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An Answer to the Question, What Is Postmodernism? by Niall Lucy & Steve Mickler
2/18/2016 TRANSFORMATIONS Journal of Media & Culture ISSN 14443775 2008 Issue No. 16 — Democracy Under Fire The War on English: An Answer to the Question, What is Postmodernism? By Niall Lucy & Steve Mickler This paper derives from our keynote address to the NSW English Teachers’ Association Conference (“Licence to Thrill”) in Sydney, December 2007. It is intended as an evidence-based rejoinder to widespread attacks on the alleged parlous state of secondary-school English in Australia today, where the problem seems to be that English has been taken over by “postmodernism.” In this way postmodernism is seen as the general or foundational problem, and so it follows that “postmodern” English must be a problem too. Our first task, then, is to decide what “postmodernism” means, according to its detractors. What are its alleged key features? This question occupies the initial section of the paper, which includes a series of counter arguments in response to what postmodernism is supposed to be guilty of “undermining” or “destroying.” In section two we move to a discussion of particular problems associated with so-called “postmodern” English, before focusing (in section three) on the widely reported views of a strident adversary of contemporary English studies: Kevin Donnelly. Our comments here are confined to a discussion of Donnelly’s most recent book, Dumbing Down (2007), which we take for a mature and considered expression of his approach to education. We conclude by way of pondering the question, whose interests are served by attacking postmodernism? 1. Postmodernism 1.1 Postmodernism is denounced for consisting (allegedly) of five broad features, all of which are meant to be equally damning: postmodernism holds there to be no such thing as truth postmodernism equals moral relativism postmodernism is leftist postmodernism is anti-liberal postmodernism holds there to be no such thing as history. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. Furtherowner. reproduction Further reproduction prohibited without prohibited permission. without permission. UNEXPECTED SYNCHRONICITIES: EXPLORING CUNNINGHAM’S CHOREOGRAPHY THROUGH DERRIDA’S THEORY OF DECONSTRUCTION By Rachel Ellen Stephens Submitted to the Faculty o f the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Masters of Arts In Dance Chair: ... DrJjtrett Ashley Cra$fard U DryAprt&Smith ^ Cirsten Bodenstemer Dean Datela tip* ff 2005 American University Washington, D.C. 20016 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1425716 Copyright 2005 by Stephens, Rachel Ellen All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1425716 Copyright 2005 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. -
Suzan-Lori Parks's the America Play and Its Deconstructive Ontology By
Suzan-Lori Parks’s The America Play and Its Deconstructive Ontology by Rachel A. Naor A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Sara Deats, Ph.D. Gaëtan Brulotte, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: December 11, 2007 Keywords: deconstruction, trace, différance, drama, textuality © Copyright 2008, Rachel A. Naor Dedication For Millie, Ariel, and Asaf Acknowledgement I would like to express my profound gratitude to my dissertational director, Dr. Phillip Sipiora. Being left without a mentor and director, I view Dr. Sipiora’s directorship as a unique act of generosity. I would like to thank my Marlowe and Shakespeare professor, Dr. Sara Deats, for many years of support and good advice. I would also like to extend my thanks to my committee members, Dr. Gaëtan Brulotte and Dr. Silvio Gaggi, for participating in my committee. I would like to express my thanks to my defense chair, Dr. Victor Peppard, for participating in my defense and for many years of support. I would like to thank my Hebrew Program coordinator, Rina Donchin, for her friendship and support. I would like to thank my drama professor, Dr. Anthony Kubiak, for making theater essential to my thinking. Finally, I would like to express my deep gratitude to my brother, Eli Angel, for his continued care throughout the years and for intervening in crucial moments in the course of my doctoral studies. -
Vagabond Holes: David Mccomb and the Triffids Free Ebook
FREEVAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS EBOOK Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Curtin research reveals David McComb and the Triffids Find many great new & used options and get the best deals for Vagabond Holes: David McComb and the Triffids by Fremantle Press (Paperback, ) at the best online prices at eBay!. Among other recent works, Lucy's co-edited collection (with Chris Coughran), Vagabond Holes (), is a tribute to his late friend, David McComb, lead singer and songwriter for Australian rock band The Triffids, which defies the conventions of a rock biography in its deconstruction of the notion of an autonomous self or identity. 9 Oct Vagabond Holes: David McComb and the Triffids by Lucy, Niall and a great selection of related books, art and collectibles available now at. Vagabond Holes: David McComb & The Triffids Get this from a library! Vagabond holes: David McComb and the Triffids. [Chris Coughran; Niall Lucy;] -- It is over 30 years since David McComb's haunting music and lyrics inspired a generation. This volume brings together family, friends and fans with a book of stories, poems and artworks about the. Vagabond Holes book. Read 5 reviews from the world's largest community for readers. In an homage to David McComb's haunting music and lyrics that inspire. Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN Vagabond Holes: David McComb And the Triffids Vagabond Holes: David McComb and the Triffids by Coughran, Chris; Lucy, Niall at - ISBN X - ISBN The Triffids released one more LP, The Black Swan, before the band split up and McComb sadly passed away. -
Yale University B0082
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180082 Gramts.gov Tracking#: GRANT12659441 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180082 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1244-GEPA Statement2018) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (1246-CES FLAS Abstract) e16 9. Project Narrative Form e18 Attachment - 1 (1245-CES FLAS Budget Narrative) e19 10. Other Narrative Form e67 Attachment - 1 (1234-InformationToMeetStatutoryRequirements (9)) e68 Attachment - 2 (1235-FLAS Applicant Profile) e71 Attachment - 3 (1236-Acronyms ESC) e72 Attachment - 4 (1237-Bojanowska CV 2018) e74 Attachment - 5 (1238-BIOS ForAPPwithTOC_YaleESC) e85 Attachment - 6 (1239-LetterOfReferenceMinjinHashbat) e244 Attachment - 7 (1240-LetterOfReferenceNellekeVanDeusen-Scholl) e246 Attachment - 8 (1241-LetterOfReferenceConstantineMuravnik) e248 Attachment - 9 (1242-CouncilMemberList) e250 Attachment - 10 (1243-CourseListForAPP_ALLYaleESC) e253 11. Budget Narrative Form e317 Attachment - 1 (1247-Section C Budget Narrative) e318 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
Thinking Literature Across Continents
THINKING LIT ER A TURE ACROSS CONTINENTS This page intentionally left blank ranjan ghosh • j. hillis miller THINKING LIT ER A TURE ACROSS CONTINENTS Duke University Press • Durham and London • 2016 © 2016 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Typeset in Chaparral Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Ghosh, Ranjan, author. | Miller, J. Hillis (Joseph Hillis), [date] author. Title: Thinking lit er a ture across continents / Ranjan Ghosh, J. Hillis Miller. Description: Durham : Duke University Press, 2016. | Includes bibliographical references and index. Identifiers: lccn 2016024761 (print) | lccn 2016025625 (ebook) isbn 9780822361541 (hardcover : alk. paper) isbn 9780822362449 (pbk. : alk. paper) isbn 9780822373698 (e- book) Subjects: lcsh: Liter a ture— Cross- cultural studies. | Liter a ture— Study and teaching—Cross- cultural studies. | Culture in liter a ture. | Liter a ture and transnationalism. | Liter a ture— Philosophy. Classification: lcc pn61 .g46 2016 (print) | lcc pn61 (ebook) | ddc 809— dc23 lc record available at https:// lccn . loc. gov / 2016024761 Cover art: Kate Castelli, The Known Universe (detail), 2013. Woodblock on nineteenth-century book cover. Courtesy of the artist. CONTENTS vii Preface j. hillis miller ix Acknowl edgments ranjan ghosh xi Acknowl edgments j. hillis miller 1 Introduction: Thinking across Continents ranjan ghosh 9 Introduction Continued: The Idiosyncrasy of the Literary Text j. hillis miller PART I: The Matter and Mattering of Lit er a ture 27 Chapter 1. Making Sahitya Matter ranjan ghosh 45 Chapter 2. Lit er a ture Matters Today j. hillis miller PART II: Poem and Poetry 71 Chapter 3. -
Vagabond Holes: David Mccomb and the Triffids Free
FREE VAGABOND HOLES: DAVID MCCOMB AND THE TRIFFIDS PDF Chris Coughran,Niall Lucy | 384 pages | 01 Apr 2010 | Fremantle Press | 9781921361623 | English | North Fremantle, WA, Australia Calenture - The Triffids | Songs, Reviews, Credits | AllMusic In an homage to David McComb's haunting music and lyrics that inspired a generation 30 years ago, this collection of stories, poems, and artwork celebrates the man and his postpunk band, the Triffids. Due to sold-out tribute concerts across Australia and the remastering of the complete Triffids oeuvre, a new generation is discovering McComb's work; fans old and new can delve deeper into his life and music in this intensely personal biography. Many of the featured photographs and images are previously unpublished. It is over thirty years since David McComb's haunting music and lyrics inspired Vagabond Holes: David McComb and the Triffids generation. Now, thanks to sold-out tribute concerts Australia-wide and the re-mastering of the complete Triffids oeuvre, a new generation is discovering his life's work. The editors bring together friends, family and fans in this book of stories, poems and artworks about the Triffids. It is exactly the type of book you would want produced on all your other beloved smart yet soulful guy and gal favorites. Convert currency. Add to Basket. Book Description Fremantle Press, Vagabond Holes: David McComb and the Triffids New. More information about this seller Contact this seller. Book Description Now, thanks to sold-out tribute Vagabond Holes: David McComb and the Triffids Australia-wide and the re-mastering of t. Seller Inventory Coughran, Chris ; Lucy, Niall. -
School of Architecture 2016–2017 School of Architecture School Of
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2016–2017 School of Architecture 2016 –2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
Graduate School of Arts and Sciences 2001–2002
Graduate School of Arts and Sciences Programs and Policies 2001–2002 bulletin of yale university Series 97 Number 10 August 20, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) Printed in Canada The closing date for material in this bulletin was June 10, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be reproduced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Graduate School Offices Admissions 432.2773; [email protected] Alumni Relations 432.1942; [email protected] Dean 432.2733; susan.hockfi[email protected] Finance and Administration 432.2739; [email protected] Financial Aid 432.2739; [email protected] General Information Office 432.2770; [email protected] Graduate Career Services 432.2583; [email protected] McDougal Graduate Student Center 432.2583; [email protected] Registrar of Arts and Sciences 432.2330 Teaching Fellow Preparation and Development 432.2583; [email protected] Teaching Fellow Program 432.2757; [email protected] Working at Teaching Program 432.1198; [email protected] Internet: www.yale.edu/gradschool Copies of this publication may be obtained from Graduate School Student Services and Reception Office, Yale University, PO Box 208236, New Haven ct 06520-8236. -
Lost in the Post: (Post-)Structuralism Between France and the United States
(Post-)structuralism between France and the United States 6 Lost in the post: (Post-)structuralism between France and the United States Edward Baring Introduction Today, the term ‘post-structuralism’ designates a stage in the intellectual history of modern France. According to a familiar narrative, post-war French thought is divided up into a number of moments that can conveni- ently structure an American college course. The great success of existen- tialist ideas in the 1940s, propounded by figures like Jean-Paul Sartre and Simone de Beauvoir, who emphasized the free and acting subject, was followed by a ‘structuralist’ reaction, when Claude Lévi-Strauss and Roland Barthes foregrounded anonymous structures that transcended and determined the self. Moving on at pace, so the narrative goes, these ideas were challenged by a range of post-structuralists, most prominently Jacques Derrida but also Gilles Deleuze, Luce Irigaray and Julia Kristeva. The ‘post-structuralists’ added a dash of Nietzsche to the staid structuralist mix, which tended to dissolve certainties and unsettle the structures that earlier scholars had described. Despite the attractive simplicity of this narrative, it quickly runs into difficulties. Several figures are hard to place. Are Jacques Lacan and Louis Althusser structuralists or post-structuralists? It is generally assumed that we can distinguish between an early and late Michel Foucault. But in a 1983 interview that is well beyond his putative break with structuralism, Foucault rejected ‘post-structuralist’ as a description of his work.1 Even the archetypal post-structuralist, Jacques Derrida, refused the label.2 To a certain extent, such refusals should be understood as a salutary sus- picion of -isms. -
Media Release
MEDIA RELEASE JOHN KINSELLA AND NIALL LUCY ABOUT THE BOOK Moondyne Joe was colonial Australia’s ultimate escape artist. His daring and repeated breakouts drove the Governor to build him a special cell. And when Moondyne Joe escaped again, he drove the Governor mad. Moondyne Joe himself died a pauper in Fremantle Lunatic Asylum but not before he gained notoriety as a lawbreaker, the husband of a brothel madam, a bushman who befriended local Indigenous people, and as a folk hero who championed the underdog. Written by John Kinsella, one of Australia’s best known poets, and Niall Lucy, a caustic and irreverent social commentator, this book is an anarchic and playful examination of an elusive man and the harsh convict system he resisted. Pub. Date May 2012 ISBN 9781921888526 ABOUT THE AUTHORS RRP $27.95 John Kinsella is an award Genre Non-fiction winning poet and the author Format PB, C of volumes of short stories, Extent 266pp novels, plays, and criticism. Born in Western Australia, he lives in the wheatbelt, though he has spent many years living and teaching in England and the USA. He is a Professorial Research Fellow at the University of Western Australia and an Extraordinary Fellow of Churchill College, Cambridge University, where he is also the Judith E. Wilson Fellow in Poetry for 2011–12. He is the editor of The Penguin Anthology of Australian Poetry. Niall Lucy is Professor of Critical Theory at Curtin University and founding co-editor of international journal Ctrl-Z: new media philosophy. His books include A Derrida Dictionary, Pomo Oz: Fear and Loathing Downunder, The War on Democracy: Conservative Opinion in the Australian Press (with Steve Mickler), and Vagabond Holes: David McComb and The Triffids(co-edited with Chris Coughran). -
J. Hillis Miller
The FirstThe Sail The film-bookThe First Sail: J. Hillis Miller is based on the doc- umentary film by the same name made in 2010. Together with the film transcript and an interview conducted by Taryn Devereux, the essays in this volume have been gathered from several internation- al events devoted to Miller’s works. With contibutions by Henry Suss- man, Sarah Dillon, Charlie Gere, Nicholas Royle, Éamonn Dunne and Michael O’Rourke, Dragan Kujundžić, Julian Wolfreys and J. Hillis Miller. “Very few American literary scholars of the late twentieth and early twenty-first centuries have displayed the depth and breadth of critical and theoretical expertise and engagement that J. Hillis Miller has shown. His work bridges generations and does so in ways that reflect the key debates and transitions we have witnessed and we participate in. This book, derived from a fine film by Dragan Kujundžić of the same name, gives us a unique and invaluable glimpse into the life of J. Hillis Miller—our understanding of the man’s work acquires a new depth, immediacy, and intimacy.” – David Palumbo-Liu, Stanford University Dragan Kujundžić is a Professor of Jewish, Germanic and Slavic Studies, and Film and Media Studies at the University of Florida. He is the author of numerous articles in critical theory, decon- struction and literary criticism. Film freely available at: https://archive.org/details/TheFirstSail Kujundžić Cover Image: ‘Buddies,’ J. Hillis Miller and The First Sail: J. Hillis Miller J. Hillis Miller Jr. taken at Keuka Lake, NY. a film book OPEN HUMANITIES PRESS Edited by Dragan Kujundžić The First Sail: J.