste107 INCE THE BROADER RECOGNITION of Born Sandy Devotional (re- corded 1985, released 1986) as one of the great Australian music S albums, there has been a pleasing ‘growth’ in publications relating to definitively West Australian band The Triffids (named, of course, after the John Wyndham novel) and their singer–songwriter Dave McComb.
    [Show full text]
  • This Book Contains the Complete Text of the Hardcover Edition. Spelling Is British and Mistakes by Publisher Are Left In. HAILED
    This book contains the complete text of the hardcover edition. Spelling is British and mistakes by publisher are left in. HAILED AS THE GREATEST SCIENCE-FICTION MASTERPIECE OF OUR TIME The Day of The Triffids by John Wyndham THE END BEGINS When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere. I felt that from the moment I woke. And yet, when I started functioning a little more smartly, I became doubtful. After all, the odds were that it was I who was wrong, and not everyone else-though I did not see how that could be. I went on waiting, tinged with doubt. But presently I had my first bit of objective evidence-a distant clock stuck what sounded to me just like eight. I listened hard and suspiciously. Soon another clock began, on a hard, decisive note. In a leisurely fashion it gave an indisputable eight. Then I knew things were awry. The way I came to miss the end of the world-well, the end of the world I had known for close on thirty years-was sheer accident: like a lot of survival, when you come to think of it. In the nature of things a good many somebodies are always in hospital, and the law of averages had picked on me to be one of them a week or so before. It might just as easily have been the week before that-in which case I'd not be writing now: I'd not be here at all.
    [Show full text]
  • Vagabond Holes: David Mccomb and the Triffids Free
    FREE VAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS PDF Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Calenture - The Triffids | Songs, Reviews, Credits | AllMusic In an homage to David McComb's haunting music and lyrics that inspired a generation 30 years ago, this collection of stories, poems, and artwork celebrates the man and his postpunk band, the Triffids. Due to sold-out tribute concerts across Australia and the remastering of the complete Triffids oeuvre, a new generation is discovering McComb's work; fans old and new can delve deeper into his life and music in this intensely personal biography. Many of the featured photographs and images are previously unpublished. It is over thirty years since David McComb's haunting music and lyrics inspired Vagabond Holes: David McComb and the Triffids generation. Now, thanks to sold-out tribute concerts Australia-wide and the re-mastering of the complete Triffids oeuvre, a new generation is discovering his life's work. The editors bring together friends, family and fans in this book of stories, poems and artworks about the Triffids. It is exactly the type of book you would want produced on all your other beloved smart yet soulful guy and gal favorites. Convert currency. Add to Basket. Book Description Fremantle Press, Vagabond Holes: David McComb and the Triffids New. More information about this seller Contact this seller. Book Description Now, thanks to sold-out tribute Vagabond Holes: David McComb and the Triffids Australia-wide and the re-mastering of t. Seller Inventory Coughran, Chris ; Lucy, Niall.
    [Show full text]
  • Songs About Perth
    Edith Cowan University Research Online ECU Publications Post 2013 2016 Nothing happens here: Songs about Perth Jon Stratton Independent Scholar, Perth, Australia Adam Trainer Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/ecuworkspost2013 Part of the Australian Studies Commons, and the Social and Cultural Anthropology Commons 10.1177/0725513616657884 This is an Author's Accepted Manuscript of: Stratton, J., & Trainer, A. (2016), Nothing happens here: Songs about Perth. Thesis Eleven, 135(1), 34-50. Reprinted by permission of SAGE Publications. Available here This Journal Article is posted at Research Online. https://ro.ecu.edu.au/ecuworkspost2013/2163 Nothing Happens Here: Songs About Perth Jon Stratton Adam Trainer Abstract This essay examines Perth as portrayed through the lyrics of popular songs written by people who grew up in the city. These lyrics tend to reproduce the dominant myths about the city, that it is isolated, that it is self-satisfied, that little happens there. Perth became the focus of song lyrics during the late 1970s time of punk with titles such as ‘Arsehole Of The Universe’ and ‘Perth Is A Culture Shock.’ Even the Eurogliders’ 1984 hit, ‘Heaven Must Be There,’ is based on a rejection of life in Perth. However, Perth was also home to Dave Warner whose songs in the 1970s and early 1980s offered vignettes, which is itself a title of one of Warner’s tracks, of the youthful, male suburban experience. The essay goes on to examine songs by the Triffids, Bob Evans, Sleepy Township and the Panda Band. Keywords: Perth; songs; music; place; isolation; lyrics Myths of the City Every city has its myths.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Sovereignty and the Event in John D
    Sovereignty and The Event in John D. Caputo’s Radical Theology Calvin Dieter Ullrich Dissertation presented in fulfilment of the requirements for the degree of Doctor of Philosophy in the Faculty of Theology at Stellenbosch University Supervisor: Prof Robert Vosloo April 2019 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Calvin Dieter Ullrich April 2019 Copyright © 2019 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Acknowledgements To my supervisor, Prof Robert Vosloo, thank you for journeying with me for a second time. Your unwavering support and generous feedback have improved this thesis beyond any effort of my own. I am proud to be among those who can call themselves Voslonians! To my family, thank you for making the many kilometers that separate four continents feel like nothing more than a short walk into the next room. Your precious phone calls are the lifeblood of this thesis. To all the friends who have endured the travails and kept me from falling into the abyss, I am in your debt. To those involved in making my time at the University of Tübingen possible (including the Evangelisches Stift), my sincerest thanks.
    [Show full text]
  • Media Release
    MEDIA RELEASE JOHN KINSELLA AND NIALL LUCY ABOUT THE BOOK Moondyne Joe was colonial Australia’s ultimate escape artist. His daring and repeated breakouts drove the Governor to build him a special cell. And when Moondyne Joe escaped again, he drove the Governor mad. Moondyne Joe himself died a pauper in Fremantle Lunatic Asylum but not before he gained notoriety as a lawbreaker, the husband of a brothel madam, a bushman who befriended local Indigenous people, and as a folk hero who championed the underdog. Written by John Kinsella, one of Australia’s best known poets, and Niall Lucy, a caustic and irreverent social commentator, this book is an anarchic and playful examination of an elusive man and the harsh convict system he resisted. Pub. Date May 2012 ISBN 9781921888526 ABOUT THE AUTHORS RRP $27.95 John Kinsella is an award Genre Non-fiction winning poet and the author Format PB, C of volumes of short stories, Extent 266pp novels, plays, and criticism. Born in Western Australia, he lives in the wheatbelt, though he has spent many years living and teaching in England and the USA. He is a Professorial Research Fellow at the University of Western Australia and an Extraordinary Fellow of Churchill College, Cambridge University, where he is also the Judith E. Wilson Fellow in Poetry for 2011–12. He is the editor of The Penguin Anthology of Australian Poetry. Niall Lucy is Professor of Critical Theory at Curtin University and founding co-editor of international journal Ctrl-Z: new media philosophy. His books include A Derrida Dictionary, Pomo Oz: Fear and Loathing Downunder, The War on Democracy: Conservative Opinion in the Australian Press (with Steve Mickler), and Vagabond Holes: David McComb and The Triffids(co-edited with Chris Coughran).
    [Show full text]
  • Stephen Bruel Thesis
    Nostalgia, authenticity and the culture and practice of remastering music Stephen Bruel MMus, GradDipEd (Music), GradCertJourn, BEcon A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2019 Keywords 1980s, aca-fan, aesthetic, artist, audio, authenticity, band, creativity, cultural heritage, demo, demo recordings, digital convergence, engineer, fandom, guitar-pop, mastering, mixing, music, music nostalgia, personal heritage, production, recording, remastering, scholar-fan, simulacra, simulation, sound, Sydney, systems model, Sunnyboys, technology. 2 Statement of Original Authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. Signature: QUT Verified Signature Date: April 2019 3 Acknowledgements I would like to express my sincere gratitude to my Principal Supervisor Dr Gavin Carfoot for his continuous support of my PhD study and related research, patience, motivation and immense knowledge. I would also like to thank my External Supervisor Professor Andy Arthurs for his guidance through the early stages of this research and my Assistant Supervisor Dr John Wilstead for his help towards the end. I also acknowledge the support received by the QUT Creative Industries Higher Degrees Research team who guided me successfully through the PhD administration process, and the financial assistance I received through my scholarship. My research project would not have been possible without the participation and enthusiasm shown by all case study participants.
    [Show full text]