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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Buddy Holly Center Plaza
Buddy Holly Center Plaza Heath Barfield Olivia Sievers Ross Surinder Aulakh LARC 2402 Design Process Dr. Yi Luo “I’m not trying to stump anybody... It’s the beauty of the language that I’m interested in.” Studio Context Design - Heath Barfield Site Context Design - Olivia Sievers Ross Group Work Design - Surinder Aulakh Programming- Goals & Objectives Landscape Performance Benefits Case Studies Heath Barfield Inventory Olivia Sievers Ross Programming Surinder Aulakh Goals & Objectives - Heath Barfield Works Cited Goals & Objectives - Olivia Sievers Ross Goals & Objectives - Surinder Aulakh Site Analysis Heath Barfield Olivia Sievers Ross Surinder Aulakh Concept Plan Heath Barfield Olivia Sievers Ross Surinder Aulakh Heath Barfield Olivia Sievers Ross Surinder Aulakh Table of Contents Comprehension of physical, cultural and ecological issues at diverse scales allow for a designer to enrich the built environment with communal and social spaces. Enhancement and design decisions for the Buddy Holly Center are established with proprietary evidence. Site Inventory is a process which the designer uses to assess the context and Site Analysis is the interpretation of the forces influencing a site. Conceptual design is an iterative process which entails the designer to test, make and repeat until a refined design emerges. The methodologies implemented during the design development range from sketches, models, doodles, etc., thus, leading into finished documents. Studio Context Heath Barfield Olivia Sievers Ross Surinder Aulakh “The Buddy Holly Center, a historical site, has dual missions; preserving, collecting and promoting the legacy of Buddy Holly and the music of Lubbock and West Texas, as well as providing exhibits on Contemporary Visual Arts and Music, for the purpose of educating and entertaining the public. -
ACTRESS: LUCIA MÉTRAILLER/Imdb
ACTRESS: LUCIA MÉTRAILLER/IMDb NOTE: Text highlighted in yellow are clickable links HEADSHOTS / WEBSITE: http://www.actlucia.com WEB PAGE: https://www.actlucia.com/pages/pgfcvdtsrr.html CELL PHONE: (412) 726-2208 EMAIL: [email protected] (Website contains over 30 film/22 voiceover demo reels & headshots) FILMS/TV & WEB SERIES LITTLE MOUSE - (Horror/Feature Film) - April Larimer/Grandmother/Support Role/Director: Delaney Hathaway/Before I Wake Productions APPARITIONAL - (Psychological Thriller) - Suzanne/Psychic/Lead Role/Director: Lauren Keller/Point Park University Intermediate Directing Class NIAGRA FALLS - (Comedy/Web Series) - Eunice/Elderly Lady/Support Role/Director: Dayne Jefferson PAXI - (Psychological Thriller) - Dr. Rose Williams/Psychiatric Doctor/Lead Role/Director: Benjamyn/Point Park University THE ROUTES OF WILD FLOWERS - (IMDb/Adventure/Feature) - Janet/Divorced Mother/Lead Role/ Director: Jon M. Brence/Veriyoung Productions MISSED CUES - (IMDb/Comedy/Feature) - Ellen Taylor/News Anchor/Support Role/Director: Lisa Seelinger/ Seelinger Productions REFERENCE POINT- (IMDb/TV Series) - SEASON 2/EPISODE 2 - ONE YEAR EARLIER - Copier Killer/Copier Protector/ John Cantine REFERENCE POINT - (IMDb/TV Series) - SEASON 1/EPISODE 2 - LIKE A HAWK - Copier Killer/Copier Protector/ John Cantine REFERENCE POINT - (IMDb/TV Series) - SEASON 1/EPISODE 1 - NEW LIBRARIAN - Copier Killer/Copier Protector/ John Cantine WRONG NUMBER - (IMDb/Drama/Crime) - Rosemary/Mother/Support Role/Director: Eric Rogers/Screenwriter for NYPD Blue FIVE MINUTE MAKEOVER - (Comedy Series) - Lucia Smithe/British Nutritionist/Support Role/Director: Sola Oyinkansola Carnegie Mellon University SPACE AND TIME - (Sci Fi/Drama) - Older Sally/Sister dying in hospital/Support Role/Director: Ryan Sobota/Point Park University DOLORES CLAIBORNE - (Crime/Drama/Mystery) - Dolores Claiborne/Maid/Lead Role/Director: Jacob E. -
West Texas Fiddlers and the Buddy Holly Center "Hardy Pioneers" And
Carr: West Texas Fiddlers and the Buddy Holly Center West Texas Fiddlers and the B “Hardy Pioneers” and Amarillo’s Panhandle Fiddle Contests By Joe Carr In the period from 1928 to 1931, at least six fiddle contests were held in Amarillo, Texas, most under the auspices of the Tri-State Fair Association. Contemporary newspaper re- ports offer interesting insights into the workings of the contests and the activities of the contestants, giving us a fascinating glimpse into the lives and fortunes of numerous early Panhandle fiddlers, including noted musicians Eck Robertson, J. T. Wills - father of Western Swing legend Bob Wills, Jess Morris, and others.1 Census statistics indicate just over 15,000 Amarillo residents in 1920, and the town had grown to a city of 43,000 by 1930.2 Amarillo’s older citizens who noticed the changing landscape may have had fond memories of the old days, and the Old Fiddler contests gave them an opportunity to enjoy what was perceived as a fast dying art. The first All Panhandle Old Fiddlers Contest in Amarillo was Loyd obviously felt an appeal based on memories of the “old sponsored by the Tri-State Fair Association and directed by Dr. days” was the best approach to draw a crowd. His language pre- O. H. Loyd. It was held March 20, 1928, a Tuesday night, at the sents the frontier days as the long distant past while, in truth, city auditorium in conjunction with the Cattlemen’s Conven- only twenty years had past since the “days of the cowboy.” He 44 tion. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
Music One Sheet FINAL.Indd
THE music scene Talent is bursting at the seams in every corner of Lubbock, from the West Texas Walk of Fame to the Buddy Holly Center and beyond. On any given Guitar night, you can follow the sounds of live bands, two-steppin’ country, Top 40 and many more right into the heartbeat of Lubbock’s nightlife, the Depot Entertainment District. MUSIC EVENTS Buddy Holly Center Summer Showcase Lubbock Moonlight Musicals Each summer the Buddy Holly Center heats up with a The summer nights heat up in Lubbock with the sound courtyard full of music, food, drinks, dancing and fun. of hit musicals. Guests have the chance to enjoy a picnic Concerts are held every Thursday evening during the meal and a show under the stars at the Wells Fargo summer months, and patrons can enjoy original and unique Amphitheatre in beautiful Mackenzie Park. Group ticket Texas-made music. rates and motorcoach parking are available. Cactus Theater Lubbock Symphony Orchestra Constructed in 1937, this historical venue features live Offering performances throughout the year, including musical productions, theatrical plays and musicals. Well- during the holiday season, the Lubbock Symphony known classics and regionally written productions will Orchestra boasts nationally-known guest conductors and entertain audiences of all ages year-round. soloists. Group ticket rates and motorcoach parking are available. Celebrity Attractions Broadway Series Celebrity Attractions brings world-famous performances National Cowboy Symposium and Celebration to the “Hub City.” Attendees will enjoy shows including Every September in Lubbock, one of the largest “Camelot” and “Broadway Holiday.” Group ticket rates and gatherings of cowboys in the world takes place. -
Feminist Theory and Postwar American Drama
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 Feminist Theory and Postwar American Drama Gayle Austin The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2149 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Oregon Shakespeare Festival Production History = 1990S 1991
Oregon Shakespeare Festival Production History = 1990s 1991 saw the retirement of Jerry Turner, and the appointment of Henry Woronicz as the third Artistic Director in the Festivals 56 year history. The year also saw our first signed production, The Merchant of Venice. The Allen Pavilion of the Elizabethan Theatre was completed in 1992, providing improved acoustics, sight-lines and technical capabilities. The Festival’s operation in Portland became an independent theatre company — Portland Center Stage — on July 1, 1994. In 1995 Henry Woronicz announces his resignation and Libby Appel is named the new Artistic Director of the Festival. The Festival completes the canon for the third time in 1997, again with “Timon of Athens.” The Festival’s production of Lillian Garrett-Groag’s The Magic Fire plays at the Kennedy Center in Washington DC from November 10 through December 6, 1998, and is selected by Time Magazine as one of the year’s Ten Best Plays. In this decade the Festival produced these World Premieres, including adaptations: 1990 - Peer Gynt,1993 - Cymbeline, 1995 - Emma’s Child, 1996 - Moliere Plays Paris, 1996 – The Darker Face of the Earth, 1997 - The Magic Fire, 1998 - Measure for Measure, 1999 - Rosmersholm,1999 - The Good Person of Szechuan Year Production Director Playwright Theatre 1990 Aristocrats Killian, Philip Friel, Brian Angus Bowmer Theatre 1990 At Long Last Leo Boyd, Kirk Stein, Mark Black Swan 1990 The Comedy of Errors Ramirez, Tom Shakespeare, William Elizabethan Theatre 1990 God's Country Kevin, Michael Dietz, Steven Angus Bowmer Theatre 1990 Henry V Edmondson, James Shakespeare, William Elizabethan Theatre 1990 The House of Blue Leaves McCallum, Sandy Guare, John Angus Bowmer Theatre 1990 The Merry Wives of Windsor Patton, Pat Shakespeare, William Angus Bowmer Theatre 1990 Peer Gynt Turner, Jerry Ibsen, Henrik Angus Bowmer Theatre 1990 The Second Man Woronicz, Henry Behrman, S.N. -
UE Theatre Viewbook
Department of Theatre 1800 Lincoln Avenue Evansville, Indiana 47722 theatre.evansville.edu [email protected] University of Evansville Theatre 812.488.2744 Educating future professionals. PERFORMANCE Bachelor of Fine Arts Bachelor of Science PEER GYNT, May Studio Theatre EXPERIENCE Performance majors experience in-depth UE THEATRE... classroom training in improvisation, games, clowning, voice and speech, movement, UE Theatre encourages students to explore the script analysis, character and scene study full breadth of career development opportunities (utilizing contemporary and classical texts), available to them throughout the entertainment as well as advanced audition techniques. industry. The mentoring of each student’s This comprehensive curriculum prepares HAMLET, Shanklin Theatre particular strengths and talents is coupled with them to work on a wide range of material practical experiences in auditions, mock job in multiple mediums. interviews, portfolio development, and a true desire to foster personal and professional success for Mainstage and studio productions, student- every graduate. directed projects, classroom work, and UE Theatre productions provide purposeful experiences tailored to challenge and cultivate growth in an staged readings, as well as a traveling individual student’s path as a theatre artist. Students have the opportunity to work in all three venues: Shakespeare troupe, allow actors to the 482-seat Shanklin Theatre, the versatile May Studio Theatre, and the newly created John David Lutz further develop and perfect their craft in a Theatre Lab. variety of hands-on settings. THE WOLVES, May Studio Theatre Theatre Studies majors must be of the highest THEATRE STUDIES academic caliber, possess demonstrated talent, THEATRE MANAGEMENT and exhibit an interest and proficiency in Bachelor of Science several areas of theatre. -
Cast Setting
Directed by Belinda (Be) Boyd CAST (in alphabetical order) Evan...........................................................................................BRYANT BENTLEY* Jason...........................................................................................AUSTIN CARROLL Chris........................................................................................DYLAN T. JACKSON* Cynthia.................................................................................TRACEY CONYER LEE* Stan...........................................................................JOHN LEONARD THOMPSON* Tracey.........................................................................................KIM COZORT KAY* Jessie...........................................................................................JENNIFER JONES Oscar........................................................................................GABRIELL SALGADO Brucie........................................................................................BRANDON MORRIS Stage Directions...........................................................................IAIN BATCHELOR* SETTING Reading, Pennsylvania 2000/2008 *Member of Actors’ Equity Association the union of Professional Actors and Stage Managers in the United States BRYANT BENTLEY (Evan) is a native TRACEY CONYER LEE (Cynthia) of Dayton, Ohio and now resides in appeared as Billie Holiday in PBD’s Columbus. He’s been a professional production of Lady Day at Emerson’s actor for 20 years, and is excited Bar & Grill. Recent -
Ridin' Old Paint: Documenting the Canadian River Breaks Fiddle
Wilkinson: Ridin' Old Paint W uddy Holly Center Pioneers”“Hardy Fiddlers and the Buddy Holly Center • Texas est Ridin’ Old Paint: Documenting the Canadian River Breaks Fiddle Tradition By Andy Wilkinson I did the best part of my growing up and got the best part of my education around the cowboys in the Canadian River Breaks of Texas. We lived on a relatively small outfit, but we were surrounded by the big outfits-the Bivins Coldwater Cattle Com- pany, the Killgores, the upper Matadors down the road. When we went to Channing to get supplies cowboys still tethered their horses and walked the short main street, and the air was filled with the sound of spurs jingling in unison with the clop of bootheels on the old boardwalk where the cowboys strolled in full regalia. When I was very young I thought of these cowboys as gods and wanted to walk and talk like them, be like them, know and live by their ways. The Breaks were full of music. My four sisters sang like angels in the shape-note harmonies of the old gospel music. I would discover that there were many fine musi- cians, poets and even laymen scholars steeped in the classics among the cowboys. We were Primitive Baptists and I was in my teens before I could devise my itinerary in 49 such a way that I could go to the cowboy dances. I had already learned from them some of the old songs, but when I heard their string band ensembles playing the old fiddle music, I knew I would always be a better listener than performer. -
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll.