Sydney Opera House Annual Report 2011-2012
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Vivid Sydney Media Coverage 1 April-24 May
Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival. -
Exclusive PREVIEW of Vivid Sydney 2018 Where to Eat, Shop, Stay And
LOVE EVERY SECOND OF SYDNEY & NSW IN WINTER 25 May – 16 June 2018 VIVID SYDNEY SYDNEY NEW SOUTH WALES exclusive Where to essential short PREVIEW of vivid eat, shop, stay breaks & long sydney 2018 and play road trips VIVID SYDNEY VIVID – WHAT’S ON 03 What to expect from Vivid Light, Music and Ideas Vivid SYDNEY celebrates VIVID LIGHT WALK Lights on! A guide to the 04 amazing Vivid Light installations VIVID PRECINCTS Find out where to see 10 years of creativity 08 the city light up VIVID MUSIC Get into 23 days 25 May - 16 June 2018 10 of music discovery VIVID IDEAS Hear from global Game 13 Changers & Creative Catalysts GETTING AROUND Plan your journey using public 16 transport during Vivid Sydney HELP FROM OUR FRIENDS Thanks to our partners, 17 collaborators and supporters VIVID MAP Use this map to plan your 20 Vivid Sydney experience SYDNEY BEYOND VIVID Your guide to exploring 21 Sydney and New South Wales SYDNEY FOOD & WINE Foodie hotspots, new bars 22 and tours EXPLORE SYDNEY Where to stay and shop 24 and what to see THE GREAT OUTDOORS There is so much more to do, see and love at vivid sydney in 2018. Your guide to walks, the 25 harbour & high-rise adventures Start planning your experience now. IT’S ON! IN SYDNEY 26 Unmissable sporting events, theatre, musicals and exhibitions VIVID SYDNEY SYDNEY IN WINTER EXPLORE NSW At 6pm on 25 May Vivid Sydney 2018 While you’re here for Vivid Sydney, stay The most geographically diverse State in switches on with the Lighting of the Sails a while longer to explore the vibrancy Australia offers a little bit of everything new south wales of the Sydney Opera House and all light of Sydney in Winter. -
“Voice of Ireland”. Today Tommy Is One of Ireland’S Top Entertainers with Over 6.5 Million Youtube Hits and Over 3.5 Million Album Sales Worldwide
TOMMY FLEMING BIOGRAPHY With his powerfully distinctive voice, Tommy Fleming has been described as the “Voice of Ireland”. Today Tommy is one of Ireland’s top entertainers with over 6.5 million YouTube hits and over 3.5 million album sales worldwide. The youngest of six children, Tommy was born in 1971 in Aclare, County Sligo. His natural singing ability was evident at a young age whilst participating in local talent competitions. While still at school, Tommy formed his first rock band, The Face of February, and embarked on gigging in local pubs. After leaving school Tommy joined a quartet, Jarog, gaining a legion of fans. However, despite this success, record companies weren’t exactly knocking on Tommy’s door. Then a chance encounter with renowned producer and composer Phil Coulter changed all that. In July 1993, Phil heard Tommy performing at a charity event in Westport, County Mayo. Within days Tommy was guesting with Phil and his orchestra at the Opera House (Cork), the National Concert Hall (Dublin) and The University Concert Hall (Limerick). Four months later he was playing to huge audiences across the US and Canada, culminating in two shows in the Boston Symphony Hall and the legendary Carnegie Hall in New York. Tommy’s career then took another leap forward when he was invited by Galway traditional group De Danann, to join them as lead vocalist, following in the footsteps of living legends as Mary Black, Maura O’Connell, Dolores Keane and Paul Brady. The collaboration lasted three years and introduced Tommy to a worldwide audience touring Australia, Hong Kong, China and the US. -
Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
Your Candidates Metropolitan
YOUR CANDIDATES METROPOLITAN First Peoples’ Assembly of Victoria Election 2019 “TREATY TO ME IS A RECOGNITION THAT WE ARE THE FIRST INHABITANTS OF THIS COUNTRY AND THAT OUR VOICE BE HEARD AND RESPECTED” Uncle Archie Roach VOTING IS OPEN FROM 16 SEPTEMBER – 20 OCTOBER 2019 Treaties are our self-determining right. They can give us justice for the past and hope for the future. The First Peoples’ Assembly of Victoria will be our voice as we work towards Treaties. The First Peoples’ Assembly of Victoria will be set up this year, with its first meeting set to be held in December. The Assembly will be a powerful, independent and culturally strong organisation made up of 32 Victorian Traditional Owners. If you’re a Victorian Traditional Owner or an Aboriginal or Torres Strait Islander person living in Victoria, you’re eligible to vote for your Assembly representatives through a historic election process. Your voice matters, your vote is crucial. HAVE YOU ENROLLED TO VOTE? To be able to vote, you’ll need to make sure you’re enrolled. This will only take you a few minutes. You can do this at the same time as voting, or before you vote. The Assembly election is completely Aboriginal owned and independent from any Government election (this includes the Victorian Electoral Commission and the Australian Electoral Commission). This means, even if you vote every year in other elections, you’ll still need to sign up to vote for your Assembly representatives. Don’t worry, your details will never be shared with Government, or any electoral commissions and you won’t get fined if you decide not to vote. -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
John Russell's Experience
John Russell’s experience John Russell, Soldiers’ Band member 1972–1974 from the UK has fond memories of his time in Ballarat. I started my involvement in music at a young age. First, trying the violin at about three years of age and taught by my father who was a good amateur violinist. In fact I really do not remember learning to read music; it just happened. Several years were spent at the piano and finally the cornet and trumpet. I played with an assortment of bands in and around my home town of Northampton both pure brass and also big bands for dances. All the time listening and learning from those around me. Finally I was off to uni to become a teacher with interests in both science and maths. Whilst in College Hall I met up with a fellow student and was introduced the ‘A’ Grade band sponsored by Watneys Brewery. The two guys that ran this band, Albert Meek (MD for the Royal Scots Greys) and its principal cornet Gwynne Price were also tutors at the army school of music, Kneller Hall, and were valuable contributors to my development as a player. I certainly had several interesting years with this band. However, in contesting terms there was another band in London that always seem to make top spot: Hanwell Silver Band. In due course I got invited to join Hanwell on soprano cornet and spent the rest of my time in England with them. Yes, many ‘A’ Grade contests were won and a number of recordings made. -
Submission by Ausfilm to the House of Representatives Standing Committee on Communications, Information Technology and the Arts
c~~CT\~c\ct\~1 ~brnission No. Aus’FILM Submission by AusFILM to the House of Representatives Standing Committee on Communications, Information Technology and the Arts Inquiry into the Future Opportunities for Australia’s Film, Animation, Special Effects and Electronic Games Industries July 2003 AusFILM is a unique collaboration between seventy corporate companies providing film, television and commercial production services, the seven state film agencies, the Department of Communications, IT and the Arts and DFAT through Austrade. Our mission is to position and market Australia as the world’s best destination and environment for film, television, commercials and other screen production. AusFILM International Inc Austrade Fox Studios Australia #12 Century Plaza Towers Driver Avenue 2049 Century Park East, 19~Floor Moore Park NSW 1363 Los Angeles, California 90067 Australia USA Tel: (+61 2)93834192 Fax: (+61 2)93834190 Tel: (+1 310) 229 4833 Fax: (+1 310) 277 2258 Email: [email protected] Email: [email protected] The greatest actors in the world now are Australian. / love the fact / have great crews there, the locations are fantastic, the soundstages are great.... I would shoot everything here.” - Joel Silver, Producer The Matrixtrilogy, two television pilots in 2003 “We had a great time at the studio. The sophistication of running the production was equalto anything that I have experienced anywhere in the world.” - George Lucas, Director, Star Wars “I.. .really enjoy working with the Australlan postproduction companies. [In 2002] we dedicated the post production work of all ourprojects to Australian companies as we trust they could produce the bestquality. -
Song Book 1 5Pm—PRE-SHOW ACTIVITIES 7
PRESENTED BY Song book 1 5PM—PRE-SHOW ACTIVITIES 7. 3 0 PM—MAIN CONCERT STARTS 9.30PM—FIREWORKS DISPLAY* *SUBJECT TO WEATHER BRIGHTON JAGUAR LAND ROVER A PROUD SPONSOR OF BAYSIDE CAROLS IN THE PARK BRIGHTON JAGUAR LAND ROVER 227 - 229 NEPEAN HWY, BRIGHTON (03) 9595 9999 brightonjaguar.com.au brightonlandrover.com.au PERFORMERS This year’s concert will feature The Southern Area Concert band together with Vocally Wild and Mosaic Choirs under the direction of Robert Dryden. Students from Sandringham East Primary and St Leonard’s College will also perform along with Theatre De La DanSe Special Guest - Michael Cormick Michael Cormick is an internationally renowned singer and actor with a diverse career throughout Australia, the United Kingdom and Europe. Australian credits include Beauty and the Beast (The Beast) - for which he won an Australian MO Award, Cats (Munkustrap), Joseph and the Amazing Technicolour Dreamcoat (Pharoah), Grease (Kenickie), Sunset Boulevard (Joe Gillis), The Rocky Horror Show (Eddie/Dr. Scott), Mamma Mia ! (Sam), Annie (Daddy Warbucks) Next To Normal (Dr Madden) and Blood Brothers (The Narrator). His international credits include lead roles in The Phantom of the Opera, Calamity Jane, Romeo & Juliet, Chess, Evita, End of the Rainbow and Lloyd Webber’s The Woman in White opposite Simon Callow and Anthony Andrews. Michael has also performed in concert throughout Europe, including Rome, Paris, Edinburgh and Cyprus. Along with frequent television appearances including Carols by Candlelight and the Terry Wogan Show (BBC London), Michael has featured as a guest performer in the Royal Command performances of The Phantom of the Opera and Les Miserables in London, the Australian Football League Grand Final entertainment, the official opening of Stadium Australia and the opening of the Christmas Festival at Royal Albert Hall, London. -
SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia
SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia Booklet available in English on Heft in deutscher Sprache erhältlich auf Livret disponible en français sur Folleto disponible en español en Folheto disponível em português em A füzet magyarul ezen a honlapon olvasható: Architecture.LEGO.com www.sydneyoperahouse.com 21012_BI.indd 1 13/10/2011 12:08 PM SYDNEy OpERa HOUSE™ Sydney Opera House is a masterpiece of late The massive concrete sculptural shells that form modern architecture and an iconic building of the 20th the roof of Sydney Opera House appear like billowing century. It is admired internationally and proudly treasured sails filled by the sea winds with the sunlight and cloud by the people of Australia. It was created by a young shadows playing across their shining white surfaces. Danish architect, Jørn Utzon (1918-2008), who understood Utzon envisaged it as being like to a Gothic cathedral the potential provided by the site against the stunning that people would never tire of and never be finished with. backdrop of Sydney Harbour. Today Sydney Opera House does not operate solely as a venue for opera or symphony, but also hosts a wide range of performing arts and community activities. These include classical and contemporary music, ballet, opera, theatre, dance, cabaret, talks and large scale public programs. Since its opening in 1973 over 45 million people have attended more than 100 000 performances, and it is estimated that well over 100 million people have visited the site. It is one of Australia's most visited tourist attractions, being the most internationally recognized symbol of the nation. -
Tethered a COMPANION BOOK for the Tethered Album
Tethered A COMPANION BOOK for the Tethered Album Letters to You From Jesus To Give You HOPE and INSTRUCTION as given to Clare And Ezekiel Du Bois as well as Carol Jennings Edited and Compiled by Carol Jennings Cover Illustration courtesy of: Ain Vares, The Parable of the Ten Virgins www.ainvaresart.com Copyright © 2016 Clare And Ezekiel Du Bois Published by Heartdwellers.org All Rights Reserved. 2 NOTICE: You are encouraged to distribute copies of this document through any means, electronic or in printed form. You may post this material, in whole or in part, on your website or anywhere else. But we do request that you include this notice so others may know they can copy and distribute as well. This book is available as a free ebook at the website: http://www.HeartDwellers.org Other Still Small Voice venues are: Still Small Voice Youtube channel: https://www.youtube.com/user/claredubois/featured Still Small Voice Facebook: Heartdwellers Blog: https://heartdwellingwithjesus.wordpress.com/ Blog: www.stillsmallvoicetriage.org 3 Foreword…………………………………………..………………………………………..………….pg 6 What Just Happened?............................................................................................................................pg 8 What Jesus wants you to know from Him………………………………………………………....pg 10 Some questions you might have……………………………………………………….....................pg 11 *The question is burning in your mind, ‘But why?’…………………....pg 11 *What do I need to do now? …………………………………………...pg 11 *You ask of Me (Jesus) – ‘What now?’ ………………………….….....pg -
Teacher's Notes 2007
Sydney Theatre Company and Sydney Festival in association with Perth International Festival present the STC Actors Company in The War of the Roses by William Shakespeare Teacher's Resource Kit Part One written and compiled by Jeffrey Dawson Acknowledgements Thank you to the following for their invaluable material for these Teachers' Notes: Laura Scrivano, Publications Manager,STC; Tom Wright, Associate Director, STC Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company The Wars of the Roses Teachers Notes © 2009 1 Contents Production Credits 3 Background information on the production 4 Part One, Act One Backstory & Synopsis 5 Part One, Act Two Backstory & Synopsis 5 Notes from the Rehearsal Room 7 Shakespeare’s History plays as a genre 8 Women in Drama and Performance 9 The Director – Benedict Andrews 10 Review Links 11 Set Design 12 Costume Design 12 Sound Design 12 Questions and Activities Before viewing the Play 14 Questions and Activities After viewing the Play 20 Bibliography 24 Background on Part Two of The War of the Roses 27 Sydney Theatre Company The Wars of the Roses Teachers Notes © 2009 2 Sydney Theatre Company and Sydney Festival in association with Perth International Festival present the STC Actors Company in The War of the Roses by William Shakespeare Cast Act One King Richard II Cate Blanchett Production