DOCSLIB.ORG

Lord Newborn & the Magic Skulls

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lord Newborn & the Magic Skulls UBIQUITY RECORDS PRESENTS LORD NEWBORN & THE MAGIC SKULLS FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 09/08/2009 Lord Newborn and the Magic Skulls is the collaborative Andreas Stevens, aka Greyboy, born 1970, was the first artist to sign to Ubiquity. Freestylin’, his first full-length album, holds cult-status and is up-there with the label's all-time best sellers. Not bad for a record that cost less than $4000 to project of esteemed sound scientists Money Mark, make, and sold on an advertising budget of $0! He was a man in the right place at the right time. While the acid jazz Shawn Lee, and Tommy Guerrero. In the winter of 2008 phenomenon was brewing in Europe in the early 1990s, Greyboy became the first American producer to mix they locked themselves away in Money Mark’s Los instrumental hip-hop with jazz. His chunky beat-making sensibilities earned him praise from the European crowd, Angeles-based studio for two weeks. A tasty three-way and his tracks were heard by crowds checking out DJs like UK-based Gilles Peterson, Marcus Wyatt (LA), and DJ Smash (NYC). "When I first started making beats, I was making hip-hop. Since I couldn't find MC's to work with, I meeting of the minds resulted in this funk-inflicted decided to try the jazz thing and lace my tracks with live instruments instead. That's where Karl Denson and the collection of beats n’ breaks, wrapped-up in a sunny West Greyboy Allstars came into the picture", explains Greyboy. Beyond recognition from the DJ crowd, music by Greyboy Coast musical tortilla that’s smothered in as much jazz also ended up in movies like Get Shorty and Celtic Pride, The Kelly Slater Surf Pro video game, Budweiser and prog-rock as it is in soulful psychedelia. commercials, and he was picked to provide a mix CD for DC shoes. Since the release of Freestylin’ he has released The paths of these three prolific producer-musicians have crossed in many ways, and the equally jazz-based instrumental Land of the Lost and the soundtrack and hip hop inspired Mastered The Art, yet this is the first time they’ve all worked together. Good times had in the studio which featured musicians and MCs in a prelude to the vocal-heavy Soul Mosaic album. transferred to tape on this witty, concise, and experimental collection of tracks. The Greyboy has recorded with AG (Showbiz and AG), Sharon Jones, and the Greyboy All-Stars (whom he helped put long overdue Magic Skulls chemistry was right on the money. “They are both jokers in together and produce). Over the years Greyboy has DJ'd in Japan, Europe, and across the USA. He has played to 5000 their own right,” explains Guerrero. “Mark has an unconventional approach to people in the countryside outside of Rome, and over 20, 000 people a night on tour with Ben Harper and Jack everything which leaves one in awe. And Shawn’s unbridled effervescence for anything Johnson. will put a smile on the grumpiest of codgers!” he adds. Guerrero began his career as a pro-skating member of the In the Los Angeles studio input and participation was equal from each artist, “We Lord Newborn and the Magic Skulls is the Bones Brigade in his hometown of San Francisco and was 15 years, 5 albums, and many singles after his debut release, Ubiquity is delighted to release a “best of” which started fresh, with no prepared ideas and all “led” in our own ways,” explains Lee. “I collaborative project of esteemed sound one of the founders of Real Skateboards and Deluxe. But includes previously unreleased materials, hard to find mixes, and the tracks which made Greyboy famous as the played drums, percussion, and bass on a few tracks plus guitar. Tommy played bass he also delved into the music business and was in the originator of a new laid back, sunny, jazz and soul-inflicted West Coast sound. 15 Years of West Coast Cool includes and guitar. Mark played keyboards, vibes, sang vocals and played bass on a few tracks, scientists Money Mark, Shawn Lee, and early 1980's skate rock band Free Beer and the appearances from Sharon Jones, Quantic, AG (of Showbizz and AG), Bart Davenport (of Honeycut), Shawn Lee, Nino and recorded drums on one. Back in London I did additional overdubs adding new collaborative/conceptual band Jet Black Crayon. In Tommy Guerrero. In the winter of 2008 Moschella, Jeremy Ellis and others. instruments such as sitar, balaphone, marimba and vocals,” he explains. they locked themselves away in Money addition Guerrero is a member of the all-star skate band With the trio having so much experience of writing for film it’s no surprise that many Blktop Project (alongside Ray Barbee, Chuck Treece, and 1 x CD, 2xLP tracks on this album have a strong emotive soundtrack-vibe. At times the sound is Mark’s Los Angeles-based studio for two Matt Rodriguez), and has released multiple solo albums. vintage; it crackles with the buzz and ring of lo-fi gear that chugs away behind Lee, Guerrero, and Mark have all RIYL: TOMMY GUERRERO, SHAWN LEE OR MONEY MARK OF COURSE! ALSO MADLIB, THE BEASTIE BOYS IN SOUNDS FROM WAY OUT, THE BUDOS funk-schooled melodies. But the album also points forward with a genre-marauding weeks. A tasty three-way meeting of the BAND, AND THE DUST BROS. blur of freaky beats, worldly percussion, and slick studio trickery. released records on the Rush minds resulted in this funk-inflicted label in Japan. And like his Money Mark is known as the trusty keyboard guy the Beastie Boys turn to. Releasing File Under: ELECTRONIC, FUNK, INSTRUMENTAL HIP HOP numerous solo albums he has worked with countless internationally acclaimed artists, collection of beats n’ breaks, wrapped-up in fellow Magic Skulls, Shawn Lee appeared in the Moog documentary, and written the soundtrack for the 2008 was also picked up by UK labels documentary Beautiful Losers. Mark and Guerrero had early releases on the a sunny West Coast musical tortilla that’s early in his musical career. After influential UK-based Mo Wax label, and have had their music used in the EA games smothered in as much jazz and prog-rock as releases on the Talking Loud series Skate. Guerrero began his career as a pro-skating member of the Bones Brigade and Wall of Sound labels, he With the trio having so much experience of writing for film it’s no surprise that many tracks on this album have a in his hometown of San Francisco and was one of the founders of Real Skateboards it is in soulful psychedelia. found a home back in the USA strong emotive soundtrack-vibe. At times the sound is vintage; it crackles with the buzz and ring of lo-fi gear that and Deluxe. But he also delved into the music business and was in the early 1980's at Ubiquity where he has chugs away behind funk-schooled melodies. But the album also points forward with a genre-marauding blur of skate rock band Free Beer and the collaborative/conceptual band Jet Black Crayon. In The paths of these three prolific producer-musicians have crossed in released eight records including freaky beats, worldly percussion, and slick studio trickery. addition Guerrero is a member of the all-star skate band Blktop Project (alongside Ray many ways, and yet this is the first time they’ve all worked together. his collaboration album with the Barbee, Chuck Treece, and Matt Rodriguez), and has released multiple solo albums. Good times had in the studio transferred to tape on this witty, mysterious Clutchy Hopkins. PURCHASE THE SHIRT Lee, Guerrero, and Mark have all released records on the Rush label in Japan. And like concise, and experimental collection of tracks. The long overdue WITH THE ALBUM! his fellow Magic Skulls, Shawn Lee was also picked up by UK labels early in his musical Magic Skulls chemistry was right on the money. “They are both career. After releases on the Talking Loud and Wall of Sound labels, he found a home jokers in their own right,” explains Guerrero. “Mark has an 5% DISCOUNT UP TO 1 WEEK AFTER STREET DATE (CD ONLY) back in the USA at Ubiquity where he has released eight records including his unconventional approach to everything which leaves one in awe. collaboration album with the mysterious Clutchy Hopkins. And Shawn’s unbridled effervescence for anything will put a smile on the grumpiest of codgers!” he adds. CD - CATALOG UBR11256-2 DLP - CATALOG UBR11256-1 With the trio having so much experience of writing for film it’s no LIST PRICE: $16.98 LIST PRICE: $19.98 surprise that many tracks on this album have a strong emotive CD BOX LOT: 30 DLP BOX LOT: 30 VINYL IS NON-RETURNABLE soundtrack-vibe. At times the sound is vintage; it crackles with the FOR FANS OF: buzz and ring of lo-fi gear that chugs away behind funk-schooled TOMMY GUERRERO, SHAWN LEE OR MONEY MARK OF COURSE! ALSO melodies. But the album also points forward with a MADLIB, THE BEASTIE BOYS IN SOUNDS FROM WAY OUT, THE BUDOS genre-marauding blur of freaky beats, worldly percussion, and slick BAND, AND THE DUST BROS. studio trickery. FILE UNDER: ELECTRONIC, FUNK, INSTRUMENTAL HIP HOP Money Mark is known as the trusty keyboard guy the Beastie Boys RECOMMENDED UBIQUITY TITLES: turn to. Releasing numerous solo albums he has worked with countless internationally acclaimed artists, appeared in the Moog documentary, and written the soundtrack for the 2008 documentary Beautiful Losers.
Load more

Recommended publications
  • Soul in the Hole
    Abundance marks the arrival of PPP as a band. They have UBIQUITY RECORDS PRESENTS developed a new sound that's even bigger, and an album that’s more dynamic and organic than their first. While Triple SHAWN LEE PRESENTS: SOUL IN THE HOLE P brought worldwide notoriety to the Detroit-based PPP FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 03/24/2009 production crew and their global collective of like-minded and soulful collaborators, Abundance raises the stakes. They have Andreas Stevens, aka Greyboy, born 1970, was the first artist to sign to Ubiquity. Freestylin’, his first full-length album, holds reclaimed the music of their city. The golden Motown era cult-status and is up-there with the label's all-time best sellers. Not bad for a record that cost less than $4000 to sounds that their parents played while they were growing-up make, and sold on an advertising budget of $0! He was a man in the right place at the right time. While the acid jazz have been given a thorough and respectful re-rub for a new phenomenon was brewing in Europe in the early 1990s, Greyboy became the first American producer to mix instrumental hip-hop with jazz. His chunky beat-making sensibilities earned him praise from the European crowd, century and a new generation of listeners. and his tracks were heard by crowds checking out DJs like UK-based Gilles Peterson, Marcus Wyatt (LA), and DJ Smash (NYC). "When I first started making beats, I was making hip-hop.
    [Show full text]
  • I. Race, Gender, and Asian American Sporting Identities
    I. Race, Gender, and Asian American Sporting Identities Dat Nguyen is the only Vietnamese American drafted by a National Football League team. He was an All-American at Texas A & M University (1998) and an All-Pro for the Dallas Cowboys (2003). Bookcover image: http://www.amazon.com/Dat-Tackling-Life-NFL-Nguyen/dp/1623490634 Truck company Gullwing featured two Japanese Americans in their platter of seven of their “hottest skaters,” Skateboarder Magazine, January 1979. 2 Amerasia Journal 41:2 (2015): 2-24 10.17953/ aj.41.2.2 Skate and Create Skateboarding, Asian Pacific America, and Masculinity Amy Sueyoshi In the early 1980s, my oldest brother, a senior in high school, would bring home a different girl nearly every month, or so the family myth goes. They were all white women, punkers in leath- er jackets and ripped jeans who exuded the ultimate in cool. I thought of my brother as a rock star in his ability to attract so many edgy, beautiful women in a racial category that I knew at the age of nine was out of our family’s league. As unique as I thought my brother’s power of attraction to be, I learned later that numerous Asian stars rocked the stage in my brother’s world of skateboarding. A community of intoxicatingly rebellious Asian and Pacific Islander men thrived during the 1970s and 1980s within a skater world almost always characterized as white, if not blatantly racist. These men’s positioning becomes particularly notable during an era documented as a time of crippling emas- culation for Asian American men.
    [Show full text]
  • T of À1 Radio
    ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No.
    [Show full text]
  • Resource Guide 4
    WILLIAM D. CANNON AR T G A L L E R Y TABLE OF CONTENTS Steps of the Three-Part-Art Gallery Education Program 3 How to Use This Resource Guide 4 Making the Most of Your Gallery Visit 5 The Artful Thinking Program 7 Curriculum Connections 8 About the Exhibition 10 About Street Skateboarding 11 Artist Bios 13 Pre-visit activities 33 Lesson One: Emphasizing Color 34 Post-visit activities 38 Lesson Two: Get Bold with Design 39 Lesson Three: Use Text 41 Classroom Extensions 43 Glossary 44 Appendix 53 2 STEPS OF THE THREE-PART-ART GALLERY EDUCATION PROGRAM Resource Guide: Classroom teachers will use the preliminary lessons with students provided in the Pre-Visit section of the Full Deck: A Short History of Skate Art resource guide. On return from your field trip to the Cannon Art Gallery the classroom teacher will use Post-Visit Activities to reinforce learning. The guide and exhibit images were adapted from the Full Deck: A Short History of Skate Art Exhibition Guide organized by: Bedford Gallery at the Lesher Center for the Arts, Walnut Creek, California. The resource guide and images are provided free of charge to all classes with a confirmed reservation and are also available on our website at www.carlsbadca.gov/arts. Gallery Visit: At the gallery, an artist educator will help the students critically view and investigate original art works. Students will recognize the differences between viewing copies and seeing works first and learn that visiting art galleries and museums can be fun and interesting. Hands-on Art Project: An artist educator will guide the students in a hands-on art project that relates to the exhibition.
    [Show full text]
  • Tommy Guerrero Discipline: Music
    EDUCATOR GUIDE Story Theme: Up from the Street Subject: Tommy Guerrero Discipline: Music SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................7 SECTION IV – ENGAGING WITH SPARK .........................................................................................8 Tommy Guerrero. Still image from SPARK story, February 2004. SECTION I - OVERVIEW EPISODE THEME INSTRUCTIONAL OBJECTIVES Up from the Street To introduce and contextualize contemporary skate culture SUBJECT To provide context for the understanding of skate Tommy Guerrero culture and contemporary music To inspire students to approach contemporary GRADE RANGES culture critically K‐12 & Post‐secondary CURRICULUM CONNECTIONS EQUIPMENT NEEDED Music & Physical Education SPARK story “Tommy Guerrero” about skateboarder and musician Tommy Guerrero on OBJECTIVES VHS or DVD and related equipment To help students ‐ Computer with Internet access, navigation software,
    [Show full text]
  • Shawn Lee: World of Funk for Information and Soundclips of Our Titles, Go to Street Date: 02/15/2011
    UBIQUITY RECORDS PRESENTS SHAWN LEE: WORLD OF FUNK FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 02/15/2011 Clutchy Hopkins (which includes the sound of a 1960's Smith Multicultural and multi-talented composer and and Corona typewriter!) for Dengue Fever member Paul Smith performer Shawn Lee lives in what he calls a who recorded Chhoms haunting vocal. A chance meeting with Bardo of Chicano Batman on Sunset Boulevard led to some "World of Funk." His mother is half Lebanese and a garage-y flavored West Coast Latino-funk. And then both Willie quarter Native American Indian. His wife is Indian, McNeal and Money Mark suggested Lee work with Cava. born in London from parents who are from Tanzania, The album also features Truth and Soul Recording artist Michael Leonhart, NOMO bandleader Elliot Bergman, and East Africa. Their daughters (Mela & Seela) are half Lee’s mother-in-law (aka Nanny Jee)! British/Asian and half American with the family 1. Bina roots to American Indian and Lebanese. As an 2. Ghost in the Rain ft. Clutchy Hopkins and Chhom American living in London he has his ears open to Nimol from Dengue Fever 3. Ethio ft. Michael Leonhart sounds from around the world, and all the spin-offs, 4. Cairo Cairo ft. Natacha Atlas mash-ups and fusions that pop-up. "Turkish Psych, 5. Nao Vacila ft. Curumin 6. La Eterna Felicidad ft. Bardo Martinez Thai Funk, African Disco, Cambodian rock, Brazilian 7. Nanny Jee ft. Nanny G soul," lists Lee. "If you can say it, it exists." 8.
    [Show full text]
  • FOR IMMEDIATE RELEASE June 3, 2019 San Francisco, CA 42Nd Annual Haight-Ashbury Street Fair Announces 2019 Line-Up - Sponsored by ​COOKIES​
    FOR IMMEDIATE RELEASE June 3, 2019 San Francisco, CA 42nd Annual Haight-Ashbury Street Fair Announces 2019 Line-Up - sponsored by ​COOKIES​. The Haight-Ashbury Street Fair​ is a non-profit organization dedicated to preserving the cultural and historical significance of this district by sponsoring the annual community celebration and in supporting community programs that incorporate the neighborhood’s spirit of diversity, cooperation and humanism.​ Donate here to keep the tradition going! Since 1978, we have produced the annual, one-day street fair that allows the community to celebrate the cultural contributions this district has made to San Francisco. This festival provides the neighborhood with the opportunity to showcase the variety of mercantile, cultural and community services available in this district. By creating a festival atmosphere, the street fair creates a stage for many artisans, musicians, artists and performers to present their work to the public. And, as a community service, HASF enables many non-profit organizations a chance to conduct outreach campaigns. Our activities are not limited to a one-day festival. We also sponsor other community events such as the annual Halloween Hootenanny​ that provides a safe environment for the children of the neighborhood to celebrate the spirit of Halloween. We hope (​intend​) to promote and create many more programs and events that help serve the cultural needs of the Haight-Ashbury and anyone else that would like to join in on the fun. The ​42nd​ Annual Haight Street Festival takes place Sunday, June 09, 2019, 11 - 5:30 pm. The 2019 L​i​neup has brought in veteran Edward Jennings of Haight Street’s historic i-Beam to curate an unforgettable line-up with collaborations and surprise guest appearances not to be missed.
    [Show full text]
  • Clutchy Hopkins - Walking Backwards for Information and Soundclips of Our Titles, Go to Street Date: 2/05/2008
    CLUTCHY HOPKINS - WALKING BACKWARDS FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 2/05/2008 HY HOPKIN TC S LU C W A L K S ING D BACKWAR Don’t ask us who Clutchy Hopkins is; we don’t know. There’s a line of people *The second disc of this 2 disc set is a DVD that waiting to learn his whereabouts. If you find out, perhaps you will be kind enough includes taped confessionals, interviews and to hand over the contact info for the mysterious trickster, folklore guru, and marvelous musician. Because of his anonymity, this won’t be your average one archived footage of Mr Hopkins, collected from sheet. We don’t have any of the usual stuff: no insight into his background, no list various sources and anonymously mailed pack- of influences or interesting anecdotes about his musical upbringing. Instead, what ages. follows is the abbreviated version of how this album came to be by way of thrift store finds, red herrings, a pizza parlor, and a list of characters long enough to cast a b-movie. We can tell you that this album might as well be the crackly soundtrack to a vintage spaghetti western crossed with a 70s porno. Rickety breaks n’beats and busted keyboard sounds pop out against lush strings, while a collection of guitars and mandolins strum alongside old-school synthesizers. Some tunes are hypnotic and build around a droning rumble or relentless chords while others are driving or change up to reveal new intentions.
    [Show full text]
  • Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
    Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients.
    [Show full text]
  • Opera from a Sistah's Point of View
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 15 / 2010-2011 Opera from a Sistah’s Point of View: The Angela Brown Collection aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and I write this column as we enter into be of use to others.” Although Brown’s dissemination of materials for the second decade of the twenty-first career continues to evolve, Head of the purpose of research and century and as I reflect on the political, Collections Brenda Nelson-Strauss study of African American social, and cultural changes that have believes that “starting the archiving music and culture. taken place during the first ten years process now is advantageous from an www.indiana.edu/~aaamc of this new millennium. Within this archivist’s perspective because of the context of change, I marvel at the ways opportunity to evaluate and preserve in which African Americans continue materials initially, then annually, as new to expand and redefine the boundaries materials are created. I think things are Table of Contents for artistic expressions, revealing the less likely to fall through the cracks if we diversity of musical creativity among have a more active role in documenting From the Desk of this group. Two major collections Angela Brown’s career.” We look forward the Director ......................................2 acquired in 2010—the Angela Brown to our ongoing relationship with Angela Collection and the James Spooner Brown (see inside story). Featured Collection: Collection—reveal the ways in which Following the AAAMC’s November Angela Brown ..................................4 African Americans negotiate their dual 2009 conference, Reclaiming the Right to identities as performers in Western Rock: Black Experiences in Rock Music, In the Vault: classical traditions and how they several of the participants donated Recent Donations .........................8 construct and define black identities in items ranging from CDs to posters.
    [Show full text]
  • Who Dares Wins Mp3, Flac, Wma
    Various The Art Of War: Who Dares Wins mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: The Art Of War: Who Dares Wins Country: Japan Released: 2000 Style: Trip Hop, Abstract, Downtempo, Breakbeat, Breaks MP3 version RAR size: 1717 mb FLAC version RAR size: 1151 mb WMA version RAR size: 1412 mb Rating: 4.3 Votes: 471 Other Formats: AC3 TTA WMA MPC MIDI FLAC DTS Tracklist Hide Credits Strike 1 1-1 –Unknown Artist Skit 1 0:10 Sea Sick 1-2 –Tommy Guerrero Bass, Guitar, Keyboards, Other [Trash Can] – Tommy 6:12 GuerreroRecorded By, Mixed By, Edited By – Monte Vallier Smoke Under The Water 1-3 –DJ Yas Recorded By, Mixed By – Shiro TakahashiWritten-By, Producer – 5:47 DJ Yas Pianova 1-4 –Kan* & K.U.D.O* Mixed By – K.U.D.O*Written-By, Recorded By, Producer – 5:40 K.U.D.O*, Kan Takagi* 1-5 –Unknown Artist Skit 2 0:09 Rock Out 2 1-6 –Malcom Catto 2:28 Producer – M. Catto*, Mike B*Written-By – M. Catto* Untitled Heavy Beat (Pt. 1 & 2) 1-7 –DJ Shadow 3:02 Performer, Producer – DJ ShadowWritten-By – J. Davis* I Changed My Mind (Change My Style Mix) Arranged By – Lyrics Born, The Soul-SaintsBass – J. CurlyDrums – M. Whitefield*Engineer – Noise Guitar – J. Whitefield*Organ – 1-8 –Quannum* Til Sahm*Percussion – Bo Borale*Producer – The Soul- 5:32 SaintsProgrammed By – P. Clements*Remix – Cherry Stone, Psycho PabVocals – Lyrics BornWritten-By – B. Borale*, J. Whitefield*, M. Whitefield*, T. Shimura* 1-9 –Unknown Artist Skit 3 0:07 00 1-10 –Force Of Nature Mixed By – Illishit Tsuboi*Written-By, Recorded By, Producer – 5:25 Kent*,
    [Show full text]
  • Bei Bei and Shawn
    UBIQUITY RECORDS PRESENTS FORINTO INFORMATION THE AND SOUNDCLIPS WIND: OF OUR TITLES, GO BEI TO WWW.UBIQUITYRECORDS.COM/PRESS BEI AND SHAWNSTREET DATE: 01/26/2010LEE Ubiquity released a limited edition 10” EP, featuring Into the Wind by Guzheng performer and tracks from the album, to positive acclaim from Berlin to composer Bei Bei He and Ubiquity producer Los Angeles, with KCRWs Garth Trinidad calling the tracks “A ray of light in my world,” and BBC Radio 1 DJ Mary Shawn Lee marries a unique blend of Anne Hobbes saying “Love love love this.” At time of press ancient tradition with studio trickery. This Lee and Bei Bei were discussing plans for a few special uplifting, genre-bending sound clash, recalls live shows. the afro centric harping of Dorothy Ashby The Guzheng is over 2000 years old and belongs to the Asian long zither family. It was used in both folk and court and hypnotic spiritual jazz of Alice Coltrane. music in the ancient China. Bei Bei started and received her With Lee adding equal doses of hip hop, professional musical training at the Central University of Nationalities in Beijing, China and the Hong Kong Academy electric jazz, and soul sensibility to the for Performing Arts in Hong Kong. She is a multi-award backing tracks, the captivating sound of Bei winner of many national and international awards. As a studio musician, she recorded for Sci-fi Channel’s Bei’s Guzheng comes alive on peaceful “Battlestar Galactica”. As a composer, she composed music mellow joints as much as it does on Kung-Fu and performed for the China Central TV documentary series “Dun Huang”.
    [Show full text]